There is only one problem: She was born into a cursed family and has the face of a pig. Hidden away from the world, Penelope now finds herself subjected to a string of snobby, blue-blooded bachelors in a desperate attempt to find her a husband in order to break the curse. Though she yearns for something greater, what's a girl to do when faced with a determined mother and her matchmaking sidekick? Hoping to snap a photo of the mysterious girl, mischievous tabloid reporter Lemon hires down-on-his-luck Max to pose as a prospective suitor and infiltrate the family. But when Max finds himself truly drawn to Penelope, he can't bring himself to expose and disappoint her, so he just disappears. Fed up with this latest betrayal and determined to live life on her own terms, Penelope decides to break free from her family and go out into the world in search of adventure. Hiding her true identity with a scarf, Penelope discovers a wondrous world where freedom opens her eyes to possibilities she never knew existed. Making new friends along the way, she discovers happiness in the most unexpected places.

    Created in full collaboration with ABC Entertainment and ABC Studios, this is the full and only fully licensed and comprehensive reference to all things LOST, and it includes an exclusive forward by executive producers Damon Lindelof and Carlton Cuse.

    Original.

    In Five Came Back, he achieves something larger and even more remarkable, giving us the untold story of how Hollywood changed World War II, and how World War II changed Hollywood, through the prism of five film directors caught up in the war: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. It was the best of times and the worst of times for Hollywood before the war. The box office was booming, and the studios’ control of talent and distribution was as airtight as could be hoped. But the industry’s relationship with Washington was decidedly uneasy—hearings and investigations into allegations of corruption and racketeering were multiplying, and hanging in the air was the insinuation that the business was too foreign, too Jewish, too un-American” in its values and causes. Could an industry this powerful in shaping America’s mind-set really be left in the hands of this crew? Following Pearl Harbor, Hollywood had the chance to prove its critics wrong and did so with vigor, turning its talents and its business over to the war effort to an unprecedented extent. No industry professionals played a bigger role in the war than America’s most legendary directors: Ford, Wyler, Huston, Capra, and Stevens. Between them they were on the scene of almost every major moment of America’s war, and in every branch of service—army, navy, and air force; Atlantic and Pacific; from Midway to North Africa; from Normandy to the fall of Paris and the liberation of the Nazi death camps; to the shaping of the message out of Washington, D.C. As it did for so many others, World War II divided the lives of these men into before and after, to an extent that has not been adequately understood. In a larger sense—even less well understood—the war divided the history of Hollywood into before and after as well. Harris reckons with that transformation on a human level—through five unforgettable lives—and on the level of the industry and the country as a whole. Like these five men, Hollywood too, and indeed all of America, came back from the war having grown up more than a little.

    The show’s vibrant mix of Latin music and hip-hop captured life in Washington Heights, the Latino neighborhood in upper Manhattan. It won four Tony Awards and became an international hit, delighting audiences around the world. For the film version, director Jon M. Chu (Crazy Rich Asians) brought the story home, filming its spectacular dance numbers on location in Washington Heights. That’s where Usnavi, Nina, and their neighbors chase their dreams and ask a universal question: Where do I belong? In the Heights: Finding Home reunites Miranda with Jeremy McCarter, co-author of Hamilton: The Revolution, and Quiara Alegría Hudes, the Pulitzer Prize–winning librettist of the Broadway musical and screenwriter of the film. They do more than trace the making of an unlikely Broadway smash and a major motion picture: They give readers an intimate look at the decades-long creative life of In the Heights. Like Hamilton: The Revolution, the book offers untold stories, perceptive essays, and the lyrics to Miranda’s songs—complete with his funny, heartfelt annotations. It also features newly commissioned portraits and never-before-seen photos from backstage, the movie set, and productions around the world. This is the story of characters who search for a home—and the artists who created one.

    This novel stands independent of the film, exploring the mysteries of Ada's muteness, the secret of her daughter's conception, the reason for her strange marriage and the past lives of Baines and Stewart.

