this wasn't quite what Jennie had in mind after graduating with a shiny degree in Sequential Art(though it may have been what was in everyone else's). As life overwhelmed her and her drawing hand withered away, Jennie made a promise to herself to stay in practice by drawing a new comic every single day.This first volume is a compilation of those comics. From dating and clubbing to trying to make it as an artist, follow along as Jennie chronicles her daily struggles, sorrows, joys and WTFs in life.

    Won't you be his neighbor?

    But now, with that publisher long gone and their Krazy Kat collections fetching record prices (some over $100!) among collectors, it’s time to go back and get every one of these comic-strip masterpieces back into print—re-scanned and re-retouched from original tearsheets, using 21st century digital resources. Fantagraphics will be collecting these first nine years of Sundays into three volumes comprising three years apiece, starting with this volume: the very first Sundays from 1916 through 1918, and incorporating all the original articles and special features from the first edition, including rare art, series editor Bill Blackbeard’s definitive historical overview “The Kat’s Kreation,” and updated and expanded “DeBaffler” endnotes explaining some of the arcana behind the strip’s jokes.Krazy Kat, with its eternally beguiling love triangle of kat/dog/mouse, its fantastically inventive language, and its haunting, minimalist desert décor, has consistently been rated the best comic strip ever created, and Fantagraphics’ award-winning series one of the best classic comic-strip reprint series ever published. Krazy & Ignatz 1916-1918, the 11th of a projected 13 volumes collecting the entirety of the Sundays, brings us within a brick’s throw of finishing “The Komplete Kat Sundays” once and for all!

    But how did a former file clerk from Cleveland and up with an Oscar nomination? The story begins in 1976, when Harvey began publishing his autobiographical, slice-of-downtrodden-life comic book, illustrated by a who's who of underground comic artists, including R. Crumb, Frank Stack, Gary Dumm and Joe Sacco. Titan is proud to present our third book from Harvey, an all-new compilation of his best work, featuring 100 per cent previously uncollected material.

    But the concept falls under such an absurdly large umbrella and can manifest in so many different ways. Art can be self indulgent, goofy, serious, altruistic, evil, or expressive, or any number of other things. But how can it truly make lasting, positive change? In Why Art?, acclaimed graphic novelist Eleanor Davis (How To Be Happy) unpacks some of these concepts in ways both critical and positive, in an attempt to illuminate the highest possible potential an artwork might hope to achieve. A work of art unto itself, Davis leavens her exploration with a sense of humor and a thirst for challenging preconceptions of art worth of Magritte, instantly drawing the reader in as a willing accomplice in her quest.

    Five murder ballads presented in comic form, including "Pretty Polly", "Long Black Veil", "Tarrytown", "Caleb Meyer" and "Where the Wild Roses Grow".

    Is it great art? Yes!" -- N.M.E.“The men of Unearthing are only marginally of this plane of existence, and what they’ve created is positively out of this world.” -- The AV Club“A tribute to a colleague and mentor and a demonstration that Moore has transcended the boundaries of the graphic novel.” – The New York TimesOne of the world’s foremost authors of the fantastic, Alan Moore, joins internationally esteemed photographer Mitch Jenkins for an unprecedented visual and literary experience. An intensely poetic and innovative work of biography, Unearthing maps the lifetime of author, orientalist and occultist Steve Moore, while simultaneously investigating the extraordinary history of South London with which that life has been intertwined. Integrating text with haunting and exquisite imagery, Unearthing excavates a territory at the margins of a city, of reality, and of human imagination.Starting life in Iain Sinclair’s seminal anthology LONDON: City of Disappearances, this dazzling and hypnotic piece has evolved through a series of live performances and acclaimed recordings, culminating in this breathtaking full-color volume. Three formats are available, a deluxe softcover edition, a special oversized hardcover edition limited to 1,200 copies worldwide, and a special signed and numbered oversized hardcover edition limited to 300 copies worldwide.-- Co-Published by Top Shelf Productions and Knockabout.-- 184 Pages, 11.75” x 16.5” aka A3 size (wow!)

