Carry your sword, my prophetess. Obstinate contumacy training. Find the objective that is more draining. More strenuous tasks will make you grow. Pain upon you I bestow. I’ll take it all and nothing less. I claim it back; I repossess. Tip the scale; Turn it over. Mark the unused; What’s leftover. The main part no longer exists; Despite the reduction, it persists. Continued movement; A quest for traction. An opposite and negative reaction. Hex induced metamorphosis; Reoccur once again for us. Physically and internally changing. The process of rearranging. The alteration was so fitting. Now they’re pausing; They’re intermitting. In reaffirming the causation; Keep kempt, and maintain your original explanation. Wear our serpent, prophetess; Prior to you was profitless. The soil was sown with no reaping. Tear our hearts out for your keeping. Beyond the boundaries of what is permitted. Reward me for the sins I’ve committed. My acts were bold; Caress my flesh. I give it all and nothing less. The facsimile will shudder. Express what it is I utter. Amidst psychos and others. Among psychos and others. Live with vigor; Efficiently transfigure. Disfigure; Change his figure. Make it so; Mark the torso. Undergo; Nock the torso. Let it grow; Open the torso. Let him know; Carve the torso.

    The awareness of sin used to be our shadow. Christians hated sin, feared it, fled from it--and grieved over it. But the shadow of sin has now dimmed in our consciousness. Even preachers, who once got visibly angry over a congregation's sin, now speak of sin in a mumble.Cornelius Plantinga pulls the ancient doctrine of sin out of mothballs and presents it to contemporary readers in clear language, drawing from a wide range of books, films, and other cultural resources. In smoothly flowing prose Plantinga describes how sin corrupts what is good and how such corruption spreads. He discusses the parasitic quality of sin and the ironies and pretenses generated by this quality. He examines the relation of sin to folly and addiction. He describes two classic "postures" or movements of sin -- attack and flight. And in an epilogue he reminds us that whatever we say about sin also sharpens our eye for the beauty of grace.

    Her poetry probes the difficulties that the individual encounters in relationships with others, with the natural world, and with cultural and popular ideas. - -britanica

    

    She served under the auspices of the China Inland Mission, later known as the Overseas Missionary Fellowship. Have We No Rights? A frank discussion of the "rights" of missionaries is her best known work. Williamson shows the difference between suffering hardships and suffering the infringement of one's rights. She believes that as Christians we must be willing to give up the right to the comforts of life, physical health and safety, the privacy in business, friends, romance, family, and home.

    Probably composed between 1372 and 1389, the poem survives in three distinct versions. It is known to modern readers largely through the middle of the three, the so-called B-text. Now, George Economou's verse translation of the poet's third version makes available for the first time in modern English the final revision of a work that many have regarded as the greatest Christian poem in our language.Langland's remarkable powers of invention and his passionate involvement with the spiritual, social, and political crises of his time lay claim to our attention, and demand serious comparison with Dante's Divine Comedy. Economou's translation preserves the intensity of the poet's verse and the narrative energy of his alliterative long line, the immediacy of the original's story of the quest for salvation, and the individuality of its language and wordplay.

    An introductory chapter surveys the political, religious, and social world of the Gospels, methods of approaching early Christian texts, the genre of the Gospels, and the religious character of these writing. Included also are comments on the Gospels that are not found in the New Testament. Special features, including illustrations and more than two dozen special topics, enhance this convenient volume.

    Whose Land? Whose Promise? is Burge's personal exploration of his feelings about the crisis in the Middle East, put on paper to communicate with other Christians who share the same opinions he does and seek answers to the same questions he does; questions such as: How do I embrace my commitment to Judaism, a commitment to which I am bound by the Bible, when I sense in my deepest being that there is a profound injustice afoot in Israel? How do I celebrate the birth of this nation Israel when I also mourn the suffering of Arab Christians who are equally my brothers and sisters in Christ? How do I love those Palestinian Muslims who are deeply misunderstood by all parties in this conflict?

    In Across All Worlds, Baxter Kruger brings us face to face with the fact that Jesus has established a very real and personal relationship with us in our darkness. Jesus accepts us and walks with us because he is determined that we come to know His Father with him and life in His embrace.C. Baxter Kruger is the Director of Perichoresis, an international ministry sharing the good news of our adoption in Christ with the world. He and his wife Beth have been married for 25 years and have four children. He earned his Doctor of Philosophy degree under Professor James B. Torrance in Aberdeen, Scotland. Baxter is the author of seven books, including The Great Dance and Jesus and the Undoing of Adam, and teaches across the United States, Canada and Australia. He is an avid outdoorsman and holds two United States patents for his fishing lure designs. He is the founder and President of Mediator Lures.

