The Catholic Historical Review Marguerite Porete: The Mirror of Simple Souls translated and introduced by Ellen L. Babinsky preface by Robert E. Lerner LOVE: This Soul has within her the mistress of the Virtues, whom one calls Divine Love, who has transformed her completely into herself, is united to her, and which is why this Soul belongs neither to herself nor to the Virtues. Reason: But who are you, Love? says Reason. Are not you one of the Virtues with us even though you be above us? Love: I am God, says Love, for Love is God and God is Love, and this Soul is God by the condition of Love. Thus this precious beloved of mine is taught and guided by me, without herself, for she is transformed into me, and such a perfect one, says Love, takes my nourishment. Marguerite Porete (?-1310) We know very little about Marguerite Porete, only that she was a beguine from Hainaut who was burned at the stake as a relapsed heretic in 1310. She might have been a solitary itinerant beguine who expounded her teachings to interested listeners. She wrote The Mirror of Simple Souls in Old French sometime between 1296 and 1306. The format of the text is a dialogue among allegorical figures who represent the nature of the relation between the soul and God. The fundamental structure of the discourse is grounded in traditional Neoplatonist philosophy, and courtly language is used to express theological abstractions. The Mirror is a theological treatise which analyzes how love in human beings is related to divine love, and how the human soul by means of this relation may experience a lasting union of indistinct ion with God in this life. This is the first modern English translation of the complete text. The translation is based on a critical edition of the Old French and Latin versions of The Mirror. The introduction sets The Mirror in the maelstrom of political and ecclesiastical tensions and conflicts, and offers an analysis of the French beguine's thought.

    This one-volume survey of the history of the Catholic Church--from its beginning through the pontificate of John Paul II--explains the Church's progress by using Christopher Dawson's division of the Church's history into six distinct "ages," or 350-400 year periods of time.

    The Life You Save May Be Your Own is their story - a vivid and enthralling account of great writers and their power over us.Thomas Merton was a Trappist monk in Kentucky; Dorothy Day the founder of the Catholic Worker in New York; Flannery O'Connor a "Christ-haunted" literary prodigy in Georgia; Walker Percy a doctor in New Orleans who quit medicine to write fiction and philosophy. A friend came up with a name for them - the School of the Holy Ghost - and for three decades they exchanged letters, ardently read one another's books, and grappled with what one of them called a "predicament shared in common."A pilgrimage is a journey taken in light of a story; and in The Life You Save May Be Your Own Paul Elie tells these writers' story as a pilgrimage from the God-obsessed literary past of Dante and Dostoevsky out into the thrilling chaos of postwar American life. It is a story of how the Catholic faith, in their vision of things, took on forms the faithful could not have anticipated. And it is a story about the ways we look to great books and writers to help us make sense of our experience, about the power of literature to change - to save - our lives.

    Using everyday language to explain difficult theological concepts, Teresa of Avila compares the contemplative life to a castle with seven chambers. Tracing the passage of the soul through each successive chamber, she draws a powerful picture of the path toward spiritual perfection. It is the most sublime and mature of Teresa's works, offering profound and inspiring reflections on such subjects as self-knowledge, humility, detachment, and suffering.One of the most celebrated works on mystical theology in existence, as timely today as when St. Teresa of Avila wrote it centuries ago, this is a treasury of unforgettable maxims on self-knowledge and fulfillment.

    He regards her as one of the great thinker who has helped shape the thought of the Catholic Church.Today there are many websites and Hildegard groups that celebrate and honor Hildegard's teachings, philosophy, art, and music. Author Matthew Fox writes in Hildegard of Bingen about this amazing woman and what we can learn from her.In an era when women were marginalized, Hildegard was an outspoken, controversial figure. Yet so visionary was her insight that she was sought out by kings, popes, abbots, and bishops for advice. A sixteenth century follower of Martin Luther called her “the first Protestant” because of her appeals to reform the church.As a writer, composer, philosopher, Christian mystic, Benedictine abbess, healer, artist, feminist, and student of science, Hildegard was a pioneer in many fields in her day.For many centuries after her death Hildegard was ignored or even ridiculed but today is finally being recognized for her immense contribution to so many areas, including our understanding of our spiritual relationship to the earth—a contribution that touches on key issues faced by our planet in the 21st century, particularly with regard to the environment and ecology.

