George's parents, who have always been wary of technology, warn him about their new neighbors: Eric is a scientist and his daughter, Annie, seems to be following in his footsteps. But when George befriends them and Cosmos, their super-computer, he finds himself on a wildly fun adventure, while learning about physics, time, and the universe. With Cosmos's help, he can travel to other planets and a black hole. But what would happen if the wrong people got their hands on Cosmos? George, Annie, and Eric aren't about to find out, and what ensues is a funny adventure that clearly explains the mysteries of science. Garry Parsons' energetic illustrations add humor and interest, and his scientific drawings add clarity; there are also eight 4-page full-color inserts of scientific photos.

    Their parents fill their days with the joys of Christmas preparations, a theatrical production and many other imaginative events.

    And before long The Wave, with its rules of "strength through discipline, community, and action", sweeps from the classroom through the entire school. And as most of the students join the movement, Laurie Saunders and David Collins recognize the frightening momentum of The Wave and realize they must stop it before it's too late.

    But when things in her hometown start becoming volatile, Jude and her mother are sent to live in Cincinnati with relatives.At first, everything in America seems too fast and too loud. The American movies that Jude has always loved haven’t quite prepared her for starting school in the US—and her new label of “Middle Eastern,” an identity she’s never known before. But this life also brings unexpected surprises—there are new friends, a whole new family, and a school musical that Jude might just try out for. Maybe America, too, is a place where Jude can be seen as she really is.

    LIndbergh's poems are a joy for their clarity and restraint and for the feeling which so swiftly flows from the word to the listener.'- Edward Weeks, Atlantic Monthly.

    The gruff and hearty crew teach the young man to be worth his salt as they fish the waters off the Grand Banks of Newfoundland. Brimming with adventure and humor.

    Because if we’re talking about the best possible compliment to your eyes and ears alike, few have as many perks and grand moments as this." —School Library Journal starred review "Out of a windless August night/A luna moth in ghostly lightBeat softly on my window screen/Tick-tick-ticking-all silver green.She whispered secrets in my ear--/I am but a stranger here.The stars are scrawled across the sky/By ghostwriters, the Moon and I.You will not see me here tonight--/I have a thousand stars to write."What could be better than cuddling up with your child and this book on your lap and allowing your imaginations to soar with the words and images? Lovingly selected by U.S. Children's Poet Laureate J. Patrick Lewis and paired with vibrant animal photography, this collection of poems is an exuberant celebration of the animal kingdom and a beautiful introduction to this genre of literature. Designed for family sharing but targeted to ages 4-8, this dynamic, fresh, yet still classic collection of animal poems is a must-have for the family bookshelf.Featured poets include J. Patrick Lewis, Dorothy Aldis, Emily Dickinson, Benjamin Franklin, Robert Frost, Rudyard Kipling, Jack Prelutsky, Elizabeth Madox Roberts, Robert Louis Stevenson, Alfred, Lord Tennyson, and many more.Divided into chapters that group the poems by theme for extra resonance, the collection is a mix of old and new, classics, and never-before-published. A foreword from Lewis, sets the scene for helping children appreciate this gift of language and this visual feast for the eyes. Chapters include:Welcome to the World (birth of animal young)Big Ones (large animals--elephants, hippos, rhinos, bears)Little Ones (small animals--worms, insects)Winged Ones (birds and other flying creatures) Water Ones (aquatic animals--fish, dolphins, crabs)Strange Ones (curious creatures--armadillos, centipedes)Noisy Ones (loud animals--lions, hyenas)Quiet Ones (silent or still animals--hens, rabbits, snakes)Last Thought (a reflection on the world we share with animals)

    Whether it is the three headed guard dog Fluffy in J.K. Rowling’s Harry Potter series, or even the story of Smaug in J.R.R. Tolkien’s Middle Earth in The Hobbit; all these pop culture mythical creatures have a deep connection to the mythologies and folktales of ancient cultures.Where did they come from? What relevance do they serve in mythology? Why are some so obscure, while others become pop-culture enigmas? Get the answer to these questions, and learn about beasts from different world cultures.Folklorist Zayden Stone dives deep into the stories of these magical beasts and providesa fictional anecdote,a retelling of the original myths,an analysis of the symbolism and relevance of the creatures,and then pairs it with some beautiful black and white illustrations reimagined by artist Herdhian.In the Mythical Creatures and Mythological Beasts book, the illustrated guide takes you through six themes that have been specifically chosen since they are consistent across cultures. The categories include:arthropods for insects, crustaceans, and arachnids;avian for birds;canines for wolves and dogs;serpents for snakes and dragons;ungulates for hooved animals like horses and cows; andaquatic for water dwelling beasts.Presenting the creatures in categories makes it easier to see what the beasts have in common. You will find some overlapping themes across ancient cultures that point to universal ideas in how humans perceive the world.If you wonder where your favorite creature is, you will probably find them within these pages, even if they do not have their own chapter. For example, the ever-popular Pegasus can be found in the tale of the Gorgon sisters. He also had a half-brother, Arion, who features in the ungulates section. There is also a brilliant white-winged horse from Islamic tradition which may sound very familiar to Pegasus as well.If you have a love for the myths and want to learn about the unique beasts that dwell within them, this book is a great way to do it. Not only will you learn about ones you may have never heard of, but you will also be able to draw parallels between cultures and see how they interpreted their surroundings through stories of mythical creatures and magical beasts.

