Yellow Tulips is a gathering from four decades of work by a writer described by the Observer as 'the most talented poet of his generation'.Winner of both the Queen's Gold Medal and the Whitbread Prize for Poetry, James Fenton has given readers some of the most memorable lyric verse of the past decades, from the formal skill that marked his debut, Terminal Moraine, to the dramatic and political monologues of The Memory of War and Children in Exile, through to the unforgettable love poems of Out of Danger.This assembly, made by the author himself, includes a generous offering of his most recent, uncollected work: it is an essential selection by, as Stephen Spender put it, 'a brilliant poet of technical virtuosity'.

    The present edition offers the complete poems together with detailed editorial apparatus in what has become acknowledged as the standard edition by R. George Thomas. It also includes Thomas's remarkable prose War Diary of 1917.

    MacNeice's work matches the world he famously described as 'incorrigibly plural.'Michael Longley, himself a distinguished Ulster poet, has written an introductory essay of meticulous advocacy. His wife, the critic Edna Longley, has supplied the apparatus for students and the general reader.

    Three years before he wrote it, Waugh suffered "a brief bout of hallucination" similar to the one that besets Mr. Pinfold in this wildly witty and occasionally frightening novel.A successful, middle-aged novelist with a case of "bad nerves," Gilbert Pinfold embarks on a recuperative trip to Ceylon. Almost as soon as the gangplank lifts, Mr. Pinfold hears sounds coming out of the ceiling of his cabin: wild jazz bands, barking dogs, loud revival meetings. He can only infer that somewhere concealed in his room an erratic public-address system is letting him hear everything that goes on aboard ship. And then, instead of just sounds, he hears voices. But they are not just any voices. These voices are talking, in the most frightening intimate way, about him!

    Emotionally distant but highly successful Edward Feathers, his beautiful wife Betty, and his devilishly handsome professional rival (and Betty's one-time lover) Edward Veneering are the anchors of this series, with each novel focusing on a differenct character. Feathers was a "raj orphan"--children bown in Far East British colonies and raised in England--while Veneering's own path to legal renown is a Dickensian as his name. Filth and his circle tell a bittersweet tale of enduring friendship while contending with the disappointments and consolations of age as a once-insurmountable empire declines around them. Told with Jane Gardam's customary wit, the Old Filth trilogy is a deeply humane and often comic portrait of aging and a reminder that the experiences we choose to take with us in our twilight years are as unforgettable--and unpredictable as life itself.

    Another notable feature is the inclusion of poems from his books for younger readers, 'What is the Truth?' and 'Season Songs'.

    'People say I married her for her money', he thought contentedly, and for the moment was full of the self-respect that loving her had given him.Kate Heron is a wealthy, charming widow who marries, much to the disapproval of friends and neighbours, a man ten years her junior: the attractive, feckless Dermot. Then comes the return of Kate's old friend Charles - intelligent, kind and now widowed, with his beautiful young daughter. Kate watches happily as their two families are drawn together, finding his presence reassuringly familiar, but slowly she becomes aware of subtle undercurrents that begin to disturb the calm surface of their friendship. Before long, even she cannot ignore the gathering storm . . .

    The Empty House is about being in love with the wrong man; The Day of the Storm is about discovering family—and its secrets; and Under Gemini is about deception. A wonderful new omnibus edition of three full-length novels by one of America's favorites.

    In the not-so-gentle hands of Dan Fante, this book of new poetry is more akin to surgery or the body shop than to the techniques of music and painting. Fante excises whole slices of life and lays them bare for us in inspect. Pain and self-mocking humor are the writer's tools here. He pries open and exposes his heart with the kindness of a hammer or crowbar. Indeed, what could be more ego-sizing than to have all pretense flattened, laying bare the raw self underneath? "Dan Fante allows us a glimpse of the Southern California demimonde that surely escaped his father's attention"--Los Angeles Times Book Review.

    Philip Larkin's second collection, The Less Deceived was published by The Marvell Press in 1955, and now appears for the first time in Faber covers.The eye can hardly pick them out From the cold shade they shelter in, Till wind distresses tail and mane; Then one crops grass, and moves about - The other seeming to look on - And stands anonymous again.from 'At Grass'

    Life for these women is trying: some of them are married to alcoholics, some are victims of abuse; one is old and near death, another is still a child but has the experience of an adult; all are struggling to survive. First published in 1982, it was made into the film Stanley & Iris by MGM in 1989, starring Robert DeNiro and Jane FondaBlow Your House Down, Barker's second novel, also portrays the lives of women in industrial England--but these women are prostitutes, living in a northern England city that is stalked by a vicious, Jack the Ripper-style serial killer who is singling out women with nowhere else to go.

    . . it is possible that he will attain the sort of proverbial status Larkin now occupies.' Sean O'Brien, The Deregulated Muse

    "On gray days when most modern poetry seems one dull colorless voice speaking through a hundred rival styles, one turns to Stevie Smith and enjoys her unique and cheerfully gruesome voice. She is a charming and original poet," commented Robert Lowell about the book that introduced Stevie to American readers, her Selected Poems (New Directions, 1964). The Selected won her many enthusiasts, but it was not until the release of Hugh Whitemore’s film Stevie in 1981 that her poetry found a wider audience and sent that little book repeatedly back to press. The title of Miss Smith’s first published collection (London, 1937) was A Good Time Was Had By All, and indeed that is what her poetry, embroidered by her delightful, apposite doodles, provides. It brings us too into the company of wit, irony, and, as Brendan Gill remarked, "images of joy and terror." A Newsweek reviewer wrote, "Even in the lightest of her verse, the briefest epigram, there is a resonance, the reverberation of a triangle, if not a gong."

    Most of the stories, including such improbable ones as "Kill Them! Kill Them!," "The Whitaker Negroes" & "A Toast to Ava Gardner" are, the author insists, true. Written between 1924 & 1962, each stands on its own; but together, as autobiography, this collection makes a fascinating companion to GOODBYE TO ALL THAT, Robert Graves' famous account of his life at Charterhouse School & as a young officer in WWI.

    After five people die in an unexplained house fire, club manager Frank Prentice pleads guilty-but nobody believes him, least of all the police. When Frank's brother Charles arrives, intent on unravelling the mystery, gradually he uncovers the secret world behind the resort's civilized image.