Directions: apply to your soul gently, whilst sitting under the stars.

    A potpourri of musings assembled with a hint of practical spirituality, to be savoured passably as an oracle of hearts to the many answers, whose questions our minds are yet to comprehend. Ivory Gleam is split into three chapters of learning, longing and loving. Each chapter is a journey traversing a different road to the ultimate destination of self-reflection.

    Exploring how the mind orders experience—and how disorder, or different orders, affect that experience—Szporluk has produced a poetry of alien beauty, limning worlds where the inability to exert control results in a disturbing, overwhelming immediacy.

    Titled after the poem that burned up on Tumblr and has inspired wedding vows, paintings, songs, YouTube videos, and even tattoos among its fans, Mouthful of Forevers brings the first substantial collection of this gifted young poet’s work to the public.Clementine von Radics writes of love, loss, and the uncertainties and beauties of life with a ravishing poetic voice and piercing bravura that speak directly not only to the sensibility of her generation, but to anyone who has ever been young.

    Her three books, Sun Signs, Love Signs, and Star Signs have sold over 40 million copies in many languagaes. Known to her friends as both a poet and a romantic, Linda Goodman's view of the world was influencd by the astrology she understood so well. That unique combination of talents produced this charming and profound book.These poems about love and loss, death and reincarnation, beauty and romance, all seen through the prism of an astrological landscape, teach us how this fascinating science helps weave the fabric of our lives. But even more than that--like most great poetry, they make the heart sing and the spirit soar, and give us the wisdom to appreciate that the dance is eternal.

    Call Us What We Carry is Gorman at her finest. Including “The Hill We Climb,” the stirring poem read at the inauguration of the 46th President of the United States, Joe Biden, and bursting with musical language and exploring themes of identity, grief, and memory, this lyric of hope and healing captures an important moment in our country’s consciousness while being utterly timeless.The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman.

    Mary Ruefle is of their number. Her poems discover the full beauty and anguish of life that most of us dare not see, much less depict in luminous detail for the ages.

    The unreal becomes real and the good gets a taste for the great.

    With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists.

    People living happy lives, some not-so-happy lives, people in love, hopeless romantics, people dealing with heartbreak, the ones who believe life is better with a bit of whimsy, this book, hopefully, has a little something that resonates with everybody, lets the reader find the silver lining when needed and discover the joie de vivre even when times are hard.

    Covering topics from love and heartbreak to chaos and self-discovery, each poem is laced in a cozy, magical energy that is sure to hold the reader suspended in the in-between.

    In I Would Leave Me If I Could, she reveals never-before-seen poetry of longing, love, and the nuances of bipolar disorder.

    Oliver's poems begin in the small everyday moments familiar to all dog lovers, but through her extraordinary vision these observations become higher meditations on the world and our place in it.Dog Songs includes visits with old friends, like Oliver's beloved Percy, and introduces still others in poems of love and laughter, heartbreak and grief. Throughout, the many dogs of Oliver's life emerge as fellow travelers and guides, uniquely able to open our eyes to the lessons of the moment and the joys of nature and connection.

    Gathered into a 95 page compilation with accompanying images, "Poems from the Attic" is at once playful and pensive. It is a love letter to the reader, singed at the edges and creased many times over. It is a walk through the creative process and an ode to the shadowy, quiet places we all carry inside of us.

    We at Zoo are eminently pleased to have such a fine book of verse for our inaugural Kenyon Review Prize volume. Fennelly's poems are well poised in their witty and sometime sassy ruminations, often "maximalist" in their scope (see "From L' HUtel Terminus Notebooks") and the pleasure one takes within them is of the rarest breed: it is the pleasure of unexpected revelation. Open House comes introduced by series judge and Kenyon Review poetry editor, David Baker.