    Swerving elegantly from humor to heartbreak, from Colorado to Florida, from Dante's Paradise to Homer's Iliad, from knowledge to ignorance to awe, Phillips turns his gaze upward and outward, probing and upending notions of the beyond. "Feeling, real feeling / with all its faulty / Architecture, is / Beyond a god's touch"--but it does not elude Phillips. Meditating on feverish boyhood, on two paintings by Chuck Close, on Shakespeare's Measure for Measure, on a dead rooster by the side of the road in Ohio, on an elk grazing outside his window, his language remains eternally intoxicating, full of play, pathos, and surprise. "The end," he writes, "like / All I've ever told you, is uncertain." Or, elsewhere: "The only way then to know a truth / Is to squint in its direction and poke." Phillips--who received a 2013 Whiting Writers' Award as well as the PEN/Joyce Osterweil Award--may not be certain, but as he squints and pokes in the direction of truth, his power of perception and elegance of expression create a place where beauty and truth come together and drift apart like a planet orbiting its star. The result is a book whose lush and wounding beauty will leave its mark on readers long after they've turned the last page.

    Each of Levin's poems is an astonishing investigation of human darkness, propelled by a sensuous syntax and a desire for healing."This is the language of a prophet: Levin's art, in this book certainly, takes place in a kind of mutating day of judgment: it means to wipe a film from our eyes. It is a dare, a challenge, and, for all its considerable beauty, the opposite of the seductive...Sensuous, compassionate, violent, extravagant: what an amazing debut this is, a book of terrors and marvels."-Louise Gluck, from the IntroductionDana Levin was raised in Lancaster, California, in the Mojave Desert. She has received fellowships, grants, and awards from the National Endowment for the Arts, the Academy of American Poets, the Vermont Arts Council, and New York University, where she received her M.F.A. She lives in New Mexico and teaches Creative Writing at the College of Santa Fe.

    Call Us What We Carry is Gorman at her finest. Including “The Hill We Climb,” the stirring poem read at the inauguration of the 46th President of the United States, Joe Biden, and bursting with musical language and exploring themes of identity, grief, and memory, this lyric of hope and healing captures an important moment in our country’s consciousness while being utterly timeless.The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman.

    In playful narratives, lyrical outbursts, and overheard conversations, Hoagland cruises the milieu, exploring the spiritual vacancies of American satisfaction. With humor, rich tonal complexity, and aggressive moral intelligence, these poems bring pity to our folly and celebrate our resilience.

    Rita Dove, Pulitzer Prize-winning poet and former U .S. Poet Laureate, introduces readers to the most significant and compelling poems of the past hundred years. Selecting from the canon of American poetry throughout the twentieth century, Dove has created an anthology that represents the full spectrum of aesthetic sensibilities-from styles and voices to themes and cultures-while balancing important poems with significant periods of each poet. Featuring poems both classic and contemporary, this collection reflects both a dynamic and cohesive portrait of modern American poetry and outlines its trajectory over the past century.

    Hall's new poems further the themes of love, death, and mourning so powerfully introduced in his WITHOUT (1998), but from the distance of passed time. A long poem, "Daylilies on the Hill 1975 - 1989," moves back to the happy repossession of the poet's old family house and its history - a structure that "persisted against assaults" as its generations of residents could not. These poems are by turns furious and resigned, spirited and despairing - "mania is melancholy reversed," as Hall writes in another long poem, "Kill the Day." In this book's fourth and final section, "Ardor," the poet moves toward acceptance of new life in old age; eros reemerges.

    Told in a succession of short and powerful poems, it takes us deep into the cyclone of the narrator’s emotions: despair, anger, guilt, resentment, and ultimately, acceptance.