Featuring a beautifully diverse and inspirational set of voices from around the world, that includes some of today’s most influential modern poets, with additional contest winners chosen from 4,500 submissions, Crown Anthology is curated to be a light in the wild dark, illuminating the crown that exists in everyone.

    This is a place where a boy with keys for fingers is a hero, a woman's children are potatoes, and a little boy with an iron for a head is born to a family of pumpkin heads. With her singular mix of surrealism, musical prose, and keenly felt emotion, Bender once again proves herself to be a masterful chronicler of the human condition.

    A landmark compilation of popular music, this collection contains Paul Simon's lyrics from his first album in 1964 to the present, now with 2011’s So Beautiful Or So What?

    Written with a commanding sureness of tone and linguistic precision, The White Album is a central text of American reportage and a classic of American autobiography.

    Of the twenty-two stories collected here—some written recently, others decades ago—all but two have never before been published. Bradbury has crafted tales that are strange and scary, nostalgic and bittersweet, and humorous and touching, set in the not-so-distant past and an unknowable future: a group of senators drinks too much and gambles away the United States, a newly-wed couple buys an old house and finds their fledgling relationship tested, two mysterious strangers arrive at a rooming house and baffle their fellow occupants with strange crying in the night, and a lonely woman takes a last chance on love. The final piece is a story-poem, a fond salute from Bradbury to his literary heroes Shaw, Chesterton, Dickens, Twain, Poe, Wilde, Melville, and Kipling.A timeless collection from one of America's greatest storytellers, The Cat's Pajamas is a panoramic view of Ray Bradbury's rich and remarkable imagination.(from back cover)

    Many of America’s leading writers and artists openly resist the current administration’s dogma and earliest policy moves, and they’re not about to go gently into that good night. In It Occurs to Me That I Am America: New Stories and Art, more than thirty of the most acclaimed modern writers consider the fundamental ideals of a free, just, and compassionate democracy—through fiction. Featuring artwork by some of today’s best known artists, cartoonists, and graphic novelists—including Art Spiegelman, Roz Chast, Marilyn Minter, and Eric Fischl—who cover political, social, and cultural issues, this anthology is a beautiful, enduring collection that will resonate with anyone concerned with the contest for our American soul.

    Halberstam offers portraits of not only the titans of the age: Eisenhower Dulles, Oppenheimer, MacArthur, Hoover, and Nixon, but also of Harley Earl, who put fins on cars; Dick and Mac McDonald and Ray Kroc, who mass-produced the American hamburger; Kemmons Wilson, who placed his Holiday Inns along the nation's roadsides; U-2 pilot Gary Francis Powers; Grace Metalious, who wrote Peyton Place; and "Goody" Pincus, who led the team that invented the Pill.A NEW YORK TIMES BESTSELLER

    Illustrated with visual artifacts of the period. With the long-awaited publication of this book, we have for the first time in any modern literary form one of the most vital and important of ancient myths: that of Inanna, the world's first goddess of recorded history and the beloved deity of the ancient Sumerians.The stories and hymns of Inanna (known to the Semites as Ishtar) are inscribed on clay tablets which date back to 2,000 B.C. Over the past forty years, these cuneiform tablets have gradually been restored and deciphered by a small group of international scholars. In this groundbreaking book, Samuel Noah Kramer, the preeminent living expert on Sumer, and Diane Wolkstein, a gifted storyteller and folklorist, have retranslated, ordered, and combined the fragmented pieces of the Cycle of Inanna into a unified whole that presents for the first time an authentic portrait of the goddess from her adolescence to her completed womanhood and godship. We see Inanna in all her aspects: as girl, lover, wife, seeker, decision maker, ruler; we witness the Queen of Heaven and Earth as the voluptuous center and source of all fertile power and the unequaled goddess of love.Illustrated throughout with cylinder seals and other artifacts of the period, the beautifully rendered images guide the reader through Inanna's realm on a journey parallel to the one evoked by the text. And the carefully wrought commentaries providing an historical overview, textual interpretations, and aannotations on the art at once explicate and amplify the power, wonder, and mystery embedded in these ancient tales.Inanna--the world's first love story, two thousand years older than the Bible--is tender, erotic, frightening, and compassionate. It is a compelling myth that is timely in its rediscovery."A great masterpiece of universal literature."--Mircea Eliade

    Because there’s no single definition of crazy, there’s no single experience that embodies it, and the word itself means different things—wild? extreme? disturbed? passionate?—to different people. (Don’t) Call Me Crazy is a conversation starter and guide to better understanding how our mental health affects us every day. Thirty-three writers, athletes, and artists offer essays, lists, comics, and illustrations that explore their personal experiences with mental illness, how we do and do not talk about mental health, help for better understanding how every person’s brain is wired differently, and what, exactly, might make someone crazy. If you’ve ever struggled with your mental health, or know someone who has, come on in, turn the pages, and let’s get talking.

