Released ahead of the start of the 3rd season, this book will bring Fannibals into the world of secrets, lies, and intrigue of their beloved show.With stars including Mads Mikkelsen, Hugh Dancy, Laurence Fishburne, Caroline Dhavernas and guest spots by Gillian Anderson, Eddie Izzard and Michael Pitt, Hannibal is one of the most elegant, engrossing and deliciously haunting shows on television today. The Art & Making of Hannibal: The Television Series celebrates all aspects of this unique show. A highly stylized illustrated book featuring extracts of the shooting scripts of the first and second seasons, exclusive cast and crew interviews, behind-the-scenes photography, production notes, storyboards, alongside Hannibal's sketches and music notations. Hannibal Lecter was a brilliant psychiatrist in the employ of the FBI. His task: to help an unusually gifted criminal profiler, Will Graham, who is haunted by his ability to see into the minds of serial killers.

    Featuring 368 oversize pages, never-before-seen designs, and concept art from the game's dynamic environments, iconic characters, detailed weapons, and more -- along with commentary from the developers themselves.

    Typical of Woodman's work in the way they cast the female body as simultaneously physical and immaterial, these photographs and the evocative title they share are apt choices to encapsulate the work of an artist whose legacy has been unavoidably colored by her tragic personal biography and her death, at age 22, by suicide. In less than a decade, Woodman produced a fascinating body of work--in black and white and in color--exploring gender, representation, sexuality and the body through the photographing of her own body and those of her friends. Since her death, Woodman's influence continues to grow: her work has been the subject of numerous in-depth studies and exhibitions in recent years, and her photographs have inspired artists all over the world. Published to accompany a travelling exhibition of Woodman's work, Francesca Woodman: On Being an Angel offers a comprehensive overview of Woodman's oeuvre, organized chronologically, with texts by Anna Tellgren, Anna-Karin Palm and the artist's father, George Woodman. Francesca Woodman (1958-81) was born in Denver, Colorado, to an artistic family and began experimenting with photography as a teenager. In 1975 she attended the Rhode Island School of Design, and in 1979 she moved to New York to attempt to build a career in photography. Woodman's working career was intense but brief, cut short by her death in 1981.

    Out of earth, rocks, leaves, ice, snow, rain, sunlight, and shadow he creates works that exist briefly before they are altered and erased by natural processes. They are documented in his photographs, and their larger meanings are bound up with the forces that they embody: materiality, temporality, growth, vitality, permanence, decay, chance, labor, and memory.Ephemeral Works features approximately 200 of these works, selected by Goldsworthy from thousands he has made between 2001 and the present and arranged in chronological sequence, capturing his creative process as it interacts with material, place, and the passage of time and seasons.--abramsbooks.com

    More than 30 full-page portraits of pretty pussycats form a rich tapestry of motifs that includes hearts, flowers, and paisleys in various patterns. Pages are perforated and printed on one side only for easy removal and display. Specially designed for experienced colorists, Creative Cats and other Creative Haven® adult coloring books offer an escape to a world of inspiration and artistic fulfillment. Each title is also an effective and fun-filled way to relax and reduce stress.

    It contains art work from the game, along with commentary by the developers for each piece of art and style approach.

    I hope one day to eliminate the pencil. Al Hirschfeld redefined caricature and exemplified Broadway and Hollywood, enchanting generations with his mastery of line. His art appeared in every major publication during nine decades of the twentieth and twenty-first centuries, as well as on numerous book, record, and program covers; film posters and publicity art; and on fifteen U.S. postage stamps. Now, The Hirschfeld Century brings together for the first time the artist’s extraordinary eighty-two-year career, revealed in more than 360 of his iconic black-and-white and color drawings, illustrations, and photographs—his influences, his techniques, his evolution from his earliest works to his last drawings, and with a biographical text by David Leopold, Hirschfeld authority, who, as archivist to the artist, worked side by side with him and has spent more than twenty years documenting the artist’s extraordinary output. Here is Hirschfeld at age seventeen, working in the publicity department at Goldwyn Pictures (1920–1921), rising from errand boy to artist; his year at Universal (1921); and, beginning at age eighteen, art director at Selznick Pictures, headed by Louis Selznick (father of David O.) in New York. We see Hirschfeld, at age twenty-one, being influenced by the stylized drawings of Miguel Covarrubias, newly arrived from Mexico (they shared a studio on West Forty-Second Street), whose caricatures appeared in many of the most influential magazines, among them Vanity Fair. We see, as well, how Hirschfeld’s friendship with John Held Jr. (Held’s drawings literally created the look of the Jazz Age) was just as central as Covarrubias to the young artist’s development, how Held’s thin line affected Hirschfeld’s early caricatures. Here is the Hirschfeld century, from his early doodles on the backs of theater programs in 1926 that led to his work for the drama editors of the New York Herald Tribune (an association that lasted twenty years) to his receiving a telegram from The New York Times, in 1928, asking for a two-column drawing of Sir Harry Lauder, a Scottish vaudeville singing sensation making one of his (many) farewell tours, an assignment that began a collaboration with the Times that lasted seventy-five years, to Hirschfeld’s theater caricatures, by age twenty-five, a drawing appearing every week in one of four different New York newspapers. Here, through Hirschfeld’s pen, are Ethel Merman, Benny Goodman, Judy Garland, Mickey Rooney, Katharine Hepburn, the Marx Brothers, Barbra Streisand, Elia Kazan, Mick Jagger, Ella Fitzgerald, Laurence Olivier, Martha Graham, et al. . . . Among the productions featured: Fiddler on the Roof, West Side Story, Rent, Guys and Dolls, The Wizard of Oz (Hirschfeld drew five posters for the original release), Gone with the Wind, The Sopranos, and more. Here as well are his brilliant portraits of writers, politicians, and the like, among them Ernest Hemingway (a pal from 1920s Paris), Tom Wolfe, Charles de Gaulle, Nelson Mandela, Joseph Stalin, Winston Churchill, and every president from Franklin D. Roosevelt to Bill Clinton. Sumptuous and ambitious, a book that gives us, through images and text, a Hirschfeld portrait of an artist and his age.

    This comprehensive volume covers every major design movement, along with the iconic designers and manufacturers who influenced everyday life through the objects and buildings they created.Arranged chronologically, Design moves decade-by-decade from the 1850s onward to explore the cultural, social, political, economic, and technological forces in the world at large and shows how these factors influenced movements and styles in design. Gorgeous catalogues of objects demonstrate how design in turn has influenced the everyday life, through architecture, fashion, furniture, ceramics, glassware, lighting, fabrics, electronic equipment, and more.With profiles of famous designers such as Alvar Aalto, Frank Gehry, and Philippe Starck and stunning images of buildings and interiors, Design: The Definitive Visual History is a true celebration of classic design across the centuries.Produced in association with the Smithsonian Institution.Reviews:"Inexpensive, concise, and lavishly illustrated, this book is recommended for any library." - Booklist (Starred Review)"...luxurious visuals that include timelines, historical photos, designer portraits and a tremendous selection of products and art." - Columbus Dispatch

    Chloë Sevigny has been a muse in the downtown creative scene for over three decades, beginning in the early ’90s when she modeled for Sassy, appeared in a Sonic Youth music video, and then starred in the controversial independent movie Kids (1995). Her quirky and avant-garde fashion sense was quickly noticed by indie magazines and the world’s top photographers. Since then, she has starred in dozens of films and television series, in addition to starting a fashion label with the trendy global boutique Opening Ceremony. This volume is a deeply personal illustrated chronicle of the evolution of Sevigny’s unique style throughout her career: from a teenage skater girl to award-winning film actress and fashion designer. The book includes early personal photos of Chloë taken by her high school friends; film stills; modeling appearances for brands such as Miu Miu and Chloé; magazine editorials for Purple, i-D, and The Face by top photographers such as Mark Borthwick, Terry Richardson, and Juergen Teller; and homages by artists such as Elizabeth Peyton and Karen Kilimnik. Additionally, Sevigny shares some of her treasured personal memorabilia, such as casting fliers, Polaroids, zines, and pages from her day planners. This volume will appeal to the legions of global Chloë fans and fashion industry followers, as well as a mainstream audience who will find this book an inspirational style bible.

