A compelling chronicle of humans in conflict with inhuman events, Gone to Soldiers is an unforgettable reading experience and a stirring tribute to the remarkable survival of the human spirit.

    Here are nineteen stories that explore her signature themes: wounded adolescence, loneliness in marriage, and the tragicomedy of life in the South. Here too are "The Member of the Wedding" and "The Ballad of the Sad Cafe," novellas that Tennessee Williams judged to be "assuredly among the masterpieces of our language." (A Mariner Reissue)

    Reissue.

    Barthelme spotlights the idiosyncratic, haughty, sometimes downright ludicrous behavior of human beings, but it is style rather than content which takes precedence.

    The worldwide admiration he commanded remains unparalleled by any artist of the 20th century. Chagall's paintings, steeped in mythology and mysticism, portray colourful dreams and tales that are deeply rooted in his Russian Jewish origins. The memories and yearning they evoke recall his native Vitebsk, and the great events that mark the life of ordinary people: birth, love, marriage and death. They tell of a world full of everyday miracles - in the room of lovers, on the streets of Vitebsk, beneath the Eiffel Tower in Paris. Heaven and earth seem to meet in a topsy-turvy world in which whimsical figures of people and animals float through the air with gravity-defying serenity. This art album presents Chagall's work.

    His readers are legion - and this is the bestselling book that started it all, converting thousands of people who love to laugh into avid Plass readers.The Sacred Diary of Adrian Plass (aged 37 3/4) is merriment and facetiousness at its best - a journal of the wacky Christian life of Plass's fictional alter-ego, who chronicles in his 'sacred' diary the daily goings-on in the lives of ordinary-but-somewhat-eccentric people he knows and meets. Reading it will doeth good like a medicine!

    The housekeeper's reputation is one built on dependable efficiency, though she is something of an oddity. Stubborn, foul-mouthed and with a flagrant disregard for her employer's opinions she may even be crazy. She allows no-one to set foot inside her house; she masks herself with a veil and is equally guarded about her personal life. And yet Emerence is revered as much as she is feared. As the story progresses her energy and passion to help becomes clear, extinguishing any doubts arising out of her bizarre behaviour. A stylishly told tale which recounts a strange relationship built up over 20 years between a writer and her housekeeper. After an unpromising and caustic start benign feelings develop and ultimately the writer benefits from what becomes an inseparable relationship. Simultaneously we learn Emerence's tragic past which is revealed in snapshots throughout the book.

    . . . At the editing table, when I run the strip of film through, frame by frame, I still feel that dizzy sense of magic of my childhood.” Bergman, who has conveyed this heady sense of wonder and vision to moviegoers for decades, traces his lifelong love affair with film in his breathtakingly visual autobiography, The Magic Lantern.More grand mosaic than linear account, Bergman’s vignettes trace his life from a rural Swedish childhood through his work in theater to Hollywood’s golden age, and a tumultuous romantic history that includes five wives and more than a few mistresses. Throughout, Bergman recounts his life in a series of deeply personal flashbacks that document some of the most important moments in twentieth-century filmmaking as well as the private obsessions of the man behind them. Ambitious in scope yet sensitively wrought, The Magic Lantern is a window to the mind of one of our era’s great geniuses.“[Bergman] has found a way to show the soul’s landscape . . . . Many gripping revelations.”—New York Times Book Review“Joan Tate’s translation of this book has delicacy and true pitch . . . The Magic Lantern is as personal and penetrating as a Bergman film, wry, shadowy, austere.”—New Republic“[Bergman] keeps returning to his past, reassessing it, distilling its meaning, offering it to his audiences in dazzling new shapes.”—New York Times“What Bergman does relate, particularly his tangled relationships with his parents, is not only illuminating but quite moving. No ‘tell-all’ book this one, but revealing in ways that much longer and allegedly ‘franker’ books are not.”—Library Journal

    But then a voluptuous young widow badgers Rabo into telling his life story—and Vonnegut in turn tells us the plain, heart-hammering truth about man’s careless fancy to create or destroy what he loves.

    An American who doesn't even know he exists. A man he calls Daddy.

    Mr. Arad reports as a controlled and effective witness for the prosecution.... Mr. Arad's book, with its abundance of horrifying detail, reminds us of how far we have to go."--New York Times Book Review..". some of the most gripping chapters I have ever read.... the authentic, exhaustive, definitive account of the least known death camps of the Nazi era." --Raul HilbergArad, historian and principal prosecution witness at the Israeli trial of John Demjanjuk (accused of being Treblinka's infamous "Ivan the Terrible"), uses primary materials to reveal the complete story of these Nazi death camps.

    The stories range from Grossman’s first success, “In the Town of Berdichev,” a piercing reckoning with the cost of war, to such haunting later works as “Mama,” based on the life of a girl who was adopted at the height of the Great Terror by the head of the NKVD and packed off to an orphanage after her father’s downfall. The girl grows up struggling with the discovery that the parents she cherishes in memory are part of a collective nightmare that everyone else wants to forget. The Road also includes the complete text of Grossman’s harrowing report from Treblinka, one of the first anatomies of the workings of a death camp; “The Sistine Madonna,” a reflection on art and atrocity; as well as two heartbreaking letters that Grossman wrote to his mother after her death at the hands of the Nazis and carried with him for the rest of his life. Meticulously edited and presented by Robert Chandler, The Road allows us to see one of the great figures of twentieth-century literature discovering his calling both as a writer and as a man.

