Until now, there's been no accepted guide to what's good, bad, or indifferent in the flood of books coming off the presses in the hot new category of young-adult publishing. If it's true that you can't judge a book by its cover, it is especially true for teen books, as publishers take aim at a new class of readers. The books land on shelves without a history, and so there is no standard by which to judge them.Anita Silvey, one of the country's leading authorities on books for young people, has interviewed teenage readers all over the country and immersed herself in young-adult books, with an emphasis on books published in the last five years. The result is this invaluable and very readable guide for parents, teachers, librarians, booksellers, reading groups, and of course teens themselves.With its extended essays describing 500 selections, parents will quickly see what their teenagers are actually reading -- and will be able to find good books to introduce them to. Teachers can spot excellent additions to summer reading lists. Booksellers can move customers from one favorite to a host of others in the same genre. Librarians can round out collections. Book groups -- for adults, teens, or both -- will have hundreds of new titles to consider.500 Great Books for Teens is divided into twenty-one sections, including adventure and survival, politics and social history, horror, romance, war and conflict, fantasy, plays, graphic novels, poetry, memoir, and spirituality. Every section offers up classics, but the majority of titles are new. In "Beyond the 500," Silvey compiles a number of useful lists, including books organized by geographic location and historical period, as well as recommended audio books.

    What would you do if you were invited to the princess’s tenth birthday party but didn’t have money for a gift? Well, clever Jack decides to bake the princess a cake.Now he just has to get it to the castle in one piece. What could possibly go wrong?Candace Fleming and G. Brian Karas, creators of the bestselling picture book Muncha! Muncha! Muncha!, have teamed up again to bring us a modern fairy tale starring a determined boy and a story-loving princess with a good sense of humor. While girls will fall for a story featuring a princess’s birthday party, Jack’s adventures with trolls, bears, and gypsies make this the perfect read for young boys as well—and ideal for storytime.

    But the boy’s big people don’t approve of the friendship. The dog is dirty! And he has FLEAS! Will these two friends be able to find a home together?Helen Stephens's timeless, kid-friendly art makes this heartwarming story a winner for anyone who's ever loved a dog.

    Wednesday chases squirrels while the two friends discuss fishing and war and how back before the neighborhood was there enormous woolly mammoths roamed where houses now sit.Thoughts open up to other thoughts, and ideas are born and carried forward, often transforming into other ideas until he finds that ideas really are all around, you just have to know what to do with them.

    Looking at both mass media and high art forms, she challenges the seeming transparency and apparent apolitical innocence of our visual images and verbal stories, asserting that these construct rather than reflect or express our experience of the world.

    An authoritative reviewer in her own right, Kathleen Horning provides practical guidelines for reading critically, evaluating an initial response, answering questions raised during the first reading, putting a response into words, balancing description with criticism, and writing reviews for a particular audience.

    The end point of a story determines its meaning, and one of the main tasks a writer faces is to define the duration of a plot. Silber uses wide-ranging examples from F. Scott Fitzgerald, Chinua Achebe, and Arundhati Roy, among others, to illustrate five key ways in which time unfolds in fiction. In clear-eyed prose, Silber elucidates a tricky but vital aspect of the art of fiction.

    P. Blackmur. In his prefaces, James tackles the great problems of fiction writing :character, plot, point of view, inspiration;and explains how he came to write novels such as The Portrait of a Lady and The American. As Blackmur puts it, "criticism has never been more ambitious, nor more useful." As a guide not only to James's inspiration and execution, but also to his frustrations and triumphs, this volume will be valuable both to students of his fiction and to aspiring writers.

    Winslow and Rosie have been building an impressive collection of natural wonders, and now it's nearly complete. With just enough space left for one final piece, the girls set off into the forest to find something extraordinary. Their journey takes them far --- along the creek, across the valley, through the spruce grove and up the mountain. And while they find many extraordinary things, nothing is just the right extraordinary thing. When the girls find a deep, dark cave, they decide to venture farther than ever before. Surely, a mysterious cave must hold something extraordinary ... Bestselling creator Alice Feagan's distinct cut-paper collage artwork brings this fun quest story to life and packs it with learning opportunities. The story highlights that girls can be adventurous, brave, clever and fascinated by science, and also that the natural world is a wondrous place to explore. From the detailed depictions of the girls' gear to the many portrayals of their extraordinary finds (a gemstone, dinosaur fossils, a rare woodpecker's feather), there are numerous STEM curriculum applications here. The story also offers excellent character education lessons in perseverance, resilience and teamwork.

    He enthused a generation of writers and readers and was an influential supporter of the young T.S Eliot. Principles of Literary Criticism was the text that first was the text that first established his reputation and pioneered the movement that became known as the 'New Criticism' Through a powerful presentation of the need to read critically and creatively, with an alertness to the psychological and emotional effects of language, Richards presented a powerful new understanding both of literature and of the role of the reader. Highly controversial when first published, Principles of Literary Criticism remains a work which no one with a serious interest in literature can afford to ignore. Contents: The chaos of criticism theories | The phantom aesthetic state | The language of criticism | Communication and the artist | The critics' concern with value | Value as an ultimate idea | A psychological theory of value | Art and morals | Actual and possible misapprehensions | Poetry for poetry's sake | A sketch for a psychology | Pleasure | Emotion and the coenesthesia | Memory | Attitudes | The analysis of a poem | Rhythm and metre | On looking at a picture | Sculpture and the construction of form | The Impasse of musical theory | A theory of communication | The availability of the poet's experience | Tolstoy's infection theory | The normality of the artist | Badness in poetry | Judgement and divergent readings | Levels of response and the width of appeal | The allusiveness of modern poetry | Permanence as a criterion | The Definition of a poem | Art, play and civilization | The Imagination

    When three children discover a typewriter on a carousel, they are transported on an adventure of their own creation—complete with a giant beach ball and a threatening crab. Stunning, richly colored artwork is paired with limited text so children can tell their own version of the story.

    -- Alan Dundes. Propp's work is seminal...[and], now that it is available in a new edition, should be even more valuable to folklorists who are directing their attention to the form of the folktale, especially to those structural characteristics which are common to many entries coming from even different cultures. -- Choice

    Porter Abbott emphasizes that narrative is found not only in the arts but everywhere in the ordinary course of people's lives. An indispensable tool for students and teachers alike, this book will guide readers through the fundamental aspects of narrative.

    . .She was brave.She was fearless.She was feathered.She was a chicken.A not-so-chicken chicken.Her name?

    She crows ¡Qui-qui-ri-quí! for Señor Gallo, booms Borom, Borom for Señor Zapo, and tells of a beautiful cockroach who loves a mouse. Pura clings to these stories like coquíes cling to green leaves. When Pura grows up and moves from Puerto Rico to Harlem, she gets a job at the library, where she is surrounded by stories—but they’re only in English. Where is Señor Gallo? Where is Pérez the mouse? Where is Puerto Rico on these shelves? She decides to tell children the tales of her homeland in English and in Spanish. Lyrically written, with lively illustrations, Pura’s Cuentos captures the exuberant spirit and passion of Pura Belpré: celebrated storyteller, author, folklorist, and the first Latina librarian in New York City. A pioneer of bilingual storytimes, she welcomed countless new families to the library, formed cultural bridges in her community, and broke the rules by telling stories that weren’t printed in books—at least, not yet.