This freshly amusing strip is a darling among readers who enjoy pets with an attitude. This wry cartoon features Rob Wilco, a mild-mannered ad guy who's guardian to two rambunctious pets: Bucky, a temperamental cat who carries a boom box and goes on spending sprees, and Satchel, a gentle canine who tries to remain neutral even when he bears the brunt of Bucky's mischief. Together, this unlikely trio hangs out together, watching TV, cooking for friends, and attempting the occasional adventure outside. Anyone who has a pet or even knows one will find this Get Fuzzy collection, The Dog is Not a Toy, an astutely witty take on relationships between the species.

    Until he gets a letter from the HR department insisting he use up his accrued vacation time, that is. In this humorous and heartfelt book from beloved illustrator Brian Rea, readers take a peek at Death's journal entries as he documents his mandatory sabbatical in the world of the living. From sky diving to online dating, Death is determined to try it all! Death Wins a Goldfish is an important reminder to the overstressed, overworked, and overwhelmed that everyone—even Death—deserves a break once in a while. If you enjoyed Brian Rea's work in Mary Karr's The Liars' Club: A Memoir or in the New York Times' popular Modern Love column you'll love his delightful illustrations of Death in this funny, heartfelt collection of works.This book is a great gift or self-purchase if you're looking for:Funny BooksFunny ComicsHumor Books

    KIDS SAY THE DARNDEST THINGS! includes the best of the unconsciously funny, everyday thoughts and reactions kids shared with kid-at-heart Art Linkletter on his long-running radio and television series House Party .Gems include tips for conjuring up a sibling: "Give Mommy a lot of real sweet food so she'll get fat -that's how you get a baby ";and hysterical observations: "Our pussycat has got some kittens and I didn't even know she was married. "Illustrated with cartoons by Charles Schulz (yes, that Charles Schulz) and with a new introduction by Bill Cosby, KIDS SAY THE DARNDEST THINGS! will prove as popular with the readers of today as it was when it first was published five decades ago.

    Ever since, fans have been hungry for more, and now their wait is finally over!This volume collects the long-out-of-print, fan-favorite comics previously published in Nickelodeon Magazine and with the Airbender DVDs, plus over seventy brand-new comics pages. That's twenty-six stories set in Airbender continuity, by a host of top-notch talent, many of whom worked on the original animated series!* A must-have for any Airbender fan!* Twenty-six in-continuity stories, plus bonus content!* The latest release in an ongoing partnership between Nickelodeon and Dark Horse, to bring you the very best in Airbender books!

    But as grief and rage builds inside Bruce until he feels he can’t keep it inside anymore, something strange starts taking wing in the Gotham night! Perhaps Bruce’s grief isn’t inside him after all?Modern masters Kurt Busiek and John Paul Leon unite for the spiritual companion to the beloved SUPERMAN: SECRET IDENTITY, putting a new spin you’ve never seen before on the legend of Batman—and the dark emotions that drive him!

    Noted as a "book-lover's cartoonist," Gauld's weekly strips in The Guardian, Britain's most well-regarded newspaper, stitch together the worlds of literary criticism and pop culture to create brilliantly executed, concise comics. Simultaneously silly and serious, Gauld adds an undeniable lightness to traditionally highbrow themes. From sarcastic panels about the health hazards of being a best-selling writer to a list of magical items for fantasy writers (such as the Amulet of Attraction, which summons mainstream acceptance, Hollywood money, and fresh coffee), Gauld's cartoons are timely and droll--his trademark British humour, impeccable timing, and distinctive visual style sets him apart from the rest.Lauded both for his frequent contributions to New Scientist, The Guardian and The New York Times, and his Eisner-nominated graphic novels, Tom Gauld is one of the most celebrated cartoonists working today. In Baking with Kafka, he proves this with one witty, sly, ridiculous comic after another.

    So what happens to the 75 percent of cartoons that don't make the cut? Some go back in a drawer, others go up on the refrigerator or into the filing cabinet...but the very best of all the rejects can be found right here in these pages. "The Rejection Collection Vol. 2: The Cream of the Crap" is the ultimate scrap heap of creative misfires -- from the lowbrow and the dirty to the politically incorrect and the weird, these rejects represent the best of the worst...in the best possible sense of the word. Handpicked by editor Matthew Diffee, these hilarious cartoons are accompanied by handwritten questionnaires and photographed self-portraits, providing a rare glimpse into the minds of the artists behind the rejection. With appendices that explore the top ten reasons why cartoons are rejected and examine the solitary nature of the job of cartooning -- plus a special bonus section of questions asked of and answered by cartoon editor Robert Mankoff -- this sequel to "The Rejection Collection" offers even deeper insight into the exercise in frustration, patience, and amusement that is being a "New Yorker" cartoonist. Warped, wicked, and wildly funny, "The Rejection Collection Vol. 2 "will appeal to every "New Yorker" fan -- and everyone with a taste for the absurd.

