As the collection grew, the site attracted a following, which is now a huge and obsessive audience.The site features photos of the most remarkable handmade homes in the backcountry of America and all over the world. It has had over 10 million unique visitors, with 350,000 followers on Tumblr. Now Zach Klein, the creator of the site (and a co-founder of Vimeo) goes further into the most alluring images from the site and new getaways, including more interior photography and how-to advice for setting up a quiet place somewhere. With their idyllic settings, unique architecture and cozy interiors, the Cabin Porn photographs, are an invitation to slow down, take a deep breath, and feel the beauty and serenity that nature and simple construction can create.

    You'll learn about styles like Art Deco, Modernism, and High-Tech, and find inspiration in galleries of LEGO models. Then take your turn building 12 models in a variety of styles. Snap together some bricks and learn architecture the fun way!

    

    The book covers the essentials of leadership, talent acquisition and operations, while outlining the creative strategies that propelled a small business into one of the largest and most admired in its industry. This guidebook is full of well-tested ideas that are applicable to someone running a small, medium or large a professional firm—or running any project where people, profit and customers matter.

    The guide advocates novel strategies and tools that merge entrepreneurship with the practice of architecture and interior design. The Problem: Embarking on a new business venture is intimidating; you have questions. But many of the resources available to help entrepreneur architects and interior designers start their design business lack timeliness and relevance. Most are geared toward building colossal firms like SOM and Gensler using outdated methods and old business models. If you’re an individual or small team contemplating starting a design business, this is your field guide; crafted to inspire action. The Solution: Using the lean startup methodology to create a minimum viable product, the handbook encourages successive small wins that support a broader vision enabling one to, “think big, start small, and learn fast.” It’s a unique take on design practice viewed through the lens of entrepreneurship and is designed to answer the questions all new business owners face, from the rote to the existential. Questions about: - Startup costs - Business models (old and new) - Marriage of business and design - Mindset - Branding & naming (exercises and ideas) - Internet marketing strategies - Passive income ideas - Setting your fee - Taxes - Standard Operating Procedures (SOPs) - Securing the work - Client relations - Software - Billing rates - Contracts Building a business isn’t a singular act; it’s a series of small steps. Using the outline found in Architect + Entrepreneur you can start today. The chapters are organized to guide you from idea to action. Rather than write a business plan you’ll be challenged to craft a brand and you’ll sell it using new technologies. Follow the guide sequentially and you’ll have both the tools and a profitable small business. The Author Award-winning architect, Eric Reinholdt has built his design practice, 30X40 Design Workshop using the strategies outlined in the book. He has successfully transitioned from an employee to architect entrepreneur and continues to refine his brand message, help other architects build their independent practice and serve his clients all from a Longhouse he designed for his family on Mount Desert Island in Maine.

    They can be born into wealth or poverty, enjoying every privilege or struggling to make ends meet. They have parents -- gods, kings and emperors, governments, visionaries and madmen -- as well as friends and enemies. They have duties and responsibilities. They can endure crises of faith and purpose. They can succeed or fail. They can live. And, sooner or later, they die. In Fallen Glory, James Crawford uncovers the biographies of some of the world's most fascinating lost and ruined buildings, from the dawn of civilisation to the cyber era. The lives of these iconic structures are packed with drama and intrigue. Soap operas on the grandest scale, they feature war and religion, politics and art, love and betrayal, catastrophe and hope. Frequently their afterlives have been no less dramatic -- their memories used and abused down the millennia for purposes both sacred and profane. They provide the stage for a startling array of characters, including Gilgamesh, the Cretan Minotaur, Agamemnon, Nefertiti, Genghis Khan, Henry VIII, Catherine the Great, Adolf Hitler, and even Bruce Springsteen. Ranging from the deserts of Iraq, the banks of the Nile and the cloud forests of Peru, to the great cities of Jerusalem, Istanbul, Paris, Rome, London and New York, Fallen Glory is a unique guide to a world of vanished architecture. And, by picking through the fragments of our past, it asks what history s scattered ruins can tell us about our own future.

    The catalogue surveys the radical experiments that challenged societal norms while proposing new kinds of technological, ecological and political utopia. It includes the counter-design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus-Rucker-Co and ONYX; the installations of Ken Isaacs, Joan Hills, Mark Boyle, Hélio Oiticica and Neville D'Almeida; the experimental films of Jordan Belson, Bruce Conner and John Whitney; posters and prints by Emory Douglas, Corita Kent and Victor Moscoso; documentation of performances by the Diggers and the Cockettes; publications such as Oz and The Whole Earth Catalog; books by Marshall McLuhan and Buckminster Fuller; and much more.While the turbulent social history of the 1960s is well known, its cultural production remains comparatively under-examined. In this substantial volume, scholars explore a range of practices such as radical architectural and anti-design movements emerging in Europe and North America; the print revolution in the graphic design of books, posters and magazines; and new forms of cultural practice that merged street theater and radical politics. Through a profusion of illustrations, interviews with figures including Gerd Stern and Michael Callahan of USCO, Gunther Zamp Kelp of Haus-Rucker-Co, Ken Isaacs, Ron Williams and Woody Rainey of ONYX, Franco Raggi of Global Tools, Tony Martin, Clark Richert and Richard Kallweit of Drop City, and new scholarly writings, this book explores the conjunction of the countercultural ethos and the modernist desire to fuse art and life.

    Yet our city lights viewed from above are truly spectacular - a beautiful, unintended consequence of civilization. They radiate into space a message about who we are." (foreword) - Donald R. Pettit / NASA Astronaut. Sublime, quiet, serene, surreal, and other-worldly... these are just a few of the adjectives that only begin to describe Pulitzer Prize-winning photographer Vincent Laforet's mesmerizing high-altitude nighttime aerial photos over some of the most iconic cities around the world including New York, London, Sydney, Miami, Chicago, Los Angeles, San Francisco, Las Vegas, Berlin, and Barcelona. "AIR is a project born of my need to share an important lesson I've discovered over the past decade making aerial photographs: the world is much smaller than we think." says Laforet. "Borders are irrelevant and distances shortened. Clearly, we are more intimately connected to one another than we may realize. I chose the title AIR because it's something we all share and are all equally responsible for. By definition air doesn't belong to anyone. It belongs to us all regardless of background, social status and origin, as does this project. Laforet, a three-time winner at the prestigious 2010 Cannes Lions International Advertising Festival, is a director and Pulitzer Prize-winning photographer who's known for his forward thinking approach to image making and storytelling. In addition to having been commissioned by nearly every major international publication including Vanity Fair, The New York Times Magazine, National Geographic, Sports Illustrated, Time, Newsweek, and Life, Vincent is considered a pioneer for both his innovative tilt/shift and aerial photography and in the field of HD-capable DSLR cameras.

    Kundig's award-winning houses, known for their rugged yet elegant and welcoming style, are showcased in lush photography with drawings and sketches, and appear alongside his commercial work—from multistory complexes to the Tacoma Art Museum to a line of hardware (handles, door pulls, hinges, and more). In firsthand accounts, Kundig describes the projects and his design process with many personal anecdotes, making Tom Kundig: Works as much memoir as monograph. The book also includes an introduction by design editor Pilar Viladas and in-depth conversations with Kundig's frequent collaborators—"gizmologist" Phil Turner and contractor Jim Dow (Schuchart/ Dow)—and clients (Bigwood Residence and Studhorse).

     Architect + Entrepreneur Volume 2 challenges the foundations of traditional practice and asks: + In what ways can we hack our craft to serve both our personal lifestyle and our professional goals? + What if design practice capitalized on the architect’s drive to be creative and consumer buying culture in equal measure? + How can we turn our services into products? + How can young professionals compete in today’s marketplace leveraging the power of the Internet? Eric Reinholdt, founder of 30X40 Design Workshop describes in detail how his business model has evolved to leverage passive income producing products and offers a new paradigm for practice. It’s a manual of high-level strategies, field-tested tactics, and case studies showing how architects are reinventing practice in the 21st century. In this step-by-step manual you’ll discover: + How to develop multiple passive income streams for your business + How to work with only the clients best suited to your brand + Templates for innovative business models leveraging active and passive income streams + Case studies describing how founders and architects built six-figure incomes by developing products + How to leverage the Internet to convert visitors into customers (and clients) + Methodology for selling custom plans repeatedly + Why writing a book isn’t as difficult as you might think + Precise formula to earn your first $100 in passive income + How much you can earn from: affiliate relationships, advertising, and digital product development This manual provides a framework for young professionals to build passive revenue streams even before setting out on their own. Doing this builds wealth, professional freedom and increases the chances of success for nascent architecture businesses. It’s essential reading for any Architect + Entrepreneur.

    Here he chooses nineteen of the greatest figures and presents their conversations, offering the reader intimacy with the artists and insight into their creative processes. Inspired by the great Vasari, Lives of the Artists explores the meaning of art and artists today, their varying approaches to creating, and a sense of how their thinking evolves over time. Including David Hockney, Gilbert and George, Gerhard Richter, Michelangelo Pistoletto, Marina Abramovic, Louise Bourgeois, Rem Koolhaas, Jeff Koons and Oscar Niemayer, this is a wonderful and unique book for those interested in modern art.Hans Ulrich Obrist is a curator and writer. Since 2006 he has been co-director of the Serpentine Gallery, London. He is the author, with Ai Wei Wei, of Ai Wei Wei Speaks.