    . . . Yeah, that's me. But believe it or not, that's not the real me. The real me is just an average guy trying to make it in the world like everyone else.Well . . . sort of . . .I always wanted to be a legitimate actor (that's right, don't laugh). But when the gigs didn't come I didn't let it get me down. Instead, I'd fall into the arms of beautiful women and let them heal my bruised soul. One of them insisted on taking nude pictures of me and sending them to Playgirl. For some reason I agreed, and when it was published, I got tons of phone calls. One of them was from a casting director who wanted me in his next picture. There was only one problem: it was a porno."What do you think?" I asked my dad.He rubbed his chin and paused for a moment."I think you should do it," he said. "I mean, you're already halfway there, and . . . at least you'll be performing, right?"That's exactly what I thought. From there, my life only got better. I traveled all over the world, made tons of money, and got more famous every year. But more than anything, I wanted to be legit, so I started doing stand-up comedy, moved to Hollywood, and kept my acting hopes alive by mingling with every major—Wait a minute, you don't care about any of this, do you? You just want to know about the celebrity orgies, the constant sex, and how I learned to blow myself. . . . All right, fine.But keep reading. . . . I guarantee you'll get more than you bargained for. . . .—Ron Jeremy

    Kick Me is a nostalgic trip for the inner geek in all of us.

    This collection of more than 100 poems that honestly and artfully confront topics ranging from poverty and motherhood to Van Gogh and Mandela is presented in Tupac Shakur's own handwriting on one side of the page, with a typed version on the opposite side.

    From his quiet, dreamy existence in the secluded valley with the ponderous but cerebral urRu, Jen must suddenly depart on a Quest whose details are not fully explained to him. This gentle boy leaves his comfort zone in a desperate attempt to save his planet from another miillenium of destructive rule.Jen's goal is to find a special crystal shard and reunite it with the mother crystal -- now dark with grief and anger at the senseless destruction. This crystal is coveted and guarded in the Dark Castle by the vicious race of Skeksis, who terrorize the planet with their bat spies and insect zombies. Our unlikely hero has only his flute and his wits to guide him, but several surprise friends offer help and advice along his dangerous odyssey--including the last girl Gelfling. Together they race against celestial time, as the Great Conjunction of the triple suns is imminent.

    It’s a story that will inspire courage and wisdom in the decisions we make, as well as affect the way we treat others through our lifetime. Andrews speaks over 100 times a year, and The Butterfly Effect is his #1 most requested story. Also included with the purchase of the book is a link to view a 9-minute message of Andrews telling The Butterfly Effect story to a live audience.

    Now, straight from the movie and book comes Gumpisms, a treasure trove of wit and wisdom from the world according to Gump.

    It is an extraordinary look into the mind of an artist whose boundless creative output touches a myriad of media, from photography to painting to poetry to acting. Recent Forgeries includes a CD with music and spoken-word poetry. Introduction by Dennis Hopper.Softcover, 7 3/4 x 7 3/4 inches, 110 pages, 83 reproductionsISBN: 1-889195-32-4 7th Edition$25

    The peace of a remote Welsh village, nestling comfortably in the shadow of what the inhabitants reverently call their 'mountain', is rudely shatterred by the arrival of two English mapmakers who have the temerity to announce that the 'mountain' is merely a 'hill' in geographical terms.It is a difference of only twenty feet - but a greater injustice than the villagers can bear. With smarting pride they band together to keep the mapmakers occupied whilst they set about putting the situation to rights... whatever it takes.Written and directed by Christopher Monger, The Englishman Who Went Up a Hill But Came Down a Mountain is a beautifully observed romantic comedy, which proves that mind over matter is still a powerful force for change...

    Set in 18th-century Venice, Jim Henson’s Labyrinth: Coronation is a striking look into the mysteries of the Labyrinth itself, uncovering the fate of a small boy named Jareth who would one day be King. Simon Spurrier (The Spire, Jim Henson’s The Power of the Dark Crystal) and Daniel Bayliss (Jim Henson’s The Storyteller: Dragons, Big Trouble in Little China/Escape from New York) present a look into a magical world where nothing is as it seems and introduce Maria, a heroine instilled with courage, hope, and determination.Collects issues #1-4