    Craig Russell and illustrated by an extraordinary team of renowned artists.Inventive, chilling, and filled with wonder, Neil Gaiman's The Graveyard Book reaches new heights in this stunning adaptation. Artists Kevin Nowlan, P. Craig Russell, Tony Harris, Scott Hampton, Galen Showman, Jill Thompson, and Stephen B. Scott lend their own signature styles to create an imaginatively diverse and yet cohesive interpretation of Neil Gaiman's luminous novel.Volume One contains Chapter One through the Interlude, while Volume Two will include Chapter Six to the end.

    In another universe, humanity is overrun by monsters so evil that their very presence dims the light of the stars. In yet another universe, humanity is drawn into an endless battle for dominion over the galaxy. This is not one of those universes. In this universe, humanity is in charge of the Galactic Peace Committee. In theory, the Committee is an unmatched force for good, bringing peace and prosperity to countless worlds and ensuring that conflicts between different races are settled with words and not planet-cracking weaponry or super plagues designed to turn everyone into goo. In theory. Jake Smith is a diplomat. He works for the Committee. This is his story – and it goes about as well as you’d expect. In other words, it doesn’t go very well at all. Can Jake survive petty aliens? Sure. He’s a diplomat. It’s all part of the job. What about angry aliens? Probably. He does have a killer robot for a secretary, and he’s not bad with a shock staff. How about a fleet of aliens out for blood? That… that might be a little bit trickier. The Galactic Peace Committee… keeping peace (sort of) throughout the galaxy.

    . . welcome to another year in the life of the never-a-dull-moment McPherson family. While sister Zoe and brother Hammie's budding sibling rivalry reaches new heights (and volumes), baby Wren is making great strides of her own. With the advent of "the climbing phase" no coffee table, countertop, or bookshelf is too high.For years, the team of Rick Kirkman and Jerry Scott have given readers a too-funny-to-be-true, too-real-not-to-be insider's view of the American dream. They get the details and dilemmas so right, in fact, that it's a wonder they haven't been indicted for domestic surveillance.

    The New Fighting Technique may have sprung from the crucible of cubicle culture----Rees created the strip while working a deathly boring temp job, harnessing the potential energy of his PowerPoint software, Internet connection, laser printer, and vast expanses of fallow hours into this Unstoppable ass-kicking phenomenon----but the result has less to do with clockwatching than with the explosive energy of freestyling gangsta rap, airborne Bruce Lee maneuvers, and a profane, deadpan sense of humor that just may establish David Rees as the Lenny Bruce of our times. As soon as Rees began faxing MNFTIU comics to friends, those friends were faxing it to friends who were faxing it to more friends. It was the birth of a genuine underground publishing sensation. Soon it was a regular serial, then there was merchandise, then a website that received 25 million hits last year.

    Seuss, an American artist delighted a generation of children and their parents with hilarious, topsy-turvy illustrations and slightly subversive tales told in rhyme. This was illustrator/author Peter Newell.Originally published in 1908, The Hole Book remains as profoundly enjoyable and incredibly popular as ever. With humorous text and irresistible drawings, this classic work will delight readers of all ages with the story of Tom Potts' bullet, which leads him through all sorts of unexpected scenes and adventures, each funnier than the last.Peter Newell (1862-1924) began his career as an artist drawing portraits, using crayons as his medium. In his fantastic humor, many believe, is the first appearance of the gentle humor of the absurd which The New Yorker has subsequently developed to such a high level.

    In this love story wrapped in a tale of zombie mayhem, a resourceful couple flees from and picks off their undead pursuers with fast-paced ingenuity and an entertaining range of zombie-thwarting tools. As the zombies shuffle and stumble their way toward a variety of gruesome ends, our heroes must come up with new ways to escape sticky situations and stay together. This darkly funny illustrated tale--think Bunny Suicides meets Edward Gorey meets Hallmark--celebrates the romantic side of a zombie plague, with plenty of BRAINS and a lot of heart.

    Lio is joined in his day-to-day exploits by his exasperated and sleep-deprived father, a pet snake named Frank, a squid named Ishmael, and various imaginary robots and creepy, crawly monsters. Within this humorously macabre framework of sarcasm, parody, and high jinks, sidesplitting laughter abounds—all without so much as a word.

    Why? Because each page boasted sticky, uncomfortable truths drenched in bleakly familiar humor. It was "cringe comedy" before the phrase had been coined, presaging squirmy shows like Louie and Girls. Set in a New York so real you can practically smell it (so claimed Mike Mignola), Minimum Wage is the workaday saga of cartoonist Rob Hoffman and his firebrand girlfriend, Sylvia. He churns out strips for smut rags and off-brand MAD knockoffs and she languishes managing a hair salon. With their colorful crew of friends, they forge ahead against the brutal indifference of their hometown. This definitive edition includes the original 72-page "pilot" episode (Minimum Wage Book One) and the revised "director's cut" of the main storyline. Plus, a bonus color section featuring original cover paintings and guest pin-ups by Mike Mignola, Kevin Nowlan, Dave Johnson, Jill Thompson, Dave Cooper, Glenn Barr, and others.