    Benedict has for centuries been the guide of religious communities. St. Benedict's rules of obedience, humility, and contemplation are not only prerequisites for formal religious societies, they also provide an invaluable model for anyone desiring to live more simply. While they presuppose a certain detachment from the world, they provide guidance and inspiration for anyone seeking peace and fulfillment in their home and work communities. As prepared by the Benedictine monk and priest Timothy Fry, this translation of The Rule of St. Benedict can be a life-transforming book. With a new Preface by Thomas Moore, author of The Care of the Soul."God is our home but many of us have strayed from our native land. The venerable authors of these Spiritual Classics are expert guides--may we follow their directions home."--Archbishop Desmond Tutu

    Acclaimed as the definitive account of these epochal events, Diarmaid MacCulloch's award-winning history brilliantly recreates the religious battles of priests, monarchs, scholars, and politicians--from the zealous Martin Luther and his Ninety-Five Theses to the polemical John Calvin to the radical Igantius Loyola, from the tortured Thomas Cranmer to the ambitious Philip II. Drawing together the many strands of the Reformation and Counter-Reformation, and ranging widely across Europe and the New World, MacCulloch reveals as never before how these dramatic upheavals affected everyday lives--overturning ideas of love, sex, death, and the supernatural, and shaping the modern age.

    Many people who visit communities for retreats and quiet days look for help in integrating into their daily lives some of the things they see and experience. This handbook will help people follow the Rule of Benedict as it explains the essential elements of Benedictine spirituality. It provides information on the spread of the Benedictine movement, its outstanding figures, and the main branches of the Benedictine family today. It also includes a simple version of the Daily Office and a collection of Benedictine devotions. It is a member's handbook" that deepens the sense of belonging among those who seek regular contact with a Benedictine community.The Benedictine Handbook will appeal to a broad range of readers who may or may not be familiar with Benedictine literature. The contributors to The Benedictine Handbook come from Benedictine backgrounds in the United States and Europe.Chapters and contributors include in Part One: Tools of Benedictine Spirituality *The Work of God, - by Demetrius Dumm; *Lectio Divina, - by Michal Casey; *Prayer, - by Mary Forman; *Work, - by Lauren McTaggart; *Perseverance, - by Kym Harris; *The Vows, - by Richard Yeo; and *Hospitality, - by Kathleen Norris. Part Two: The Benedictine Experience of God includes *A Simple Daily Office, - by Fr. Oswald; *Benedictine Prayers, - by Fr. Anthony; *A Benedictine Who's Who, - by Robert Atwell; and *Benedictine Holy Places, - by ColmanO'Clabaigh. Part Three: Living the Rule includes *In Community, - by Columba Stewart; *In Solitude, - by Maria Boulding; *As Oblates, - by Patrick Phelan; and *In the World, - by Esther de Wall. Part Four: The Benedictine Family includes *A Short History, - by Joe Rippinger; *Benedictine Orders, - by Dominic Milroy; and *The Cistercian Tradition, - by Nivard Kinsella. The contributors to Part Five: A Glossary of Benedictine Terms are Terrence Kardong and Jill Maria Murdy. A Benedictine Handbook also includes *Preface to the Rule, - by Patrick Barry; and *The Rule (Patrick Barry's Version). -"

    Benedict was not interested in fame, power, or legacy. He was only interested in living the Christian life to the fullest and helping those around him to do the same. The rest is history—and the work of Providence. St. Benedict is regarded as the Father of the Benedictine Order of both religious men and women that follow his Rule, a key principle of which is ora et labora—pray and work. Today, many people wear holy medals of St. Benedict, invoking his intercession for protection against the powers of evil. Not only consecrated religious but also many lay people find inspiration in his call to balance, discipline, and prayer. Historically, St. Benedict helped bridge the early Church with the medieval period by standing on the shoulders of the fathers of the monastic tradition and bringing that tradition solidly into a new era.

    In the pages of this book, internationally recognized teacher Richard Rohr circles around this most paradoxical idea as he explores the nature of God—circling around being an apt metaphor for this mystery we're trying to apprehend. Early Christians who came to be known as the "Desert Mothers and Fathers" applied the Greek verb perichoresis to the mystery of the Trinity. The best translation of this odd–sounding word is dancing. Our word choreography comes from the same root. Although these early Christians gave us some highly conceptualized thinking on the life of the Trinity, the best they could say, again and again, was, Whatever is going on in God is a flow—it's like a dance. But God is not a dancer—He is the dance itself. That idea might sound novel, but it is about as traditional as you can get. God is the dance itself, and He invites you to be a part of that dance. Are you ready to join in?

