Her parents have died, her food is dwindling and the rent is due. When a stranger arrives bearing a note from an uncle, inviting Katka to join him and his wife in America, she leaves all that she has held dear to rebuild her life across the ocean. On the voyage to New York, she becomes friends with the stranger and begins to fall in love. But at Ellis Island, they are separated when he is detained by authorities as a suspected anarchist. Alone, Katka continues her journey to her uncle’s house on the rough and tumble Iron Range in northern Minnesota. Soon she is immersed in a lively community of iron miners and begins publishing an underground newspaper about their struggles and the heroism of the women on the Iron Range, as they are swept into a tumultuous strike that will change their lives forever. “Under Ground” is a work of fiction inspired by true events.

    But her job is with the Kennedy family, so how could it not?Nora has charge of all nine Kennedy children, practically from the minute they're born. She sees the boys coached at their father Joe's knee to believe everything they'll ever want in life can be bought. She sees the girls trained by Rose Kennedy ("Herself") to be good Catholic wives. With her sharp eye and her quiet common sense, Nora is the perfect candidate to report on an empire in the making.World War II changes everything. When war breaks out, Nora and the Kennedys are in London, where Joseph Kennedy is the American ambassador. His reaction is to send the entire household back across the Atlantic to safety, but Nora, surprised by midlife love, chooses to stay in England and do her bit for the war effort. Separated from her Kennedys by an ocean, she nevertheless remains the warm, approachable sun around which the older children orbit: Joe Jr. and Jack, both serving in the US Navy; Rosemary, tragically unable to fit into the Kennedy mold; and Kathleen, known affectionately as "Kick," who throws a spanner in the Kennedy works by marrying an English Protestant.Dear Nora has a deliciously inside view of everything that is happening upstairs, and in this fictional diary she tells all with the humor and candor that only a nursemaid dare employ.Witty, irreverent, and a rollicking good read, The Importance of Being Kennedy is social satire at its best.

    In the privacy of their homes, who can save them from themselves? In the forests and hills and on the beautiful lakes, what could possibly be wrong? Even in the sweet hometown, with its kindly police, menace lurks in a thousand disguises. Mystery and magic surround this metropolis of the imagination. Once again, James Tate has given us a world of surprising pleasures:... lost in the interstellar space between teacups in the cupboard, found in the beak of a downy woodpecker, the lovers staring into the void and then jumping over it, flying into their beautiful tomorrows like the heroes of a storm.

    Drawing on philosophy, literature, neuroscience, and other fields of study, Ligotti takes the penetrating lens of his imagination and turns it on his audience, causing them to grapple with the brutal reality that they are living a meaningless nightmare, and anyone who feels otherwise is simply acting out an optimistic fallacy. At once a guidebook to pessimistic thought and a relentless critique of humanity's employment of self-deception to cope with the pervasive suffering of their existence, The Conspiracy against the Human Race may just convince readers that there is more than a measure of truth in the despairing yet unexpectedly liberating negativity that is widely considered a hallmark of Ligotti's work.

    The pervasiveness of images of torture, horror, and war has all but demolished the twentieth-century hope that such imagery might shock us into a less alienated state, or aid in the creation of a just social order. What to do now? When to look, when to turn away?Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel. In a journey through high and low culture (Kafka to reality TV), the visual to the verbal (Paul McCarthy to Brian Evenson), and the apolitical to the political (Francis Bacon to Kara Walker), Nelson offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.

    Her friend Robert has decided it's time to play matchmaker.This short story should be FREE. If it is not listed as FREE please report the lower price to the vendor. I wanted to give my loyal readers something to show my appreciation, as well as encourage new readers to try out my stories.Warning: This story contains graphic descriptions of sex and a smoking hot werewolf.

    The result is an extraordinary, complex portrait of "white girls," as Als dubs them—an expansive but precise category that encompasses figures as diverse as Truman Capote and Louise Brooks, Malcolm X and Flannery O’Connor. In pieces that hairpin between critique and meditation, fiction and nonfiction, high culture and low, the theoretical and the deeply personal, Als presents a stunning portrait of a writer by way of his subjects, and an invaluable guide to the culture of our time.

