It follows the life of Don Wanderhop from his childhood in an immigrant Calvinist family living in Chicago in the 1950s through the loss of a brother, his faith, his wife, and finally his daughter-a tragedy drawn directly from De Vries's own life. Despite its foundation in misfortune, The Blood of the Lamb offers glimpses of the comic sensibility for which De Vries was famous. Engaging directly with the reader in a manner that buttresses the personal intimacy of the story, De Vries writes with a powerful blend of grief, love, wit, and fury.

    Perhaps they married too young and started a family too early. Maybe Frank's job is dull. And April never saw herself as a housewife. Yet they have always lived on the assumption that greatness is only just around the corner. But now that certainty is now about to crumble. With heartbreaking compassion and remorseless clarity, Richard Yates shows how Frank and April mortgage their spiritual birthright, betraying not only each other, but their best selves.

    Originally published in 1961, this Welsh-language novel has been eloquently translated into English by Philip Mitchell, perhaps garnering Prichard the wide recognition his novels have long enjoyed in his native land. Less a novel than a loosely connected series of tales, Prichard peoples his fictional world with characters such as Grace Ellen Shoe Shop, Will Starch Collar, and Johnny Beer Barrel. Though One Moonlit Night has its lighter moments, its story is primarily a sad one: the narrator's mother is sent to an insane asylum; one close friend dies of tuberculosis while another moves away; village men die in the faraway killing fields of the war as the loved ones they leave behind live in unrelenting poverty. Eventually, something terrible happens.In One Moonlit Night, perfection is in the details--the loving evocations of the townspeople and the physical and emotional landscapes they inhabit. Dark as it is at times, Prichard's tragic tale is leavened by humor and illuminated by prose that is lyrical and deeply stirring.

    The novel has a delicate tangle of schemes and unfulfilled dreams, hidden secrets and a castle or two. Told wonderfully in the deadpan honesty that has become a Pym hallmark, this book is a delight.

    But the people who came to be called “survivors” could not avoid their memories. Sol Nazerman, protagonist of Edward Lewis Wallant’s The Pawnbroker, is one such sufferer.At 45, Nazerman, who survived Bergen-Belsen although his wife and children did not, runs a Harlem pawnshop. But the operation is only a front for a gangster who pays Nazerman a comfortable salary for his services. Nazerman’s dreams are haunted by visions of his past tortures. (Dramatizations of these scenes in Sidney Lumet’s 1964 film version are famous for being the first time the extermination camps were depicted in a Hollywood movie.)Remarkable for its attempts to dramatize the aftereffects of the Holocaust, The Pawnbroker is likewise valuable as an exploration of the fraught relationships between Jews and other American minority groups. That this novel, a National Book Award finalist, manages to be both funny and weighty, makes it all the more tragic that its talented author died, at age 36, the year after its publication. The book sold more than 500,000 copies soon after it was published.

    A small-town druggist dying of leukemia calls himself and his community to account in this tale of change and changelessness, of death and the death-in-life that is hate. It is a tale, as McCullers herself wrote, of "response and responsibility--of man toward his own livingness."

    At 15, she moves to the home of a "liberal" uncle in Lucknow. Here, during the 1930s, as the struggle for independence sharpens, Laila is surrounded by relatives and university friends caught up in politics. But Laila is unable to commit herself to any cause: her own fight for independence is a struggle with traditional life as she falls in love with a man not chosen by her family. With its beautiful evocation of India, its political insight and unsentimental understanding of the human heart, this is a classic of Muslim life.

    Nataraj and his close friends, a poet and a journalist, find their congenia l days disturbed when Vasu, a powerful taxidermist, moves in with his stuffed hyenas and pythons, and brings his dancing-women up the printer's private stairs. When Vasu, in search of larger game, threatens the life of a temple elephant that Natara j has befriended, complications ensue that are both laughable and tragic.

    The novel is based on events from June 1944, during the Battle of Normandy, to the invasion of Germany in the Spring of 1945. The book describes fighting by the men of a small unit of British tanks during this period, with the focus on one tank crew. The novel is highly realistic, as it is based on Elstob's experience in the war as a tank crewmember.

    Shuttled from one residence to another after the drowning of his father, he yearns for a place he can call home. He marries into the Tulsi family, on whom he becomes dependent, but rebels and takes on a succession of occupations in a struggle to weaken their hold over him.

    But both Bud and Deanie are disturbed by the powerful feelings that have grown between them, and which are turned into torture by the restraints of proper conduct. Mindful of the bad example of his own debauched sister, Bud wants to marry Deanie immediately and go to agricultural school a hope that is destroyed by his father's ambitions to put Bud through Yale and into the family oil business. Bud and Deanie promise to wait, and Bud decides that it is better for them to see less of each other in the meantime, a turn of events that plunges the unstable Deanie into an emotional crack-up and then commitment to an institution. By the time she is released their world has turned over. The stock market crash has destroyed the Stamper empire and led to suicide for Bud's father; Bud has left Yale and married a young waitress from New Haven; and Deanie has become engaged to a young man she met in the hospital. The time has come for both to start life anew, but to do this means to come to terms with the past, and this Bud and Deanie do in a final, touching scene where old ties are gently broken and each gains the sureness and strength to move on from disturbing memories to better hopes for what lies ahead.

    Because there may not be any future to bother about, you know. Not for anybody, one of these days. And it's a wicked world."Average couple Janet and Howard's lives begin to unravel when Howard's photographic memory helps win him a gameshow fortune. Janet doesn't want their lives to change that much. She's quite happy working at the supermarket, cooking for her husband three times a day and watching quiz shows in the evening.But once Howard unleashes his photographic brain on the world, the once modest used-car salesman can't seem to stop. And what he sees as the logical conclusion to his success isn't something Janet can agree to.

    Tells the story of Jagua Nana, an ageing high-lifer and habitue of the seedy club Tropicana, which is an evocation of the chaos and intensive life of Lagos.

    'People say I married her for her money', he thought contentedly, and for the moment was full of the self-respect that loving her had given him.Kate Heron is a wealthy, charming widow who marries, much to the disapproval of friends and neighbours, a man ten years her junior: the attractive, feckless Dermot. Then comes the return of Kate's old friend Charles - intelligent, kind and now widowed, with his beautiful young daughter. Kate watches happily as their two families are drawn together, finding his presence reassuringly familiar, but slowly she becomes aware of subtle undercurrents that begin to disturb the calm surface of their friendship. Before long, even she cannot ignore the gathering storm . . .

    But on May 10, 1940, as Nazi tanks approach, this timid, happy man must abandon his home and confront the “Fate” that he has secretly awaited. Separated from his pregnant wife and young daughter in the chaos of flight, he joins a freight car of refugees hurtling southward ahead of the pursuing invaders. There, he meets Anna, a sad-looking, dark- haired girl, whose accent is “neither Belgian nor German,” and who “seemed foreign to everything around her.” As the mystery of Anna’s identity is gradually revealed, Marcel leaps from the heights of an exhilarating freedom to the depths of a terrifying responsibility—one that will lead him to a blood-chilling decision. When it first appeared in English in 1964, British novelist and critic Brigid Brophy declared The Train to be “the novel his admirers had been expecting all along from Simenon.” Until The Train, she wrote, the dazzlingly prolific novelist had been “a master without a masterpiece.”