As they do the things we all do—bum a cigarette at a party, stroll with a girlfriend down Madison Avenue, take a kid to the zoo—they're confronted with their own uncooperative selves. These artists, writers, lawyers, teachers, and actors make fools of themselves, spiral out of control, have delusions of grandeur, despair, and find it hard to imagine a future. They talk, they listen, they hope, they dream. They look for communion in a city, both beautiful and menacing, which can promise so much and yield so little. But they are hungry for life. They want to love and be loved. These stories, all published in The New Yorker over the last fifteen years, make it clear that Antrim is one of America's most important writers. His work has been praised by his significant contemporaries, including Jonathan Franzen, Thomas Pynchon, Jeffrey Eugenides, and George Saunders, who described The Verificationist as "one of the most pleasure-giving, funny, perverse, complicated, addictive novels of the last twenty years." And here is Antrim's best book yet: the story collection that reveals him as a master of the form.

    

    Jones and George are dedicated to the challenge of "Making It Real" for students. The authors present management in a way that makes its relevance obvious even to students who might lack exposure to a "real-life" management context. This is accomplished thru a diverse set of examples, and the unique, and most popular feature of the text, the "Manager as a Person" Chapter 2. This chapter discusses managers as real people with their own personalities, strengths, weaknesses, opportunities, and problems and this theme is carried thru the remaining chapters. This text also discusses the importance of management competencies--the specific set of skills, abilities, and experiences that gives one manager the ability to perform at a higher level than another in a specific context. The themes of diversity, ethics, globalization, and information technology are integrated throughout.

    This superb collection contains excellent contemporary translations selected for their clarity and accessibility to today's reader, as well as an incisive introduction by Erich Segal, which reveals Plato's life and clarifies the philosophical issues examined in each dialogue. The first four dialogues recount the trial execution of Socrates--the extraordinary tragedy that changed Plato's life and so altered the course of Western though. Other dialogues create a rich tableau of intellectual life in Athens in the fourth century B.C., and examine the nature of virtue and love, knowledge and truth, society and the individual. Resounding with the humor and astounding brilliance of Socrates, the immortal iconoclast, these great works remain powerful, probing, and essential.Alternate Edition of ISBN-10: 0553213717

    The works give us Calixta and her class-approved mate Bobinot, as well as Alcee, the man she truly loved.

    As two pals wander the streets of Belfast in search of something better--a better pint, a better job, a better woman, a better now--readers are treated to their hilarious misadventures, political intrigues, and outlandish schemes.

    He was born Gibran Khalil Gibran in Lebanon (at the time a Syrian Province of the Ottoman Empire) and spent much of his productive life in the United States. While most of Gibran's early writings were in Syriac and Arabic, most of his work published after 1918 was in English. Gibran also took part in the New York Pen League, also known as the "immigrant poets" (al-mahjar), alongside other important Lebanese American authors such as Ameen Rihani ("the father of Lebanese American literature"), Mikhail Naimy and Elia Abu Madi. Gibran's best-known work is The Prophet, a book composed of 26 poetic essays, first written in English in 1923. The Prophet remains famous to this day, having been translated into more than 20 languages. Other works in English include: Spirits Rebellious, (1908), The Broken Wings (1912), A Tear and a Smile (1914), The Forerunner (1920), Sand and Foam (1926), Jesus the Son of Man (1928), The Earth Gods (1929), The Wanderer (1932) and The Garden of the Prophet (1933).

    Winner of the 1975 Hugo Award for Best Novella.Other short stories in this collection:With morning comes mistfallThe second kind of lonelinessOverrideDark, dark were the tunnelsThe heroFtaRun to starlightThe exit to San BretaSlide show

    Getting Even, a collection of his late '60s magazine pieces, offers a look into Allen's bag of shtick, back when it was new. From the supposed memoirs of Hitler's barber: "Then, in January of '45, a plot by several generals to shave Hitler's moustache in his sleep failed when von Stauffenberg, in the darkness of Hitler's bedroom, shaved off one of the Führer's eyebrows instead..." Even tho the idea of writing jokes about old Adolf--or addled rabbis, or Maatjes herring--isn't nearly as fresh as it used to be, Getting Even still delivers plenty of laughs. At his best, Woody can achieve a level of transcendent craziness that no other writer can match. If you're looking for a book to dip into at random, or a gift for someone who's seen Sleeper 13 times, Getting Even is a classic, with 316,000 copies sold to date.

