The overwhelming majority of works on empire concentrate on the European maritime powers. Lieven’s comparative approach highlights the important role played by Russia in the expansion of Europe and its rise to global dominance. The book contrasts the nature, strategies, and fate of empire in Russia with that of its major rivals, the Habsburg, Ottoman, and British empires, and considers a broad range of other cases from ancient China and Rome to the present-day United States, Indonesia, India, and the European Union.Many of the dilemmas of empire persist in today’s world, and Lieven throws new light on some of the most intractable current examples, including the crisis in the former Soviet Union, the troubles in Ulster, and ethnic cleansing in the Balkans. This major examination of the imperial experience presents history on the grandest scale, combining formidable erudition with stimulating readability.

    It is also a story of the history, people and cultures of the Caucasus and of tiny ethnic groups struggling for both physical and cultural survival.

    Trotsky’s extraordinary life and extensive writings have left an indelible mark on revolutionary conscience; and yet there was at one time a danger that his name would disappear altogether from history. Isaac Deutscher’s magisterial three-volume biography was the first major publication to counter the powerful Stalinist propaganda machine, and in this definitive work Trotsky emerges in his real stature, as the most heroic, and ultimately tragic, character of the Russian revolution.This first volume of the trilogy, originally published in 1954, traces Trotsky’s political development: his early activities, the formation and crystallization of his distinctive and motivating idea—the permanent revolution— his long feud and final reconciliation with Lenin and Bolshevism, and his role in the October insurrection of 1917. The volume ends in the year 1921, when Trotsky, then at the climax of his power, unwittingly sowed the seeds of his own defeat.

    Granted privileged access to Russia's secret archives, Edvard Radzinsky paints a picture of the Soviet strongman as more calculating, ruthless, and blood-crazed than has ever been described or imagined. Stalin was a man for whom power was all, terror a useful weapon, and deceit a constant companion.As Radzinsky narrates the high drama of Stalin's epic quest for domination-first within the Communist Party, then over the Soviet Union and the world-he uncovers the startling truth about this most enigmatic of historical figures. Only now, in the post-Soviet era, can what was suppressed be told: Stalin's long-denied involvement with terrorism as a young revolutionary; the crucial importance of his misunderstood, behind-the-scenes role during the October Revolution; his often hostile relationship with Lenin; the details of his organization of terror, culminating in the infamous show trials of the 1930s; his secret dealings with Hitler, and how they backfired; and the horrifying plans he was making before his death to send the Soviet Union's Jews to concentration camps-tantamount to a potential second Holocaust. Radzinsky also takes an intimate look at Stalin's private life, marked by his turbulent relationship with his wife Nadezhda, and recreates the circumstances that led to her suicide.As he did in The Last Tsar, Radzinsky thrillingly brings the past to life. The Kremlin intrigues, the ceaseless round of double-dealing and back-stabbing, the private worlds of the Soviet Empire's ruling class-all become, in Radzinsky's hands, as gripping and powerful as the great Russian sagas. And the riddle of that most cold-blooded of leaders, a man for whom nothing was sacred in his pursuit of absolute might--and perhaps the greatest mass murderer in Western history--is solved.

    

    Covering politics, music, literature and art, he explores the myths Russians have created from their history.Marking the twentieth anniversary of the dissolution of the Soviet Union, Russia is essential reading for anyone who wants to understand the complex political landscape of Russia and its unique place in the modern world.

    From the persecution of his family under Stalin to his first political steps to his extraordinary rise within the Communist Party, Gorbachev recounts the events that led to his own disillusionment, without which the eventual implosion of communism would not have taken place. of photos.

    Devastated and desperate, he sets out on a journey in search of redemption. But this is no ordinary journey: it is one that spans ages and countries, and which brings him face-to-face with a host of unforgettable, eccentric characters and legendary creatures from the strangest medieval bestiaries. Laurus’s travels take him from the Middle Ages to the Plague of 1771, where as a holy fool he displays miraculous healing powers, to the political upheavals of the late-twentieth century. At each transformative stage of his journey he becomes more revered by the church and the people, until he decides, one day, to return to his home village to lead the life of a monastic hermit – not realizing that it is here that he will face his most difficult trial yet.Laurus is a remarkably rich novel about the eternal themes of love, loss, self-sacrifice and faith, from one of Russia’s most exciting and critically acclaimed novelists.

    A powerful autobiography written in the grand Russian tradition telling the story of how Nina Markovna endured life under Stalin and the tumult of World War II, being tossed back and forth between the opposing German and Soviet armies.