    Emerging from his angst-filled childhood, he rushes into the throes of the twentieth century on the Western Front during the Great War, and quickly changes his role on the battlefield from cannon fodder to cameraman. When he becomes a prisoner of war, he discovers Rousseau's Confessions, and dedicates his life to bringing the memoir to the silver screen. Plagued by bad luck and blind ambition, Todd becomes a celebrated London upstart, a Weimar luminary, and finally a disgruntled director of cowboy movies and the eleventh member of the Hollywood Ten. Ambitious and entertaining, Boyd has invented a most irresistible hero.

    Ashworth is helped to recovery, and to realise the source of his problems by Fr Jonathan Darrow, the Abbot of the Granchester Abbey of the Fordite Monks.An outstanding storyteller, Susan Howatch has created a novel of spirituality and morality where the loyalties and passions of four people are played out against their dedication to religion and the path of right. "Passionately eloquent...[A] tale of God, sex, love, self-analysis and forgiveness."THE PHILADELPHIA INQUIRER

    Finally, photography and offset printing techniques have caught up with Sternfeld's eye, and this new edition of American Prospects succeeds in presenting Sternfeld's most seminal work as it has always meant to be shown. A specially-commissioned essay by Kerry Brougher, Chief Curator at the Hirshhorn Museum and Sculpture Garden, considers the historical context in which Sternfeld was working and the pivotal role that American Prospects has played in the course of contemporary filmmaking and art photography. In American Prospects, a fireman shops for a pumpkin while a house burns in the background; a group of motorcyclists stop at the side of the road to take in a stunning, placid view of Bear Lake, Utah; the high-tech world headquarters of the Manville Corporation sits in picturesque Colorado, obscured by a defiant boulder; a lone basketball net stands in the desert near Lake Powell in Arizona; and a cookie-cutter suburban housing settlement rests squarely amongst rolling hills in Pendleton, Oregon. Sternfeld's photographic tour of America is a search for the truth of a country not just as it exists in a particular era but as it is in its ever-evolving essence. It is a sad poem, but also a funny and generous one, recognizing endurance, poignant beauty, and determination within its sometimes tense, often ironic juxtapositions of man and nature, technology and ruin.

    Montale is a love poet, whose deeply beautiful, individual work confronts the dilemmas of modern history, philosophy, and faith with courage and subtlety; he has been widely translated into English, and his work has influenced two generations of American and British poets. Jonathan Galassi's versions of Montale's major works--Ossi di seppia, Le occasioni, and La bufera e altro--are the clearest and most convincing yet, and his extensive notes discuss in depth the sources and difficulties of this dense, allusive poetry. This book offers English-language readers uniquely informed and readable access to the work of one of the greatest of all modern poets.

    Freud—once dubbed "the Ingres of existentialism"—has almost single-handedly redefined the figurative painting of our time. No other living artist possesses his ability to paint the texture and thinness of skin over flesh, and his distinctive portraits have a haunting quality that makes them impossible to forget. This volume, with over one hundred superb reproductions of his greatest paintings, pays tribute to one of the most original and accomplished artists of the twentieth century.

    THE WORLD AS I FOUND IT centers around Ludwig Wittgenstein, one of the most powerfully magnetic philosophers of our time--brilliant, tortured, mercurial, forging his own solitary path while leaving a permanent mark on all around him.

    S. Merwin's first book since the publication five years ago of his Opening the Hand.Almost no other poet of our time has been able to voice in so subtle a fashion such a profound series of comments on the passing of history over the contemporary scene. To do this, he seems to have reinvented the poem -- so that the experience of reading Merwin is unlike the reading of any other poetry. In such famous books as The Lice, The Moving Target and (most recently) Opening the Hand, he has produced a body of work of great profundity and power made from the simplest and most beautiful poetic speech.The poems in this new book are concerned with intimacy and wholeness, and are made of the relations with people, with places, past and present, and with history and how the world endures it.Merwin can now rightfully be called a master, and this book shows in every way why this is the case.

    Lynn Andrews, bestselling author of Star Woman and Jaguar Woman, continues her "chronicle of the spirit" with an extraordinary journey to th e wilderness of Central Australia, where she discovers the power of crystals.

    The insects are vying for world domination; the inventors of electricity stand in evil opposition. Bug , a young man, rebels against his own kind and joins forces with the insects. Wayne, a thug, allies himself with the malevolent forces of electricity and vows to assassinate the preying mantis who tends bar in Oregon. A brusque La Pasionara with the sprightly name of Millie leads an intrepid band of revolutionaries. You Bright and Risen Angels is the work of an extraordinary imagination. In this free-wheeling novel of epic proportions, William T. Vollmann has crafted a biting, hilarious satire of history, technology, politics, and misguided love.

