From Neil Gaiman and M. R. James to Muriel Spark and E. Nesbit, there are stories here to make the hardiest soul quail - so find a comfy chair, lock the door, ignore the cold breath on your neck and get ready to welcome in the real spirits of Christmas.

    It is said that even the Czarina Anastasia Romanova had received one in her trousseau. The workers come from the three neighboring villages on the border of Romania and Ukraine. Nourished, dressed and educated, they are the envy of all at a time when a famine programmed by Stalin sweeps the countryside and cannibalism rages from city to town to farm. But what is the secret of this factory and why does the Grazyn family protect its employees so scrupulously?The Bone Mother revives the great figures of Slavic mythology on the eve of the Second World War, from rusalka and Baba Yaga--The Bone Mother herself--to the golem. The existence of mortals is intimately linked to that of witches and vampires, in a universe where strigois rub shoulders with mermaids, ghosts and seers...and all are in peril from the Nichni Politsiyi, the Night Police, which wish to eradicate them.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.A strange, fearless woman. Wolves prowling the night. Mysteries. The world outside the cozy house can be dangerous. Being prepared does not always mean you will survive.

    Benson The Shuttered RoomAmbrose Bierce An Inhabitant of CarcosaCharles Birkin Is there Anybody there?Algernon Blackwood The WhisperersL.M. Boston CurfewA.M. Burrage I'm Sure it was No. 31Ramsay Campbell The GuideR. Chetwynd-Hayes The Limping GhostWilkie Collins Mrs Zant and the GhostBasil Copper The House by the TarnRalph A. Cram In Kropfsberg KeepDaniel Defoe The Ghost in all the RoomsCharles Dickens The Bagman's UncleArthur Conan-Doyle The Bully of Brocas CourtAmelia B. Edwards In the ConfessionalShamus Frazer The Tune in Dan's CafJohn S. Glasby Beyond the BourneWilliam Hope Hodgson The Valley of Lost ChildrenFergus Hume The Sand-WalkerHenry James The Real Right ThingM.R. James The Haunted Dolls' HouseRoger Johnson The Wall-PaintingRudyard Kipling TheyD.H. Lawrence The Last LaughMargery Lawrence Robin's RathJ. Sheridan Le Fanu The DreamR.H. Malden The SundialRichard Marsh The Fifteenth ManJohn Metcalfe Brenner's BoyEdith Nesbit Uncle Abraham's RomanceFitz-James O'Brien What was It?Vincent O'Sullivan The Next RoomRoger Pater The Footstep of the AventineEdgar Allan Poe William WilsonForrest Reid CourageMrs J.H. Riddell The Last of Squire EnnismoreL.T.C. Rolte The Garside Fell DisasterDavid G. Rowlands The Tears of St. AgathaSaki The Soul of LaploshkaSapper The Old Dining-RoomMontague Summers The Between-MaidMark Twain A Ghost StoryMark Valentine The FollyH. Russell Wakefield Out of the Wrack I RiseKarl Edward Wagner In the PinesManly Wade Wellman Where Angels FearEdward Lucas White The House of the NightmareOscar Wilde The Canterville GhostWilliam J. Wintle The Spectre Spiders

    . . or not.Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella Notes from the Dog Walkers deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, Growing Things, a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full.From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.Growing things --Swim wants to know if it's as bad as swim thinks --Something about birds --The getaway --Nineteen snapshots of Dennisport --Where we all will be --The teacher --Notes for "The Barn in the Wild" --_______ --Our town's monster --A haunted house is a wheel upon which some are broken --It won't go away --Notes from the dog walkers --Further questions for the somnambulist --The ice tower --The society of the monsterhood --Her red right hand --It's against the law to feed the ducks --The thirteenth temple --Notes --Acknowledgments --Credits

