'Revolution on Canvas' presents another collection of poetry from some of the country's most popular indie-rock bands, including Deftones, Fall Out Boy, Armor For Sleep, and Say Anything.

    Lying still in snow,not iron-willed, like railroad tracks, willingnot to meet until heaven, but here and theretreading slubby kissing stops, our trackswobble across the snow their long scratch.So many things that happen here are really little more,if even that, than a scratch, too. Words, in our mouths,are almost ready, already, to bandage the onewhom the scritch scritch scritch, meaning if how whenwe might lose each other, scratches scratches scratchesfrom this moment to that. Then I will go backto that silent evening, when the past just managedto overlap the future, if only by a trace,and the light doubles and caststhrough the dark a sparkling that heavens the earth.

    This series features classic tales retold with color illustrations to introduce literature to struggling readers. Each 64-page eBook retains key phrases and quotations from the original classics. You'll be kept in suspense with these four Edgar Allan Poe short stories! The Pit and the Pendulum, The Fall of the House of Usher, The Cask of Amontillado, The Murders in the Rue Morgue.

    He evokes the unspeakable ironies of Auschwitz and the light-blasted streets of Hiroshima. He conducts the reader through Lion Grove in Suzhou, China, and across the Golden Gate Bridge on its fiftieth anniversary. Throughout, he displays the lyricism and attentiveness that distinguish the best poets of every era."Clear as a glacial pool, often as deep, Vikram Seth's new poems shine with unfashionable virtues. Seth gives joy by writing brilliantly well, unafraid to feel and to start us feeling." -- X. J. Kennedy

    Featuring: Jack Kerouac, Allen Ginsberg, William Burroughs, Gary Snyder, Neal Cassady, Gregory Corso, Diane Di Prima, Bob Dylan, Ken Kesey, Charles Bukowski, Michael McClure, and more.

    In this hilarious book of tongue-in-cheek poetry, the author of the internationally syndicated comic strip Sally Forth helps cats unlock their creative potential and explain their odd behaviour to ignorant humans. With titles like Who Is That on Your Lap?, This Is My Chair, Kneel Before Me, Nudge, and Some of My Best Friends Are Dogs, the poems collected in I Could Pee on This perfectly capture the inner workings of the cat psyche. With photos of the cat authors throughout, this whimsical volume reveals kitties at their wackiest, and most exasperating (but always lovable).

    With the wisdom of a literary archaeologist-astronomer-anthropologist-zookeeper, he leads us through histories, fables, and meditations about the ten thousand things in the universe: the wind and the rhinoceros, Catholic saints and people named Chang, the Mandaeans on the Iran-Iraq border and the Kaluli in the mountains of New Guinea. Among the thirty-five essays included are a poetic biography of the prophet Muhammad, which was praised by the London Times for its "great beauty and grace," and "The Stars," a reverie on what's up there that has already been translated into Arabic, Chinese, Hindi, and Maori.

    written after a two-year sea voyage starting in 1834.While at Harvard College, Dana had an attack of the measles, which affected his vision. Thinking it might help his sight, Dana, rather than going on a Grand Tour as most of his fellow classmates traditionally did (and unable to afford it anyway) and being something of a non-conformist, left Harvard to enlist as a common sailor on a voyage around Cape Horn on the brig Pilgrim. He returned to Massachusetts two years later aboard the Alert (which left California sooner than the Pilgrim).He kept a diary throughout the voyage, and after returning he wrote a recognized American classic, Two Years Before the Mast, published in 1840, the same year of his admission to the bar.

    Baldwin's language is deceptively simple--this poetry is easily understood. But the emotions behind the words go to the core not only of the poet's soul, but of America's. Readers will see Baldwin here in both a familiar and an altogether different light.

    Johns River in Jacksonville, Florida, is tormented by the thought that maybe his aunt is lying to him about how his mother died. To find the truth he has to overcome his fears: the local bully, the large dark shapes that he imagines in the middle of the dock at night, and the thought that maybe his brother is right, he's just a warped kid who thinks too much. Will he find the courage to stand and fight? Q&A with Lawton Paul Q: What sparked this novel? A: Two things. One: I wanted my kids to know where I came from. The very southern setting—North Florida on the St. Johns river, is where I grew up. And I wanted to give them a feel for that time and place. Watching the sunrise on a stinky crab boat in the St. Johns—what could be better? And the second thing: When I'm not writing, I'm teaching kids. I see a lot of young people who have such promise but for some reason or another, give up right before they're about to make headway. I see my own kids struggling at certain points in their lives. And one thought keeps coming back: don't give up. So I wanted Jesse (main character in Seagull) to really have some heavy issues to navigate through: the death of his mother, Johnny the bully, and of course, the girl, Hailey. You'll have to read the book (savvy marketing ploy alert!) to find out how it all turned out for Jesse. Q: Why should readers give this novel a try? A: If I've done my job well, you'll enjoy the ride and maybe even get that little happy-glow feeling at the end like you just watched Rocky again, or someone said your hair looks nice, or you got an “A” on a pre-calc test. (Another genius bit of marketing there.) Q: What kind of book is Seagull? A: It's a coming of age southern novel with a young main character that should appeal to fiction readers of all ages. Younger readers will sympathize with our teen heroes Jesse and Matty and adult readers will be taken back to earlier days. My style has a literary feel, but the story is plot-driven and suspenseful, especially at the end. And even has a hint of romance. Thanks for giving Seagull a try. Please let me know what you thought of it. —Lawton Paul

    Here are verses, comic and sad, radiantly pure and plainspoken, that reveal why her stories have been praised for their precision and musicality of language.

    She writes about giving up too much of yourself to someone else, not fitting in, endlessly Googling “how to be happy,” and ultimately figuring out who you are.This hardcover collection features completely new material plus some fan favorites from Caroline's account. Filled with haunting, spare pieces of original art, Light Filters In will thrill existing fans and newcomers alike.it’s okay if some thingsare always out of reach.if you could carry all the starsin the palm of your hand,they wouldn’t behalf as breathtaking

    Wolfe's brilliant first book -- a collection of essays that introduced us to the Sixties, to extravagant new styles of life that had nothing to do with the "elite" culture of the past.

    In 1919, award-winning poet Eve L. Ewing explores the story of this event—which lasted eight days and resulted in thirty-eight deaths and almost 500 injuries—through poems recounting the stories of everyday people trying to survive and thrive in the city. Ewing uses speculative and Afrofuturist lenses to recast history, and illuminates the thin line between the past and the present.

    You must first approach the subject with the proper sense of perception, with the ability to visualize the finished print before you commit a scene to pixels, but still be flexible and spontaneous. Master Fine Art photographer Vincent Versace has spent his career learning and teaching the art of perception and how to translate it into stunning images. In Welcome to Oz,  he delves into what it means to approach digital photography cinematically, to use your perception, your camera, and Photoshop to capture the movement of life in a still image. Features: Adapt your workflow to the image so you always know how best to use your tools Turn a seemingly impossible photographic scenario into a successful image Practice “image harvesting” to combine the best parts of  many captures to create an optimum final result Create black and white prints that have the look, feel and “richness” of traditional silver prints without ever leaving the RGB color space 224 pages.