    Yet in this mystery anthology, renowned editor and author Otto Penzler weaves together to heart-stopping effect more than ninety tales of brutality, terror, and unexpected demise, with each story told in a swift one thousand words or less.These crimes may be fast in both form and fallout, but none lack the dark impulses that too often guide human hands to ill ends. Prepare to be transported into the diabolical schemes of criminal masterminds…into robberies and pranks gone horribly awry…into closets crammed with skeletons…into families bound not by love but wickedness.Authors include Peter Blauner, Ken Bruen, Rob W. Hart, K. A. Laity, Tasha Alexander, Patricia Abbott, Bruce DeSilva, Chuck Caruso, Gregory Gibson, Joe R. Lansdale, and many more.

    As the two follow clues and journey deeper into the woods amid the eerily quiet and hauntingly beautiful landscape-bypassing tokens and remains of the departed, suicide notes tacked to trees and shrines put up by forlorn loved ones-they'll depend on one another in ways they never had to before, testing the very fabric of their relationship. And, as daylight quickly escapes them and they find themselves lost in the dark veil of night, Bill discovers a truth Junko has hidden deep within her-a truth that will change them both forever.

    This striking book showcases the treasures from first ladies throughout history, ranging from Martha Washington's silk dress and dressing mirror to Michelle Obama's 2009 inaugural gown and jewelry. These and many other unforgettable objects--including gowns, tableware, and invitations from beloved first ladies such as Mamie Eisenhower, Jacqueline Kennedy, Barbara Bush, Hilary Clinton, and more--tell the story of the first ladies as public and private figures. They illustrate how these women, thrust into an influential and visible role by happenstance of marriage, adapted themselves and the role of first lady by taking on responsibilities as campaigners, hostesses, and policy advocates.The Smithsonian First Ladies Collection features many treasures not on view at the exhibit. Complete with an insider's look at the acquisition, conservation, and exhibition of the pieces as well as a timeline of all forty-six first ladies, this is a must-have for anyone fascinated by these incredible women and their roles in American culture and political life.

    It's even bemoaned by poets: "I, too, dislike it," wrote Marianne Moore. "Many more people agree they hate poetry," Ben Lerner writes, "than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore."In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.

    Guest editor Lyn Hejinian, acclaimed for her own innovative writing, has chosen seventy-five important new poems and contributed a provocative introductory essay. Through her selections, Hejinian has created an essential nexus -- a meeting place for readers to encounter an extraordinary range of poets. With illuminating comments from the writers, and series editor David Lehman's insightful foreword evaluating the current state of the art, The Best American Poetry 2004 is an indispensable addition to a series that has established itself as the first word on what's new and noteworthy in the poetry of our times.

    Hannah's encounter with Taylor ultimately triggers a series of events whose momentum catches Hannah's family in its grip and forces her to make a heartrending choice.

    Chambers Stevens, Los Angeles' #1 kids acting coach, introduces young actors to the joys and how-to's of performing monologues in preparation of auditions. +50 kid-friendly monologues are incorporated. Each monologue is named and subtitled for quick content perusal. A glossary of industry terms, index and bibliography of magnificent performances by child actors in film are also included as a study aid. In the foreword, Steven Woolf, renowned repertory theater director, discusses the role of monologues in the development of today's actor. Monologues in the book are easy to understand, require a minimum of props and work in impromptu settings. Perfect for teachers of theater arts, parents, counselors, troop leaders interested in increasing the self-confidence and self esteem of young people through the performance arts. Great for classroom, variety talent shows, parties, competitions, and ultimately, auditions.

    M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a scintillating study of the magic of fiction--an analysis of its main elements and a celebration of its lasting power. Here one of the most prominent and stylish critics of our time looks into the machinery of storytelling to ask some fundamental questions: What do we mean when we say we "know" a fictional character? What constitutes a telling detail? When is a metaphor successful? Is Realism realistic? Why do some literary conventions become dated while others stay fresh?James Wood ranges widely, from Homer to Make Way for Ducklings, from the Bible to John le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, How Fiction Works will be enlightening to writers, readers, and anyone else interested in what happens on the page.