    Ghostly visitations, hauntings, unquiet souls seeking the living, vengeful wraiths, the possibility of life beyond the grave that can somehow reach out and touch us…these are some of literature’s most enduring icons. Now, in the twenty-first century, we are no less fascinated with phantoms than our cave-dwelling ancestors or our Victorian-age forebears. Thirty modern masters of fright and fantasy fill this anthology with shivers, chills, and spooky explorations of both sides of the veil. Be prepared to keep a light on all night!Peter Atkins: “Between the Cold Moon and the Earth”Rick Bowes: “There’s a Hole in the City”Laird Barron: “The Lagerstatte”Steve Duffy: “The Rag-and-Bone Men”Jeffrey Ford: “The Trentino Kid”Karen Joy Fowler: “Booth’s Ghost”Neil Gaiman: “October in the Chair”Stephen Gallagher: “The Box”Elizabeth Hand: “Wonderwall”Glen Hirshberg: “The Muldoon”Alaya Dawn Johnson: “The Score”Stephen Graham Jones: “Uncle” (original)Caitlin R. Kiernan: “Apokatastasis”Marc Laidlaw: “Cell Call”Margo Lanagan: “The Proving of Smollett Standforth”John Langan: “The Third Always Beside You”Joe R. Lansdale: “The Case of the Lighthouse Shambler”Maureen F. McHugh: “Ancestor Money”Sarah Monette: “The Watcher in the Corners”Reggie Oliver: “Mrs Midnight”Richard Parks: “The Plum Blossom Lantern”James van Pelt: “Savannah is Six”Tim Powers: “A Soul in a Bottle”Barbara Roden: “The Palace”Ekaterina Sedia: “Tin Cans”Nisi Shawl: “Cruel Sistah”John Shirley: “Faces in Walls”Peter Straub: “Mr Aikman’s Air Rifle”Melanie Tem: “Dhost”Steve Rasnic Tem: “The Ex”

    Are their malefactions at the root of the haunting -- or is there something darker, something much more unknowable at work? (Jacketless library hardcover.)

    Enter the twisted world of the New York Times bestselling Asylum series with these three spine-tingling novellas starring supporting characters from the novels, available in a print bind-up for the first time.In The Scarlets, Cal is drawn into New Hampshire College’s twisted secret society—one with a deadly initiation.In The Bone Artists, Oliver tries to make a little extra money for college by working for a seedy organization that traffics in human bones.In The Warden, a young nurse starts a new job at the Brookline asylum, but soon becomes suspicious of its unorthodox procedures.…Be careful where you go digging in history. Sometimes the past is better off buried.This edition also includes a bonus sneak peek at Escape from Asylum, a prequel to the mind-bending novel that started it all.

    Following his invitation to "browse through my gallery", readers will find ghoulish ghost stories "designed to frighten and instruct" -- instruct, that is, about the strange existence ghosts must endure! Stories include Miss Emmeline Takes Off by Walter Brooks; The Valley of the Beasts by Algernon Blackwood; The Haunted Trailer by Robert Arthur; The Truth About Pyecraft by H.G. Wells; The Isle of Voices by Robert Louis Stevenson; and more. Parents and kids can't help but chuckle at Hitchcock's comment, "I don't want to appear disloyal to television, but I think reading will be good for you." Contains some very spooky two-color illustrations by Fred Banbery.

    Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.