    This first full-fledged critical biography presents and evaluates the work of a man who has almost single-handedly transformed contemporary architecture in his innovative use of materials, design, and form, and who is among the very few architects in history to be both respected by critics as a creative, cutting-edge force and embraced by the general public as a popular figure.Building Art shows the full range of Gehry’s work, from early houses constructed of plywood and chain-link fencing to lamps made in the shape of fish to the triumphant success of such late projects as the spectacular art museum of glass in Paris. It tells the story behind Gehry’s own house, which upset his neighbors and excited the world with its mix of the traditional and the extraordinary, and recounts how Gehry came to design the Guggenheim Museum in Bilbao, Spain, his remarkable structure of swirling titanium that changed a declining city into a destination spot. Building Art also explains Gehry’s sixteen-year quest to complete Walt Disney Concert Hall, the beautiful, acoustically brilliant home of the Los Angeles Philharmonic. Although Gehry’s architecture has been written about widely, the story of his life has never been told in full detail. Here we come to know his Jewish immigrant family, his working-class Toronto childhood, his hours spent playing with blocks on his grandmother’s kitchen floor, his move to Los Angeles when he was still a teenager, and how he came, unexpectedly, to end up in architecture school. Most important, Building Art presents and evaluates Gehry’s lifetime of work in conjunction with his entire life story, including his time in the army and at Harvard, his long relationship with his psychiatrist and the impact it had on his work, and his two marriages and four children. It analyzes his carefully crafted persona, in which a casual, amiable “aw, shucks” surface masks a driving and intense ambition. And it explores his relationship to Los Angeles and how its position as home to outsider artists gave him the freedom in his formative years to make the innovations that characterize his genius. Finally, it discusses his interest in using technology not just to change the way a building looks but to change the way the whole profession of architecture is practiced. At once a sweeping view of a great architect and an intimate look at creative genius, Building Art is in many ways the saga of the architectural milieu of the twenty-first century. But most of all it is the compelling story of the man who first comes to mind when we think of the lasting possibilities of buildings as art.

    Hundreds of illustrations showcase every aspect of the project and its unforeseen influence in its entirety. Includes previously unpublished archival materials such as the drawings behind the original proposal and exclusive images of construction.The book mirrors the architecture and composition of the park through its large landscape format with foldouts, surprising packaging and inserts. More than a visual masterpiece – its seven chapters are well-organized, legible, comprehensive and accessible. Detailed, obsessive, quirky, compelling, and beautiful, the book captures the essence of the High Line.THE book for design enthusiasts including architects, landscape designers and urban planners - as well as for general-interest lovers of New York City, culture, art, gardens, and city life.

    Though best known for their furniture, the husband and wife team were also forerunners in architecture, textile design, photography, and film.The Eames work defined anew, multifunctional modernity, exemplary for its integration of craft and design, as well as for the use of modern materials, notablyplywood and plastics.The Eames Lounge Chair Wood, designed with molded plywood technology, became a defining furniture piece of the twentieth century, while the couple s contribution to theCase Study Housesproject not only made inventive use of industrial materials but also developed anadaptable floor plan of multipurpose spaceswhich would become ahallmark of postwar modern architecture.From the couple s earliest furniture experiments to their seminal short filmPowers of Ten, this book covers all the aspects of the illustrious Eames repertoire and itsrevolutionary impact on middle-class American living. About the Series: Each book in TASCHEN s Basic Architecture Series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts and plans) "

    Notable for their exceptional understanding of an organic environment, as well as for their use of steel and glass to revolutionize the interface of indoor and outdoor, Wright s designs helped announce the age of modernity, as much as they secured his own name in the annals of architectural genius. This meticulous compilation from TASCHEN s previous three-volume monograph assembles the most important works from Wright s extensive, paradigm-shifting oeuvre into one authoritative and accessibly priced overview of America's most famous architect. Based on unlimited access to the Frank Lloyd Wright Archives in Taliesin, Arizona, the collection spans the length and breadth of Wright s projects, both realized and unrealized, from his early Prairie Houses, through the Usonian concept home, epitomized by Fallingwater, the Tokyo years, his progressive living architecture buildings, right through to later schemes like the Guggenheim Museum, New York, and fantastic visions for a better tomorrow in the living city. Author Bruce Brooks Pfeiffer, who served as Wright s apprentice during the 1950s, discusses recent research on Wright and gives his own insights on these game-changing buildings. Text in English, French, and German"

    Paul, the Twin Cities and other Minnesota communities are nothing short of a living museum of midcentury modernism, the new style of architecture that swept through much of America from 1945 to the mid-1960s. Renowned Minnesota architecture critic and historian Larry Millett conducts an eye-opening, spectacularly illustrated tour of this rich and varied landscape.A history lesson as entertaining as it is enlightening, Minnesota Modern provides a close-up view of a style that penetrated the social, political, and cultural machinery of the times. Extending from modest suburban ramblers and ranch houses to the grandest public and commercial structures, midcentury modernism expressed new ways of thinking about how to live, work, and play in communities that sprang up as thousands of military members returned from World War II. Millett describes the style’s sources in the work of European masters like Ludwig Mies van der Rohe and Walter Gropius, as well as the midwestern innovations of Frank Lloyd Wright, and its refinement at the University of Minnesota under the guidance of Ralph Rapson and other modernists. He shows us its applications in twelve midcentury homes in Minnesota and takes us through its many permutations in sites as different as Barry Byrne’s St. Columba Catholic Church in St. Paul and Eero Saarinen’s sprawling IBM complex in Rochester. This is Minnesota modern at its historic best, a firsthand, in-depth history of a singularly American sensibility and aesthetic writ large on the midwestern region.

    And that's exactly what Gary Zuercher gives us in this gorgeous collection of photographs and this fascinating history of the bridges. Over a period of five years, he took his cameras out into the Parisian night to capture stunningly evocative images of the bridges that span the Seine. Using his artistic eye and sophisticated photographic technique, he created these glorious black-and-white photographs, rich with detail and possessing a clear, luminous, quality. This collection is unique, and remarkable. No one else has ever photographed all the bridges that cross the Seine in Paris in this way. We don t see crowds of people, or heavy traffic. Nothing obscures the beauty and strength of the structures, the romance and symbolism of the bridges. Shooting in black and white allows the details to shine: the architectural elements, artwork, nearby buildings, trees on the riverbanks, and starry lamps casting paths of light across the water." Finished with the shooting he spent painstaking hours researching and reporting on the history of the bridges, spanning the period from Julius Caesar to the death of Princess Diana under the Pont d'Alma and up to current day. A fascinating read.

    Earthbag building is revolutionizing how people around the world are thinking about ways of providing shelter, both temporary and permanent. Such buildings can be remarkably durable and resistant to earthquakes, floods, fires and even bullets. Kelly Hart describes the basics of how to build this way, provides a history of the evolving technology and delves into detailed descriptions of the many different earthbag projects that he has been involved with over nearly two decades. A survey of 64 unique buildings from around the world proves just how versatile this approach to building can be. A look to the future of earthbag building and a Resource Guide complete the book. Some 240 color photographs help you visualize the possibilities of this unusual and sustainable approach to architecture.

    Austere yet grandiose, it was established as the seat of the Vijayanagara empire in the mid-14th century, a time when art and architecture flourished. Contemporary chroniclers from Persia, Italy, Portugal and Russia visited the empire during this period and left glowing accounts of a city that was conquered by Sultanate troops in AD 1565, pillaged for six months, and abandoned.Hampi Vijayanagara examines the temples renowned for their florid ornamentation, intricate carvings, magnificent pavilions, stately pillars and a wealth of iconographic and traditional depictions. The book also includes site plans and three-dimensional reconstructions.

    You'll learn how to gain maximum value from Domain-Driven Design (DDD), define optimal supporting architecture, and succeed with modern UX-first design approaches. The author guides you through choosing and implementing specific technologies and addresses key user-experience topics, including mobile-friendly and responsive design. You'll learn how to gain more value from existing Microsoft technologies such as ASP.NET MVC and SignalR by using them alongside other technologies such as Bootstrap, AJAX, JSON, and JQuery. By using these techniques and understanding the new ASP.NET Core 1.0, you can quickly build advanced web solutions that solve today's problems and deliver an outstanding user experience.Microsoft MVP Dino Esposito shows you how to: Plan websites and web apps to mirror real-world social and business processes Use DDD to dissect and master the complexity of business domains Use UX-Driven Design to reduce costs and give customers what they want Realistically compare server-side and client-side web paradigms Get started with the new ASP.NET Core 1.0 Simplify modern visual webpage construction with Bootstrap Master practical, efficient techniques for running ASP.NET MVC projects Consider new options for implementing persistence and working with data models Understand Responsive Web Design's pros, cons, and tradeoffs Build truly mobile-friendly, mobile-optimized websites About This Book For experienced developers and solution architects who want to plan and develop web solutions more effectively Assumes basic familiarity with the Microsoft web development stack

    Thomas Bradbury and opened in 1968, the mansion has been home to eight first families and houses a distinguished collection of American art and antiques. Often called “the people’s house,” the mansion is always on display, always serving the public. Memories of the Mansion tells the story of the Georgia Governor’s Mansion—what preceded it and how it came to be as well as the stories of the people who have lived and worked here since its opening in 1968.The authors worked closely with the former first families (Maddox, Carter, Busbee, Harris, Miller, Barnes, Perdue, and Deal) to capture behind-the-scenes anecdotes of what life was like in the state’s most public house. This richly illustrated book not only documents this extraordinary place and the people who have lived and worked here, but it will also help ensure the preservation of this historic resource so that it may continue to serve the state and its people.Published in cooperation with the University of Georgia Libraries and Kennesaw State University

    Celebrated for their groundbreaking work in graphic design, industrial design, exhibition design, architecture, and film, the Eameses’ prolific and influential career changed the way Americans saw and thought about everyday objects. Widely known as professional collaborators, Charles and Ray were also a married couple, and the texts collected here reveal a behind-the-scenes look at the myriad motivations, inspirations, and outcomes of their partnership over fifty years. Previously unpublished materials such as handwritten notes and correspondence are featured chronologically alongside articles, exhibition reviews, editorials, conference papers, and magazine covers, as well as sections from oral history. The anthology explores the Eameses’ iconic projects such as Case Study House 9 and the molded plywood chair, as well as their work for major corporations as both designers (Herman Miller) and consultants (IBM, Polaroid). Personal correspondence with luminaries such as Henry Ford, Richard Neutra, and Eero Saarinen, among many others, provides insight into the forces behind the advance of modernity in mid-century America.

