Tolkien's On Fairy-stories is his most-studied and most-quoted essay, an exemplary personal statement of his own views on the role of imagination in literature, and an intellectual tour de force vital for understanding Tolkien's achievement in writing The Lord of the Rings .Contained within is an introduction to Tolkien's original 1939 lecture and the history of the writing of On Fairy-stories, with previously unseen material. Here, at last, Flieger and Anderson reveal the extraordinary genesis of this seminal work and discuss how the conclusions that Tolkien reached during the composition of the essay would shape his writing for the rest of his life.

    Crumb, the legendary illustrator, reveals here the story of Genesis in a profoundly honest and deeply moving way. Originally thinking that he would do a take off of Adam and Eve, Crumb became so fascinated by the Bible’s language, “a text so great and so strange that it lends itself readily to graphic depictions,” that he decided instead to do a literal interpretation using the text word for word in a version primarily assembled from the translations of Robert Alter and the King James bible.As Crumb writes in his introduction, “the stories of these people, the Hebrews, were something more than just stories. They were the foundation, the source, in writing of religious and political power, handed down by God himself.” Crumb’s Book of Genesis, the culmination of 5 years of painstaking work, is a tapestry of detail and storytelling.

    But if you listen closely to the overarching narrative of the Bible, you will hear echoes of this story of redemption across the pages of Scripture. After exploring the account of Israel's exodus from Egypt, the authors then look at precursors to the exodus in the book of Genesis, as well as echoes of the exodus throughout the rest of the Old Testament and in the New Testament—shedding light on Scripture's unified message of redemption from slavery to sin through the life, death, and resurrection of Jesus Christ.

    In Why Do Catholics Do That? renowned scholar and religion columnist Kevin Orlin Johnson answers the most frequently asked questions on Catholic faith, worship, culture, and customs, including:* How the Church Makes Laws * The Hard-Fought Genesis of the New Testament * The Cycle of Redemption * A Short Guide to the Meaning and Structure of the Mass * Decoding Symbols of Scripture and the Sacraments * The Calendar as the Image of Christ's Life * The Rosary * The Stations of the Cross * Monks, Nuns, and the Rules That Guide Them * The Pope * The Laity in the Modern World * Saints * Fatima, Lourdes, and the Story of Apparitions * The Vatican: A Holy City * The Sign of the Cross, Christianity's Best-Known Symbol * Candles in Prayer and Liturgy * The Meaning of the Nativity SceneBlending religious history, a deep appreciation for art and culture, and an enlightened reverence for the traditions of the Church, Why Do Catholics Do That? is the definitive resource for any one who wants to learn more about the rituals, symbols, and traditions that can strengthen our faith every day."Johnson offers lucid explanations of a dizzying array of customs and beliefs."--Publishers Weekly

    Taking examples from the plays of Aeschylus, Sophocles and Euripides, The Poetics introduces into literary criticism such central concepts as mimesis (‘imitation’), hamartia (‘error’), and katharsis (‘purification’). Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals, centring on characters of heroic stature, idealized yet true to life. One of the most powerful, perceptive and influential works of criticism in Western literary history, the Poetics has informed serious thinking about drama ever since.Malcolm Heath’s lucid English translation makes the Poetics fully accessible to the modern reader. It is accompanied by an extended introduction, which discusses the key concepts in detail and includes suggestions for further reading.

    When the bound papyrus pages of this lost gospel finally reached scholars who could unlock its meaning, they were astounded. Here was a gospel that had not been seen since the early days of Xianity, & which few experts had even thought existed–a gospel told from the perspective of Judas Iscariot, history’s ultimate traitor. Far from being a villain, the Judas that emerges in its pages is a hero. In this radical reinterpretation, Jesus asks Judas to betray him. In contrast to the New Testament Gospels, Judas is presented as a role model for all those who wish to be disciples of Jesus. He's the one apostle who truly understands Jesus. This volume is the 1st publication of the remarkable gospel since it was condemned as heresy by early Church leaders, most notably by Irenaeus, in 180. Hidden away in a cavern in Middle Egypt, the codex containing the gospel was discovered by farmers in the 1970s. In the intervening years the papyrus codex was bought & sold by antiquities traders, hidden away & carried across three continents, all the while suffering damage that reduced much of it to fragments. In 2001, it finally found its way into the hands of a team of experts who would painstakingly reassemble & restore it. The Gospel of Judas has been translated from its original Coptic into clear prose. It's accompanied by commentary that explains its history in the context of the early Church, offering a new way of understanding the message of Jesus.

    Those who play it down usually avoid assigning specific meaning to prophetic texts. Those who play it up often assign too much.But the prophetic portions of the Bible won't go away. The biblical interpreter must interact with them and in the detail and specificity in which they were written. Dr. Fruchtenbaum has done that, seeking always to try to understand the full meaning of the biblical revelation.The author's consideration of the biblical material is thorough and thought-provoking...those who read this book cannot help but be instructed and stimulated by his work.

    Using new approaches, contemporary scholars have constructed a fresh synthesis of this material with the biblical traditions. The Oxford History of the Biblical World incorporates the best of this scholarship, and in chronologically ordered chapters presents a readable and integrated study of the history, art, architecture, languages, literatures, and religion of biblical Israel and early Judaism and Christianity in their larger cultural contexts. The authors also examine such issues as the roles of women, the tensions between urban and rural settings, royal and kinship social structures, and official and popular religions of the region. Readers will find that 200 photographs, line drawings, and maps as well as an insert containing 25 color images vividly illustrate the history discussed.Understanding the biblical world is a vital part of understanding the Bible. Broad, authoritative, and visually engaging, The Oxford History of the Biblical World will illuminate for any reader the ancient world from which the Bible emerged.

