So, what exactly is hope and how can you get it, too? Using discoveries from the largest study of hopeful people ever conducted, world-renowned expert on the psychology of hope Shane J. Lopez, Ph.D., reveals that hope is not just an emotion but an essential life tool. Hope is also a leading indicator of success in relationships, academics, career, and business. With Making Hope Happen you can measure your level of hope and learn how to create and share it. In this newest evolution of positive psychology, Dr. Lopez provides strategies for building a high-hope mind-set and shares uplifting stories of real people -- parents, educators, entrepreneurs, young and old people with health challenges, and civic leaders -- who create hope and who change their own lives as well as their schools, workplaces, and communities. They include: - The CEO who befriended a curious nine-year-old, bringing him into the company and transforming his attitude toward school and future goals.- A young entrepreneur who worked to change laws that stood in his way, recruited friends to support his start-up, and rebuilt from scratch after a fire.- The college president whose creative fundraising during the worst of the economic downturn kept her neediest seniors in school through graduation.- The city council members who developed a visionary recovery plan only days after their community was flattened by a tornado. - Two mothers and a principal who reversed decades of neglect and mismanagement to turn a failing school into a neighborhood magnet. - A college student who is thriving after two heart transplants, and whose hopeful self-care has been key to her survival. Making Hope Happen is for people who believe that the future can be better than the past or the present and who are looking for a way to make it so. The message is clear: Hope matters. Hope is a choice. Hope can be learned. Hope is contagious.

    He is amusingly tolerant of his fellow Africans, thinking them uncivilized; he is obsessed with the idea of bringing "civilization" to this small jungle station. Johnson loves the white man's ways and cheerily adopts them; he has an enthusiasm that makes his boss Rudbeck overlook his rather vague office talents. This enthusiasm centers especially upon the construction of a road (symbol of civilization) and when Rudbeck has difficulty in getting funds from HQ, Johnson does some manipulation with the books. His peculiar sense of bookkeeping, together with his disdain for regulations, lands him in trouble. He gets the road built but is discharged. In despair and anger at being fired by his "good friend" Rudbeck, he gets drunk, and accidentally kills a white store owner. He is condemned to death. Rudbeck tries to save him, but "justice" cannot be reversed. Johnson is caught between two cultures, belonging no more to the new Africa than to the old. He begs Rudbeck, whom he looks upon as a father, to shoot him rather than let him be hanged by a stranger. Rudbeck, seeing him for the first time as an individual, grants this last request and ends the boy's life.

    Set on a huge continental stage, from Europe to China, it is a tale covering over 10,000 years, from the origins of farming around 9000 BC to the expansion of the Mongols in the thirteenth century AD. An unashamedly big history, it charts the development of European, Near Eastern, and Chinese civilizations and the growing links between them by way of the Indian Ocean, the silk Roads, and the great steppe corridor (which crucially allowed horse riders to travel from Mongolia to the Great Hungarian Plain within a year). Along the way, it is also the story of the rise and fall of empires, the development of maritime trade, and the shattering impact of predatory nomads on their urbanneighbours. Above all, as this immense historical panorama unfolds, we begin to see in clearer focus those basic underlying factors - the acquisitive nature of humanity, the differing environments in which people live, and the dislocating effect of even slight climatic variation - which have driven change throughout the ages, and which help us better understand our world today.

    That hardback consists of four hundred and four interlinked dictionary entries, inviting readers to choose their own path through its radical vision.Recognizing that Lean Logic's sheer size and unusual structure can be daunting, Fleming's long-time collaborator Shaun Chamberlin has selected and edited one of these potential narratives to create Surviving the Future. The content, rare insights, and uniquely enjoyable writing style remain Fleming's, but are presented here at a more accessible paperback-length and in conventional read-it-front-to-back format.The subtitle Culture, Carnival and Capital in the Aftermath of the Market Economy hints at Fleming's vision. He believed that the market economy will not survive its inherent flaws beyond the early decades of this century, and that its failure will bring great challenges, but he did not dwell on this: We know what we need to do. We need to build the sequel, to draw on inspiration which has lain dormant, like the seed beneath the snow.Surviving the Future lays out a compelling and powerfully different new economics for a post-growth world. One that relies not on taut competitiveness and eternally increasing productivity putting the grim into reality but on the play, humor, conversation, and reciprocal obligations of a rich culture.Building on a remarkable breadth of intellectual and cultural heritage from Keynes to Kumar, Homer to Huxley, Mumford to MacIntyre, Scruton to Shiva, Shakespeare to Schumacher Fleming describes a world in which, as he says, there will be time for music.This is the world that many of us want to live in, yet we are told it is idealistic and unrealistic. With an evident mastery of both economic theory and historical precedent, Fleming shows that it is not only desirable, but actually the only system with a realistic claim to longevity. With friendliness, humor, and charm, Surviving the Future plucks this vision out of our daydreams and shows us how to make it real.

    Like many of Lukacs's early essays, it is a radical critique of bourgeois culture and stems from a specific Central European philosophy of life and tradition of dialectical idealism whose originators include Kant, Hegel, Novalis, Marx, Kierkegaard, Simmel, Weber, and Husserl.The Theory of the Novel marks the transition of the Hungarian philosopher from Kant to Hegel and was Lukacs's last great work before he turned to Marxism-Leninism.

    She begins by showing how discourse on ritual has served to generate and legitimate a limited and ultimately closed form of cultural analysis. She then proposes that so-called ritual activities be removed from their isolated position as special, paradigmatic acts and restored to the context of social activity in general. Using the term ritualization to describe ritual thus contextualized, she defines it as a culturally strategic way of acting. She goes on to show how this definition can serve to illuminate such classic issues in traditional ritual studies as belief, ideology, legitimation, and power.