    He contrives a style of speech for his narrator--Godric himself--that's brisk and tough-sinewed...He avoids metaphysical fiddle, embedding his narrative in domestic reality--familiar affection, responsibilities, disasters...All on his own, Mr. Buechner has managed to reinvent projects of self-purification and of faith as piquant matter for contemporary fiction [in a book] notable for literary finish...Frederick Buechner is a very good writer indeed." — Benjamin DeMott, The New York Times Book Review"From the book's opening sentence...and sensible reader will be caught in Godric's grip...Godric glimmers brightly." — Peter S. Prescott, Newsweek"Godric is a memorable book...a marvelous gem of a book...destined to become a classic of its kind." — Michael Heskett, Houston Chronicle"In the extraordinary figure of Godric, both stubborn outsider and true child of God, both worldly and unworldly, Frederick Buechner has found an ideal means of exploring the nature of spirituality. Godric is a living battleground where God fights it out with the world, the Flesh, and the Devil." — London Times Literary Supplement"With a poet's sensibly and a high reverent fancy, Frederick Buechner paints a memorable portrait." — Edmund Fuller, The Wall Street Journal

    It is not surprising that, as a Christian, von Balthasar finds the meaning of history in Christ, its Center and Lord. What may surprise--as it will surely stimulate--is the theological mastery with which von Balthasar traces the effects of Christ's lordship upon the daily life of the Christian. In this book we have one of the indispensable sources for understanding Balthasar's Catholic Christocentrism. Here we find elaboration of the striking statement that Jesus Christ is "the Idea made concrete, personal, historical: universale concretum et personale"--which, put otherwise, means that Christ is the universally valid in the here and now. Characteristic of Balthasar, the book inspires as much spiritually as it informs theologically.

    Using as an illustration her own spiritual journey from certainty to doubt to faith, Evans challenges you to disentangle your faith from false fundamentals and to trust in a God who is big enough to handle your tough questions.In a changing cultural environment where new ideas seem to threaten the safety and security of the faith, Faith Unraveled is a fearlessly honest story of survival.This book is also available, with this same ISBN entitled "Faith Unraveled: How a Girl Who Knew All the Answers Learned to Ask Questions"...with a published date of 2010 by Zondervan...it has the reddish cover, not this cover.

    Cathleen Medwick shows us a powerful daughter of the Church and her times who was a very human mass of contradictions: a practical and no-nonsense manager, and yet a flamboyant and intrepid presence who bent the rules of monastic life to accomplish her work--while managing to stay one step ahead of the Inquisition. And she exhibited a very personal brand of spirituality, often experiencing raptures of an unorthodox, arguably erotic, nature that left her frozen in one position for hours, unable to speak. Out of a concern for her soul and her reputation, her superiors insisted that she account for every voice and vision, as well as the sins that might have engendered them, thus giving us the account of her life that is now considered a literary masterpiece. Medwick makes it clear that Teresa considered her major work the reform of the Carmelites, an enterprise requiring all her considerable persuasiveness and her talent for administration. We see her moving about Spain with the assurance (if not the authority) of a man, in spite of debilitating illness, to establish communities of nuns who lived scrupulously devout lives, without luxuries. In an era when women were seldom taken seriously, she even sought and received permission to found two religious houses for men.        In this fascinating account Cathleen Medwick reveals Teresa as both more complex and more comprehensible than she has seemed in the past. She illuminates for us the devout and worldly woman behind the centuries-old iconography of the saint.From the Hardcover edition.

    It is also a study of gender, that is, a study of how sex roles and possibilities are conceptualized by both men and women, even though asymmetric power relationships and men's greater access to knowledge have informed the cultural construction of categories such as "male" and "female," "heretic" and "saint." Finally, these essays are about the creativity of women's voices and women's bodies.Bynum discusses how some women manipulated the dominant tradition to free themselves from the burden of fertility, yet made female fertility a powerful symbol; how some used Christian dichotomies of male / female and powerful / weak to facilitate their own imitatio Christi, yet undercut these dichotomies by subsuming them into humanitas. Medieval women spoke little of inequality and little of gender, yet there is a profound connection between their symbols and communities and the twentieth-century determination to speak of gender and "study women."