    Imagine being able to sweep your eyes over the incredible riches and excitement of our century as reported in the important" News of the Day" experiencing the major events and savoring the human interest side-lights that made each and every day unique. Starting with January 1900...

    Written in the solitude of his hillside study over seven years of Sabbaths, these are poems of deep spirituality, meshing the metaphysical and the natural worlds.

    This is an account of the first few months of the Great War, from the build-up of the fighting to the first Battle of Ypres, written by the author of Somme, They called it Passchendaele and The Roses of No Man's Land.

    Funny and touching, these 20 stories from original live broadcasts of A Prairie Home Companion follow the seasons in Lake Wobegon.Contents:Spring: Me and Choir; A Day in the Life of Clarence Bunsen; Letter from Jim; FictionSummer: The Living Flag; The Tollefson Boy Goes to College; Tomato Butt; Chamber of Commerce; Dog Days of August; Mrs. Berge and the Schubert Carillon PianoFall: Giant Decoys; Darryl Tollerud's Long Day; Hog Slaughter; Thanksgiving; The Royal FamilyWinter: Guys on Ice; James Lundeen's Christmas; The Christmas Story Re-told; New Year's from new York; Storm Home

    And other Soviet-backed assassins are on their way to finish the job.

    While Meg is recovering from rheumatic fever her grandmother gives her the old-fashioned family doll named Jessie, and when Meg falls asleep holding Jessie, she wakes up to discover that she has gone back in time and is now Morag, a girl traveling the Canadian prairies by covered wagon.

    A "rollicking rebuttal to the often quoted adage about teaching old dogs new tricks."--Booklist, starred review. Full-color illustrations.

    Here for the first time in one volume are her complete stories.

    "Crickets often crop up in accounts of Mediterranean moods," we read. "The sound or possibly song of the cricket does not disturb insomnia—I know from experience—on summer nights when waking is easier than sleeping and the spirits keep watch and almost seem to merge over the Mediterranean." In the space of a few pages we encounter knots, ballast, voyages, swimming, diving, shipwrecks, burial at sea, sponge and coral gathering, rivers, and the distribution of olive, fig, and agave. The author has stories to tell about each topic and freely mingles the observations and discoveries of fellow travelers, ancient and contemporary, with his own, creating a powerful narrative tide.The book is divided into three sections: "Breviary," "Maps," and "Glossary." "Breviary" catalogs the sights, smells, sounds, and features common to the many peoples who share the Mediterranean—Jews, Arabs, Copts, Berbers, Turks, Syrians, Greeks, Romans (and Italians), Spaniards (and Catalonians), the French, Dalmatians, Albanians, Bulgarians, Romanians, even Russians. "Maps" retraces the same itinerary through documents up to the seventeenth century that represent the Mediterranean; "Glossary" deals with linguistic diversity and history. The brilliant variety of details and the verve with which they are conveyed will appeal to active and armchair travelers alike.With this portrait of a place and its civilizations, Matvejevic joins a cohort of writers that includes Claudio Magris (Danube), Angelo Maria Ripellino (Magic Prague), and Neal Ascherson (Black Sea)—authors who have created a literary genre all their own, at once personal and objective, imaginative and erudite. Although, as Matvejevic says, "we do not discover the sea ourselves, nor do we view it exclusively through our own eyes," this Mediterranean is joyously his, and it becomes ours as well.

    This comprehensive collection is now in a paperback identical to the original clothbound edition. 130 color, 54 black-and-white illustrations.

    Heaney peppers this short collection of poems with crafty language and natural objects: "I heard the hatchet's differentiated/Accurate cut, the crack, the sigh/And collapse of what luxuriated/Through the shocked tips and wreckage of it all." The Haw Lantern won England's Whitbread Prize in 1987.

    Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fugue like and field like densities of late-twentieth-century life. McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirs believers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate. A mirror of manners, the book is also a meditation on the languages rich, ludicrous, exact, and also American in which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.

    .

    Told through a series of “historical documents”—memoirs, illustrations, letters, philosophical treatises, blue prints, and maps—the novel details the story of these interventions and the historical moments where the Brotherhood has made their influence felt, from the assassination of Archduke Ferdinand to a lost story of Sherlock Holmes.Masterfully intertwining the threads of waking and dreams into the fabric of the present, the past, and the future, Svetislav Basara’s Pynchon-esque The Cyclist Conspiracy is a bold, funny, and imaginative romp.

    This sumptuous volume celebrates the 80th birthday of one of the best-known and most-loved storytellers in the English language today, Daphne du Maurier.Here are six masterpieces of the imagination, illustrated in glowing color by prize-winning artist, Michael Foreman.Don't Look Now, a classic story of the macabre, opens the collection, followed by The Apple Tree, The Blue Lenses, The Birds, The Alibi and Not After Midnight.

    There are carols suitable for both sacred and secular occasions, and both accompanied andunaccompanied material. The Order of Service for a Festival of Nine Lessons and Carols is included.