    If your looking to learn the craft of doing it yourself you should look somewhere else. However; if you want to make your project the fun, happy experience it should be and you want the home you've always dreamed of, then scroll up and get your copy of How To Build Your Dream Home Without Getting Nailed! You'll learn all you need to know or your money back! Scroll up and grab a copy today.

    Part forum and part public journal, the eclectic mix of articles, drawings, anecdotes, poetry, interviews, and photographic essays explored topics ranging from architectural theory and criticism to education and politics. Amassing more than three hundred entries by its end in the summer of 2012, it is regarded by many as the most comprehensive and accessible archive of Woods's prodigious creativity. Slow Manifesto: Lebbeus Woods Blog, an edited volume of the blog's centerpiece entries, stands as a fragmentary essay on the nature of architecture that will be dear to architects, students, and thinkers everywhere.

    Vaux le Vicomte’s rich history began in 1641, when infamous finance minister Nicolas Fouquet bought the estate and enlisted architect Louis Le Vau, decorator Charles Le Brun, and garden designer André Le Nôtre to transform it into a lavish residence. His extravagance piqued Louis XIV’s jealousy, and he was thrown into prison for mishandling funds. The château inspired the design of Versailles and was later home to the great chef Vatel, who famously died for his art. This volume traces the château’s history from the seventeenth century through the Belle Époque, World War I, and its public opening in 1968. Exclusive photography and archival documents offer unprecedented access to the château, furnishings, and gardens, and illuminate the extraordinary secrets of court life and centuries of celebrations that include the enchanting candlelit tours held today.

    By looking to nature as a teacher rather than simply as a source for raw materials, pioneers in the emerging biomimicry movement are developing design methods and materials to create intelligent buildings that emulate life itself. In Hypernatural architecture and material experts Blaine Brownell and Marc Swackhamer present an international collection of forty-two case studies that illustrate astonishing new applications possible in this rapidly growing field, from Echoviren, a botanical pavilion that was designed to wilt into its surrounding redwood forest in Northern California, to the MIT Media Lab's Silk Pavilion, constructed by the threads of silkworms as they passed over scaffolding. Together, these projects show that by looking to nature, design can be a tool that makes our built environment more efficient, sustainable, and, most of all, livable.

    Rather than assuming and recounting the contributions of modernism's chief literary and artistic figures, this book focuses on critical formulations and reception through topics such as:- The evolution of “modernism” from a pejorative term in intellectual arguments, through its condemnation by Pope Pius X in 1907, and on to its subsequent centrality to definitions of new art by T. S. Eliot, Laura Riding and Robert Graves, F. R. Leavis, Edmund Wilson, and Clement Greenberg- New Criticism and its legacies in the formation of the modernist canon in anthologies, classrooms, and literary histories - The shifting conceptions of modernism during the rise of gender and race studies, French theory, Marxist criticism, postmodernism, and more - The New Modernist Studies and its contemporary engagements with the politics, institutions, and many cultures of modernism internationallyWith a glossary of key terms and movements and a capacious critical bibliography, this is an essential survey for students and scholars working in modernist studies at all levels

    In thinking about the relation between protest and urban form, Eyal Weizman starts with the May 1980 uprising in Gwangju, South Korea, the first of the “roundabout revolutions,” and traces its lineage to the Arab Spring and its hellish aftermath. Rereading the history of the roundabout through the vortices of history that traverse it, the book follows the development of the roundabout in Europe and North America in the early twentieth century, to its subsequent export to the colonial world in the context of attempts to discipline and police the “chaotic” non-Western city. How did an urban apparatus put in the service of authoritarian power became the locus of its undoing?Today, as the tide of revolt that characterized the Arab Spring seems to ebb, when nations and societies disintegrate by brutal civil wars and military oppression, the series of revolutions might seem like Dante’s circles of hell. To counter this counter-revolution, Weizman proposes that the immanent power of the people at the roundabouts will need to find its corollary in sustained work at round tables—the ongoing formation of political movements able to enact political change. The sixth volume of the Critical Spatial Practice series stems from Eyal Weizman’s contribution to the Gwangju Folly II in 2013, an exhibition curated by Nikolaus Hirsch with Philipp Misselwitz and Eui Young Chun for the Gwangju Biennale. Weizman and the architect Samaneh Moafi constructed a folly composed of seven roundabouts and a round table in front of the Gwangju train station, one of the central points in the events of May 1980.

    These rules of thumb provide universal guidelines for the sustainable design of both buildings and the urban realm. It s a global primer and textbook for anyone interested in understanding sustainability in the built environment, an ideal starting point for students as well as an aide memoir for more experienced readers and practitioners interested in this field."

    From the strange remains of the Ziggurat of Ur dating from 2100 BC, to formidable mills of the industrial revolution, the humble brick has been an architectural staple for centuries.The world's best architects have explored the qualities of brickwork. Alvar Aalto, Antoni Gaudi, Jørn Utzon, Frank Gehry, and Mies van der Rohe all built with the material, and bricks were integral to Frank Lloyd Wright's vision for an American vernacular in his Prairie Houses.Lesser-known newcomers have created some equally striking and memorable structures, from the stunning Winery Gantenbein - built by robotic arm - to the audacious Kantana Institute, an unprecedented vision in a Thai rainforest.Brick is a beautiful and informative visual exploration of a material that is often overlooked, and sometimes considered limiting, but is actually full of spectacular potential.

    The book features the work of a rising generation of designers across the globe who are starting to think about furniture in an architectural way, resulting in pieces that brilliantly transform interior spaces.Boosted by digital design and new manufacturing possibilities, furniture design that morphs into “micro architecture” is one of the most innovative fields of design today. Surveyed here are hundreds of examples of these objects, including bookshelves that can dynamically divide and reshape a room, chairs that create intimate room-like enclosures, and self-contained, expandable kitchen cubes. From Chicago-based firm Bureau Spectacular’s “Briefcase house,” and Japanese architect Shigeru Ban’s moving boxes within rooms to Dutch designers Makkink Bey’s conversational Ear Chairs and the French atelier 37.2’s series of self-standing cubes, Furnitecture opens the door to a world of design invention and innovation.Presented in a compact, beautifully illustrated format, this volume will be an essential resource for designers and hip consumers everywhere.

    Ransacking the urban planning of the grand imperial past, it set out to transform everyday life, its sweeping boulevards, epic high-rise and vast housing estates an emphatic declaration of a non-capitalist idea. Now, the regimes that built them are dead and long gone, but from Warsaw to Berlin, Moscow to post-Revolution Kiev, the buildings, their most obvious legacy, remain, populated by people whose lives were scattered and jeopardized by the collapse of communism and the introduction of capitalism.Landscapes of Communism is an intimate history of twentieth-century communist Europe told through its buildings; it is, too, a book about power, and what power does in cities. In exploring what that power was, Hatherley shows how much we can understand from surfaces - especially states as obsessed with surface as the Soviets were. Walking through these landscapes today, Hatherley discovers how, in contrast to the common dismissal of 'monolithic' Soviet architecture, these cities reflect with disconcerting transparency the development of an idea over the decades, with its sharp, sudden zigzags of official style: from modernism to classicism and back; to the superstitious despotic rococo of high Stalinism, with its jingoistic memorials, palaces and secret policemen's castles; East Germany's obsession with prefabricated concrete panels; and the metro systems of Moscow and Prague, a spectacular vindication of public space that went further than any avant garde ever dared.But most of all, Landscapes of Communism is a revelatory journey of discovery, plunging us into the maelstrom of socialist architecture. As we submerge into the metros, walk the massive, multi-lane magistrale and pause at milk bars in the microrayons, who knows what we might find?

    Primarily produced in large quantities for the general public, his more-than-sixty publications—from design manuals and manifestos to visionary tactile children's books—displayed all the beauty and technical ingenuity of works of art.Munari's Books, the first English-language monograph to focus on his remarkable achievements in publishing, examines in detail his seventy-year legacy in print, from his pioneering work as a graphic designer and collaborations with major publishers to his experimental visual projects and innovative contributions to the fields of painting, sculpture, design, photography, and teaching. Featuring critical essays and a wealth of color illustrations, this long-overdue monograph is a visually rich introduction to Munari's remarkably multifaceted career.

    This new solid wood architecture offers unparalleled environmental as well as construction and aesthetic benefits, and is of growing importance for professionals and academics involved in green design.Solid Wood provides the first detailed book which allows readers to understand new mass timber/massive wood architecture. It provides:historical context in wood architecture from around the world a strong environmental rationale for the use of wood in buildings recent developments in contemporary fire safety and structural issues insights into building code challenges detailed case studies of new large-scale wood building systems on a country-by-country basis. Case studies from the UK, Norway, Sweden, Germany, Austria, Italy, Canada, the United States, New Zealand and Australia highlight design strategies, construction details and unique cultural attitudes in wood design. The case studies include the most ambitious academic, hospitality, industrial, multi-family, and wood office buildings in the world.With discussions from leading architectural, engineering, and material manufacturing firms in Europe, North America and the South Pacific, Solid Wood disrupts preconceived notions and serves as an indispensable guide to twenty-first century wood architecture and its environmental and cultural benefits.

    We are biological beings whose senses and neural systems have developed over millions of years; it stands to reason that research in the life sciences, particularly neuroscience, can offer compelling insights into the ways our buildings shape our interactions with the world. This expanded understanding can help architects design buildings that support both mind and body. In Mind in Architecture, leading thinkers from architecture and other disciplines, including neuroscience, cognitive science, psychiatry, and philosophy, explore what architecture and neuroscience can learn from each other. They offer historical context, examine the implications for current architectural practice and education, and imagine a neuroscientifically informed architecture of the future.Architecture is late in discovering the richness of neuroscientific research. As scientists were finding evidence for the bodily basis of mind and meaning, architecture was caught up in convoluted cerebral games that denied emotional and bodily reality altogether. This volume maps the extraordinary opportunity that engagement with cutting-edge neuroscience offers present-day architects.ContributorsThomas D. Albright, Michael Arbib, John Paul Eberhard, Melissa Farling, Vittorio Gallese, Alessandro Gattara, Mark L. Johnson, Harry Francis Mallgrave, Iain McGilchrist, Juhani Pallasmaa, Alberto Perez-Gomez, Sarah Robinson

    Cities around the world are facing the same challenges as cities in the US, and many of these problems are rooted in outdated codes and standards.   The Global Street Design Guide is a timely resource that sets a global baseline for designing streets and public spaces and redefines the role of streets in a rapidly urbanizing world. The guide will broaden how to measure the success of urban streets to include: access, safety, mobility for all users, environmental quality, economic benefit, public health, and overall quality of life. The first-ever worldwide standards for designing city streets and prioritizing safety, pedestrians, transit, and sustainable mobility are presented in the guide. Participating experts from global cities have helped to develop the principles that organize the guide. The Global Street Design Guide builds off the successful tools and tactics defined in NACTO’s Urban Street Design Guide and Urban Bikeway Design Guide while addressing a variety of street typologies and design elements found in various contexts around the world.   This innovative guide will inspire leaders, inform practitioners, and empower communities to realize the potential in their public space networks. It will help cities unlock the potential of streets as safe, accessible, and economically sustainable places. Example cities include: Bangalore, India; Buenos Aires, Argentina; Paris, France; Copenhagen, Denmark; Seoul, Korea; Medellin, Colombia; Toronto, Canada; Istanbul, Turkey; Auckland, New Zealand; Melbourne, Australia; New York, USA; and San Francisco, USA.

    Parliament buildings, stadiums, universities, central banks, convention centers, and other major public buildings and housing projects were built in daring, even heroic designs—markers of the bright future these nations envisioned after independence.            African Modernism is the first book to take a close look at the relationship between these cutting-edge architectural projects and the processes of nation building in Ghana, Senegal, Côte d’Ivoire, Kenya, and Zambia. Presenting some seven hudnred color photographs by celebrated photographers Iwan Baan and Alexia Webster and insightful analyses of the interactions of architectural innovation and developing national political and social cultures, African Modernism will be of interest to historians of architecture and Africa alike.

    Sites include: Grant Park, Lincoln Park, Wabash Avenue, Lake Street, Marshall Field's, State Street, Palmer House, Reliance Building, the Chicago Theatre, Majestic Theatre and Biograph Theater, Art Institute of Chicago, Chicago Cultural Center, South Michigan Avenue, North Michigan Avenue, Board of Trade Building, The Rookery, Old Colony Building, Dearborn Street Station, Chicago and North Western Terminal, Illinois Central Railyards, State Street Bridge, Michigan Avenue Bridge, Wacker Drive, Chicago River from the Wrigley Building, Water Tower, Lake Shore Drive, Navy Pier, Oak Street Beach, Merchandise Mart, Wrigley Field, Comiskey Park, the Union Stockyards, and much more. A detailed map lists major downtown sites featured in the book.

    For too long, architects have avoided questioning how the central aspects of architectural “practice” (professionalism, profit, technology, design, craft, and building) combine to characterize the work performed in the architectural office. Nor has there been a deeper evaluation of the unspoken and historically-determined myths that assign cultural, symbolic, and economic value to architectural labor.The Architect as Worker presents a range of essays exploring the issues central to architectural labor. These include questions about the nature of design work; immaterial and creative labor and how it gets categorized, spatialized, and monetized within architecture; the connection between parametrics and BIM and labor; theories of architectural work; architectural design as a cultural and economic condition; entrepreneurialism; and the possibility of ethical and rewarding architectural practice.The book is a call-to-arms, and its ultimate goal is to change the practice of architecture. It will strike a chord with architects, who will recognize the struggle of their profession; with students trying to understand the connections between work, value, and creative pleasure; and with academics and cultural theorists seeking to understand what grounds the discipline.

    For 200 years the Thurn und Taxis family have called the palace of St. Emmeram home. Regarded as one of Germany’s finest examples of historicist architecture, the Regensburg residence’s myriad rooms trace centuries of distinctive styles: a Romanesque-Gothic cloister built between the twelfth and fourteenth centuries, a neo-Renaissance marble staircase, a number of Rococo and neo-Rococo staterooms, and a Baroque library frescoed in 1737. Celebrated photographer Todd Eberle captures the confluence of high art and grand architecture within the 500-room palace to reveal the curious tale of the Thurn und Taxis family. Complete with stately portraits and scenes of life at St. Emmeram, this monograph offers a glimpse into the world and glamour of one of the most important dynasties of the European aristocracy.

    Sottsass (1917-2007), originally trained as an architect and worked as a design consultant for Olivetti, where he developed the iconic Valentine typewriter, before going on to found the Memphis Group in the 1980s, ushering in an era of influential designs in furniture, ceramics and lighting that continue to inspire design minds today with their flamboyance and use of color.Author Deyan Sudjic (Director of London's Design Museum) does not limit his narrative to an examination of Sottsass' iconic designs. Though a native son of Italy, Sottsass cast a shadow of influence on the entire world, traveling extensively over the course of his life and interacting with some of the 20th century's most iconic figures, including Picasso, Hemingway and Allen Ginsberg. Sudjic's writing, complemented by unpublished personal photographs from Sottsass' archive, offers a unique view of Sottsass from the perspective of the world that surrounded him, recounting anecdotes of encounters between the designer and his famous contemporaries. The result is a unique and comprehensive portrait not only Sottsass but of the last 100 years of design in Italy and around the world.Features anecdotes of his encounters with the biggest creatives of the time, and details of his influences and inspirations, documenting the contemporary design scene both in Italy and abroad.

    The reform and opening-up era has touched China's major cities in different ways, variously affecting the existing fabric of dynastic capitals, trade hubs, and former European colonies and concessions; this in turn has provided the setting for a range of complex reactions by contemporary architects. The "Architectural Guide China" provides an invaluable window into this work, with city-by-city coverage including historic maps and background information on urban form. Building on the authors' years of experience leading architectural study tours, this book is the first comprehensive English-language survey of architecture in China presented in the form of a travel guidebook.

    Revealing conversations with leaders from a variety of fields—including graphic designers Seymour Chwast, Milton Glaser, Lora Lamm, and Deborah Sussman; architects Michael Graves, Denise Scott Brown, and Stanley Tigerman; urbanist Jane Thompson; industrial designer Charles Harrison; furniture designer Jens Risom; and critic Ralph Caplan—spotlight creators, thinkers, and pioneers whose lifelong dedication to experimentation and innovation continues to shape their disciplines well into their ninth decade.Twenty Over Eighty is not only a record of the remarkable histories and experiences of design's most influential figures but also a source of knowledge and inspiration for contemporary creatives and generations to come.

    The guide advocates novel strategies and tools that merge entrepreneurship with the practice of architecture and interior design. The Problem: Embarking on a new business venture is intimidating; you have questions. But many of the resources available to help entrepreneur architects and interior designers start their design business lack timeliness and relevance. Most are geared toward building colossal firms like SOM and Gensler using outdated methods and old business models. If you're an individual or small team contemplating starting a design business, this is your field guide; crafted to inspire action. The Solution: Using the lean startup methodology to create a minimum viable product, the handbook encourages successive small wins that support a broader vision enabling one to, "think big, start small, and learn fast." It's a unique take on design practice viewed through the lens of entrepreneurship and is designed to answer the questions all new business owners face, from the rote to the existential. Questions about: -Startup costs -Business models (old and new) -Marriage of business and design -Mindset -Branding & naming (exercises and ideas) -Internet marketing strategies -Passive income ideas -Setting your fee -Taxes -Standard Operating Procedures (SOPs) -Securing the work -Client relations -Software -Billing rates -Contracts Building a business isn't a singular act; it's a series of small steps. Using the outline found in Architect + Entrepreneur you can start today. The chapters are organized to guide you from idea to action. Rather than write a business plan you'll be challenged to craft a brand and you'll sell it using new technologies. Follow the guide sequentially and you'll have both the tools and a profitable small business.

