Each takes as her subject one of the four March sisters, reflecting on their stories and what they have to teach us about life. Kate Bolick finds parallels in oldest sister Meg's brush with glamour at the Moffats' ball and her own complicated relationship with clothes. Jenny Zhang confesses to liking Jo least among the sisters when she first read the novel as a girl, uncomfortable in finding so much of herself in a character she feared was too unfeminine. Carmen Maria Machado writes about the real-life tragedy of Lizzie Alcott, the inspiration for third sister Beth, and the horror story that can result from not being the author of your own life's narrative. And Jane Smiley rehabilitates the reputation of youngest sister Amy, whom she sees as a modern feminist role model for those of us who are, well, not like the fiery Jo. These four voices come together to form a deep, funny, far-ranging meditation on the power of great literature to shape our lives.

    The teaching of poetry languishes, and that region of youthful neurological terrain capable of being ignited only by poetry is largely dark, unpopulated, and silent, like a classroom whose shades are drawn. This is more than a shame, for poetry is our common treasure-house, and we need its vitality, its respect for the subconscious, its willingness to entertain ambiguity, its plaintive truth-telling, and its imaginative exhibitions of linguistic freedom, which confront the general culture's more grotesque manipulations. We need the emotional training sessions poetry conducts us through. We need its previews of coming attractions: heartbreak, survival, failure, endurance, understanding, more heartbreak.—from "Twenty Poems That Could Save America"Twenty Poems That Could Save America presents insightful essays on the craft of poetry and a bold conversation about the role of poetry in contemporary culture. Essays on the "vertigo" effects of new poetry give way to appraisals of Robert Bly, Sharon Olds, and Dean Young. At the heart of this book is an honesty and curiosity about the ways poetry can influence America at both the private and public levels. Tony Hoagland is already one of this country's most provocative poets, and this book confirms his role as a restless and perceptive literary and cultural critic.

    She invites us behind the scenes of novel-writing, sharing her own habits and spilling the secrets of her craft. And she offers priceless advice to aspiring authors. As she works her way through one hundred novels–from classics such as the thousand-year-old Tale of Genji to recent fiction by Zadie Smith and Alice Munro–she infects us anew with the passion for reading that is the governing spirit of this gift to book lovers everywhere.

    In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize-winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago. Does he probe the questions that Maus most often evokes—Why the Holocaust? Why mice? Why comics?—and gives us a new and essential work about the creative process. MetaMaus includes a bonus DVD-R that provides a digitized reference copy of The Complete Maus linked to a deep archive of audio interviews with his survivor father, historical documents, and a wealth of Spiegelman’s private notebooks and sketches. Compelling and intimate, MetaMaus is poised to become a classic in its own right.

    As the Iraq War draws to an official close, Joshuah Bearman tells the funny and poignant tale of the real-life Baghdad Country Club, a bar in the Green Zone during the conflict's bloodiest years. Against all odds, its proprietors struggle to keep their raucous watering hole safe and well-stocked as the insurgency rages outside.

    The price might have upset the union chief, convicted gangster, and major-league James Joyce book collector Dennis Silverman, who had sold his copy, signed and inscribed by the author, for a mere 135,000 ten years earlier. Great books attract all kinds and come to fascinating destinies of their own, as Nabokov's Butterfly amply demonstrates. Here, noted author and rare book dealer Rick Gekoski — whose vocation led to the BBC radio series titled Rare Books, Rare People, — profiles twenty editions of major books that have passed through his hands and made publishing history, as they have become the legends of rare book collectors. Sued by J. D. Salinger, harassed by Harold Pinter, berated by Ted Hughes who unloaded his personal and passionately inscribed copy of Sylvia Plath's The Colossus, Gekoski is a convivial participant in these histories, including his sale of Mr. Tolkien's college gown. He recalls one day purchasing from Graham Greene his first edition of Lolita, with Nabokov's signature drawing of a butterfly inside, and on the next day he sold it to Elton John's lyricist at a 10,000 profit.

    THE QUEEN OF FEEL-GOOD FICTION!'Every time you discover a new Milly book, it’s like finding a pot of gold'  Heat Four of Milly's bestselling seasonal titles - A Spring Affair, A Summer Fling, An Autumn Crush, A Winter Flame - in one exclusive ebook edition, with an introduction from Milly on the inspiration behind the novels.

    Michael Hopf; comes a collection of unexplained, nearly impossible to classify encounters with the strange, terrifying, and life-changing. Run-ins with goblins, creatures, and human-looking copies that don’t fit into a neat little box like Bigfoot or ghosts. This is a collection of some of the strangest and scariest stories ever told by the people who experienced them. Sit back, relax and we suggest you keep a light on.

    Join him in his journey as he re-encounters the Lamb of God at the Jordan, and follows the Miracle Worker through the wilderness, the Messiah to the cross, and the Risen Savior from the upper room. Though Shimon is a fictional character, we’ll see the pages of the Gospels unfold through his eyes, and experience a story of redemption – the redemption of a shepherd – and the redemption of each one who chooses to follow the Good Shepherd.

