Carter, John Crowley, Amy Bloom, Alice Mattison, Chris Knopf, Jonathan Stone, Sarah Pemberton Strong, Karen E. Olson, Jessica Speart, Chandra Prasad, David Rich, and Hirsh Sawhney.New Haven may be best known for Yale University, but its criminal dimensions run as deep as anywhere else on the Eastern Seaboard. Whether the setting is a college campus, the waterfront, East Rock, The Hill, or Wooster Square, the stories in this volume bring the full city to life—and death.From editor Amy Bloom:New Haven in not a tourist kind of town. Yes, if you want to see the Cushing brain collection of 400 brains-in-jars (with another 150 planned for display), including artifacts like the piece of steak signed (if that’s the word)—using an electrosurgical knife—by Ivan Pavlov, and plenty of infant skulls. Also, more transcendently, you can visit beautiful Beinecke Library, a six-story tower of translucent marble, instead of mere glass, protecting the rare books, including my favorite, the Voynich manuscript, written centuries ago in what seems to be a fictional language with drawings of plants that don’t exist. Also, for the picnickers, the tomb of Midnight Mary in the eighty-five-acre Evergreen Cemetery, right off Ella T. Grasso Boulevard. On her gravestone, it reads: The people shall be troubled at midnight and pass away.It’s a noir kind of town.I love New Haven. I asked other writers who have the same odd, deep affection for the city that I do to tell me their stories. Michael Cunningham, Roxana Robinson, Stephen L. Carter, Alice Mattison, John Crowley. And more. We’ve got the darkly funny, the darker, the ineffable, and the deeply brooding. What we’ve got for you, right here . . . is New Haven.

    This is Pyne's masterpiece. I guarantee no reader will go wanting." - Michael ConnellyTimes may change, but crimes never do, and neither do the people who investigate them. A collection of three loosely connected crime novellas, each set in a distinct era, Catalina Eddy is a gritty, hard-boiled exploration into the immutable police underworld of Southern California. In The Big Empty, an obstinate Los Angeles detective investigates the murder of his estranged wife while fears of nuclear war and Communism grip the nation; in Losertown, a mid-career attorney in San Diego chases down a legendary drug kingpin but chafes against the Reagan Revolution policies of his new boss; and in Portuguese Bend, set in the present day, an undercover cop is paralyzed in a gunfight but determined to solve what may be her last case as a police officer in Long Beach. They are all, in one way or another, stuck in dreary endless loops of love, murder, and the quest for clarity, release, and redemption. Reminiscent of James Ellroy's grittiness and Raymond Chandler's dark wit, Catalina Eddy is Daniel Pyne's clever homage to--and skillful deconstruction of--traditional noir storytelling. Moody, enthralling, and keenly imagined, Catalina Eddy evokes the characters and ambiance of a singular, peculiar landscape with cinematic flair.

    Casino owner Joe Martin faces down a Syndicate-backed gambler in a marathon craps game, with millions of dollarsand possibly even his lifeat stake.

    But life has a way of interrupting the best laid plans and it isn’t long before Madeline’s quiet new life of day trading in the Malibu hills is interrupted by kidnapping, murder and a run-in with a corporate psychopath.“Mad Money does what many have tried and few have managed — to turn stock swindles and corporate crime into a fun, roller-coaster read. The key is Richards’ strong, witty, and likable heroine, recovering stock broker Madeline Carter.” — bestselling author Alafair Burke“… filled with enough corruption to keep the reader turning pages. Anyone who dabbles in the stock market will be enthralled with the development of this plot, as well as frightened. Interesting and smart, and easily worth the price of admission, this is a recommended read.” — Donna Padilla, New Mystery Reader“A likable heroine, a strong supporting cast, knowledgeable insight into the world of stocks without going overboard, and murder and mayhem in LA add up to a hugely enjoyable read.” — Sarah Weinman, mystery critic“...Mad Money is no lightweight airplane read; instead, we have the fiendishly complex tale of corporate swindles, surreal glimpses into the world of the stock-trader .... For a debut novel — bravo! If you need a fast-paced and fun read Mad Money is for you as it is a light in the noir and far, far from light-weight.” — Ali Karim, Crime Spree Magazine

    Imagine a Raymond Carver or Jim Thompson for the text message age and that would only begin to get it."-Kris Saknussemm, author of Reverend America Trapped in a rural Oklahoma town fueled by meth and doused in codeine, Arlo Clancy has made it his life's goal to keep his troubled younger brother, Sepp, out of prison. Poverty and the lure of easy drug money were pressure enough, before a gruesome discovery beneath the waters of their favorite fishing hole sent their lives into a tailspin. Torn by cowardice and conscience, the brothers make a fateful decision which will bring them ever-closer to Danny Ames-a vicious enforcer for the local meth trade-and a nightmare world where their only chance of escape might be... LOW DOWN DEATH RIGHT EASY "Working class fiction at its best."-Benjamin Whitmer, author of Pike "A gritty tapestry of subversive drama the likes of which I'd compare to Harmony Korine's Gummo packed in with the terse lines of Bukowski."-Michael J. Seidlinger, author of My Pet Serial Killer

    The London streets aren't safe, but Constantine is on the case! Includes Hellblazer chapters writtn by Delano, Azzarello, Gaiman, Ennis and Ellis.