    Winner of every major Japanese literary prize, his work translated around the globe, Shusaku Endo (1923-1996) is a great and unique figure in the literature of the twentient century. "Irrevocably enmeshed in Japanese culture, he is by virtue of his religion [Endo was Roman Catholic] irrevocably alienated from it" (Geoffrey O'Brian, Village Voice). It is this aspect that has made Endo so particularly intriguing to his readership at home and abroad. Now gathered in a New Directions Bibelot edition are five of Endo's supreme short stories exemplifying his style and his interests, presenting, as it were, Endo in a nutshell. "Unzen," the opening story, touches on the subject of Silence Endo's most famous novel -- that is the torture and martyrdom of Christians in seventeenth-century Japan. Next comes "A Fifty-year-old Man" in which Mr. Chiba takes up ballroom dancing and faces the imminent death of his brother and his dog Whitey. In "Japanese in Warsaw" a business man has a strange encounter; in "The Box," an old photo album and a few postcards have a tale to reveal. Finally included is "The Case of Isobe," the opening chapter of Endo's novel Deep River in which Isobe, a member of a tour group, hopes to find in India the reincarnation of the wife he took so much for granted.

    It is an inspired study in moral uncertainty with the compellingly certain structure of an old-fashioned detective drama. Even as Doubt holds your conscious attention as an intelligently measured debate play, it sends off stealth charges that go deeper emotionally. One of the year’s ten best.”—Ben Brantley, The New York Times“[The] #1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. Blunt yet subtle, manipulative but full of empathy for all sides, the play is set in 1964 but could not be more timely. Doubt is a lean, potent drama . . . passionate, exquisite, important, and engrossing.”—Linda Winer, NewsdayChosen as the best play of the year by over 10 newspapers and magazines, Doubt is set in a Bronx Catholic school in 1964, where a strong-minded woman wrestles with conscience and uncertainty as she is faced with concerns about one of her male colleagues. This play by John Patrick Shanley—the Bronx-born-and-bred playwright and Academy Award-winning author of Moonstruck—dramatizes issues straight from today’s headlines within a world re-created with knowing detail and a judicious eye. After a stunning, sold-out production at Manhattan Theatre Club, the play has transferred to Broadway.John Patrick Shanley is the author of numerous plays, including Danny and the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia Sexualis, Sailor’s Song, Savage in Limbo, and Where’s My Money?. He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano (which he also directed), and Moonstruck, for which he won an Academy Award for original screenplay.

    The book includes numerous stories about the way circles have been used in many diverse situations, discussion on the use of proactive, responsive and staff circles, and an overview of restorative practices, with particular emphasis on its relationship to circle processes.

    On the one hand it describes King Alfred's battle against the Danes in 878. On the other hand it is a timeless allegory about the ongoing battle between Christianity and the forces of nihilistic heathenism. Filled with colorful characters, thrilling battles and mystical visions, it is as lively as it is profound. Chesterton incorporates brilliant imagination, atmosphere, moral concern, chronological continuity, wisdom and fancy. He makes his stanzas reverberate with sound, and hurries his readers into the heart of the battle. This deluxe volume is the definitive edition of the poem. It exactly reproduces the 1928 edition with Robert Austin's beautiful woodcuts, and includes a thorough introduction and wonderful endnotes by Sister Bernadette Sheridan, from her 60 years researching the poem."When Chesterton writes poetry, he excels like no other modern writer. The rhyme, rhythm, alliteration and imagery are a complete joy to the ear. But The Ballad of the White Horse is not just a poem. It is a prophecy." —Dale Ahlquist, President, The American Chesterton Society"Not only a charming poem and a great tale, this is a keystone work of Christian literature that will be read long after most of the books of our era are forgotten." —Michael O'Brien, Author, Father Elijah

    But on that day, with one phone call from the ER, her whole world--everything she knew and believed--was shaken to the core. Katie, her 19-year-old artist daughter, had been in a car accident and would not survive. How does a family live in the wake of devastating tragedy? When darkness colors every moment, is it possible to find light? Can God still be good, even after goodbye?With the depth of C. S. Lewis's "A Grief Observed" and the poignancy of Joan Didion's "The Year of Magical Thinking," "Colors of Goodbye" offers a moving glimpse into a mother's heart. Combining literary narrative and raw reflection, September Vaudrey walks through one of life's worst losses--the death of a child--and slowly becomes open to watching for the unexpected ways God carries her through it. It's a story of love and tragedy in tandem; a deeply personal memoir from a life forever changed by one empty place. And at its core, "Colors of Goodbye" calls to the deepest part of our spirits to know that "death is not the end . . ." and that life can be beautiful still.