The authoritative texts are based on the Cambridge Tennyson; additional selections have been taken from Sir Charles Tennyson's editions of Tennyson's Unpublished Early Poems (1931) and The Devil and the Lady (1930), as well as the Eversley edition, with notes by the poet's son. The texts of the poems are copiously annotated and the lines of poetry conveniently numbered for easy reference. A special section, Juvenilia and Early Responses, offers easy access to work by the young Tennyson, not readily available elsewhere, together with responses from his contemporaries. Criticism includes significant statements on Tennyson as well as interpretations of the major poems. A special feature is Georg Roppen's essay on Tennyson and the theory of evolution. Other critical voices are those of A. C. Bradley, Harold Nicolson, Douglas Bush, Arthur J. Carr, T. S. Eliot, Paull F. Baum, John Killham, F. E. L. Priestley, Francis Golffing, and Robert W. Hill, Jr. A Chronology, Selected Bibliography, and Index are also included.

    Within these notebooks, Roethke allowed his mind to rove freely, moment by moment, moving from the practical to the transcendental, from the halting to the sublime.Fellow poet and colleague David Wagoner distilled these notebooks—twelve linear feet of bookshelf—into an energetic, wise, and rollicking collection that shows Roethke to be one of the truly phenomenal creative sources in American poetry.From “A Psychic Janitor”: I’m sick of fumbling, furtive, disorganized minds like bad lawyers trying to make too many points that this is an age of criticism: and these, mind you, tin-eared punks who couldn’t tell a poem from an old boot if a gun were put to their heads . . .Cover art by United States Poet Laureate Ted Kooser.

    Wilde wrote the letter between January and March 1897; he was not allowed to send it, but took it with him upon release. In it he repudiates Lord Alfred for what Wilde finally sees as his arrogance and vanity; he had not forgotten Douglas's remark, when he was ill, "When you are not on your pedestal you are not interesting." He also felt redemption and fulfillment in his ordeal, realizing that his hardship had filled the soul with the fruit of experience, however bitter it tasted at the time.

    E. Housman's A Shropshire Lad, first published in 1896. Scholars and critics have seen in these timeless poems an elegance of taste and perfection of form and feeling comparable to the greatest of the classic. Yet their simple language, strong musical cadences and direct emotional appeal have won these works a wide audience among general readers as well.This finely produced volume, reprinted from an authoritative edition of A Shropshire Lad, contains all 63 original poems along with a new Index of First Lines and a brief new section of Notes to the Text. Here are poems that deal poignantly with the changing climate of friendship, the fading of youth, the vanity of dreams — poems that are among the most read, shared, and quoted in our language.

    Thrown dramatically into the upper classes, he struggles desperately to learn the etiquette and rules of polite society. But as he soon discovers, becoming a 'true gentleman' is neither as easy nor as desirable as it at first appears.

    

    In "Reminiscences," the first of five pieces, she focuses on the death of her mother, "the greatest disaster that could happen," and its effect on her father, the demanding Victorian patriarch. Three of the papers were composed to be read to the Memoir Club, a postwar regrouping of Bloomsbury, which exacted absolute candor of its members."A Sketch of the Past" is the longest and most significant of the pieces, giving an account of Virginia Woolf's early years in the family household at 22 Hyde Park Gate. A recently discovered manuscript belonging to this memoir has provided material that further illuminates her relationship to her father, Leslie Stephen, who played a crucial role in her development as an individual and as a writer.

    

    The Blue Estuaries contains her five previous books of verse along with a section of uncollected work, fully representing a unique and distinguished contribution to modern poetry over five decades.

    Finn's Hotel is a luminous and often funny work, and it reveals Joyce's creative process during the transition between Ulysses and Finnegans Wake.

    Carol Ann Duffy draws together key poems from her published work to date spanning almost twenty years of definitive writing - from 'Standing Female Nude' (1985) to 'Feminine Gospels' (2003).

    He had led migration of Bohemian Paris across the city from Montmartre to Montparnasse, he had helped formulate the principles of 'Cubism', having written one of the first books on the subject, and coined the word 'Surrealist'; and he had demonstrated in his own work those innovations we have come to associate with the most vital investigations of the avente - garde.

    A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation, and what it meant to be an American. From the joyful “Song of Myself” and “I Sing the Body Electric” to the elegiac “When Lilacs Last in the Dooryard Bloom’d,” Whitman’s art fuses oratory, journalism, and song in a vivid celebration of humanity. Containing all Whitman’s known poetic work, this edition reprints the final, or “deathbed,” edition of Leaves of Grass (1891–92). Earlier versions of many poems are also given, including the 1855 “Song of Myself.”Features a completely new—and fuller—introduction discussing the development of Whitman's poetic career, his influence on later American poets, and his impact on the American cultural sensibilityIncludes chronology, updated suggestions for further reading, and extensive notes

    Here are poems from Hughes's first book, The Hawk in the Rain, and its successor, Lupercal, which introduced him as a major poet; from Wodwo, Crow and Gaudete, book-length poetic sequences in which the natural world is made into a thrilling and terror-filled analogue to our human one; and from six volumes of his maturity, here arranged thematically, in which the poet is at once rural chronicler and form-breaking modern artist. This volume also includes previously uncollected poems and eight poems later incorporated into Birthday Letters, Hughes's meditation in verse on his marriage to Sylvia Plath, which became an international bestseller the year after his death.

    He wrote his poetry in Urdu and Farsi (1873-1938), and that bridged and encompassed the past many centuries of man's endeavours in the realms of thought and intuition. He emblazoned the high standards set by Mirza Asadullah Khan 'Ghalib', and glorified the literature in his own way. He was a scholarly personality, and wrote on various subjects, from philosophy to politics, from romance to emotions and so on. He wrote world famous poem 'sare jahan se acha Hindustan hamara' and many other such 'nazams' which are even today considered as great poetical creations. He was honoured with the title 'sir' by the British Government for his contributions to the literature.The present collection is a representative of Iqbal's Urdu poetry, which has been transliterated into English verses, with translation into Devanagari (Hindi) and Roman script. The English translation has been done by Khwaja Tariq Mahmood, who earlier translated the poems of Mirza Ghalib and Sahir Ludhianvi, and is now working on many other collections.