    As Fiction. O. Matthiessen pointed out, “in these loosely connected sketches, she has acquired a structure independent of plot. Her scaffolding is simply the unity of her vision.” Her vision was of a gentle and generous people on a rugged and dangerous coast, of New England character and “characters” limned in colors of high summer and blue skies. Here, too, you will meet the people of Dunnet Landing; the women, who are probably the most unforgettable characters of her book; and Elijah Tilley (among the very few men in Jewett’s cast) who, after the death of his wife, learns the skills of husband and wife, of farm and sea. The black-and-white pencil drawings by Douglas Alvord are nothing short of spectacular. Closely observed and carefully rendered, they possess all of the haunting serenity of Jewett’s landscapes. Faithfully reproduced and printed to the highest standards, this is destined to become a standard gift and reading book for everyone fascinated by New England, the rich history of its rockbound coast, and this magical author.

    There are those who will argue that this title could apply to any of the various tomes of terror, sagas of suspense, or groupings of grue which I have, from time to time, gathered together for the delectation of my readers. And indeed the point is well taken.For I am not a man to cater to the nervous. If you are in the habit of chewing your fingernails, jumping from your chair when a door slams, or swooning when someone playfully shouts "Boo!" in your ear, I have only two words of advice--pass on.If, however, you have nerves which are under good control, nerves which are pleasantly tickled by a touch of terror or agreeably stimulated by a soupçon of suspense, then I invite you to join me.Take a seat, any seat, and start wherever you wish. Break for an intermission whenever you choose and return when you are ready. Informality rules in your enjoyment of this smörgåsbord of stories. There is, I think, something for every taste.Except, that is, for the nervous.And now my sixty seconds are up.-Alfred HitchcockIn this collection:"To the Future" by Ray Bradbury"River of Riches" by Gerald Kersh"Levitation" by Joseph Payne Brennan"Miss Winters and the Wind" by Christine Noble Govan"View from the Terrace" by Mike Marmer"The Man with Copper Fingers" by Dorothy L. Sayers"The Twenty Friends of William Shaw" by Raymond E. Banks"The Other Hangman" by Carter Dickson"Don't Look Behind You" by Fredric Brown"No Bath for the Browns" by Margot Bennet"The Uninvited" by Michael Gilbert"Dune Roller" by Julian May"Something Short of Murder" by Henry Slesar"The Golden Girl" by Ellis Peters"The Boy Who Predicted Earthquakes" by Margaret St. Clair"Walking Alone" by Miriam Allen deFord"For All the Rude People" by Jack Ritchie"The Dog Died First" by Bruno Fischer"Room with a View" by Hal Dresner"Lemmings" by Richard Matheson"White Goddess" by Idris Seabright"The Substance of Martyrs" by William Sambrot"Call for Help" by Robert Arthur"Sorry, Wrong Number" by Lucille Fletcher and Allan Ullman

    Now Bradley has seventeen dollars and a gas card, and he’s sleeping in his car. He’s an emotional mess and if he doesn’t land a job soon, he’s up the proverbial creek.Danny Ortega can take care of himself…most of the time. When what started as a date turns into sexual assault in a dark parking lot, he’s grateful for Brad’s help—and an instant admirer of Brad’s military school-honed muscles. He certainly doesn’t expect to see him again, and definitely not as the newest hire at Ortega Construction.As Brad and Danny’s quiet attraction turns into more, things start to go sour before they’ve even started. Danny grows frustrated that Brad won’t open up emotionally. And Brad is terrified of being responsible for someone else’s feelings. When Brad’s family makes one last attempt to turn him into an “acceptable” son, all bets are off—he and Danny will need to decide if they’re in this together…or apart.

    History, legend, landscape, architecture, religion, character, and anecdote are brilliantly woven together to create a fascinating and complex portrait. 120 color illustrations.

    This classic textbook examines the artistic movements and achievements of that time.

    Falk s encyclopedic knowledge of Wolverines football traditions and history make him a vital component of the staff that transforms talented college football players into true Michigan Men. And in his nearly four decades on the job, Falk has become one of the most beloved figures in team history. In If These Walls Could Talk, Falk shares his stories, memories, and friendships established in the locker room, on the sideline, and on the road with one of college football s most storied institutions. From legendary tales of Bo Schembechler s epic gridiron chess matches with Ohio State s Woody Hayes to the memorable day Falk introduced freshman phenom Anthony Carter to two-time All-American Ron Kramer, Falk s recollections connect the past and present to underscore the importance of building the relationships that drive the Wolverines to success. Win or lose, a game only lasts 3-1/2 hours, Falk said. Friends last a lifetime. He s an extra arm to the coaching staff. He s a shoulder to lean on for the players.... All players eventually have to leave the University of Michigan. But no one ever leaves Big Jon. Tom Brady, former Michigan quarterback, from his foreword [Falk] can tell stories going all the way back to Bo. That s a good feeling for a former player. That s what Michigan is all about. When you play football for Michigan, you never really leave. It will always be part of your home. Mike Hart, former Michigan running back Nobody knows more about Michigan tradition than Jon. Paul Jokisch, former Michigan wide receiver