    Published in Association with the Metropolitan Museum of Art

    The personality of Hitler himself, however, can scarcely explain this immense popularity or his political effectiveness in the 1930s and '40s. His hold over the German people lay rather in the hopes and perceptions of the millions who adored him.Based largely on the reports of government officials, party agencies, and political opponents, Ian Kershaw's groundbreaking study charts the creation, growth, and decline of the "Hitler myth." He demonstrates how the manufactured "Fuhrer-cult" served as a crucial integrating force within the Third Reich and a vital element in the attainment of Nazi political aims. Masters of the new techniques of propaganda, the Nazis used "image-building" to exploit the beliefs, phobias, and prejudices of the day. Kershaw greatly enhances our understanding of the German people's attitudes and behavior under Nazi rule and the psychology behind their adulation of Hitler.

    The concept of modernity—the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours—is a relatively recent Western invention and one whose time may already have passed, if we believe its postmodern challengers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value judgments, conflicting orientations, and intellectual paradoxes to which it has given rise.Five Faces of Modernity attempts to do for the foundations of the modernist critical lexicon what earlier terminological studies have done for such complex categories as classicism, baroque, romanticism, realism, or symbolism and thereby fill a gap in literary scholarship. On another, more ambitious level, Calinescu deals at length with the larger issues, dilemmas, ideological tensions, and perplexities brought about by the assertion of modernity.

    Cover design and drawings by George Schneeman.

    Based on diaries, letters, memoirs, official reports, the works of modern social historians and the literature of every period, The English traces the development of English society over nine hundred years.The chapters range far and wide over life in castles, palaces and monasteries, in the homes of rich merchants and in the hovels of peasants, describing the work and play of the inhabitants, their clothes and food and possessions, their servants and animals, their pleasures and suffering, their beliefs and attitudes, their schools, fairs, shops and markets, hospitals and prisons, theatres and churches, farms and factories, taverns and brothels. Every aspect of medieval and modern life is covered in detail. We learn about medieval meals and games, poachers and priests, tournaments and pageants; fifteenth-century universities; sixteenth-century plagues and seventeenth-century libraries, music rooms, nurseries, and witch-hunts; eighteenth-century parsons, coachmen and doctors; nineteenth-century noblemen, factory girls and cricketers; twentieth-century maidservants, landladies and motorists.

    In this Library of America volume are presented the first two novels and a little-known collection of biographical sketches by the man about whom H. L. Mencken said, “American writing, before and after his time, differed almost as much as biology before and after Darwin.”Dreiser grew up poor in a series of small Indiana towns, in a large German Catholic family dominated by his father’s religious fervor. At seventeen he moved to Chicago and eventually became a newspaper reporter there and in St. Louis, Pittsburgh, and New York. Reaction to his first book, Sister Carrie (1900), was not encouraging, and after suffering a nervous breakdown, he went on to a successful career editing magazines. In 1910 he resumed writing, and over the next fifteen years published fourteen volumes of fiction, drama, travel, autobiography, and essays.“Dreiser’s first great novel, Sister Carrie …came to housebound and airless America like a great free Western wind, and to our stuffy domesticity gave us the first fresh air since Mark Twain and Whitman,” Sinclair Lewis declared in his Nobel Prize acceptance speech in 1930. Carrie Meeber, an eighteen-year-old small-town girl drawn to bustling Chicago, becomes the passionless mistress of a good-humored traveling salesman and then of an infatuated saloon manager who leaves his family and elopes with her to New York. Dreiser’s brilliant, panoramic rendering of the two cities’ fashionable theaters and restaurants, luxurious hotels and houses of commerce, alongside their unemployment, labor violence, homelessness, degradation, and despair makes this the first urban novel on a grand scale.In a 1911 review, H. L. Mencken wrote, “Jennie Gerhardt is the best American novel I have ever read, with the lonesome but Himalayan exception of Huckleberry Finn.” Beautiful, vital, generous, but morally naïve and unconscious of social conventions, Jennie is a working-class woman who emerges superior to the succession of men who exploit her. There are no villains in this novel; in Dreiser’s view, everyone is victimized by the desires that the world excites but can never satisfy.Dreiser’s embracing compassion is felt in Twelve Men (1919), a collection of portraits of men he knew and admired. They range from “My Brother Paul” (Paul Dresser, vaudeville musical comedian and composer of “On the Banks of the Wabash” and “My Gal Sal”) to “Culhane, the Solid Man,” a sanatorium owner and former wrestler. Without sentiment but with honest emotion and respect for the bleak and unvarnished truth, Dreiser recalls these anomalous individuals and the twists of fate that shaped their lives.

    More than 200 new authentic documents are provided in the second edition. These maps, charts, literary excerpts, and other documents help teach reading and introduce students to French culture. Also new to the second edition are great learning activities, including writing and reading exercises to expand students' ability to communicate through writing and to understand by reading contextually. Extensive questions for monitoring students' comprehension of the story are are are also included.

    In Volume I, Derrida advances his reflection on many topics: psychoanalysis, theater, translation, literature, representation, racism, and nuclear war, among others. The essays in this volume also carry on Derrida's engagement with a number of key thinkers and writers: Barthes, Benjamin, de Man, Flaubert, Freud, Heidegger, Lacoue-Labarthe, Levinas, and Ponge. Included in this volume are new or revised translations of seminal essays (for example, "Psyche: Invention of the Other," "The Retrait of Metaphor," "At This Very Moment in This Work Here I Am," "Tours de Babel" and "Racism's Last Word"), as well as three essays that appear here in English for the first time.