    In an age of rapid scientific progress, the idea of a vindictive past able to reach out and violate the present held a special potential for terror. Throughout the nineteenth century, fictional ghost stories developed in parallel with the more general Victorian fascination with death and what lay beyond it. Though they were as much a part of the cultural and literary fabric of the age as imperial confidence, the best of the stories still retain their original power to surprise and unsettle. In Victorian Ghost Stories, the editors map out the development of the ghost story from 1850 to the early years of the twentieth century and demonstrate the importance of this form of short fiction in Victorian popular culture. As well as reprinting stories by supernatural specialists such as J. S. Le Fanu and M. R. James, this selection emphasizes the key role played by women writers--including Elizabeth Gaskell, Rhoda Broughton, and Charlotte Riddell--and offers one or two genuine rarities. Other writers represented include Charles Dickens, Henry James, Wilkie Collins, Sir Arthur Conan Doyle, and R. L. Stevenson. There is also a fascinating Introduction and a chronological list of ghost story collections from 1850 to 1910.Includes:The old nurse's story by Elizabeth GaskellAn account of some strange disturbances in Aungier Street by J.S. Le FanuThe miniature by J.Y. AkermanThe last house in C-Street by Dinah MulockTo be taken with a grain of salt by Charles DickensThe Botathen ghost by R.S. HawkerThe truth, the whole truth, and nothing but the truth by Rhoda BroughtonThe romance of certain old clothes by Henry JamesPichon & Sons, of the Croix Rousse by AnonymousReality or delusion? by Mrs Henry WoodUncle Cornelius, his story by George MacDonaldThe shadow of a shade by Tom HoodAt Chrighton Abbey by Mary Elizabeth BraddonNo living voice by Thomas Street MillingtonMiss Jéromette and the clergyman by Wilkie CollinsThe story of Clifford House by AnonymousWas it an illusion? by Amelia B. EdwardsThe open door by Charlotte RiddellThe captain of the "Pole-star" by Sir Arthur Conan DoyleThe body-snatcher by Robert Louis StevensonThe story of the rippling train by Mary Louisa MolesworthAt the end of the passage by Rudyard Kipling"To let" by B.M. CrokerJohn Charrington's wedding by E. NesbitThe haunted organist of Hurly Burly by Rosa MulhollandThe man of science by Jerome K. JeromeCanon Alberic's scrap-book by M.R. JamesJerry Bundler by W.W. JacobsAn Eddy on the floor by Bernard CapesThe tomb of Sarah by F.G. LoringThe case of Vincent Pyrwhit by Barry PainThe shadows on the wall by Mary E. WilkinsFather Macclesfield's tale by R.H. BensonThurnley Abbey by Perceval LandonThe kit-bag by Algernon Blackwood

    Not the typical romantic fantasies so often seen in Japanese writing, filled with water sprites and vengeful ghosts, these stories are a mixture of fantastic allegory, slightly skewed fables, and affecting romantic tales. Revealing the wide range of Dazai's imaginative powers, they also give a glimpse of his humane and idealistic side. From the title story, about an impoverished, henpecked scholar who is transformed by the love of a voluptuous bird, to "The Chrysanthemum Spirit," about a passionate gardener who meets a brother and sister with extraordinary powers, Dazai creates a world of fantasy and romance that is infused with his own psychological concerns. Many readers may recall the poignancy of Oscar Wilde's The Happy Prince or Han Christian Andersen. The collection is capped by two delightful stories-within-a-story, in which the assorted members of a quirky family compose alternate episodes of a slightly gothic romance with hints of Poe and Saki (in "On Love and Beauty") and a wildly elaborate retelling of Rapunzel that is engaging, horrifying, and touching by turns (in "Lanterns of Romance"). All in all, these warm, inventive, and life-affirming stories will strike a deep, satisfying chord in many readers.

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    In class, he develops a sense of unease as he notices that the people around him act like they're walking on eggshells, and students and teachers alike seem frightened. As a chain of horrific deaths begin to unfold around him, he comes to discover that he has been placed in the cursed Class 3 in which the student body head count is always one more than expected. Class 3 is haunted by a vengeful spirit responsible for gruesome deaths in an effort to satisfy its spite. To stop the vicious cycle gripping his new school, Kouichi decides to get to the bottom of the curse, but is he prepared for the horror that lies ahead...?

    The family -- which refuses to believe in him -- is in Wilde's way a commentary on the British nobility of the day -- and on the Americans, too. The tale, like many of Wilde's, is rich with allusion, but ends as sentimental romance...