    It is also the home to architectural marvels, as many of the original wooden and brick churches and homes in the region's ancient villages and towns still stand. Featuring nearly two hundred full color photographs of these beautiful centuries-old structures, Architecture at the End of the Earth is the most recent addition to William Craft Brumfield's ongoing project to photographically document all aspects of Russian architecture.The architectural masterpieces Brumfield photographed are diverse: they range from humble chapels to grand cathedrals, buildings that are either dilapidated or well cared for, and structures repurposed during the Soviet era. Included are onion-domed wooden churches such as the Church of the Dormition, built in 1674 in Varzuga; the massive walled Transfiguration Monastery on Great Solovetsky Island, which dates to the mid-1550s; the Ferapontov-Nativity Monastery's frescoes, painted in 1502 by Dionisy, one of Russia's greatest medieval painters; nineteenth-century log houses, both rustic and ornate; and the Cathedral of St. Sophia in Vologda, which was commissioned by Ivan the Terrible in the 1560s. The text that introduces the photographs outlines the region's significance to Russian history and culture.Brumfield is challenged by the immense difficulty of accessing the Russian North, and recounts traversing sketchy roads, crossing silt-clogged rivers on barges and ferries, improvising travel arrangements, being delayed by severe snowstorms, and seeing the region from the air aboard the small planes he needs to reach remote areas.The buildings Brumfield photographed, some of which lie in near ruin, are at constant risk due to local indifference and vandalism, a lack of maintenance funds, clumsy restorations, or changes in local and national priorities. Brumfield is concerned with their futures and hopes that the region's beautiful and vulnerable achievements of master Russian carpenters will be preserved. Architecture at the End of the Earth is at once an art book, a travel guide, and a personal document about the discovery of this bleak but beautiful region of Russia that most readers will see here for the first time.

    Whether in the form of mortgages or rent, we are consigned to living in conditions of perpetual debt. Real Estates: Life Without Debt explores the moral, political and economic ramifications of property and ownership in neoliberal debt economies, and asks what role the architect might play in addressing widening social and spatial inequality in the built environment.

    These five texts move between history, theory, and criticism to explore a discourse of critical spatial practice engaged in the constant reshaping of the African Diaspora. African American cultural institutions designed and constructed in recent years often rely on cultural stereotypes, metaphors, and clich's to communicate significance, demonstrating "Africanisms" through form and symbolism--but there is a far richer and more complex heritage to be explored. Presented here is a series of questions that interrogate and illuminate other narratives of "African American architecture," and reveal compelling ways of translating the philosophical idea of the African Diaspora's experience into space.

    Starting in the 1960s, he came to the fore as one of the main artificers of the renewal of twentieth-century Italian graphic art.Noorda worked in the Dutch capital until 1954, when he decided to move to Italy to settle in Milan. He worked on the signage and visual features of Milan’s subway system (1964) and which won him his first of four Compasso d’Oro.In 1965, along with the designer Massimo Vignelli, he set up the graphic agency Unimark International, famous for using a very modern approach to design for international clients such as IBM, Pirelli, Olivetti, la Rinascente and the New York subway system, for which they redesigned the entire communication system.Moleskine follows up the acclaimed title on John Alcorn with another release of one of the most important designer of the past century.

    Covering basic design data for all the major building types, it is the ideal starting point for any project. For each building type, the book gives the basic design requirements and all the principal dimensional data, and succinct guidance on how to use the information and what regulations the designer needs to be aware of.As well as building types, the Metric Handbook deals with broader aspects of design such as materials, acoustics and lighting, and general design data on human dimensions and space requirements. The Metric Handbook provides an invaluable resource for solving everyday design and planning problems.

    Bringing together Olmsted's most significant parks, parkways, park systems, and scenic reservations, this gorgeous volume takes readers on a uniquely conceived tour of such notable landscapes as Central Park, Prospect Park, the Buffalo Park and Parkway System, Washington Park and Jackson Park in Chicago, Boston's "Emerald Necklace," and Mount Royal in Montreal, Quebec. No such guide to Olmsted's parks has ever been published.Frederick Law Olmsted (1822-1903) planned many parks and park systems across the United States, leaving an enduring legacy of designed public space that is enjoyed and defended today. His public parks, the design of which he was most proud, have had a lasting effect on urban America.This gorgeous book will appeal to landscape professionals, park administrators, historians, architects, city planners, and students--and it is a perfect gift for Olmsted aficionados throughout North America.

    Known for being the originator of the mythical Studio 54, as well as a creator of the boutique hotel, Ian Schrager has done much more than create, design, and manage hotels, restaurants, clubs, residential buildings, and various real estate developments throughout the world—he has challenged and redefined the idea of luxury and glamour. These spaces are renowned destinations for evening social spaces and fabulous, memorable parties as well as restful, urban oases.This book presents many never-before-seen photographs from hotels such as the Morgans, Paramount, Delano, Mondrian, and the famed Gramercy Park Hotel in New York that Schrager collaborated on with the painter Julian Schnabel; residential properties, including 40 Bond Street and 50 Gramercy Park North; and the legendary club Studio 54.With more than 200 photographs and texts from the most important designers of our generation—including Philippe Starck, John Pawson, and Jacques Herzog, all of whom also have designed for Schrager—the book reveals some of the highest and most successful expressions of environmental curation to date. This volume will have an enduring impact on entrepreneurs, interior designers, industrial designers, and cultural communities alike.

    The suburbs may have teemed with tenements to house the new industrial proletariat, but on spacious new avenues in the city centres, people strolled proudly past magnificent bourgeois residences. The economy was booming, the aristocracy and the military enjoyed unlimited social prestige, and most of the population revered the Kaiser.Through some 800 color pictures, this book presents turn-of-the-century Germany as it liked to see herself: self-confident, glittering, patriotic but also with a belief in progress and - for those who could afford it - a cosmopolitan flair. As in the critically acclaimed An American Odyssey, the images are all rare examples of the historical photochrom process, a printing technique that allowed black-and-white photographs to be reproduced in colour.From Ludwig II's fairy-tale castles in the Bavarian Alps to glamourous bathing resorts on the North Sea and Baltic, the pictures reveal a Germany of optimism, beauty, and transformation. Technical innovations and modern boulevards sit alongside medieval towns, rural traditions, and mystical forests, creating a fascinating and nostalgic panorama of a long lost epoch before the ravages of time and history set in.

    Following his acclaimed books on the world’s most beautiful libraries and opera houses, photographer Guillaume de Laubier now turns his lens toward a new aspect of world heritage. Sumptuous photographs showcase amphitheaters, libraries, reception halls, and hidden gardens, while the text describes the history of each campus, its architecture, research disciplines, and reference collections.

    Vladimir Belogolovsky takes a different approach in his new work. The New York-based author gives a detailed picture of contemporary architects through words. The publication consisting of almost sixhundred pages presents interviews with thirty architects, which Belogolovsky conducted in the framework of his long-term, international activities as a curator and author. The names of the interviewees read like a Who-is-Who of modern architecture. The fame surrounding these avant-garde masters has eclipsed merely professional circles and reached the conscience of the wide general public. Their iconic work has attracted so much attention in recent years in the mass media that it is often referred to as Starchitecture." Interviews with: David Adjaye, Will Alsop, Alejandro Aravena, Shigeru Ban, Elizabeth Diller, Winka Dubbeldam, Peter Eisenman, Norman Foster, Zaha Hadid, Steven Holl, Bjarke Ingels, Kengo Kuma, Daniel Libeskind, Jurgen Mayer H., Giancarlo Mazzanti, Richard Meier, Paulo Mendes da Rocha, Glenn Murcutt, Gregg Pasquarelli, Joshua Prince-Ramus, Wolf Prix, Kevin Roche, Robert Stern, Sergei Tchoban and Sergey Kuznetsov, Bernard Tschumi, Robert Venturi and Denise Scott Brown, Rafael Vinoly, Alexandro Zaera-Polo."

    In the age of the starchitect, he has also demonstrated an unremitting altruism in his practice: Over the course of his esteemed career, hisinventive, elegant designshave been applied as much to private commissions as toemergency relief workat the sites ofnatural and man-made disastersaround the world, from Kobe to New Orleans.For the Pritzer Prize jury, which chose Ban as its 2014 winner, the architect manifests total curiosity and commitment; endless innovation; an infallible eye; an acute sensibility. This updated monograph, compiled with the architect s collaboration, brings together every one of Ban's built works, including such recent projects as the Tamedia headquarters in Zurich, the Aspen Art Museum, and the Cardboard Cathedral in Christchurch. Text in English, French, and German "

    Windsor Smith’s aesthetic was once described as "unbuttoned elegance, like a taffeta dress worn with bare feet." In her first book, Smith—a traditionalist who likes to realize classic themes in a new way—shares her fresh vision for modern life. Each chapter reflects one of her unique philosophies for creating beautiful, livable spaces, expressed through the homes she designs. Themes include how to bring balance—an essential ingredient to a beautiful, functional home—into rooms and spaces, as well as how to successfully combine new belongings with treasures from the past to create homes that reflect where we have come from, as well as where we wish to go. Whether it is repurposing a neglected dining room or expanding the role of the kitchen, Windsor Smith Homefront will guide readers to reclaiming their home’s best spaces and remaking them to suit a modern life.