    This Latin American classic describes the growth and development of the workers' movement and the communist party in El Salvador and Guatemala, and contains Mármol's impressions of post-revolutionary Russia in the twenties, describing in vivid detail the brutality and repression of the Martínez dictatorship and the reemergence of the workers' movement after Martínez was ousted. It also gives a broad and clear picture of the lives of the ordinary peasant and worker in Central America, their sufferings, their hopes and their struggles.

    But AIDS has precipitated a crisis that is not primarily medical, or even social and political; AIDS has precipitated a crisis of signification the "meaning" of AIDS is hotly contested in all of the discourses that conceptualize it and seek to respond to it . AIDS: Cultural Analysis/Cultural Activism is the first book on the subject that takes this battle over meaning as its premise.ContributorsLeo Bersani, author of The Freudian Body; Simon Watney, who serves on the board of the Health Education Committee of London's Terrence Higgens Trust; Jan Zita Grover, medical editor at San Francisco General Hospital; Suki Ports, former executive director of the New York City Minority Task Force on AIDS; and Sander Gilman, author of Difference and Pathology.Also included are essays by Paula A. Treichler, who teaches in the Medical School and in communications at the University of Illinois; Carol Leigh, a member of COYOTE and contributor to Sex Work; and Max Navarre, editor of the People With AIDS Coalition monthly Newsline. In addition to these essays, the book contains a portfolio of manifestos, articles, letters, and photographs from the publications of the PWA Coalition, an interview with three members of the AIDS discrimination unit of the New York City Commission on Human Rights; and presentations for the independent video documentaries on AIDS, Testing the Limits and Bright Eyes.An October Book.

    But Morris is also a chronic alcoholic, heading fast towards self-destruction. Morris is not hoping to meet Ms. Right and acquire the two kids that will straighten everything out. He already has all this and it hasn't kept him off the bottle. Ron Butlin's tale of one man's inner turmoil is haunting, harrowing, yet strangely uplifting; a masterpiece from a neglected Scottish writer.

    His work, presented in over twenty books, lies on the borders of philosophy, anthropology and ethnology, and cultural theory.The present volume consists of diverse individual texts, produced between 1980 and 1986, which take two forms: interviews in which Bourdieu confronts a series of probing and intelligent interviewers, and conference papers that clarify and extend specific areas of his research. Now that Bourdieu's work has achieved wide diffusion and celebrity, this is an appropriate time for this volume, a pause for retrospection and resynthesis, for corrections of misreadings and extension of previous insights, and for projection of the next stages of his work. For this English edition, Bourdieu's celebrated inaugural lecture at the Collège de France, Leçon sur la Leçon, has been added.The texts fall into two fundamental areas. The first area provides an overview of Bourdieu's central concepts, never before clearly explained. The second area clarifies the philosophical presuppositions of Bourdieu's studies and gives an account of his relations with the series of thinkers who formulated the problems in social and cultural theory that still preoccupy us: Kant, Hegel, Marx, Durkheim, Wittgenstein, Weber, Parsons, and Lévi-Strauss. Bourdieu's visions of these figures is personal and penetrating, and in his vivacious, spontaneous responses one sees at work a mode of thought that can in itself be a liberating tool of social analysis. Bourdieu applies to himself the method of analyzing cultural works that he expounds, evoking the space of theoretical possibilities presented to him at different moments of his intellectual itinerary.

    . . Wright remembers in a smoothly articulate style that takes us back into history in near novelistic fashion.--Chicago Sun-Times.

    Special features of this edition include direct word-for-word translations showing the range of meaning in each Chinese character, the Chinese pronunciations, as well as biographical and historical commentary following each poem.

    He is starved of human companionship; instead he has running conversations with trees and plants. Then love, or a peculiar version of it, comes to Aloysius in the form of a solidly built German lady, Inga Schmidt, who has come to Jamaica to photograph the flora and fauna.

    The story of Australia's resistance hero, Pemulwuy, who kept British settlement around Sydney restricted for 12 years 1790-1802

    . . is a reminder . . . of the sins of suppression and untruth that have been and can be committed in the name of American journalism . . . One of the last first-person statements from a generation that included Hitler, Nehru, and Mao . . . and Seldes too." --Columbia Journalism Review

    As they travel through the Thirteen Kingdoms, they are pursued and observed by a myterious man with red hair who seems to defeat them at every turn and by Caitlin's own dark visions, which haunt her with the fearsome destiny they predict. The answer to it all seems to be Spellkey; finding it and solving its Mystery may mean destruction for the cruel rulers of the Pentacle and a solution for Caitlin an The Badger, who need one desperately since they are falling in love...

    David Gettman has devised a clear and modern explanation of Montessori's revolutionary ideas about early intellectual development, and provides a step-by-step guide to the Montessori learning activities most commonly used with under-fives. These include activities for introducing reading and writing, counting and decimal concepts, science, and geography, as well as activities that help develop the child's practical and sensorial skills.

