That Wagner is in love with the world and its transactions--perceptions, superficial and otherwise; childbearing, painful and otherwise; gains, financial and otherwise--allows for a poetry that is full of song yet brazenly topical.

    Through the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach, Camus explored what he termed "the nakedness of man faced with the absurd." First published in English in 1946; now in a new translation by Matthew Ward.

    Jacobs Theater, New York City, in March 2009.

    Suddenly Christa can do no wrong and, as Blanche's parents scour their address books for long-lost friends to invite to dinner to meet the newcomer, their friendship sours and Blanche's already negligible self-confidence goes into a steep decline. With all the characteristics of Amelie Nothomb's unique fictional landscapes, Antechrista is a funny, dark and revealing journey through female friendship and rivalry.

    Voted an "outstanding academic book" by Choice, and winner of the Presidential Book Award from the American Association for Italian Studies, this classic book on Italian films and filmmakers has now been revised and brought completely up-to-date.

    . . Valuable gleanings."-Kirkus Reviews In a second volume of original essays drawn from the long-running New York Times column, Writers on Writing brings together another group of contemporary literature's finest voices to muse on the challenges and gifts of language and creativity. The pieces range from taciturn, hilarious advice for aspiring writers to thoughtful, soul-wrenching reflections on writing in the midst of national tragedy. William Kennedy talks about the intersecting lives of real and imagined Albany politics; Susan Isaacs reveals her nostalgia for a long-retired protagonist; and Elmore Leonard offers pithy rules for letting the writing, and not the writer, take charge. With contributions from Diane Ackerman, Margaret Atwood, Frank Conroy, Mary Karr, Patrick McGrath, Arthur Miller, Amy Tan, and Edmund White, Writers on Writing, Volume II offers an uncommon and revealing view of the writer's world.

    Here men from all walks of life don the garb of their fantasies and act them out: a man from the gas company wears the robe and mitre of a bishop; another customer becomes a flagellant judge, and still another a victorious general, while a bank clerk defiles the Virgin mary. These costumed diversions take place while outside a revolution rages on which has isolated the brothel from the rest of the rebel-controlled city. In a stunning series of macabre, climactic scenes, Genet presents his caustic view of man and society.

    His DNA came from El Patrón, lord of a country called Opium -- a strip of poppy fields lying between the United States and what was once called Mexico. Matt's first cell split and divided inside a petri dish. Then he was placed in the womb of a cow, where he continued the miraculous journey from embryo to fetus to baby. He is a boy now, but most consider him a monster -- except for El Patrón. El Patrón loves Matt as he loves himself, because Matt is himself. As Matt struggles to understand his existence, he is threatened by a sinister cast of characters, including El Patrón's power-hungry family, and he is surrounded by a dangerous army of bodyguards. Escape is the only chance Matt has to survive. But escape from the Alacr n Estate is no guarantee of freedom, because Matt is marked by his difference in ways he doesn't even suspect.

    Mosheen's dream of becoming a diplomat has been shattered and Zunaira can no longer even appear on the streets of Kabul unveiled. Atiq is a jailer who guards those who have been condemned to death; the darkness of prison and the wretchedness of his job have seeped into his soul. Atiq's wife, Musarrat, is suffering from an illness no doctor can cure. Yet, the lives of these four people are about to become inexplicably intertwined, through death and imprisonment to passion and extraordinary self-sacrifice.The Swallows of Kabul is an astounding and elegiac novel of four people struggling to hold on to their humanity in a place where pleasure is a deadly sin and death has become routine.

    Cast of two men.

    This new translation of The Princesse de Clèves also includes two shorter works also attributed to Mme de Lafayette, The Princesse de Montpensier and The Comtesse de Tende.

    The sixth edition preserves the hallmark features that instructors have come to trust, and through its use of current, authentic cultural materials, Deutsch: Na klar! teaches students how to use German in real-life situations effectively and how to communicate successfully in the German-speaking world.

    Tableaux Parisiens condemns the crushing effects of urban planning on a city's soul and praises the city's anti-heroes including the deranged and derelict. Le Vin centers on the search for oblivion in drink and drugs. The many kinds of love that lie outside traditional morality is the focus of Fleurs du Mal while rebellion is at the heart of Révolte.

    Presents the script of a 1988 play about a group of women in Chinquapin, Louisiana, who learn to draw upon their underlying strength and love to meet the challenges of life.

     Hervé Le Tellier did not consider himself to have been an unhappy child--he was not deprived, or beaten, or abused. And yet he understood from a young age that something was wrong, and longed to leave. Children sometimes have only the option of escaping, and owe to that escape their even greater love of life.Having reached a certain emotional distance at sixty years old, and with his father and stepfather dead and his mother suffering from late-stage Alzheimer's disease, Le Tellier finally felt able to write the story of his family. Abandoned early by his father and raised in part by his grandparents, he was profoundly affected by his relationship with his mother, a troubled woman with damaging views on love. In this perceptive, deeply personal account, Le Tellier attempts to look back on trying times in his life without anger or regret, and even with humor.