    An innovative documentary photographer, Abbott pioneered the depiction of scientific subject matter and photographed the fast-changing landscape of her times. Abbott studied journalism for a year in Ohio before moving to New York in 1918 to study sculpture, where she met Marcel Duchamp and Man Ray. She later moved to France in the 1920s and worked for Ray in his portrait studio before setting out on her own. Her portraits captured many individuals associated with avant-garde art movements, including author James Joyce and artist Max Ernst. Moving back to New York at the end of the decade, she began her renowned Changing New York series (later published as a book in 1939) and went on to become picture editor for Science Illustrated.

    It reenvisions collective priorities in the face of climate change, at scales ranging from the microelectronic to macroregional.Organized into sections covering power, territory, lifestyle, and risk, Underdome catalogs conflicts and affiliations among energy agendas to inform public action and function as a "voter guide." Original illustrations reconsider architecture's symbolic and infrastructural connections to energy politics. Probing essays by urban designer Georgeen Theodore and architectural historians Reinhold Martin, Jonathan Massey, and Michael Osman explore new histories and forms of practice. Transcripts from the Underdome Sessions held at Columbia University Studio-X NYC — which brought together panels of experts in design, policy, economics, and history to attack the climate crisis from multiple angles— create a larger dialogue.Underdome is a call to action, urging citizens and designers to questions how political ecology can reshape architectural objects and objectives.

    It is not a paradox that today--in the era of digitalization and e-commerce--the creation of tangible spaces is gaining in importance. A personal encounter triggers profound thoughts, strong feelings, and memories that last. In other words, the foundation of a meaningful relationship between artist and audience, museum and visitor, shop and customer, or brands and their communities is based uopon an unforgettable experience. Yet all these groups are more discerning than ever before: They want a personalized moment, want to be informed and entertained, pampered, surprised, and inspired. Liquid Spaces shows the many different ways in which this desired effect can be achieved. Galleries, museums, temporary events, pop-up shops, and flagship stores provide the settings for a wide spectrum of unconventional architecture and interior design, where playfully experimental installations or complex productions can be presented. Surprising materials, colors, shapes, and surfaces provide the props, which alongside innovated smells, sounds, and lighting concepts come together in expansive, stage-like gestures with sculptural details. High-end cars are presented like works of art. Art is displayed in the laboratories. Workshops become sacred sites of authenticity. The line between art and commerce is fluid; the quality of the experience is all that matters. Artists, scenographers, and architects, as well as interior and exhibition designers create these extraordinary situations. Liquid Spaces presents the most innovative concepts, most radical designers, and most demanding clients. Those who manage to create incomparable event spaces with local and international appeal, and those responsible for adding the next destination of must-see locations to the map.

    With epigrammatic prose and full-color photographs, King highlights fifty structures that tell the story of the city through architecture. Included are landmarks such as the Golden Gate Bridge and Coit Tower- but King pays equal attention to less celebrated structures that embody the politics, architectural fads, and cultural values of the eras in which they were conceived. A fresh take on the familiar from the two-time Pulitzer Prize finalist for criticism, Cityscapes 2 shows us how to see the structures around us as signs of a multilayered and ever-changing city.

    

    Learn about the great architectural movements and the personalities that created them, and explore the most iconic buildings in the world, from the Parthenon in Greece to the (current) world’s tallest skyscraper, the Khalifa Tower in Dubai. This book is a perfect introduction to what’s cool about the fascinating world of architecture.

    The cost to live in a fortress-like luxury housing complex in London or Manhattan is so high that most of us can’t afford it. As the masses move to the suburbs, the construction industry responds by churning out clusters of the same barracks-style row houses, ensuring that, there too, one can live in utmost privacy and security. But what do these buildings say about us? Do they have anything to do with the way in which most people actually want to live? Niklas Maak provocatively argues that the construction industry and a number of outdated or poorly thought-out policies have prevented us from rethinking how we live in the city. Yet many of our current crises—from the mortgage crisis to global warming—are closely connected to problematic forms of accommodation in our cities. And the problem will only get worse: Over the next twenty years, influx into the world’s cities is expected to create the need for an additional one billion units of housing. Fortunately, Maak shows, there are practicable solutions. In Europe, Japan, and the United States, the author explores promising new forms of housing. Cities should be reflections of their inhabitants—not forces to be contended with. Controversial, yet well-researched and wryly funny, Living Complex is a call for change from the “comfortable defense lines” that epitomize the current sorry state of housing.

    Gehry's shining Louis Vuitton Foundation in Paris to Zaha Hadid's curving Heydar Aliyev Center in Baku, take a global tour through the architectural practice emerging today, and defining tomorrow. The best-selling series of Architecture Now! celebrates its tenth edition with more than 70 international projects arranged in a neat new format.With tabbed, thematic sections across Residential, Commercial and Public, Culture and Religion, Education and Research, and Leisure buildings, the selection celebrates contemporary architecture in its innovation, eclecticism, and adaptation to our evolving world. It profiles the work not only of "starchitects" but also of rising talents such as Tatiana Bilbao (Mexico), Sou Fujimoto (Japan), or the young team from Chile, Pezo von Ellrichshausen.

    They have done so for many reasons: to capture the picturesque; to make a living or a souvenir; to promote or to condemn; to record what is disappearing or to reveal what is normally hidden. The formats and types of photograph they have used have been, over time, just as various, from the rare and special image, such as the first calotype, to the ubiquitous digital photograph. Collectively these photographers, both famous and anonymous, have changed the way we see and understand our environment. This book features over 300 striking photographs from the Historic England Archive, an unparalleled collection of 9 million images on England’s buildings and landscapes. Viewed collectively, its photographic collections record the changing face of England from the beginning of photography to the present day. They form a remarkable national asset, a huge memory bank that helps us understand and interpret the past, informs the present and assists with future management and appreciation of the historic environment. With informative essays and captions by the authors, this book will appeal to anyone with an interest in photography, architecture, archaeology or social history.

    Driving through Texas, Arizona, New Mexico and California, Wenders was captivated by the unique, saturated, colorful light of the vast, wild landscape of the American West--even in the 20th century, a land associated with cowboys and outlaws, and suffused with the mythology of the frontier. The series he produced, Written in the West, was first exhibited in 1986 at the Centre Pompidou in Paris, and first published in 2000.Roughly three decades later, in this expanded edition, Wenders adds 15 new images of the sleepy town that gave the movie its name--though no footage was ever actually shot there. Made with a Fuji 6 x 4.5 camera, the new photographs are poetic documents of an abiding fascination and a search for personal memories. Together, they add an essential new chapter to Wenders' classic Written in the West, now Revisited.Over the past four decades, through films like Paris, Texas (1984), Wings of Desire (1987), Buena Vista Social Club (1999) and Pina (2011), Wim Wenders (born 1945) has distinguished himself as one of the leading lights of New German Cinema and one of the great directors in contemporary film. Wenders has had an equally distinguished career in photography; his photographs are exhibited and collected internationally.

    With an emphasis on analysing and explaining the sensibility of poetics at work in designing and constructing architecture, this book features projects from architects around the world that demonstrate the principles of poetics come to life. The rich illustration of two hundred colour images, including analytical diagrams, plans, sections, and photos, make this insightful guide a highly visual foray into a topic that has thus far remained more theoretical than practical. The text is matter-of-fact and concrete, yet remains richly connected to its forbears and the writings of William Lethaby, Gaston Bachelard, and Steen Eiler Rasmussen. The perspective is contemporary in its examples and its connections to the evolving science of perception. An established seminar topic in theory classes around the world, poetics tends to rely heavily on classic philosophic texts — until now. Practical Poetics in Architecture brings theory down to earth to show architects how to invoke poetics when designing real projects. Integrate poetics principles into real-world designs Consider atmosphere in terms of form, space, and acoustics Study actual projects that bring poetics into real spaces Take cues from analytical diagrams of projects accounting for context Poetics — the accumulated experience of place, space, and culture — has become more critical in recent years as the atmospheric and experiential qualities of built spaces have become more elusive in the virtual age. Practical Poetics in Architecture provides real guidance for real projects, and brings poetics out of the mind and onto the plans.

    

    A guidebook to the Portuguese sea forts of Goa, Chaul, Korlai And Vasai.

    Information is organized to reflect the way you learn and implement Revit, featuring real-world workflows, in-depth explanations, and practical tutorials that help you understand Revit and BIM concepts so you can quickly start accomplishing vital tasks. The thorough coverage makes this book an ideal study guide for those preparing for Autodesk's certification exam. The companion website features before-and-after tutorials, additional advanced content, and video on crucial techniques to help you quickly master important tasks.This comprehensive guide walks you through the software to help you begin designing quickly.Understand basic BIM concepts and the Revit interface Explore templates, work-sharing, and project management workflows Learn modeling, massing, and visualization techniques for other industries Work with complex structures, annotation, detailing, and much more To master what is quickly becoming an essential industry tool, Mastering Revit Architecture 2016 is your ultimate practical companion.

    As the very heart and centre of most cities and villages, churches, cathedrals and basilicas have shaped the regional landscape in Europe to a great extent. Their architecture bears witness to the matchless skills of craftsmen and the mystic fervor that led to their building. Their century-old stone and stained glass tell the story of power and glory, sacrifice and devotion. Sorted by country and region, there is one chapter for every important area in Europe. The beautiful photographs by Achim Bednorz show the stunning details of richly ornamented ceilings, lead glass windows, colorful carpets and solid stone walls. The accompanying maps guide lovers of churches and cathedrals to the portrayed monuments. Throughout its 12 fascinating chapters, this book reveals some interesting details about the buildings, their architecture, the interior, their artful embellishments and their sacral and historical meaning. This book is a must-have for people interested in Christian sacral monuments, their history, architecture and interior."