    We have a postmodern architecture, a postmodern dance, perhaps even a postmodern philosophy and a postmodern condition. But do we have a postmodern fiction?In this trenchant and lively study Brian McHale undertakes to construct a version of postmodernist fiction which encompasses forms as wide-ranging as North American metafiction, Latin American magic realism, the French New New Novel, concrete prose and science fiction. Considering a variety of theoretical approaches including those of Ingarden, Eco, Doležel, Pavel, and Hrushovski, McHale shows that the common denominator is postmodernist fictin’s ability to thrust its own ontological status into the foreground and to raise questions about the world (or worlds) in which we live. Far from being, as unsympathetic critics have sometimes complained, about nothing but itself — or even about nothing at all — postmodernist fiction in McHale’s construction of it proves to be about (among other things) those handy literary perennials, Love and Death.

    Although already an experienced and accomplished artist, he was forced to retrain as an actor under Stanislavski's rigorous guidance. This is Toporkov's account of this learning process, offering an insight into Stanislavski's legendary "system" and his method of rehearsal that became known as the method of physical action. Spanning ten years - from 1928 to 1938 - Toporkov charts the last crucial years of Stanislavski's work as a director. Toporkov reveals Stanislavski as a multi-faceted personality - funny, furious, kind, ruthless, encouraging, exacting - waging war against clich�s and quick answers, inspiring his actors and driving to despair in his pursuit of artistic perfection. Jean Benedetti's new translation of Toporkov's invaluable record restores to us the vitality and insight of Stanislavski's mature thoughts on acting.

    To the British it was the means by which they gained sovereignty over New Zealand. But to Maori people it had a very different significance, and they are still affected by the terms of the treaty, often adversely. The Treaty of Waitangi, the first comprehensive study of the treaty, deals with its place in New Zealand history from its making to the present day. The story covers the several treaty signings and the substantial differences between Maori and English texts; the debate over interpretation of land rights and the actions of settler governments determined to circumvent treaty guarantees; the wars of sovereignty in the 1860s and the longstanding Maori struggle to secure a degree of autonomy and control over resources.

     Stories on conversion from extreme sinfulness to extreme holiness have always attracted humankind’s attention, and this was especially so among the monks of the ancient and medieval world.  In the literature of fourth-century Egypt, alongside the wise sayings of the desert fathers and the stories illustrating their way of life, there are also the accounts of the lives of the harlots, Pelagia, Maria, Thais, Mary of Egypt, and a number of lesser figures, all of which were copied, translated, and retold throughout the Middle Ages.   In this monograph, Benedicta Ward continues the work she began in The Sayings of the Desert Fathers and The Lives of the Desert Fathers, commenting on early monastic texts by discussing the theme of Christian repentance.  She begins with May Magdalene, the archetypal penitent, and goes on to examine the desert tradition, concluding each chapter with new translations of those lives which were most influential in the early Church and on countless generations afterwards.

    Time passes and opinions change. “Why should we go on supporting a book which we detest?” Rose Curtland asks. “The brotherhood of Western intellectuals versus the book of history,” Jenkin Riderhood suggests. The theft of a wife further embroils the situation. Moral indignation must be separated from political disagreement. Tamar Hernshaw has a different trouble and a terrible secret. Can one die of shame? In another quarter a suicide pact seems the solution. Duncan Cambus thinks that since it is a tragedy, someone must die. Someone dies. Rose, who has gone on loving without hope, at least deserves a reward.

    The story is unified by the actions of one man, Mankunku, a “destroyer,” who is born in mysterious circumstances in a banana plantation and whose identity is as variable as that of his land. This novel traces his development along with that of his unnamed country, from the precolonial era, through the horrors of European subjugation, to independence and the complexities of the postcolonial nation. Along the way, charlatans and saints, workers and bureaucrats, warriors and peacemakers are introduced in a moving mélange of laughter and terror. First published in France in 1987, The Fire of Origins received the 1988 Prix de la Fondation de France and the Grand Prix Litteraire d’Afrique Noire, and has been translated into Spanish, Danish, Norwegian, and Japanese. Mythical, lyrical, powerful, and surreal, it is one of the most ambitious works of fiction to come out of sub-Saharan Africa. This replaces 155652420X.

    Contents:- Introduction (December 1986) by James Tiptree, Jr.- Autofac (1955)- Service Call (1955)- Captive Market (1955)- The Mold of Yancy (1955)- The Minority Report (1956)- Recall Mechanism (1959)- The Unreconstructed M (1957)- Explorers We (1959)- War Game (1959)- If There Were No Benny Cemoli (1963)- Novelty Act (1964)- Waterspider (1964)- What the Dead Men Say (1964)- Orpheus with Clay Feet (1987)- The Days of Perky Pat (1963)- Stand-By (1963, variant of Top Stand-By Job)- What'll We Do with Ragland Park? (1963)- Oh, to Be a Blobel! (1964)- NotesFront cover illustration by Chris Moore

    The first English-language publication of one of the major works of the great Romanian Surrealist poet and novelist, Gellu Naum.

    Master storyteller, William Trevor's tender and moving story is about a mysterious emigrant couple who have come to Ireland during the Second World War, and the sensitive boy who comes under their gentle spell.

