Democracy Is in the Streets is the definitive history of the major people and ideas that shaped the New Left in America during that turbulent decade. Because the 1960s generation is now moving into positions of power in politics, education, the media, and business, their early history is crucial to our understanding. James Miller, in his new Preface, puts the 1960s and them into a context for our time, claiming that something of value did happen: "Most of the large questions raised by that moment of chaotic openness--political questions about the limits of freedom, and cultural questions, too, about the authority of the past and the anarchy of the new--are with us still."

    He outlines his views on a wide range of issues, including health care, global warming and more.

    Once called "alarmist," Bagdikian's claims are uncanny and chilling in their accuracyl This much-needed sixth edition follows up on the digital revolution, revealing startling details of a new communications cartel within the United States.

    At a demonstration in Mexico City, over 100,000 people marched together and shouted, First World, HA HA HA!—a defiant declaration of solidarity with the rebels, an insurgent army of indigenous campesinos who have challenged the direction of Mexico's future.The Chiapas uprising was internationally hailed as a direct attack on the New World Order. It was a milestone in the continuing history of indigenous resistance in the Americas, and an important development in the growing worldwide struggle against global policies of economic colonization.In this collection, writers from Mexico and the United States provide the background and context for the Zapatista movement, and explore its impact, in Mexico and beyond."Elaine Katzenberger has assembled an interesting and stimulating collection of voices from Mexico and the United States, of those in revolt and those reacting to the revolt. . . . Listened to as moments of an ever wider and ever more multi-sided conversation, the voices in the book should contribute to that amplification by giving their listeners a sense of the complexity and breath of the discussion." — Harry Cleaver, Professor at University of TexasElaine Katzenberger is a publisher and Executive Director for City Lights Booksellers and Publishers. Her edited works include fiction, non-fiction, and poetry. Some works have won awards including the American Book Award and a PEN West Award for Excellence in Publishing. Katzenberger serves on the Board of Directors of the City Lights Foundation and is on the Advisory Board of Circuit Network.

    SNCC: The New Abolitionists influenced a generation of activists struggling for civil rights and seeking to learn from the successes and failures of those who built the fantastically influential Student Nonviolent Coordinating Committee. It is considered an indispensable study of the organization, of the 1960s, and of the process of social change. Includes a new introduction by the author.

    With a new afterword by the author about Chiapas today and its successes and failures.

    This second edition is updated to include new material covering the Reagan and Bush years, and the Iran/Contra affair.

    Sartre challenged his readers to think beyond the meaning of their everyday thoughts and beliefs. His essays on nothingness, on the emotions, and on the image—including “The Problem of Nothingness,” “The Role of the Image in Mental Life,” and “Essays in Aesthetics”—contain the essentials of his metaphysical speculations.An introductory essay by Professor Jean Wahl clarifies the origins of Sartre’s humanistic, religious, and aesthetic ideas.Essays in Existentialism challanges and encourages us to alter how we think about the choices that we make: to live “authentically” we must be concious of our freedom to choose and concerned with the effect our choice will have on all others. It is an essential text for any student of philosophy.

    From the seed first planted by slave dances held in Congo Square and nurtured by early ensembles led by Buddy Belden and Joe King Oliver, jazz began its long winding odyssey across America and around the world, giving flower to a thousand different forms--swing, bebop, cool jazz, jazz-rock fusion--and a thousand great musicians. Now, in The History of Jazz, Ted Gioia tells the story of this music as it has never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved. Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton (the world's greatest hot tune writer), Louis Armstrong (whose O-keh recordings of the mid-1920s still stand as the most significant body of work that jazz has produced), Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker's surgical precision of attack, Miles Davis's 1955 performance at the Newport Jazz Festival, Ornette Coleman's experiments with atonality, Pat Metheny's visionary extension of jazz-rock fusion, the contemporary sounds of Wynton Marsalis, and the post-modernists of the Knitting Factory. Gioia provides the reader with lively portraits of these and many other great musicians, intertwined with vibrant commentary on the music they created. Gioia also evokes the many worlds of jazz, taking the reader to the swamp lands of the Mississippi Delta, the bawdy houses of New Orleans, the rent parties of Harlem, the speakeasies of Chicago during the Jazz Age, the after hours spots of corrupt Kansas city, the Cotton Club, the Savoy, and the other locales where the history of jazz was made. And as he traces the spread of this protean form, Gioia provides much insight into the social context in which the music was born. He shows for instance how the development of technology helped promote the growth of jazz--how ragtime blossomed hand-in-hand with the spread of parlor and player pianos, and how jazz rode the growing popularity of the record industry in the 1920s. We also discover how bebop grew out of the racial unrest of the 1940s and '50s, when black players, no longer content with being entertainers, wanted to be recognized as practitioners of a serious musical form. Jazz is a chameleon art, delighting us with the ease and rapidity with which it changes colors. Now, in Ted Gioia's The History of Jazz, we have at last a book that captures all these colors on one glorious palate. Knowledgeable, vibrant, and comprehensive, it is among the small group of books that can truly be called classics of jazz literature.

    Beveridge Award of the American Historical Association.

    

    Placing current family dilemmas in the context of far-reaching economic, political, and demographic changes, Coontz sheds new light on such contemporary concerns as parenting, privacy, love, the division of labor along gender lines, the black family, feminism, and sexual practice.

    It presents a multidisciplinary collection of academic essays and analyses, personal narratives, and fiction and poetry about women's lives. The selections illustrate the variety of women's experiences, primarily in the United States, considering both commonalities and differences among women and appreciating women's diverse approaches to living and fostering change.

    From its first edition, this text has included a scrupulous account of American political and diplomatic history. Today, the book explores areas of history such as social, cultural, urban, racial and ethnic history, the history of the West and South, environmental history, the history of women and gender, and American history in a global context. The twelfth edition of this text includes the McGraw-Hill�s hit Primary Source Investigator (PSI) cd-rom, with hundreds of sources and a program that walks students through how to write a paper using those sources as evidence..

    She shows readers how this civil rights movement radical sought—for more than a half a century—to expose and eradicate the American racial-caste system in jobs, schools, public services, and criminal justice.