    Born into a family of Jaffna Tamils and a student of the prolific and influential Geoffrey Bawa, Anjalendran's buildings are known for their simple directness, modern spirit, and acknowledgement of the rich vernacular traditions of Sri Lanka. His studio has provided all the detailed and varied drawings in this book.Based in Sri Lanka with an intimate knowledge of the island, its people, culture and architecture, Dominic Sansoni likes travelling with no agenda. His photographs enliven the pages of this book, adding another dimension to the drawings.An author, architects and professor of architecture, David Robson has written a number of books – on low-cost aided-self-help housing and housing for the elderly; a comprehensive monograph on Sri Lankan architect Geoffrey Bawa (2002), followed by two further books on Bawa; and a book on the life and work of Sri Lankan Architect C. Anjalendran.

    Written toward the end of his life, The Four Books illustrate Palladio’s built work, redrawn the way he wanted it to be. In this groundbreaking new study, American architect and educator Peter Eisenman analyzes twenty of Palladio’s villas, offering a radical interpretation of the Renaissance master’s work.   Working from an architect’s perspective, Eisenman, with Matt Roman, shows the evolution of Palladio’s villas from those that exhibit classical symmetrical volumetric bodies to others that exhibit no bodies at all, just fragments in a landscape. This conclusion stands in stark contrast to studies that emphasize principles of ideal symmetry and proportion in Palladio’s work. Featuring more than 300 new analytic drawings and models, this handsome book is an important addition to the corpus of Palladian studies and a testament to Palladio’s lasting place in contemporary architectural thought.

    Created by Eero Saarinen with a distinctly birdlike design, it was instantly seen as a striking emblem of the romance of air travel. More than half a century later, it remains a beloved icon of modern architecture.             Designing TWA is the first book to tell the whole story of Saarinen’s building, from its early planning through its closing in 2001 after the takeover of TWA by American Airlines. Documenting the terminal’s commission, planning, building, and use, architect Kornel Ringli reveals the constant tension between the operational needs of the airline and Saarinen’s visionary imaginings—revealing the TWA building as an incredible architectural achievement that nonetheless failed to meet the day-to-day demands of the business it housed. Lavishly illustrated with archival photographs, Designing TWA is an unprecedented look behind the scenes at the making of a modern masterpiece.

    Dissecting a wealth of books through five conceptual tools, Andr� Tavares analyzes the material qualities of books in order to assess their crossovers with architectural knowledge. The detailed history of Sigfried Giedion's Befreites Wohnen and the two incarnations of the Crystal Palace in Hyde Park and Sydenham provide a background that confronts us with the configuration of the book as a unique visual device.

    In Peter Jenny's playful exercises, broccoli becomes material for sculpture, a cookie depicts the waning moon, cherry stems form captivating patterns, and spoons inspire performance art.

    

    Howe arrived at Taliesin as a charter member of Frank Lloyd Wright’s Taliesin Fellowship. There he would remain for the next thirty-two years, earning a reputation as “the pencil in Wright’s hand” before establishing his own architectural practice in Minnesota.This is the first book to tell Howe’s story and also the first full account of his place in the history of modern architecture—as chief draftsman and valued interpreter of Wright’s designs and as a prolific architect in his own right. Illustrated throughout with Howe’s sublime drawings, this biography is a testament to the underappreciated architect’s extraordinary design and rendering skills.Influenced by Wright’s principles of organic architecture, Howe operated under the conviction that “the land is the beginning of architecture.” Architectural historians Jane King Hession and Tim Quigley show how this belief worked especially well for Howe in Minnesota, where his buildings appear to have grown naturally and organically from the landscape. Also remarkable are the visionary architectural schemes Howe created while serving time in prison during World War II as a conscientious objector—futuristic visions that anticipated Eero Saarinen’s later designs for airports and Victor Gruen’s for America’s first indoor shopping mall.An enlightening look at an exemplary life in architecture, this book finally brings the accomplishment—and significance—of John H. Howe to the fore and at the same time illuminates a fascinating chapter in American architectural history.

    Three sets of essays explore different forms of architectural time, particularly as they shape the differences between history, theory and criticism as genres of writing.Architecture Words is a series of texts and important essays on architecture written by architects, critics and scholars. Like many aspects of everyday life, contemporary architectural culture is dominated by an endless production and consumption of images, graphics and information. Rather than mirror this larger force, this series of small books seeks to deflect it by means of direct language, concise editing and beautiful, legible graphic design. Each volume in the series offers the reader texts that distil important larger issues and problems. The words are edited and the pages designed in a way that acknowledges the ability of graphic and printed forms to communicate architectural ideas; not only the ideas contained within each volume, but also the enduring power of written ideas more generally to challenge and change the way all architects think.

    "Both Sides of Sunset: Photographing Los Angeles" reveals these dualities and more, in images captured by master photographers such as Bruce Davidson, Lee Friedlander, Daido Moriyama, Julius Shulman and Garry Winogrand, as well as many younger artists, among them Matthew Brandt, Katy Grannan, Alex Israel, Lise Sarfati and Ed Templeton, just to name a few. Taken together, these individual views by more than 130 artists form a collective vision of a place where myth and reality are often indistinguishable. Spinning off the highly acclaimed "Looking at Los Angeles" (Metropolis Books, 2005), "Both Sides of Sunset" presents an updated and equally unromantic vision of this beloved and scorned metropolis. In the years since the first book was published, the artistic landscape of Los Angeles has flourished and evolved. The extraordinary Getty Museum project "Pacific Standard Time: Art in L.A. 1945-1980" focused global attention on the city's artistic heritage, and this interest has only continued to grow. "Both Sides of Sunset" showcases many of the artists featured in the original book--such as Lewis Baltz, Catherine Opie, Stephen Shore and James Welling--but also incorporates new images that portray a city that is at once unhinged and driven by irrepressible exuberance. Proceeds from the sale of the book will benefit Inner-City Arts--an oasis of learning, achievement and creativity in the heart of Los Angeles' Skid Row that brings arts education to elementary, middle and high school students.

    Since then, they’ve been fascinated by the micro-level of urban life in Hong Kong, and it’s led to a major project: the pair investigated the ways the city’s residents use the narrow lanes that run behind and between the city’s high-rises, semi-public spaces that offer venues for business, social interaction, and a wide range of informal encounters. Hong Kong in Between presents the results of this exploration through a mix of black-and-white drawings, diagrams, plans, photographs, and texts that reveal the active, ever-changing life of these forgotten, in-between spaces. An enthusiastic engagement with urban life and a work of art in its own right, Hong Kong in Between reveals a city little seen and endlessly fascinating.

    Renowned architect Kevin Harris will guide you through his proven, step-by-step process to design and build a house that fits you so well it becomes your forever home. No matter where you travel, your forever home is the place you feel complete. Inside these pages, you’ll learn how to: • Determine when it makes sense to hire an architect • Evaluate and assemble the design team and construction team that’s right for you • Understand the residential construction process • Use the Hierarchy of Design to make the most important decisions first • Recognize the pitfalls and avoid many common, but ill advised cost-saving schemes The Forever Home will pave the way for you to design and build not only the home of your current dreams, but the home that will be perfect for your children, grandchildren, aging parents, and even you later in life.

    Ghosted pictures of these structures are combined with current photos of their former locations in single images, with informative text panels to outline the design aesthetics. This unique aesthetic approach provides an engaging way of telling stories of change in our built environments, exploring a wonderful historical narrative that commemorates architecture in space and time, a way to showcase the preservation of memory. National in scope and including a variety of building types, Architectural Apparitions comprises photographs from more than sixty cities across the United States.

    "2000+: The Urgencies of Architectural Theory" collects new essays from a range of the most compelling architectural historians and theorists of the moment, including Lucia Allais, Beatriz Colomina, Mark Cousins, Arindam Dutta, John Harwood, Catherine Ingraham, Mark Jarzombek, Mari Lending, Spyros Papapetros, Felicity Scott, Pelin Tan, Bernard Tschumi, Eyal Weizman, Mark Wigley, and Mabel Wilson. Brought together for a conference marking the end of Wigley's tenure as dean of Columbia University's Graduate School of Architecture, Planning and Preservation, these thinkers chart new directions and points of critical importance for theory in architecture.

    

    Wonders of Florence

    It was the focus of some of the most important works created by Le Corbusier and Louis Kahn, among other lesser-known masters, and it is regarded by many as one of the key sites of mid-twentieth century architectural design. As Peter Scriver and Amit Srivastava show in this book, however, India’s history of modern architecture began long before the nation’s independence as a modern state in 1947.               Going back to the nineteenth century, Scriver and Srivastava look at the beginnings of modernism in colonial India and the ways that public works and patronage fostered new design practices that directly challenged the social order and values invested in the building traditions of the past. They then trace how India’s architecture embodies the dramatic shifts in Indian society and culture during the last century. Making sense of a broad range of sources, from private papers and photographic collections to the extensive records of the Indian Public Works Department, they provide the most rounded account of modern architecture in India that has yet been available.

