Michel Foucault offers an iconoclastic exploration of why we feel compelled to continually analyze and discuss sex, and of the social and mental mechanisms of power that cause us to direct the questions of what we are to what our sexuality is.

    Richie Hofmann disciplines his natural elegance into the sterner recognitions that matter: 'I am a little white omnivore,' the speaker of Second Empire discovers. Mastering directness and indirection, Hofmann's poems break through their own beauty."—Rosanna WarrenThis debut's spare, delicate poems explore ways we experience the afterlife of beauty while ornately examining lust, loss, and identity. Drawing upon traditions of amorous sonnets, these love-elegies desire an artistic and sexual connection to others—other times, other places—in order to understand aesthetic pleasures the speaker craves. Distant and formal, the poems feel both ancient and contemporary.Antique BookThe sky was crazed with swallows.We walked in the frozen grassof your new city, I was gauzed with sleep.Trees shook down their gaudy nests.The ceramic pots were caparisoned with snow.I was jealous of the river,how the light broke it, of the skeinof windows where we saw ourselves.Where we walked, the ice crackedlike an antique book, openingand closing. The leavesbeneath it were the marbled pages.Richie Hofmann is the winner of a Ruth Lilly Fellowship from the Poetry Foundation, and his poems have appeared or are forthcoming in the New Yorker, Poetry, the Kenyon Review, and Ploughshares. A graduate of the Johns Hopkins University MFA program, he is currently a Creative Writing Fellow in Poetry at Emory University.

    Tomboy Survival Guide is a funny and moving memoir told in stories, in which Ivan recounts the pleasures and difficulties of growing up a tomboy in Canada’s Yukon, and how they learned to embrace their tomboy past while carving out a space for those of us who don’t fit neatly into boxes or identities or labels.Ivan writes movingly about many firsts: the first time they were mistaken for a boy; the first time they purposely discarded their bikini top so they could join the boys at the local swimming pool; and the first time they were chastised for using the women’s washroom. Ivan also explores their years as a young butch, dealing with new infatuations and old baggage, and life as a gender-box-defying adult, in which they offer advice to young people while seeking guidance from others. (And for tomboys in training, there are even directions on building your very own unicorn trap.)Tomboy Survival Guide warmly recounts Ivan’s adventures and mishaps as a diffident yet free-spirited tomboy, and maps their journey through treacherous gender landscapes and a maze of labels that don’t quite stick, to a place of self-acceptance and an authentic and personal strength. These heartfelt, funny, and moving stories are about the culture of difference—a “guide” to being true to one’s self.

    In this funny, lyrical, and piercingly insightful collection of essays and poems, trans writer, artist, and activist Cooper Lee Bombardier explores his experiences of gender and sexuality against the backdrop of early '90s, punk-fueled San Francisco queer culture.

    A San Francisco Chronicle Best Book of 2004 and a Lambda Literary Award finalist.

    R. Ammons’s long, thin poem was written on a roll of adding-machine tape, then transferred foot by foot to manuscript. He chose this method as a serious experiment in making a poem adapt to something outside itself. The tape determined both the length of the poem’s lines and when it ends. Tape for the Turn of the Year is a poem of infinite variety, blessed by the rich resources of one of this century’s greatest poets. By turns witty, serious, lyrical, and meditative, it is at once a superbly entertaining book and a significant literary achievement.

    The wildly inventive imagery in these cinematic pieces lodges them somewhere between the surreal and the pure symbol, colorful and smooth like the lyrics of John Ashbery or Linda Pastan. In Chelotti’s poems, diamonds talk and sheriffs balance frogs on the tips of pens.The rain says, Listen to Debussy,go ahead, Debussy will fix you.—From “Migraine Cure”The secret to including everythingis to intricately divide your mindand then, all of a sudden,undivide it.—From “Still Life on a Scrolling Background”

    Her new collection of poems, Hello, the Roses, is composed of three parts. The opening poems delve into an array of unities, of myth and landscape, fashion and culture, experience and forgetting, boys and ravens. The central poems explore an invisible world where plants, animals, and the self communicate and coexist. The final part contemplates the individual’s relationship to night, weather, and cosmological time as Berssenbrugge limns a karmic temporal continuum, a mandala of perception. Throughout are the roses, transforming slowly, almost imperceptibly,deepening awareness, creating fields: a rosette of civilization — a wild rose, a Delphic rose, imagined roses, white cabbage roses, an Apache rose, a Bourbon rose, our sacred mortality “saturated with being” in pink petals and gray-green leaves. Hello, the Roses is poetry enraptured with the phenomenal fullness of the world.

    Alternating between grand, Whitmanic tone and scope, Dickinsonian minute detail, Beat rhythms, New York School wit and Objectivist sensibility, this epic poem engages traditional lyricism with a breathtaking contemporary style and graceful urgency.A native of California, Eleni Sikelianos has lived in New York City, Paris and Athens. She is the author of the poetry collection, Earliest Worlds, the memoir, Book of Jon (forthcoming from City Lights), and the National Poetry Series award-winning collection The Monster Lives of Boys and Girls.

    This beautifully produced, keepsake coffee-table book is the ultimate celebration of the series, the town, the characters, and the state of mind that is Schitt's Creek. Capturing the essence and alchemy of all six seasons of what is now considered to be one of the most groundbreaking comedy television series of the last decade, Best Wishes, Warmest Regards is a gift to fans everywhere who have made the show their own.Included are character profiles from the cast of Johnny, Moira, David, and Alexis, and all of the characters that populate the town, major moments from Moira's endorsement of Herb Ertlinger Winery, to Patrick and David's first kiss, to Cabaret and the Rose Family Christmas episode. Also included are special features, such as the complete, illustrated catalogs of David's knits and Moira's wigs, Moira's vocabulary, Alexis's adventures, and behind-the-scenes moments from Dan and Eugene Levy and the cast of Schitt's Creek.

    An eighteen-poem cycle on the death of his lover from AIDS emphasizes the power of love and its survival through pain and anger, and the tragedy and magnitude of a terrifying twist of fate and its effect on a generation.

    S. Eliot, Stephanie Burt writes that Ashbery is “the last figure whom half of the English-language poets alive thought a great model, and the other half thought incomprehensible.” After the publication of Some Trees, selecting judge W. H. Auden famously confessed that he didn’t understand a word of it. Most reviews were negative. But in this first book of poems from one of the century’s most important poets, one finds the seeds of Ashbery’s oeuvre, including the influence of French surrealists—many of whom he translated—and abstract expressionism.

    Not so with Daphne Gottlieb. In Why Things Burn, Gottlieb tackles sexuality, lesbian issues, rape, urban life, and a host of other topics with the same power of her live performances.

    Caldwell has an unsparing knack for looking within and reporting back what's really there, rather than what she'd like you to see.

    With inventiveness, compassion, and humor, she thrusts us into a world of unconventional praise. From an unexpected encounter with her grandmother's ghost, to a bubble bath with Bjӧrk, to her plumber's confession that he, too, has Bipolar, Erlichman buoyantly topples stigma against the mentally ill. These are necessary odes to self-acceptance, resilience, and the jagged path toward healing. With startling language, and accompanied by her bold drawings and collages, she gives us a sparkling, original view into what makes us human.