    Although the most popular versions appeared in Charles Perrault's Histoires ou contes du temps pass ("Stories or Fables of Times Past") (1697) and the Grimms' "Fairy Tales" (1812), the story can be traced back to the story of Rhodopis, a Greek slave girl who marries the pharoah of Egypt, which Strabo recorded in the first century B.C.E. In the late nineteenth century, British follklorist Marian Roalfe Cox catalogued 345 variations of the story. For more than two thousand years, children and adults have read and watched as Cinderella endured cruel mistreatment without complaining-and met her prince before the stroke of midnight. A Wish Your Heart Makes will trace the history of the fairy tale, emphasizing its strong ties to Walt Disney and his studio.Major artists who illustrated the story of Cinderella range from Aubrey Beardsley, Edward Burne-Jones, and Walter Crane, to Gustave Dor , Edmund Dulac, John B. Gruelle, and Arthur Rackham. The story has been adapted to the stage many times, including the operas La Cenerentola by Giacomo Rossini and Cendrillon by Jules Massenet, the ballet by Sergei Prokofiev, and musical adaptations by Rogers and Hammerstein and Stephen Sondheim. There have been scores of Cinderella films, beginning with a black and white short in 1907. But the most celebrated is Walt Disney's, one of his most beloved fairy tales-and the film that saved his studio, which had languished in the doldrums after the end of World War II. Years later, when a lunch guest asked Disney what his favorite piece of animation done at his studio, he replied, "I think it would be when Cinderella got her ball gown." The book will conclude with the making of the 2015 live-action film Cinderella directed by Kenneth Branagh, including interviews with Branagh, Cate Blanchett, Helena Bonham-Carter, Anthony Caron-Delion, Patrick Doyle, Dante Ferretti, Derek Jacobi, Lilly James, Aline Brosh McKenna, and Chris Weitz.

    Influenced by cinema and American photographers, his work defined new territory for color photography: an emotive, non-narrative, and boldly graphic way of perceiving the world.In 1972, while living in London, Gruyaert created the striking series TV Shots by turning the dial on a television set at random and photographing the distorted images he saw there. A later series, Made in Belgium, portrays his ambivalent relationship with his homeland in a palette of saturated tones. In his most recent work, he embraces the possibilities of digital photography, taking further creative risks to capture light in new ways.Gruyaert’s images are autonomous, often independent of any context or thematic logic. This volume, the first retrospective of his work, is a superb overview of his personal quest for freedom of expression and the liberation of the senses.

    The catalogue surveys the radical experiments that challenged societal norms while proposing new kinds of technological, ecological and political utopia. It includes the counter-design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus-Rucker-Co and ONYX; the installations of Ken Isaacs, Joan Hills, Mark Boyle, Hélio Oiticica and Neville D'Almeida; the experimental films of Jordan Belson, Bruce Conner and John Whitney; posters and prints by Emory Douglas, Corita Kent and Victor Moscoso; documentation of performances by the Diggers and the Cockettes; publications such as Oz and The Whole Earth Catalog; books by Marshall McLuhan and Buckminster Fuller; and much more.While the turbulent social history of the 1960s is well known, its cultural production remains comparatively under-examined. In this substantial volume, scholars explore a range of practices such as radical architectural and anti-design movements emerging in Europe and North America; the print revolution in the graphic design of books, posters and magazines; and new forms of cultural practice that merged street theater and radical politics. Through a profusion of illustrations, interviews with figures including Gerd Stern and Michael Callahan of USCO, Gunther Zamp Kelp of Haus-Rucker-Co, Ken Isaacs, Ron Williams and Woody Rainey of ONYX, Franco Raggi of Global Tools, Tony Martin, Clark Richert and Richard Kallweit of Drop City, and new scholarly writings, this book explores the conjunction of the countercultural ethos and the modernist desire to fuse art and life.

    From Lara's survival tools to the wild animals she encounters in the harsh environment, this in-depth, all-access book offers gamers a look into the visual dexterity of Rise of the Tomb Raider.

    In this series of essays, photographer and teacher Guy Tal shares his thoughts and experiences as an artist who seeks to express more in his images than the mere appearance of the subject portrayed. Tal makes an argument to consider creative landscape photography—expressing something of the photographer's conception through the use of natural aesthetics—as a form of visual art that is distinct from the mere representation of beautiful natural scenes.Tal covers topics such as the art of photography, approaches to landscape photography, and the experiences of a working photographic artist. His essays also include reflections on nature and man’s place in it, living a meaningful life, and living as an artist in today’s world. The book is decidedly non-technical and focuses on philosophy, nature, and visual expression. It was written for those photographers with a passion and interest in creative photography. Anyone who is pursuing their work as art, is in need of inspiration, or is interested in the writings of a full-time working photographic artist will benefit from reading this book. The book is visually punctuated with Tal’s inspiring and breathtaking photography.“Some images look like things, while others feel like things; some images are of things, while others are about things. …A creative image is not a record of a scene nor a substitute for a real experience. Rather, it is an experience in itself—an aesthetic experience—something new that the artist has given the world, rather than a contrived view of something that already existed independent of them.” ~Guy Tal ****Guy Tal’s photography is thoughtful, compassionate, and poetic; it’s no wonder then that his writings evoke similar feelings in me. If you want to be a better camera user, read your manual. If you want to be a stronger, deeper photographer, read Guy Tal. ~David duChemin

    The art explodes with a succulent, indulgent blend of design, illustration, typography, and hilarious copywriting. Written and curated by Tom “The Dude Designs” Hodge, poster artist extraordinaire and VHS obsessive, with a foreword by Mondo’s Justin Ishmael, this collection contains over 240 full-scale, complete video sleeves in the genres of action, comedy, horror, kids, sci-fi, and thriller films. It’s a world of mustached, muscled men, buxom beauties, big explosions, phallic guns, and nightmare-inducing monsters. From the sublime to the ridiculous, some are incredible works of art, some are insane, and some capture the tone of the films better than the films themselves. All are amazing and inspiring works of art that captivate the imagination. It’s like stepping back in time into your local video store!

    They live on a farm in the outstandingly beautiful Peak District area of Derbyshire, in the north of England, where they are photographed in all sorts of adorable poses by their owner, Villager Jim. Whether they are snoozing on the couch, digging up plants, or chasing hens around the backyard, their irresistible charm means all is forgiven. Their exploits are followed by 50,000 people on Facebook, and they also appear on a calendar and a range of greetings cards. The dogs and their owner have even been seen on TV, with Villager Jim eschewing his anonymity for the day. But despite all the attention, they are still happiest sitting on their master's bench in the sunshine. Upstaging all the other residents of the farm—human and animal—these three gorgeous labradors will find their way into your heart.

    50 Years of Wildlife Photographer of the Year

    Relive the amazing Star Wars adventure in miniature form with this humorous retelling of the LEGO Star Wars complete saga.Read fascinating LEGO Star Wars facts and behind-the-scenes information about the Star Wars films. Rediscover your favourite LEGO Star Wars minifigures, such as the LEGO Darth Vader and LEGO Luke Skywalker, and LEGO Star Wars sets in LEGO Star Wars in 100 Scenes.LEGO, the LEGO logo, the Brick and the Knob configurations and the Minifigure are trademarks of the LEGO Group.©2014 The LEGO Group. Produced by Dorling Kindersley under license from the LEGO Group.© and ™ 2014 LUCASFILM LTD.

    Over the course of five exhibitions in Chicago, San Francisco and Washington, DC, The Hairy Who represented a de facto rebuke to the chilly ironies of Pop and forged new ways of crafting figurative painting. As likely to use Plexiglas as canvas and employing a language based on verbal confusion, visual puns and an almost ecstatic use of line and color, the members of the Hairy Who produced publications, posters and even buttons, and their exhibitions were immersive environments unequalled at the time. The Hairy Who has enjoyed a renewed popularity recently, thanks to a documentary film and multiple exhibitions by the contributing artists. This publication presents all of the printed works related to the Hairy Who exhibitions--important documents in the history of contemporary art and artists' books. Formatted like comic books, they are among the very first full-color self-published artists' books, containing work made especially for publication. Studying these works is important to an understanding of post-1960s art and artists' books.

    These stunning and evocative photos, drawn from National Geographic's thriving online photography community "Your Shot," provide inspiration for photographers of all skill levels. This book reveals inside stories on how the featured photographers were able to get these incredible shots, and is filled with encouragement and inspiration for the artist and dreamer inside all of us.

    Artists today continue to reflect seriously upon religious traditions, themes, and institutions, suggesting a new approach to spirituality that is more considered than confrontational.Art Religion in the 21st Century is the first in-depth study to survey an international roster of artists who use their work to explore religion’s cultural, social, political, and psychological impact on today’s world. An introduction outlines the debates and controversies that the art/religion connection has precipitated throughout history. Each of the book’s ten chapters introduces a theme—ideas of the Creation, the figure of Jesus, the sublime, wonder, diaspora and exile, religious and political conflict, ritual practice, mourning and monumentalizing, and spiritual “dwelling” in the body and in space—followed by a selection of works of art that illustrates that theme. Artists discussed include Vanessa Beecroft, Maurizio Cattelan, Makoto Fujimura, David LaChapelle, Annette Messager, Jason Rhoades, Andres Serrano, and Zeng Fanzhi.

