Now, for the first time, the hilarious cartoons of Nicholas Gurewitch are being collected in this handsome hardcover edition.

    A world devastated by nuclear warfare. Deep below ground its inhabitants try to eke out a mere existence, continually threatened by the Terminators, lead by the diabolically evil Torquemada. There is a resistance though, and a new kind of hero. Meet Nemesis the Warlock, champion of the coming rebellion!

    This initial volume collects the first two years of stories from Dave Sim's 300-issue magnum opus. Don't be discouraged by the initially crude artwork or the silliness of the stories. It gets better--even noticeably within this volume. This first installment is the most valuable in preparing for the larger stories ahead.When we first meet Cerebus--a small, gray, and chronically ill-tempered aardvark--he is making his living as a barbarian. In 1977, when the Cerebus comic book series began, Sim initially conceived of it as a parody of such popular series as Conan, Red Sonja, and Elric but quickly mined that material and transformed the scope of the series into much more. Even by the end of this volume, the Cerebus story begins to transform beyond "funny animal" humor into something much more complex and interesting. High points in Cerebus include the introduction of Lord Julius, the dictator of Palnu, who looks, acts, and talks just like a certain cigar-smoking, mustachioed comedian; Jaka, Cerebus's one true love; Elrod the Albino, an innept swordsman; and the Cockroach, the-mother-of-all-superhero-parodies and "inspiration" for the much-later TV and comic character--the Tick. All of these characters appear later on in the series as part of a constantly present ensemble of supporting figures.Even if Cerebus doesn't knock your socks off, give its successor, High Society a try, as this is where the plot really gets going.

    Her world vision is intricately rendered in a full spectrum of color, unapologetically gorgeous and intensely bizarre.  With movie reviews, tips for her readers, laugh-out-loud lists and short pieces such as “Rumors I’ve Heard About Anna Wintour,” and “The Secret Lives of Chefs,”  Hanawalt’s comedy shines, making the quotidian silly and surreal, flatulent and facetious.

    His early battles with the undead are mixed with stories of the Goon's youth. Talking about the origin of The Goon, this work features his family and shows how he came to be the head of a notorious crime family.

    It blinds and reveals, hurts and heals.Brace yourself for what you’ll find on the other side of. . . GLEEM!

    A Softer World started in 2003, ended in 2015, and will live forever in this book, and on asofterworld.com.

    - A new quarterly anthology of the best new talent in the sequential arts- In color, part-color, and black-and-white- The regular roster of artists gives the series a concrete identity- Quarterly schedule allows readers to look forward to favorite artists on a regular basis- Created for a general audience of literature fans, with a focus on contemporary fiction and narrative

    Often imitated but never duplicated, Pekar proved that he still has the power to "make mundane reality seem like the highest drama" (Entertainment Weekly) in his critically acclaimed Vertigo series.Now, Harvey Pekar is back with an all-new volume of AMERICAN SPLENDOR, featuring his funniest, most poignant, somber and uplifting stories from the complex life of an ordinary man. Once again, AMERICAN SPLENDOR pairs Harvey with some of the most exciting, innovative artists currently in comics, including David Lapham (YOUNG LIARS, Stray Bullets), Darick Robertson (THE BOYS), Chris Weston (THE FILTH, Fantastic Four), Dean Haspiel (THE QUITTER, THE ALCOHOLIC), Warren Pleece (INCOGNEGRO), longtime Pekar collaborators Greg Budgett and Gary Dumm, and other luminaries from both the mainstream and indie worlds.

    During its 31 year run, it was enormously popular with the public and with many writers, artists, and intellectuals of the time. An innovative cartoon masterpiece and the first major biographical work on the artist himself.

    Following the success of Cat Getting Out of a Bag, this all-new collection of color and black-and-white comic strips loosely follows the adventures of a pair of cats as they explore the world around them, indoors and out. Adventures include taking a nap, licking a shoe, attacking dust particles, hiding in cabinets, pouncing on fallen leaves, confronting the vacuum cleaner, patrolling the yard, and purring up a stormall adorably rendered in Brown's immediate and irresistible style. Sure to delight anyone who lives with cats and appreciates their sweet and batty behavior, this beautifully packaged gift book is the cat's meow.

    Be a Nose! is a rare glimpse into the secret scribblings of an American original.

    He weighed five pounds, six ounces at birth—that's big for a kitten!—and right from the start showed a passion for Italian food. The restaurant owner, forced to choose between Garfield and closing his doors for lack of pasta, sold Garfield to a pet store. Garfield thought he was a goner until Jon Arbuckle walked in the door. The rest is history.

    Robot, and Tom Servo find themselves thrust into the 2-D world of public domain comics, with riffing as their only defense!From its humble beginnings on a tiny mid-west TV station in 1988, through its years as a mainstay on The Comedy Channel/Comedy Central and the SciFi Channel all through the '90s, to its spectacular resurrection on Netflix in 2017, Mystery Science Theater 3000 has had a transformative effect on television, comedy, and the way old, cheesy movies are viewed. Now creator Joel Hodgson has set his sights on the comics medium, and the four-color pamphlets will never be the same!

    Noted as a "book-lover's cartoonist," Gauld's weekly strips in The Guardian, Britain's most well-regarded newspaper, stitch together the worlds of literary criticism and pop culture to create brilliantly executed, concise comics. Simultaneously silly and serious, Gauld adds an undeniable lightness to traditionally highbrow themes. From sarcastic panels about the health hazards of being a best-selling writer to a list of magical items for fantasy writers (such as the Amulet of Attraction, which summons mainstream acceptance, Hollywood money, and fresh coffee), Gauld's cartoons are timely and droll--his trademark British humour, impeccable timing, and distinctive visual style sets him apart from the rest.Lauded both for his frequent contributions to New Scientist, The Guardian and The New York Times, and his Eisner-nominated graphic novels, Tom Gauld is one of the most celebrated cartoonists working today. In Baking with Kafka, he proves this with one witty, sly, ridiculous comic after another.