    Presented as a series of comic novellas that together comprise a thoughtful, sometimes dark and often hilarious memoir about childhood, family, death, mental illness, sex and drug use, the entire book is told through cleverly inviting conceits like cat histories and card games. The graphic novel is told in five parts: In "Thirteen Cats" (featured in The Best American Comics), Reklaw discovers coping mechanisms that mimic his family pets; "Toys I Love" relates the author's pre-pubescent brushes with deviant sexual activity, and the way innocence converges with real sexual trauma; "The Fred Robinson Story" tells the story of Reklaw's period stalking perfect strangers; "The Stacked Deck," in which hereditary influences towards criminal behavior, drug use and depression are explored via card games the author played with his family; and "Lessoned," a family history of mental illness.

    Prepare to excitedly shove this book in your friend’s face with little decorum as you shout, “THIS IS SO US!”In this beautiful, four-color collection compiled completely of never-before-seen content, Meichi perfectly captures the best and worst of us in every short story, allowing us to weep with pleasure at our own fallibility. Hilarious, relatable, and heart-wrenchingly honest, Barely Functional Adult will have you laughing and crying in the same breath, and taking solace in the fact that we’re anything but alone in this world

    Completely recolored in the style of the 1930s and 1940s Disney animated cartoons. Illustrated.

    Her words can rattle and sting, exposing private crimes and inner wars, the pain of need, and the chains of unspoken law. With evocative image and clear-sighted truth she transforms experience into dark and beautiful art. She is a poet of the urban streets whose passionate eye catches the motion and vibrant color of the life that surrounds us all. In this volume are collected the writings of Suzanne Vega, poems and stories, remembrances of times past and far countries, interviews and song lyrics, overheard conversations and imagined thoughts, complex inner worlds realized in simple yet breathtaking strokes. And through her words a portrait emerges of an exemplary artist and unique individual whose passion embraces the entire scope of human existence, from love and longing to war and politics. It is a window into a guarded life, and a remarkable journey across an emotional landscape sometimes hard, often cruel, but never barren or devoid of hope.

    It’s about the re-making of your interior world as the exterior world becomes more unfamiliar and uncertain.The sudden arrival of the pandemic pushed the world faster and further into the 21st century. Now, life is dictated by two forces you can’t see: data and the virus. Are you really built for so much change so quickly?Basar/Coupland/Obrist’s prequel, The Age of Earthquakes: A Guide to the Extreme Present, became an instant cult classic. It’s been described as, “a mediation on the madness of our media,” and, “an abstract representation of how we feel about our digital world.”Like that book, The Extreme Self collapses comedy and calamity at the speed of swipe. Dazzling images are sourced from over 70 of the world’s foremost artists, photographers, technologists and musicians, while Daly & Lyon’s kinetic design elevates the language of memes into a manifesto. Over fourteen timely chapters, The Extreme Self tours through fame and intimacy, post-work and new crowds, identity crisis and eternity. This is an eye-opening, provocative portrait of what’s really happening to YOU.

    She believes that anyone can be a writer and has set out to prove it. For the past decade, Barry has run a highly popular writing workshop for nonwriters called Writing the Unthinkable, which was featured in The New York Times Magazine. Syllabus: Notes from an Accidental Professor is the first book to make her innovative lesson plans and writing exercises available to the public for home or classroom use. Barry teaches a method of writing that focuses on the relationship between the hand, the brain, and spontaneous images, both written and visual. It has been embraced by people across North America—prison inmates, postal workers, university students, high-school teachers, and hairdressers—for opening pathways to creativity.Syllabus's takes the course plan for Barry’s workshop and runs wild with it in her densely detailed signature style. Collaged texts, ballpoint-pen doodles, and watercolor washes adorn Syllabus’s yellow lined pages, which offer advice on finding a creative voice and using memories to inspire the writing process. Throughout it all, Barry’s voice (as an author and as a teacher-mentor) rings clear, inspiring, and honest.

    A collection of gloriously random and unexpected cartoons from the hugely popular webcomic Safely Endangered.Created by UK-based artist Chris McCoy, Safely Endangered's brilliantly hilarious comics have an unexpected, twisted punch line with an adorable illustration.  From relying far too heavily on Facebook to the struggles of sibling rivalry, Safely Endangered covers a vast range of ridiculously funny situations with humans, animals and even video game characters.

    They understand the agony of social awkwardness, the power of the perfect smoky eye, and the arm-(or wing)-flapping terror of having a bee in the car. In fact, these winged characters get into the same sticky situations we all do. They are Penguins with People Problems. So meet your favorite new flightless friends. They're brutally honest (except when they're lying), comically insecure, and totally relatable.