    Many prominent writers have acknowledged its influence on their work; students of intellectual history consider it a landmark; and the generation born after World War II considers Buber one of its prophets. Buber's main proposition is that we may address existence in two ways: (1) that of the "I" toward an "It," toward an object that is separate in itself, which we either use or experience; (2) that of the "I" toward "Thou," in which we move into existence in a relationship without bounds. One of the major themes of the book is that human life finds its meaningfulness in relationships. All of our relationships, Buber contends, bring us ultimately into relationship with God, who is the Eternal Thou.The need for a new English translation had been felt for many years. The old version was marred by many inaccuracies and misunderstandings, and its recurrent use of the archaic "thou" was seriously misleading. Professor Walter Kaufmann, a distinguished writer and philosopher in his own right who was close to Buber, retranslated the work at the request of Buber's family. He added a wealth of informative footnotes to clarify obscurities and bring the reader closer to the original and wrote an extensive prologue that opened up new perspectives on the book and on Buber's thought. This volume provided a new basis for all subsequent discussions of Buber.

    His work ranges from the deceptively simple and lyrical Songs of Innocence and their counterpoint Experience - which juxtapose poems such as 'The Lamb' and 'The Tyger', and 'The Blossom' and 'The Sick Rose' - to highly elaborate, apocalyptic works, such as The Four Zoas, Milton and Jerusalem. Throughout his life Blake drew on a rich heritage of philosophy, religion and myth, to create a poetic worlds illuminated by his spiritual and revolutionary beliefs that have fascinated, intrigued and enchanted readers for generations.

    Through the bestselling books of Elaine Pagels, thousands of readers have come to know and treasure the suppressed biblical texts known as the Gnostic Gospels. As one of the world's foremost religion scholars, she has been a pioneer in interpreting these books and illuminating their place in the early history of Christianity. Her new book, however, tackles a text that is firmly, dramatically within the New Testament canon: The Book of Revelation, the surreal apocalyptic vision of the end of the world . . . or is it?In this startling and timely book, Pagels returns The Book of Revelation to its historical origin, written as its author John of Patmos took aim at the Roman Empire after what is now known as "the Jewish War," in 66 CE. Militant Jews in Jerusalem, fired with religious fervor, waged an all-out war against Rome's occupation of Judea and their defeat resulted in the desecration of Jerusalem and its Great Temple. Pagels persuasively interprets Revelation as a scathing attack on the decadence of Rome. Soon after, however, a new sect known as "Christians" seized on John's text as a weapon against heresy and infidels of all kinds-Jews, even Christians who dissented from their increasingly rigid doctrines and hierarchies.In a time when global religious violence surges, Revelations explores how often those in power throughout history have sought to force "God's enemies" to submit or be killed. It is sure to appeal to Pagels's committed readers and bring her a whole new audience who want to understand the roots of dissent, violence, and division in the world's religions, and to appreciate the lasting appeal of this extraordinary text.

    Starting with the Vikings’ kennings and Beowulf and ending with Stevenson and Oscar Wilde, the book traverses a landscape of ‘precursors,’ cross-cultural borrowings, and genres of expression, all connected by Borges into a vast interpretive web. This is the most surprising and useful of Borges’s works to have appeared posthumously.”Borges takes us on a startling, idiosyncratic, fresh, and highly opinionated tour of English literature, weaving together countless cultural traditions of the last three thousand years. Borges’s lectures — delivered extempore by a man of extraordinary erudition — bring the canon to remarkably vivid life. Now translated into English for the first time, these lectures are accompanied by extensive and informative notes by the Borges scholars Martín Arias and Martín Hadis.

    Anatheism refers to an inaugural event that lies at the heart of every great religion, a wager between hospitality and hostility to the stranger, the other--the sense of something "more." By analyzing the roots of our own anatheistic moment, Kearney shows not only how a return to God is possible for those who seek it but also how a more liberating faith can be born.Kearney begins by locating a turn toward sacred secularity in contemporary philosophy, focusing on Maurice Merleau-Ponty and Paul Ricoeur. He then marks "epiphanies" in the modernist masterpieces of James Joyce, Marcel Proust, and Virginia Woolf. Kearney concludes with a discussion of the role of theism and atheism in conflict and peace, confronting the distinction between sacramental and sacrificial belief or the God who gives life and the God who takes it away. Accepting that we can never be sure about God, he argues, is the only way to rediscover a hidden holiness in life and to reclaim an everyday divinity.

    When The Prophets was first published in 1962, it was immediately recognized as a masterpiece of biblical scholarship.The Prophets provides a unique opportunity for readers of the Old Testament, both Christian and Jewish, to gain fresh and deep knowledge of Israel's prophetic movement. The author's profound understanding of the prophets also opens the door to new insight into the philosophy of religion.

    1. Psalm 1-57 v. 2. Psalm 58-110 v. 3. Psalm 111-150Charles Haddon Spurgeon, the "Prince of Preachers," composed and polished The Treasury of David over the span of nearly half his ministry. This incomparable commentary and omnibus on the Psalms has been prized by Christians ever since. Spurgeon's own commentary on every verse of the Psalms is extremely insightful, and by itself it would have been rich enough for posterity. But there's much more in The Treasury of David. You'll find a wealth of illuminating extracts and quotes from hundreds of commentators--contemporaries of Spurgeon as well as the great Puritan expositors of the seventeenth and eighteenth centuries. Preachers and teachers will appreciate the homiletical hints on almost every verse, concise sermon outlines, and provocative seed thoughts. Useful bibliographies and an index of authors offer more practical help. Whether you're teaching on the Psalms, studying them for personal devotions, or simply intrigued by the writings of Spurgeon, you'll enjoy this splendid classic.