    For others, it might mean pristine nature, a lively city with much to see and do, lazing in a hammock, or relaxing anywhere with a cool sea breeze. All of these versions of paradise can be found in the tropics. Tropical regions around the globe have always offered an extraordinarily diverse range of impressions and inspirations. Yet only recently have countries such as Brazil, Colombia, Thailand, and Australia begun to gain international recognition as go-to sources for contemporary design ideas. Today, the tropics offer style aficionados at least as many, if not more, new things to discover than classic design destinations such as Italy or Scandinavia with their established brands. Living Under the Sun is the first comprehensive showcase of modern tropical living styles and their designers. Presenting tropical interiors at the nexus of timeless tradition and self-confident freshness, the book brings their colors and elegantly easy-going ambience to life. It captures the refreshingly different coziness of rooms that seem to flow seamlessly into the exteriors surrounding them and are thus ideally suited to local climates and weather occurrences such as tropical storms. Living Under the Sun features striking living and working spaces in Asian, Latin American, and Australian homes and villas that meld aesthetics with functionality in exceptional ways. The book also explores the myriad stylistic devices that characterize tropical interior design such as precious woods, natural stone tiles, colorful glass mosaics, and abundant vegetation in the form of orchids, ferns, and other lush plants. It includes stunning examples of shady green patios, stylish terraces, and enviable gardens. Readers of Living Under the Sun are sure to revel in the tropical charm of the book s select interiors, d�cor, and design. Perhaps they will even be inspired to create their own paradise at home.

    The subak system, maintained cooperatively for more than a millennium, channels fresh water from high in the mountains to the terraced rice fields below. And the vernacular architecture, made from renewable materials like wood and bamboo, is designed to accommodate the indoor-outdoor tropical lifestyle—and to withstand the extremes of tropical weather. Today, even as Bali’s ecosystem is challenged by a continued influx of foreign tourists, a handful of inspired creators are rediscovering the island’s long tradition of environmental sustainability. This gorgeous and eye-opening volume introduces us to their most innovative projects on Bali and other islands, including luxurious private homes built from traditional and reclaimed materials; the Suarga Resort, which boasts the world’s largest bamboo-shingled roof; and the Green School, an international primary and secondary school where students learn to be stewards of the earth. Illustrated throughout with stunning new color photographs and animated by a deep ecological consciousness, Bali: Sustainable Visions is an essential book for everyone who cares about the future of architecture, design, and the natural environment.

    As the military regime began to loosen its reigns on power it auctioned off 80% of the country’s state-owned assets and earmarked hundreds of buildings in downtown Yangon for demolition and redevelopment. This opaque but surely profitable fire sale would profoundly reshape the country’s economic landscape and the lives of those who had long called the former colonial capital of Yangon home.Elizabeth Rush, a westerner who has been reporting on South East Asia for years, made good use of strange days just before Myanmar’s awakening to venture into the lost world of downtown Yangon, but it was not the large edifices of Empire that attracted her attention. Rather, she focused on the shop houses and private residences that line the alleyways and it is here, in these forgotten and secluded spaces, that the city’s real secrets have been kept. After all, it was not – in the bad old days of the Burmese regime – just those who were overtly political who had to succumb to the silence. In a world where anyone accused or perceived of being on the wrong side of the regime could end up in prison with no legal recourse, people turned inwards by necessity. Only behind closed doors was it safe to indulge in private obsessions and the day-to-day worries of making ends meet. Still Lifes from a Vanishing City celebrates and preserves the interior lives diligently maintained despite the dictatorship’s powerfully effacing reach.

    With an estimated population of sixty million, its territory encompasses major urban areas, including Chicago, Detroit, Windsor, Minneapolis, Cleveland, Pittsburgh, Toronto, Buffalo, and Montreal. It also boasts a significant cache of natural resources—including one-fifth of the world’s fresh water by surface area—as well as thriving agricultural and manufacturing industries and numerous major research universities.        The culmination of a recent project by the design firm RVTR, Infra Eco Logi Urbanism considers the role of design in shaping the future of the Great Lakes Megaregion. In order to envision regional possibility in an age of renewable energy, escalating mobility, and increasing urbanization, the project assembles regional maps, design propositions, photographs, related architectural projects, and critical writings, all of which explore the region’s key challenges. Rounding out the volume is a foreword that explores the role of transportation infrastructure in the development of the region and an afterword that situates this project within the broader architectural project of imagining possible future worlds.

    An expansive pattern is emerging where the most innovative of contemporary buildings are a response to place. Instead of overcoming nature and supplanting cultural acumen, these visionary projects embrace the complex intertwining of the site, people and environment.Explore firsthand how Spain Wraps commercial buildings, Japan Condenses micro homes and Australia Unfolds aggressive design solutions in a climate of extremes. Journey to Cascadia, Germany, Denmark, and Mexico to witness the progressing manifestation of environmental values and human conditions through provocative design. This groundbreaking exploration offers an unprecedented insight into architecture’s new place in a changing climate with dozens of illuminating and often surprising conversations with some of the most renowned sustainable architects of our time. Includes access to the online living index.

    Notable featured works include Louvre-Lens, Hitachi City Hall, and Grace Farms Cultural Center. The volume also presents several projects by each of the partners' own firms, Kazuyo Sejima & Associates and Office of Ryue Nishizawa, respectively. Critical essays by Mark Wigley, Federico Soriano, and Beatriz Colomina accompany an interview with the acclaimed architects, along with numerous full-page photographs and drawings.

    Architectural Agents makes the case that buildings act in the world independently of their makers, patrons, owners, or occupants. And often they act badly.Treating buildings as bodies, Annabel Jane Wharton writes biographies of symptomatic structures in order to diagnose their pathologies. The violence of some sites is rooted in historical trauma; the unhealthy spatial behaviors of other spaces stem from political and economic ruthlessness. The places examined range from the Cloisters Museum in New York City and the Palestine Archaeological Museum (renamed the Rockefeller Museum) in Jerusalem to the grand Hostal de los Reyes Católicos in Santiago de Compostela, Spain, and Las Vegas casino resorts. Recognizing that a study of pathological spaces would not be complete without an investigation of digital structures, Wharton integrates into her argument an original consideration of the powerful architectures of video games and immersive worlds. Her work mounts a persuasive critique of popular phenomenological treatments of architecture.Architectural Agents advances an alternative theorization of buildings’ agency—one rooted in buildings’ essential materiality and historical formation—as the basis for her significant intervention in current debates over the boundaries separating humans, animals, and machines.

    It has been updated to match the latest construction regulations in Finland, and tips on related heating, ventilation, and electrical installations as well as selecting sauna stoves are also featured. At the end of the book, four gems of Finnish sauna architecture are presented, each uniquely realized. Representing the best of Finnish expertise in sauna design, this handbook is the all-inclusive key to successfully planning and building a Finnish sauna.

    Designers are no longer conceiving of the digital realm as separate from the physical world. Instead computation is being regarded as the key interface for material exploration and vice versa. This represents a significant perceptual shift in which the materiality of architecture is no longer seen to be a fixed property and passive receptor of form, but is transformed into an active generator of design and an adaptive agent of architectural performance. In stark contrast to previous linear and mechanistic modes of fabrication and construction, materialisation is now beginning to coexist with design as explorative robotic processes. This represents a radical departure from both the trite modernist emphasis on 'truth to materials' and the dismissal of materials by the previous generation of digital architects.The issue features designers, researchers and thinkers that are at the forefront of exploring new modes of material enquiry and its deep interrelationship with technology, biology and culture. Through their work, which unfolds from multifaceted alliances between the fields of design, engineering and natural sciences, it seeks to trace the emergence of a novel material culture in architecture.Architectural and engineering contributors include: Sean Ahlquist, Martin Bechthold, Philippe Block, Karola Dierichs, Jan Knippers, Achim Menges, Neri Oxman, Steffen Reichert and Tobias Schwinn.Scientific and philosophical perspectives provided by: Mario Carpo, Manuel De Landa, Neil Gershenfeld and Thomas Speck.Features the design research of: Harvard's Material Processes and Systems Group, MIT's Mediated Matter Group and Stuttgart University's Institute for Computational Design.

    It provides clear professional standards of practice following SEED (Social Economic Environmental Design) methodology, the first step-by-step process supporting public interest designers. The book features an Issues Index composed of ninety critical social, economic, and environmental issues, illustrated with thirty case study projects representing eighteen countries and four continents, all cross-referenced, to show you how every human issue is a design issue.Contributions from Thomas Fisher, Heather Fleming and David Kaisel, Michael Cohen, Michael P. Murphy Jr. and Alan Ricks, and over twenty others cover topics such as professional responsibility, public interest design business development, design evaluation, and capacity building through scaling, along with many more. Themes including public participation, issue-based design, and assessment are referenced throughout the book and provide benchmarks toward an informed practice. This comprehensive manual also contains a glossary, an appendix of engagement methods, a case study locator atlas, and a reading list. Whether you are working in the field of architecture, urban planning, industrial design, landscape architecture, or communication design, this book empowers you to create community-centered environments, products, and systems.

    Coffee Shop and Concept Store Designs: From Interiors to Tools (Japanese & English Edition) (Japanese Edition) by PIE Books

    This book, which builds on six canonical Koolhaas projects, traces the discursive practice behind the design methods used by Koolhaas and his office OMA. It uncovers recurring key themes—such as wall, void, montage, trajectory, infrastructure, and shape—that have structured this design discourse over the span of Koolhaas's oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles manifest in other works by Koolhaas as both practical re-applications and further elaborations. In addition to Koolhaas's individual genius, these textual and material layers are accounted for shaping the very context of his work's relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which Koolhaas has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Published with the generous support of the Austrian Science Fund (FWF).