Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    That's when they came. The people who wanted to take him away...change him. Make him like them. They were more horrible than words could describe. And there was nothing he could do to stop them.Bonnie Laine watched her son in terror. Every day he changed a little, grew weaker, paler. Each night he woke up screaming "Don't let it get me!" And somehow she knew the horror was just beginning. Soon it would grow far beyond a little boy's nightmares.Shep Thomas had dedicated his life to destroying the creatures that killed his brother. And Evan was going to lead him right to their hiding place, the place they called the creche. And even though they were far fro human, he was going to send them straight to Hell!

    . . When Elsie married handsome young heir Rupert Bainbridge, she believed she was destined for a life of luxury. But with her husband dead just weeks after their marriage, her new servants resentful, and the local villagers actively hostile, Elsie has only her husband's awkward cousin for company. Or so she thinks. Inside her new home lies a locked door, beyond which is a painted wooden figure —a silent companion —-that bears a striking resemblance to Elsie herself. The residents of The Bridge are terrified of the figure, but Elsie tries to shrug this off as simple superstition--that is, until she notices the figure's eyes following her.A Victorian ghost story that evokes a most unsettling kind of fear, this is a tale that creeps its way through the consciousness in ways you least expect--much like the silent companions themselves.

    Until she woke up in a coffin.Ushers die young. Ushers are cursed. Ushers can never leave their house, a house that haunts and is haunted, a house that almost seems to have a mind of its own. Madeline’s life—revealed through short bursts of memory—has hinged around her desperate plan to escape, to save herself and her brother. Her only chance lies in destroying the house.In the end, can Madeline keep her own sanity and bring the house down? The Fall is a literary psychological thriller, reimagining Edgar Allan Poe’s classic The Fall of the House of Usher.

    The author also wrote "Assassin", "Spawn" and "Slugs".

    Scattered throughout the settlement are centuries-old stones used during the Great Plague as boundary markers. No plague-sufferer was permitted to pass them and enter the village. The plague diminished, and the village survived unscathed, but since then each year the village trustees have insisted on an ancient ceremony to renew the village boundaries, until a misguided act by the Feenans' son then reminds the village that there is a reason traditions have been rigidly stuck to, and that all acts of betrayal, even those committed centuries ago, have consequences...

    The newspapers scream out headlines that spark terror across the city. Ten murders on the New York City subway. Ten grisly crimes that defy all reason -- no pattern, no m.o., no leads for police to pursue. The press dubs the fiend the "Subway Psycho"; the NYPD desperately seeks their quarry before the city erupts in mass hysteria. But they won't find what they're looking for.Because they all think that the killer is human.Only a few know the true story -- a story the papers will never print. It is a tale of abject terror and death written in grit and steel... and blood. The tale of a man who vanished into the bowels of the urban earth one night, taken by a creature of unholy evil, then left as a babe abandoned on the doorstep of Hell. Now he is back, driven by twin demons of rage and retribution.He is unstoppable. And we are all his prey... unless a ragtag band of misfit souls will dare to descend into a world of manmade darkness, where the real and unreal alike dwell in endless shadow. A place where humanity has been left behind, and the horrifying truth will dawn as a madman's chilling vendetta comes to light...Filled with gripping drama and harrowing doomsday dread, The Light at the End is the book that ushered in a bold new view of humankind's most ancient and ruthless evil; a mesmerizing novel from two acknowledged masters of spellbinding suspense.

    From acclaimed director Guillermo del Toro.

    On the edge of his grounds lies a derelict Edwardian railway station waiting room once used to transport troops in The Great War. Silent for many years, it has become a playground for Martin's children but now they won't go near it.Strange occurrences in the waiting room lead Martin to seek the help of TV's favourite ghost-hunter Julian Creed. But Creed's psychic ability is a fabrication to gain viewers. He doesn't believe in the paranormal. Until he spends a night in The Waiting Room.

    New surroundings and new ideas, a new beginning. Fresh air."These are the opening lines of the journal kept by the narrator of Daniel Kehlmann's spellbinding new novel: the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany—a house that thwarts the expectations of his recollection and seems to defy the very laws of physics. The narrator is eager to finish a screenplay, entitled Marriage, for a sequel to the movie that launched his career, but something he cannot explain is undermining his convictions and confidence, a process he is recording in this account of the uncanny events that unfold as he tries to understand what, exactly, is happening around him—and in himself.

    These uniquely ter­rifying apparitions lead him on a thrilling and suspenseful ride to confront a wicked soul, and will leave an indelible mark on lovers of high-quality suspense and horror alike. Nicholas Close has always had an uncanny intuition, but after the death of his wife he becomes haunted, literally, by ghosts doomed to repeat their final violent moments in a chilling and endless loop. Torn by guilt and fearing for his sanity, Nicholas returns to his childhood home and is soon entangled in a dis­turbing series of disappearances and  murders—both as a sus­pect and as the next victim of the malignant evil lurking in the heart of the woods. Stephen M. Irwin is the kind of debut author that readers love to discover—and rave about to all their friends. His electric use of language, stunning imagery, and suspenseful pacing are all on full display here. The Dead Path is a tour de force of wild imagination, taut suspense, and the creepiest, scariest setting since the sewers in Stephen King’s It.

    According to local lore, the troubled spirit of society belle Ladell Allen, who had mysteriously committed suicide in the master bedroom in 1948, still roamed the grand historic mansion. Yet, Mark remained skeptical--until he and his family began encountering faceless phantoms, a doppelganger spirit, and other paranormal phenomena. Ensuing ghost investigations offered convincing evidence that six spirits, including Ladell, inhabited their home. But the most shocking event occurred the day Mark followed a strange urge to explore the attic and found, crammed under a floorboard, secret love letters that touchingly depict Ladell Allen's forbidden, heart-searing romance--and shed light on her tragic end.This haunting true ghost story includes several photographs of the Allen House.

    Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    I don't think people are meant to live here.”Longtime residents of Harper's Cove believe that something is wrong with the Widow's Point Lighthouse. Some say it's cursed. Others claim it's haunted.Originally built in 1838, three workers were killed during the lighthouse's construction, including one who mysteriously plunged to his death from the catwalk. That tragic accident was never explained, and it was just the beginning of the terror. In the decades that followed, nearly two dozen additional deaths occurred in or around the lighthouse including cold-blooded murder, suicide, unexplained accidents and disappearances, the slaughter of an entire family, and the inexplicable death of a Hollywood starlet who was filming a movie on the grounds.The lighthouse was finally shuttered tight in 1988 and a security fence was erected around the property. No one has been inside since.Until tonight.Thomas Livingston is the acclaimed author of thirteen books about the supernatural and this evening he will enter the Widow's Point Lighthouse, searching for material for his next bestseller. He will be locked inside for the weekend with no way of contacting the outside world. And although no human has stepped foot inside the structure in nearly three decades, Livingston will not be alone.In this remarkable collaboration, father and son writing team, Richard and Billy Chizmar, combine forces to tell a chilling ghost story that will make you think twice about what is waiting for you in the dark. This novella is a much-expanded version of the short story of the same title.