      APPROACH: Atkinson is a  managerially-oriented book that focuses on both quantitative and qualitative aspects of classical and contemporary managerial accounting.   COMPETITORS: Garrison, MH;

    fogIt's been awhile since Doc Sportello has seen his ex-girlfriend, Shasta Fay. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dodgy dentists.In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .hang on. . .what

    But a cop named Foley is on to Eddie and he's leaning on him to finger Scalisi, a gang leader with a lot to hide. And then there's Dillon-a full-time bartender and part-time contract killer--pretending to be Eddie's friend. Wheeling, dealing, chasing, and stealing--that's Eddie, and he's got lots of friends.

    We follow former rule-breaker Leonid McGill as he's buffeted between the overlords of New York's underbelly, desperate to turn straight, but unable to say no to a nicely paid job. When we're introduced, he's calling in old favours and greasing NYPD palms to uncover seemingly harmless information for a high-paying client. But when the former schoolmates on his list are bludgeoned to death one by one, McGill realises that a friendly reunion wasn't quite what his taskmaster had in mind. And the awkward questions that follow seem almost welcome in comparison to a visit from Willie Sanderson, a trained killer and 'modern-day Frankenstein', now primed to ensure that McGill breathes his last. THE LONG FALL shows Walter Mosley at the height of his powers, breathing new life into American crime writing with sassy dialogue and unflinching social truths. Vividly capturing a city not nearly as cleaned up as its politicians would have us believe, this is new Mosley - and it's just as good as the vintage kind.

    Nora ran off with twenty grand, a gram of coke, and his favourite leather jacket, leaving him with little more than a hangover and a Dido soundtrack. But Nora’s sights are on the two hundred grand Farrell supposedly stashed somewhere in the middle of Northumberland, and she’s enlisted the help of her old boyfriend, a former hit man, to retrieve it.Farrell hooks up with an old Army mate, the shoplifting, rotgut-swilling arsonist Jimmy Cobb and sets off after them. When this pair catch up with Nora and her ex, there’s going to be hell to pay, 'cause nobody messes with Farrell and Cobb ...WOLF TICKETS is hardcore Ray Banks – ballsy, breathless and brutal.

    A retired Suffolk County cop, Gus had everything a man could want: a great marriage, two kids, a nice house, and the rest of his life ahead of him. But when tragedy strikes, his life is thrown into complete disarray. In the course of a single deadly moment, his family is blown apart and he is transformed from a man who believes he understands everything into a man who understands nothing.Divorced and working as a courtesy van driver for the run-down hotel in which he has a room, Gus has settled into a mindless, soulless routine that barely keeps his grief at arm’s length. But Gus’s comfortable waking trance comes to an end when ex-con Tommy Delcamino asks him for help. Four months earlier, Tommy’s son T.J.’s battered body was discovered in a wooded lot, yet the Suffolk County PD doesn’t seem interested in pursuing the killers. In desperation, Tommy seeks out the only cop he ever trusted—Gus Murphy.Gus reluctantly agrees to see what he can uncover. As he begins to sweep away the layers of dust that have collected over the case during the intervening months, Gus finds that Tommy was telling the truth. It seems that everyone involved with the late T.J Delcamino—from his best friend, to a gang enforcer, to a mafia capo, and even the police—has something to hide, and all are willing to go to extreme lengths to keep it hidden. It’s a dangerous favor Gus has taken on as he claws his way back to take a place among the living, while searching through the sewers for a killer.

    A decorated former police detective, he retired early and now ekes a living as a private eye for a defense attorney. Frank Marr may be the best investigator the city has ever known, but the city doesn't know his dirty secret. A long-functioning drug addict, Frank has devoted his considerable skills to hiding his usage from others. But after accidentally discovering a kidnapped teenage girl in the home of an Adams Morgan drug gang, Frank becomes a hero and is thrust into the spotlight. He reluctantly agrees to investigate the disappearance of another girl--possibly connected to the first--and the heightened scrutiny may bring his own secrets to light, too. Frank is as slippery and charming an antihero as you've ever met, but he's also achingly vulnerable. The result is a mystery of startling intensity, a tightly coiled thriller where every scene may turn disastrous. The Second Girl is the crime novel of the season, and the start of a refreshing new series from an author who knows the criminal underworld inside and out.

    It is well balanced between theory and practice and covers topics from binary numbers and logic gates to K-maps, variable mapping, counter design etc. Each chapter includes several worked out examples to give studentsa thorough grouding in related design concepts

    Danny Carter and his best friend, Evan, earned theirs knocking over pawnshops and liquor stores, living from score to score, never thinking of tomorrow.Then a job went desperately wrong, and in the roar of a gun blast, everything changed. Years later, Danny doesn't think about his past. He's built a new world for himself: a legitimate career, a long-term girlfriend, and a clean conscience. He's just like anyone else. Normal. Successful. Happy. Until he spots his old partner staring him down in a smoky barroom mirror. The prison-hardened Evan is barely recognizable. Having served his time without dropping Danny's name, his old friend believes he's owed major payback---and he's willing to do anything to get it. With all he loves on the line and nowhere to turn, Danny realizes his new life hinges on a terrible choice: How far will he go to protect his future from his past? A debut novel that's drawn comparison to Dennis Lehane, Laura Lippman, and Quentin Tarantino, The Blade Itself is the story of a good man held hostage by circumstance; a riveting exploration of class, identity, and the demons that shape us, where every effort to do the right thing leads to terrifying consequences and one inevitable conclusion: The more you have, the more you have to lose.