    Black and white pictures taken in the course of 2014 and up to early Spring 2015, and some as early as 1995. Mainly Street photography, but also urban and industrial architecture and scenery. Essay in French by the photographer.Design: Tim Bisschop en Stephan VanfleterenFull title:Charleroi. Il est clair que le gris est noir On the back cover: Mais Charleroi sera blanc, un jour

    Featuring an unparalleled collection of real-life heroines of the art, design, and fashion industries, MID-CENTURY MODERN WOMEN IN THE VISUAL ARTS is a celebration of some of the most creative and successful females of that era and their societal contributions. Enjoy original, colorful, and hand-painted portraits of each of the twenty-five chosen role models portrayed in her characteristic setting, accompanied by a carefully selected quote: each lovely lady's own words to live by. A short biography rounds out the introduction to each prominent figure of the 1930s to '60s, providing a key glimpse into the lives of such impressive women as fashion maven Coco Chanel, iconic painter Frida Kahlo, and It's a Small World designer Mary Blair. Discover Edith Head's humor, Vera Neumann's inventive spirit, and Sister Corita Kent's life advice.Including a brilliant range of well-known women and those who certainly should be, this compilation makes for a treasured gift of inspiration for tweens to adults, who will come to appreciate the contributions of Yayoi Kusama, Georgia O'Keeffe, Eva Zeisel, Florence Knoll, and many more.

    With texts by Aaron Schuman and Kate Bush Clamshell box housing four mini facsimile books, and 28 large format postcards Publication date: October 2015

    The -meridian- of the title refers to the 100th meridian, the longitude that neatly bisects the US and has long been considered the dividing line between the East and West. Much of the meridian traverses America's so-called flyover country, those sparsely populated landscapes between the urban centers on either coast. Other parts of the meridian cross contentious zones such as the heavily fracked Bakken formation in North Dakota. Dirt Meridian interweaves two stories: the myths and history of the vast, severe American High Plains alongside portraits of the people who live there today. Along the way, Moore worked with ranchers, farmers, crop dusters, game wardens, writers and historians to capture the mythology and reality of the High Plains. Many photographs in this book were taken using a specially modified camera in a low-flying plane; the resulting pictures, with their literal bird's-eye view, offer a unique perspective on this quintessential, seemingly boundless American landscape.American photographer Andrew Moore (born 1957) is widely acclaimed for his photographic series, usually taken over many years, recording the effects of time on the natural and built landscape.

    This collection—one that will be appreciated by lovers of dance or photography—surveys Greenfield's creative output across the last two decades, and includes her entry into color photography. An elegant monograph celebrating the signature gravity-defying images from one of the world's most accomplished and respected photographers, Moving Still expresses the artistic possibilities of contemporary dance reflected through an inimitable lens.

    By offering forty motifs, Aoki invites us to explore her gardens through embroidery. The forty motifs explore the roses and wildflowers that appear season to season, as well as the bees and butterflies that enjoy their nectar. The designs here are exquisite, detailed, and artfullly rendered. Beyond the motifs themselves, Aoki also presents projects that feature the embroidery: brooches, notebook covers, pin cushions, and pouches. For those new to embroidery, detailed how-to illustrations are included.

    1957) is a truly 21st–century creative, influential across a variety of media. During his childhood, criticism of his father’s poetry—he was labeled as a dissident—meant that Ai and his family were exiled to a remote region of China for 16 years. Following the death of Chairman Mao, Ai left to train as an artist in Beijing and New York. Ai is today an artist of global stature, and his strong social conscience has galvanized a generation of Chinese artists. With works that touch on topics such as imprisonment, borders, and disaster, Ai has often found himself in conflict with the Chinese authorities.  Ai Weiwei is published to coincide with a major exhibition at the Royal Academy in London—the largest showing of Ai’s work to date. This volume includes installations and artworks specially created for the exhibition, an interview with Ai by Tim Marlow, and contributions from a team of scholars, analyzing the variety of Ai’s output and concerns.