I hate money--the word and the thing itself. If I am not rich, I am yet rich enough to give to my friend, and it is my joy to give all I can for him. Would not you do the same? And if I needed it, would you not be the first to give me all your fortune? But that shall never be! I have sound fists and a sound head, and I shall always be able to earn the bread that I eat. Till Sunday!

    Written during his 'Klondike' period, the title story 'Love of Life' follows the trek of a prospector across the Canadian tundra.Contents:- Love of Life- The Story of Keesh- A Day's Lodging- Negore, The Coward- The Sun Dog Trail- The Unexpected- The White Man's Way- Brown Wolf

    It is also the most decadent of the great Russian classics, replete with naked boys, sinuous girls, and a strange mixture of beauty and perversity. The main hero, Peredonov, is as comical as he is disgusting, he is at once a victim, a monster, a silly hypocrite, and a sadistic dullard. The plot moves from Peredonov’s petty quest for a promotion to arson and murder via one of the most incredible and uproarious scandal scenes in world literature, the masquerade ball, which the boy Sasha attends as a beautiful geisha. Even in its censored form, it is one of the most provocative and sexually open of Russian books. Sologub removed many passages which would have been unacceptable at the time of publication. In this edition these censored sections are appended, and all are keyed so that the reader can place them in the novel as it was written.

    But as she nears thirty, her foothold becomes precarious; a poor girl with expensive tastes, she needs a husband to preserve her social standing, and to maintain her in the luxury she has come to expect. Whilst many have sought her, something - fastidiousness or integrity- prevents her from making a 'suitable' match.

    His quest is continually frustrated, not least by his susceptibility to the wives and daughters of successive employers.In Under the Autumn Star he joins forces first with Grindhusen, a man blessed with the faith that "something will turn up"; later with Lars Falkenberg, whose dubious talents include the tuning of pianos. Knut and Lars end up as workmen on the estate of a certain Captain Falkenberg (no relation), with whose wife each falls in love. In due course, Knut is laid off and, in futile pursuit of the woman with whom by now he is helplessly infatuated, eventually finds himself sucked back into the city he once fled."A wanderer plays on muted strings," explains Knut, now six years older, "when he reaches the age of two score years and ten." Among this sequel's qualities is the poignancy with which it conveys that sense of aging.Both novels show Hamsun at the height of his powers: lyrical and passionate, ironic yet deeply humane, master of one of the most original prose styles in modern literature, brilliantly translated here by Oliver and Gunnvor Stallybrass.

    D. Roberts, we follow the adventures of the titular Red Fox as he grows up and takes on the Canadian wilderness. Curious and intelligent, Red Fox learns valuable life lessons and survival skills from his encounters with the animals around him, including the humans on local farms - skills which ultimately end up saving his life in situations where other foxes have perished.Roberts sets out to make Red Fox and the animal world around him more understandable and relatable to readers through the use of vivid, expressive detail and a thoroughly engaging story, and in doing so encourages awareness of the misunderstanding and cruelty which is sometimes involved in humanities relationship with wild animals.Excerpt:Chapter I."The price of his life"Two voices, a mellow, bell-like baying and an excited yelping, came in chorus upon the air of the April dawn. The musical and irregularly blended cadence, now swelling, now diminishing, seemed a fit accompaniment to the tender, thin-washed colouring of the landscape which lay spread out under the gray and lilac lights of approaching sunrise. The level country, of mixed woodland and backwoods farm, still showed a few white patches here and there where the snow lingered in the deep hollows; but all over the long, wide southward-facing slope of the uplands, with their rough woods broken by occasional half-cleared, hillocky pastures, the spring was more advanced. Faint green films were beginning to show on the birch and poplar thickets, and over the pasture hillocks; and every maple hung forth a rosy veil that seemed to imitate the flush of morning.[...]

    As a young man, he worked as a reporter and columnist on the Syracuse Herald newspaper until the late 1890s when he published his first novel, a romance titled Arms and the Woman (1899). According to the New York Times, his next book, The Puppet Crown (1901) was the No.7 bestselling book in the United States in 1901. From that point on, MacGrath never looked back, writing novels for the mass market about love, adventure, mystery, spies, and the like at an average rate of more than one a year. He would have three more of his books that were among the top ten bestselling books of the year. At the same time, he penned a number of short stories for major American magazines such as The Saturday Evening Post, Ladies Home Journal, and Red Book magazine. Several of MacGrath's novels were serialized in these magazines and contributing to them was something he would continue to do until his death in 1932.