    Each introduced by a short paragraph addressing the perennial question "Where do you get your ideas?".The Porcelain Man Come Again In The SpringThe Parrot and the ThiefThe Wreck of the Linda DearThe Blue StoneThe Leprechaun's StoryThe Contests at CowlickSong of the HorseThe Rise and Fall of Ben GizzardThe Dark PrincessCrazy in LoveThe Lost Kingdom of KarnicaOliver Hyde's Dishcloth ConcertThe Mouse GodInside My Feet: the story of a giant.

    of Missouri Press, this is a collection of 15 short stories on the black urban experience, by one of the premier writers of the Harlem Renaissance. Annotation copyright Book News, Inc. Portland, Or.

    A former Jewish resistance fighter and double agent offers a compelling account of her work against the Nazis in her native Belgium, explaining how she penetrated Gestapo headquarters and gained information used in the rescue of Jews and Allied POWs.

    Emily Eden, Charlotte Canning, Edith Lytton and Mary Curzon were well-born, cultivated women who experienced the extremes of decadence in a country gripped by poverty. Emily Eden imagined an India of dazzling splendor but found a land of dark secrets. Charlotte Canning painted delicate watercolors while the carnage of the Great Mutiny raged. Edith Lytton feared the moral laxity and adultery of India but indulged her husband rather than restraining him. Mary Curzon, an insecure American heiress in thrall to her husband unwittingly was almost crushed by him.Marian Fowler, “both scholarly and tart,” recounts their adventures in this classic work of colonial and women’s history.

    Ninety years after the most famous sinking of all time, two of the world's foremost authorities present this popular account of the sea's best-known disaster. Myth and legend have long been part of the story. The authors explore many of the misconceptions that have developed over the years concerning the ship, the people and the sinking, and give the most likely explanations based on present-day research and knowledge.The whole story is expertly summarized - from building and launching, to a fascinating account of the remarkable discovery of the wreck, two-and-a-half miles down, by unmanned submersible. New to this edition is coverage of the subsequent crewed dives including the authors' own photographic visit to the site, and the artifact recovery expeditions. It all adds up to a book that will appeal to general reader and dedicated Titanic expert alike.

    Whether critiquing the politics of socialist realist art in “We Often Think of Lenin at the Clothespin Factory,” revisiting biblical tales in “Jonah,” or depicting an ancient Greek philosopher in “The Meadow,” Davenport demonstrates his talent for blending high-minded ideas with literary wit.   Davenport’s writing is at its most confident when the author weaves between time periods and ideas, such as when he revisits Descartes through the eyes of an ancient Greek skeptic in “Pyrrhon of Elis,” wherein a doubting philosopher declares, “I may not be, I think”; or in “The Bicycle Rider,” in which a doctoral student studying imagery of demons in the Gospels is visited by angelic spirits and attempts to save the life of a nihilistic prostitute. In these stories and the others collected in The Jules Verne Steam Balloon, Davenport’s signature approach to culture and humanity is on bold display.

    Class 3 of Hampstead Primary School takes a school trip to Paris and lands right into the middle of a mystery.

    Read together they make up an elaborate and unforgettable pattern of dreams and reality.'Landscape with Landscape is a work of extraordinary power and vision, one which will surely be an outstanding novel of the decade.' Helen Daniel, Age

    Though nothing is as simple as it might appear to be, we could describe this as a story about Allen, who is married to Maud but having an affair with Elizabeth, who lives with Maud. Or say it is a story about fraud in the art world, horse racing, and sexual intrigues. Or, as one critic did, compare it to a Jane Austen creation, or to an Aldous Huxley novel - and be right and wrong on both counts.

    As Queen Amelyor's powers decline, Keiris, her son, decides he must find his long-lost twin sister, and the secret of his heritage

    Uniforms, Insignia and Organization of the The Armed Forces of World War IICrown Publishers; 1st edition (October 17, 1987)324 pages

    Herbert Aptheker, Editor, The Correspondence of W.E.B. Du Bois 'Marable's excellent study focuses on the social thought of a major black American thinker who exhibited a 'basic coherence and unity' throughout a multifaceted career stressing cultural pluralism, opposition to social inequality, and black pride.' Library Journal Distinguished historian and social activist Manning Marable's book, W. E. B. Du Bois: Black Radical Democrat, brings out the interconnections, unity, and consistency of W. E. B. Du Bois's life and writings. Marable covers Du Bois's disputes with Booker T. Washington, his founding of the NAACP, his work as a social scientist, his life as a popular figure, and his involvement in politics, placing them into the context of Du Bois's views on black pride, equality, and cultural diversity. Marable stresses that, as a radical democrat, Du Bois viewed the problems of racism as intimately connected with capitalism. The publication of this updated edition follows more than one hundred celebrations recently marking the 100th anniversary of Du Bois's The Souls of Black Folk. Marable broadens earlier biographies with a new introduction highlighting Du Bois's less-known advocacy of women's suffrage, socialism, and peace and he traces his legacy to today in an era of changing racial and social conditions.