    With illustrations from Archibald Prize winner Ben Quilty.In January 2016 Richard Flanagan and Ben Quilty travelled to Lebanon, Greece, and Serbia to follow the river that is the exodus of our age: that of refugees from Syria.Flanagan's 'notes' and Quilty's sketches bear witness to the remarkable people they met on that journey and their stories. These individual portraits from the Man Booker Prize-winning author and Archibald Prize-winning artist combine to form a powerful testament to human dignity and courage in the face of war, death, and suffering.Refugees are not like you and me. They are you and me. That terrible river of the wretched and the damned flowing through Europe is my family.

    Harking back to the beloved novels of his youth and ranging through the work of such writers as Tolstoy, Dostoevsky, Stendhal, Flaubert, Proust, Mann, and Naipaul, he explores the oscillation between the naive and the reflective, and the search for an equilibrium, that lie at the center of the novelist's craft. He ponders the novel's visual and sensual power--its ability to conjure landscapes so vivid they can make the here-and-now fade away. In the course of this exploration, he considers the elements of character, plot, time, and setting that compose the "sweet illusion" of the fictional world.Anyone who has known the pleasure of becoming immersed in a novel will enjoy, and learn from, this perceptive book by one of the modern masters of the art.

    The art of fiction is considered under a wide range of headings, such as the Intrusive Author, Suspense, the Epistolary Novel, Time-shift, Magic Realism and Symbolism, and each topic is illustrated by a passage or two taken from classic or modern fiction. Drawing on writers as diverse as Henry James and Martin Amis, Jane Austen and Fay Weldon and Henry Fielding and James Joyce, David Lodge makes accesible to the general reader the richness and variety of British and American fiction. Technical terms, such as Interior Monologue, Metafiction, Intertextuality and the Unreliable Narrator, are lucidly explained and their applications demonstrated.Bringing to criticism the verve and humour of his own novels, David Lodge has provided essential reading for students of literature, aspiring writers, and anyone who wishes to understand how literature works.Beginning (Jane Austen, Ford Madox Ford) --The intrusive author (George Eliot, E.M. Forster) --Suspense (Thomas Hardy) --Teenage Skaz (J.D. Salinger) --The epistolary novel (Michael Frayn) --Point of view (Henry James) --Mystery (Rudyard Kipling) --Names (David Lodge, Paul Auster) --The stream of consciousness (Virginia Woolf) --Interior monologue (James Joyce) --Defamiliarization (Charlotte Bronte) --The sense of place (Martin Amis) --Lists (F. Scott Fitzgerald) --Introducing a character (Christopher Isherwood) --Surprise (William Makepeace Thackeray) --Time-shift (Muriel Spark) --The reader in the text (Laurence Sterne) --Weather (Jane Austen, Charles Dickens) --Repetition (Ernest Hemingway) --Fancy prose (Vladimir Nabokov) --Intertextuality (Joseph Conrad) --The experimental novel (Henry Green) --The comic novel (Kingsley Amis) --Magic realism (Milan Kundera) --Staying on the surface (Malcolm Bradbury) --Showing and telling (Henry Fielding) --Telling in different voices (Fay Weldon) --A sense of the past (John Fowles). Imagining the future (George Orwell) --Symbolism (D.H. Lawrence) --Allegory (Samuel Butler) --Epiphany (John Updike) --Coincidence (Henry James) --The unreliable narrator (Kazuo Ishiguro) --The exotic (Graham Greene) --Chapters etc. (Tobias Smollett, Laurence Sterne, Sil Walter Scott, George Eliot, James Joyce) --The telephone (Evelyn Waugh) --Surrealism (Leonora Carringotn) --Irony (Arnold Bennett) --Motivation (George Eliot) --Duration (Donald Barthelme) --Implication (William Cooper) --The title (George Gissing) --Ideas (Anthony Burgess) --The non-fiction novel (Thomas Carlyle) --Metafiction (John Barth) --The uncanny (Edgar Allen Poe) --Narrative structure (Leonard Michaels) --Aporia (Samuel Beckett) --Ending (Jane Austen, William Golding)

    'The Complete Symphonies Of Adolf Hitler' 'Lapland Nights' 'The Garden Of Strangers' 'Among The Tombs' 'The Skins' 'The Sermons Of Dr Hodnet' 'Magus Zoroaster' 'The Time Of Blood' 'Parma Violets' 'Difficult People' 'The Constant Rake' 'The Blue Room' 'A Nightmare Sang' 'The Babe Of The Abyss' 'Bloody Bill' 'A Christmas Card'

    The celebrated author of Things Fall Apart delivers his first book in more than 20 years--a new collection of autobiographical essays that offers a vivid portrait of growing up in colonial Nigeria and inhabiting its middle ground.

    This collection has more than twenty-five selections, including such important statements as "Modern Fiction" and "The Modern Essay."