    It is here that agents are brought to be trained, disciplined, and when necessary, broken.In shocking fashion, Suvorov recounts the first day of training when he is forced to watch a film that shows a disaffected GRU agent being burned alive. This is how the GRU reveals to its trainees that there is only one way out of the organization – death. Other GRU methods are as physically torturous as the viewing of that film is terrifying: electric shocks used to punish a failure of memory; being pushed off a speeding train; hand-to-hand combat with death row prisoners recruited for their viciousness. All are employed in the training of a top agent.It is the agent's job – once he is in the field – to gather information in any way he can. No source of information is too small or too banal. Agents of the GRU are said to have attended every exhibition on the planet in the last fifty years – from exhibits of military electronics and tanks to cats and flowers, with one of their most successful missions carried out at an exhibition of Chinese goldfish. Above all else, loyalty to the GRU is stressed. Agents are to trust no one and to be prepared to take even the life of a best friend for an act against the GRU. Gradually, Suvorov became disillusioned with the GRU, and it was when he was forced to betray one of his best friends that he made up his mind to defect.

    Returning again and again, Garrels found that the city's new freedoms and opportunities were both exciting and traumatic. As the economic collapse of the early 1990s abated, Chelyabinsky became richer and more cosmopolitan while official corruption and intolerance for minorities grew more entrenched. Sushi restaurants proliferated; so did shakedowns. In the neighboring countryside, villages crumbled into the ground. Far from the glitz of Moscow, the people of Chelyabinsk were working out their country’s destiny, person by person.Putin Country crafts an intimate portrait of Middle Russia. We meet upwardly mobile professionals, impassioned activists who champion the rights of orphans and disabled children, and ostentatious mafiosi. We discover surprising subcultures, such as a vibrant underground gay community and a circle of determined Protestant evangelicals, and watch as doctors and teachers trying to cope with inescapable payoffs and institutionalized negligence. As Vladimir Putin tightens his grip on power and war in Ukraine leads to Western sanctions and a lower standard of living, the local population mingles belligerent nationalism with a deep ambivalence about their country’s direction. Drawing on close friendships sustained over many years, Garrels explains why Putin commands the loyalty of so many Russians, even those who decry the abuses of power they regularly encounter.Garrels’s portrait of Russia’s silent majority is an essential corrective to the misconceptions of Putin's supporters and critics alike, especially at a time when cold war tensions are resurgent.

    On the way he bestows upon angels, fellow passengers, and the world at large a magnificent monologue on alcohol, politics, society, alcohol, philosophy, the pains of love, and, of course, alcohol.

    Between Russia and Germany lay Poland, a nation that had only just recovered its independence after more than a century of foreign oppression. But it was economically and militarily weak and its misguided offensive to liberate the Ukraine in the spring of 1920 laid it open to attack. Egged on by Trotsky, Lenin launched a massive westward advance under the flamboyant Marshal Tukhachevsky. All that Great Britain and France had fought for over four years now seemed at risk. By the middle of August the Russians were only a few kilometers from Warsaw, and Berlin was less than a week's march away. Then the Miracle of the Vistula occurred: the Polish army led by Jozef Pilsudski regrouped and achieved one of the most decisive victories in military history. As a result, the Versailles peace settlement survived, and Lenin was forced to settle for Communism in one country. The battle for Warsaw bought Europe nearly two decades of peace, and communism remained a mainly Russian phenomenon, subsuming many of the autocratic and Byzantine characteristics of Russia's tsarist tradition.

    Ransacking the urban planning of the grand imperial past, it set out to transform everyday life, its sweeping boulevards, epic high-rise and vast housing estates an emphatic declaration of a non-capitalist idea. Now, the regimes that built them are dead and long gone, but from Warsaw to Berlin, Moscow to post-Revolution Kiev, the buildings, their most obvious legacy, remain, populated by people whose lives were scattered and jeopardized by the collapse of communism and the introduction of capitalism.Landscapes of Communism is an intimate history of twentieth-century communist Europe told through its buildings; it is, too, a book about power, and what power does in cities. In exploring what that power was, Hatherley shows how much we can understand from surfaces - especially states as obsessed with surface as the Soviets were. Walking through these landscapes today, Hatherley discovers how, in contrast to the common dismissal of 'monolithic' Soviet architecture, these cities reflect with disconcerting transparency the development of an idea over the decades, with its sharp, sudden zigzags of official style: from modernism to classicism and back; to the superstitious despotic rococo of high Stalinism, with its jingoistic memorials, palaces and secret policemen's castles; East Germany's obsession with prefabricated concrete panels; and the metro systems of Moscow and Prague, a spectacular vindication of public space that went further than any avant garde ever dared.But most of all, Landscapes of Communism is a revelatory journey of discovery, plunging us into the maelstrom of socialist architecture. As we submerge into the metros, walk the massive, multi-lane magistrale and pause at milk bars in the microrayons, who knows what we might find?