    

    These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

    Used car salesmen, two-bit detectives, and psychotic dames clash against one another in the city by the Bay. Pure Pulped CLASSIX is a garishly named effort on the part of Resurrectionary Press to provide works of pulp fiction in cleanly designed and properly typset editions.

    She calls it Thing. When it hatches, Emily and her mother find themselves with a playful, apple-green, prehistoric, vegetarian TV addict.

    

    Scott Fitzgerald's—embodied the glamorous success and lost possibilities of the Jazz Age.

    Winner of the 1987 Brittingham Prize in Poetry.

    In Conversations with Nietzsche, Sander Gilman and David Parent present a fascinating selection of eighty-seven memoirs, anecdotes, and informal recollections by friends and acquaintances of Nietzsche. Translated from the definitive German collection, Begegnungen mit Nietzsche, these biographical pieces--some of which have never before appeared in English--cover the entire span of Nietzsche's life: his boyhood friendships, his arrival at the University of Bonn, his appointment to professor at Basel at age twenty-four, the impact of The Birth of Tragedy, his friendship with Wagner, his life in Italy, his confinement at the Jena Sanatorium, and his death. They present the philosopher in dialogue with friends and acquaintances, and provide new insights into him as a thinker and as a commentator on his times, recounting his views on some of the greats of history, including Burckhardt, Goethe, Kant, Dostoevsky, Napoleon, and numerous others. In his selections, Gilman has carefully balanced documents concerning Nietzsche's personal life with others on his intellectual development, resulting in an entertaining and informative book that will appeal to a wide audience of educated readers.

    He wants his baby sister out of the way as well as all of her toys. But when his friend Crusher arrives, he would rather babysit Little Sis than play "Raiders of the Universe" with Pete. Full-color illustrations throughout.

    

    When they are commissioned to paint a fresco in Kyoto, they set off, only to lose their way in Siberia where they embark on a series of picaresque and surreal adventures.

    English translations accompany the original Russian texts of poems about conscience, imprisonment, exile, survival, hope, despair, betrayal, winter, and freedom.

    Richard Bausch "has created an enduring work of art".--Washington Post.

    

    

    

    

    Using that critical history as a starting point, this volume recaptures the overwhelming sense of strangeness felt by the work's first readers and thereby illuminates Tolstoy's theoretical and narratological concerns.The author demonstrates that the formal peculiarities of War and Peace were deliberate, designed to elude what Tolstoy regarded as the falsifying constraints of all narratives, both novelistic and historical. Developing and challenging the ideas of Mikhail Bakhtin, Morson explores Tolstoy's account of the work's composition in light of various myths of the creative process. He proposes a theory of "creation by potential" that incorporates Tolstoy's main concerns: the "openness" of each historical moment; the role of chance in history and within narrative patterns; and the efficacy of ordinary events, "hidden in plain view," in shaping history and individual psychology. In his reading of Tolstoy, he demonstrates how we read literary works within the "penumbral text" of associated theories of creativity.

    Sir Richard Attenborough's magnificent film Cry Freedom - based on the true story of the friendship between Steve Biko and Donald Woods - has won immense critical acclaim.

    Here is an entirely new and complete English translation of Strauss's work, which takes as its ideal the exacting standards of accuracy that Strauss himself emphasized in his own work. It includes a prefatory essay introducing the argument of each of the four sections of Philosophy and Law.This is a fresh and challenging treatment of the perennial conflict between reason and revelation, or philosophy and religion. Strauss's key contention in this book is that the most influential modern approaches to this conflict have run aground in ways that reflect their loss of key insights developed by the medieval philosophers of Islam and their Jewish pupils, especially Maimonides. Strauss challenges the modern view that scientific enlightenment must ultimately amount to atheism, and that therefore there can be no such thing as enlightened religion. Through a careful, original, and detailed treatment of central works of the medieval Islamic-Jewish tradition, especially Maimonides' Guide of the Perplexed, Strauss aims to recover their key insights into this question.

    In some thirty books of fiction, autobiography, essays and journalism, he has turned the Spanish language against what he derides as 'Sunnyspain', flaying the 'Hispanos' while excavating their culture's Moorish and Jewish roots.This, his masterful two-volume autobiography first published in the mid-1980s, broke new ground in Spanish letters with its introspective sexual and emotional honesty. It charts the writer's unique journey from a Barcelona childhood violently disrupted by the Spanish civil war to student rebellion against the Francoist dictatorship and exile as a 'self-banished Spaniard' to Paris in 1956.In Paris, Goytisolo fell in love with Monique Lange, befriended Jean Genet, and discovered his own homosexuality as he supported the struggles for Algerian independence. His passionate, iconoclastic pen spares no one, least of all himself, in this striking portrayal of politics and sexuality in twentieth-century France and Spain.

    Between themselves they talk only about the practicalities of life", declares Duras in this collection of her transcribed conversations with friend Jerome Beaujour. Some of her free-ranging meditations are short and deceptively simple, while many are autobiographical and reveal her most intimate thoughts about motherhood, her struggle with alcohol, her love for a younger man, and more.

    The author shares his experience of learning to wait in the silence and find God. Perfect for seekers, inquirers and seasoned Friends.