    Here are the spectacular exploits of the Indians and Giants, and of a young player named Willie Mays, who made the most-talked-about catch in baseball history.

    She has been called “an American virtuoso of the short story form” (Salon) and “one of the quiet giants . . . of American fiction” (Los Angeles Times Book Review). Now, for the first time, Davis’s short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance. The Collected Stories of Lydia Davis is an event in American letters.

    The Oxford Book of English Verse, created in 1900 by Arthur Quiller-Couch and selected anew in 1972by Helen Gardner, has established itself as the foremost anthology of English poetry: ample in span, liberal in the kinds of poetry presented. This completely fresh selection brings in new poems and poets from all ages, and extends the range by another half-century, to include many twentieth-centuryfigures not featured before--among them Philip Larkin and Samuel Beckett, Thom Gunn and Elaine Feinstein--right up to Ted Hughes and Seamus Heaney. Here, as before, are lyric (beginning with medieval song), satire, hymn, ode, sonnet, elegy, ballad, but also kinds of poetry not previously admitted: the riches of dramatic verse by Marlowe, Shakespeare, Jonson, Webster; great works of translation that are themselves true English poetry, such asChapman's Homer (bringing in its happy wake Keats's 'On First Looking into Chapman's Homer'), Dryden's Juvenal, and many others; well-loved nursery rhymes, limericks, even clerihews. English poetry from all parts of the British Isles is firmly represented--Henryson and MacDiarmid, for example, nowjoin Dunbar and Burns from Scotland; James Henry, Austin Clarke, and J. M. Synge now join Allingham and Yeats from Ireland; R. S. Thomas joins Dylan Thomas from Wales--and Edward Taylor and Anne Bradstreet, writing in America before its independence in the 1770s, are given a rightful and rewardingplace. Some of the greatest long poems are here in their entirety--Wordsworth's 'Tintern Abbey', Coleridge's 'Rime of the Ancient Mariner', and Christina Rossetti's 'Goblin Market'--alongside some of the shortest, haikus, squibs, and epigrams. Generous and wide-ranging, mixing familiar with fresh delights, this is an anthology to move and delight all who find themselves loving English verse.

    Take a highly caffeinated ride through the Empire of Ice Cream. If you dare, hunt feral archetypes deep within a haunted English forest. Or conquer the New World with a band of geographically-challenged Norsemen.Tired of the same old fantasy? Here are the stories you’ve never imagined possible. Nineteen extraordinary writers offer much-needed antidotes to clichéd tales of sword and sorcery. Combining the best of the old and new, these instant classics will inspire even the most jaded of readers. Beloved author and anthologist Peter S. Beagle reveals the secret: fantasy is back and it’s better than ever.Contents:Introduction by Peter S. Beagle“Ancestor Money” by Maureen F. McHugh “Scarecrow” by Gregory Maguire “Lady of the Skulls” by Patricia A. McKillip “We Are Norsemen” by T. C. Boyle “The Barnum Museum” by Steven Millhauser “Mrs. Todd’s Shortcut” by Stephen King “Bears Discover Fire” by Terry Bisson “Bones” by Francesca Lia Block “Snow, Glass, Apples” by Neil Gaiman “Fruit and Words” by Aimee Bender “The Empire of Ice Cream” by Jeffrey Ford “The Edge of the World” by Michael Swanwick “Super Goat Man” Jonathan Lethem “John Uskglass and the Cumbrian Charcoal Burner” by Susanna Clarke “The Book of Martha” by Octavia E. Butler “The Vita Æterna Mirror Company” by Yann Martel “Sleight of Hand” by Peter S. Beagle “Mythago Wood” by Robert Holdstock “26 Monkeys, Also the Abyss” by Kij Johnson “The Critics, the Monsters, and the Fantasists” by Ursula K. Le Guin “The Making of the American Fantasy Genre” by David Hartwell

    Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories.Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity.