0-935906-02-9$5.00 / Javan Press

    Linda Pastan writes, "the art that mattered / was the life led fully / stanza by swollen stanza." That life is portrayed here, from memories of the poet's earliest childhood and the ambiguities of marriage and love to the surprises that come with age, always with a consciousness of what is happening in the larger world.

    Journeying between his native Ulster and his adopted London, he balances ideas of home and flight, the need for belonging and the need to remain outside. Formally deft, rhetorically fresh, these poems never shy from difficult choices, exploring cruelty and vengeance wherever they may be found: in love, in work and against political backdrops. But these are brave, resolute writings that resist despair at all times, affirming instead the need to rebuild and to right oneself, to dust down and carry on.

    An in-depth look at the history of one of the Vineyard, one of the fastest growing church movements in the last twenty years.

    Her poems take us to the flip side of human consciousness, where anything can happen at any time. Tinged with surrealism, her work makes visionary leaps from the quotidian to sudden, surprising epiphanies.

    With her marriage shattered, Erin Belieu sifts the wreckage for the black box, the record of disaster. Propelled by a blistering and clarifying rage, she composed at fever pitch and produced riveting, unforgettable poems, such as the ten-part sequence “In the Red Dress I Wear to Your Funeral”:I root through your remains,looking for the black box. Nothing leftbut glossy chunks, a pimp’s platinumtooth clanking inside the urn. I play youover and over, my beloved conspiracy,my personal Zapruder film—look. . .When Belieu was invited by the Poetry Foundation to keep a public journal on their new website, readers responded to the Black Box poems, calling them “dark, twisted, disturbed, and disturbing” and Belieu a “frightening genius.” All true.

    Those roots are lodged in the Universal Church's and local church's Christ-imaging roles as a prophetic witness, a priestly witness, and a kingly witness. The authors, both PCA (Presbyterian Church in America) ordained pastors and long-time campus ministers, Brian Habig and Les Newsom, assert that when the Church, and local churches, again major on its primary roles, health will be restored and a shine will go froth that is impossible to ignore. Nothing is more important to Christ than his Bride, pure and spotless! This book is devoted to that end.The Authors:Brian Habig, Vanderbilt University. A graduate of Covenant Theological Seminary (Master of Divinity) and Mississippi State University, Brian Habig has served as an ordained minister of the PCA and a campus minister for Reformed University Fellowship for six year. He is a regular conference speaker in addition to this primary pastoral role as campus minister at Vanderbilt University. Habig is currently completing a Master of Theology at Reformed Theological Seminary.Les Newsom, University of Mississippi. A native of Memphis, Les Newsom received his Master of Divinity degree from Reformed Theological Seminary. He has served as an ordained minister in the Presbyterian Church in America for seven years. The first five years were spent as the campus minister for RUF at The University of Memphis. He now serves at The University of Mississippi. A regular conference speaker, Les has taught philosophy of ministry classes at Reformed Theological Seminary."The Enduring Community succinctly shows that Christians with a church-optional mindset are as vulerable as a chorister without a choir."Marvin OlaskyEditor, World magazineSenior Fellow, Acton Institute

    

    Gemma died from acute myeloid leukaemia, just three days after being diagnosed.In Love, Interrupted, Simon is brutally honest about his journey through grief, and opens up about how close he came to ending his own life. Simon didn’t know how to carry on without Gemma; he just knew that, for the sake of his eight-year old son, he had to find a way …Love, Interrupted is a moving story of love, loss, faith, and family.

    There is a kind of religion that is lifeless and is the bitter enemy of true faith. Think of Dietrich Bonhoeffer’s prophetic attempts to waken the sleeping German church, often unwitting allies of Hitler and the Third Reich. Or of William Wilberforce’s heroic efforts to rouse his complacent “Christian” countrymen to stand against the monstrous evil of the slave trade. Bonhoeffer and Wilberforce stood against the evil of their times—an evil often repackaged in religious-sounding language.Eric Metaxas’s electrifying message—delivered before the president and dozens of national leaders at the Sixtieth Annual National Prayer Breakfast—calls readers to follow in the steps of Wilberforce and Bonhoeffer, men who lived their faith and swam against the mainstream, instead of drifting along with it. Metaxas makes it clear that phony religiosity offends God himself—and that real prayer is only possible with a living faith in a living God. And that kind of faith can transform the world. No pressure.

    With more than nine thousand tweets and ninety thousand followers, he's proven himself a stalwart of holy hilarity. This poetic collection of the Curmudgeon's best 140-character compositions will make you ROFL as you recognize the regular cast of churchy characters, including the worship leader, the usher team, and maybe even yourself. One more to whet your appetite: "Usually when the writing is on the wall, it portends the death of a culture. But hey, fine, throw out the hymnals and use a projector." Author bio: Church Curmudgeon is the old guy who sits on the back pew of the sanctuary, farthest from the drums (he measured). You can find his complaints on Twitter (@ChrchCurmudgeon) and Facebook.

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    The book and the dream are the poet’s primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities—the frail craft—of perception for the reader, the dreamer, maintaining that “if the eye can love—and it can, it does—then I held you and was held.” In her foreword to the book, Louise Glück writes that Fisher’s poetry is “haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking.”

    Explores twelve major themes, each one followed by prayer suggestions, guided meditations, ideas for reflection, and journal keeping.

    . . until they fall into the arms of the One who loves them unconditionally. Sierra Madrid’s life has just been turned upside down when she discovers the handcrafted quilt and journal of her ancestor Mary Kathryn McMurray, a young woman who was uprooted from her home only to endure harsh conditions on the Oregon Trail. Though the women are separated by time and circumstance, Sierra discovers that many of the issues they face are remarkably similar. By following Mary Kathryn’s example, Sierra learns to surrender to God’s sovereignty and unconditional love.The Last Sin Eater:A captivating tale of suffering, seeking, and redemption set in Appalachia in the 1850s, The Last Sin Eater is the story of a community committed to its myth of a human “sin eater,” who absolves the dead of their sins, and the ten-year-old child who shows them the Truth. All that matters for young Cadi Forbes is finding the one man who can set her free from the sin that plagues her, the sin that has stolen her mother’s love from her and made her wish she could flee life and its terrible injustice. But Cadi doesn’t know that the “sin eater” is seeking as well. Before their journeys are over, Cadi and the sin eater must face themselves, each other, and the One who will demand everything from them in exchange for the answers they seek.