    Full of practical insight, empowering resources, creative activities and passion, this book will put you back in touch with your body’s wisdom. · Learn to live in flow with your female body · Find balance in your life and work through charting your cycle · Heal PMS naturally · Connect to your innate creativity · Create a red tent or moon lodge Whether you are coming off the pill, wanting to understand your fertility, struggling with PMS, healing from womb issues, are coming back to your cycles after childbirth or just want a deeper understanding of your body, Moon Time is for you. With over 45 pages of additional material including: · Fertility charting · Creating ceremonies: menarche, mother blessing, menopause … · Moon phases · Expanded and fully-updated resource section

    The clash between her origins and the Westernized life she now leads is explored in telling detail against the backdrop of current events in Algeria. A work that combines insight into both political and personal matters, The Forbidden Woman develops a complex portrait of a country torn between progress and prejudice, secular life and Islamic fundamentalism. In this passionate book, Malika Mokeddem places special emphasis on the position of women in modern Algeria. The frequent indignities and injustices suffered by the narrator reflect the plight of women in a society marked by patriarchalism and religious fundamentalism. Yet the novel also suggests that, along with modernization, there are emerging demands for women’s rights in Algeria—demands that might well signal a vastly different future for this tormented nation.

    Set in a posh hotel in nineteenth-century Dublin, Albert Nobbs is the story of an unassuming waiter hiding a shocking secret. Forced one night to share his bed with an out-of-town laborer, Albert Nobbs' carefully constructed facade nearly implodes when the stranger disovers his true identity-that he's actually a woman. Forced by this revelation to look himself in the mirror, Albert sets off in a desperate pursuit of companionship and love, a search he's unwilling to abandon so long as he's able to preserve his fragile persona at the same time. A tale of longing and romance, Albert Nobbs is a moving and startlingly frank gender-bending tale about the risks of being true to oneself. With a foreword by Glenn Close.

    The texts the author examines are viewed not as works of art embodying enduring themes, but as attempts to redefine the social order.

    S. Merwin's first book since the publication five years ago of his Opening the Hand.Almost no other poet of our time has been able to voice in so subtle a fashion such a profound series of comments on the passing of history over the contemporary scene. To do this, he seems to have reinvented the poem -- so that the experience of reading Merwin is unlike the reading of any other poetry. In such famous books as The Lice, The Moving Target and (most recently) Opening the Hand, he has produced a body of work of great profundity and power made from the simplest and most beautiful poetic speech.The poems in this new book are concerned with intimacy and wholeness, and are made of the relations with people, with places, past and present, and with history and how the world endures it.Merwin can now rightfully be called a master, and this book shows in every way why this is the case.

    Her eldest child is teaching her how to read and write, but the letter "A" is, so far, the only letter she knows. Her five kids are named Jabber, Bully, Trouble, Beauty and Baby, and the characters are played by adult actors who double as five other people in Hester's life: her ex-boyfriend, her social worker, her doctor, her best friend and her minister. While Hester's kids fill her life with joy —lovingly comical moments amid the harsh world of poverty — the adults with whom she comes into contact only hold her back. Nothing can stop the play's tragic end.

    His centenary will be celebrated throughout 2006 with performances of his major plays, including Waiting for Godot. Here are the two most famous plays for a single actor. Krapp's Last Tape finds an old man, with his tape recorder, musing over the past and future. Not I is a remarkable tour de force for a single actress, as a woman emits memories and fears. It follows the highly acclaimed recordings of Beckett's Trilogy, Molloy, Malone Dies and The Unnamable published by Naxos AudioBooks. Directed by John Tydeman.

    To them, these coverings seemed irrelevant to both modern life and Islamic piety. Today, however, the majority of Muslim women throughout the Islamic world again wear the veil. Why, Ahmed asks, did this change take root so swiftly, and what does this shift mean for women, Islam, and the West?When she began her study, Ahmed assumed that the veil's return indicated a backward step for Muslim women worldwide. What she discovered, however, in the stories of British colonial officials, young Muslim feminists, Arab nationalists, pious Islamic daughters, American Muslim immigrants, violent jihadists, and peaceful Islamic activists, confounded her expectations. Ahmed observed that Islamism, with its commitments to activism in the service of the poor and in pursuit of social justice, is the strain of Islam most easily and naturally merging with western democracies' own tradition of activism in the cause of justice and social change. It is often Islamists, even more than secular Muslims, who are at the forefront of such contemporary activist struggles as civil rights and women's rights. Ahmed's surprising conclusions represent a near reversal of her thinking on this topic.Richly insightful, intricately drawn, and passionately argued, this absorbing story of the veil's resurgence, from Egypt through Saudi Arabia and into the West, suggests a dramatically new portrait of contemporary Islam.

    Drawing from the Greek Medea and the myth of La Llorona, she portrays a woman gone mad between her longing for another woman and for the Indian nation which is denied her.In Heart of the Earth, a feminist revisioning of the Quichi Maya Popul Vuh story, Moraga creates an allegory for contemporary Chicanismo in which the enemy is white, patriarchal, and greedy for hearts, both female and fecund. Through humor and inventive tale twisting, Moraga brings her vatos locos home from the deadly underworld to reveal that the real power of creation is found in the masa Grandma is grinding up in her metate. The script, a collaboration with master puppet maker Ralph Lee, was created for the premiere production of the play at The Public Theater in New York in 1994.In an afterword to this edition, Moraga comments on her concerns about nationhood, indigenism, queer sexuality, and gender information.