Reflecting both private devotional love and the attempt to attain union with God and become absorbed into the Divine, many poems in this edition are imbued with the symbols and metaphors that develop many of the central ideas of Sufism: the Lover, the Beloved, the Wine, and the Tavern; while others are more personal and echo the poet's battle to leave earthly love behind.These translations capture the passion of the original poetry and are accompanied by an introduction on Sufism and the common themes apparent in the works. This edition also includes suggested further reading.

    Saint Francis of Assisi is quite possibly the most popular of all Christian saints. Perhaps it is his adoration for all living things or his unrelenting generosity that has made so many people open their hearts to him. Perhaps it is the deep conviction and piety expressed not only by the saint himself, but in his name, in the Franciscan orders throughout the centuries.Whatever the reason, in a world that is quickly developing in a direction diametrically opposite to the saint's own simple asceticism, Saint Francis of Assisi still stirs strong emotions and compassion. How close he found God, in the very nature around him, is inspiring.All books in The Life and Prayers series come complete with a Touch-or-Click Table of Contents, divided by each section. Enjoy.

    Their father, a self–made man, had worked his way up from nothing to become a colonel in the Shah's army, and their mother, a woman of equally modest roots, had made a career for herself as a respected schoolteacher. But in February, 1979, Colonel Latifi was arrested by members of the newly installed Khomeini regime, and publicly pilloried as an "Enemy of God." Some months later, after having been shunted from one prison cell to another, and without benefit of a legitimate trial, Colonel Latifi was summarily executed.Fearing for the safety of her children, Mrs. Latifi made a wrenching decision: to send her daughters, ages ten and eleven, to the west, splitting up the family until they could safely reunite. Out on their own, Afschineh and her sister, Afsaneh, were forced to become strong young women before they'd even had a childhood.Even After All This Time is a story of hope and heartache, a story of a family torn apart for six harrowing years, and finally coming together to rebuild in America. In the richly evocative tradition of the bestselling Reading Lolita in Tehran, this is a story of a family that had the courage to dream impossible dreams and to make them come true against impossible odds.

    In I Killed Scheherazade she challenges prevalent notions of identity and womanhood in the Middle East and speaks of her own intellectual development and the liberating impact of literature on her life. Fiery and candid, this is a provocative exploration of what it means to be an Arab woman today.Born in 1970 in Beirut, Joumana Haddad is an award-winning poet, literary translator, magazine publisher and journalist. Joumana is the cultural editor for the an-Nahar newspaper and in 2008 launched the Arab world’s first erotic cultural magazine, Jasad (Body). Joumana was chosen as one of the best Arab authors under 39 in 2009 (Beirut39). She lives in Lebanon with her two sons.

    (Yuba City Poems).Groups of interlinked poems divided into six sections are peopled by many of the same characters and explore varying themes. Here, Divakaruni is particularly interested in how different art forms can influence and inspire each other. One section, entitled Indian Miniatures, is based on and named after a series of paintings by Francesco Clemente. Another, called Moving Pictures, is based on Indian films, including Mira Nair's "Salaam Bombay" and Satyajit Ray's "Ghare Baire." Photographs by Raghubir Singh inspired the section entitled Rajasthani. The trials and tribulations of growing up and immigration are also considered here and, as with all of Divakaruni's writing, these poems deal with the experience of women and their struggle to find identities for themselves.This collection is touched with the same magic and universal appeal that excited readers of "Arranged Marriage." In "Leaving Yuba City," Chitra Banerjee Divakaruni proves once again her remarkable literary talents.

    In The Ayatollah Begs to Differ, he paints a portrait of a country that is fiercely proud of its Persian heritage, mystified by its outsider status, and scornful of the idea that the United States can dictate how it should interact with the community of nations.With wit, style, and an unusual ability to get past the typical sound bite on Iran, Majd reveals the paradoxes inherent in the Iranian character which have baffled Americans for more than thirty years. Meeting with sartorially challenged government officials in the presidential palace; smoking opium with an addicted cleric, his family, and friends; drinking fine whiskey at parties in fashionable North Tehran; and gingerly self-flagellating in a celebration of Ashura, Majd takes readers on a rare tour of Iran and shares insights shaped by his complex heritage. He considers Iran as a Muslim country, as a Shiite country, and, perhaps above all, as a Persian one. Majd shows that as Shiites marked by an inferiority complex, and Persians marked by a superiority complex, Iranians are fiercely devoted to protecting their rights, a factor that has contributed to their intransigence over their nuclear programs. He points to the importance of the Persian view of privacy, arguing that the stability of the current regime owes much to the freedom Iranians have to behave as they wish behind “Persian walls.” And with wry affection, Majd describes the Persian concept of ta’arouf, an exaggerated form of polite self-deprecation that may explain some of Iranian President Ahmadinejad’s more bizarre public moments. With unforgettable portraits of Iranians, from government figures to women cab drivers to reform-minded Ayatollahs, Majd brings to life a country that is deeply religious yet highly cosmopolitan, authoritarian yet with democratic and reformist traditions—an Iran that is a more nuanced nemesis to the United States than it is typically portrayed to be.

    In The Two Faces of Islam, Stephen Schwartz, who has devoted years to the study of Islam, explains its complex history and describes the profound philosophical and religious differences that distinguish traditional beliefs from the radical sects that have sprung up over the past fifteen hundred years. He focuses on Wahhabism, the puritanical sect to which Osama bin Laden belongs. Founded in the eighteenth century by a radical cleric, this intolerant “Islamo-fascist” sect became the official creed of the Saudi Arabian state and has been exported to Moslem countries from the Balkans to the Philippines, as well as to Islamic communities in Western Europe and the United States. By setting the current upheavals within an historical and religious context, Schwartz demonstrates that Osama bin Laden and his followers are not really fighting a war against America. Rather, they are engaged in a revolution within Islam itself–a movement that parallels the turmoil within Christianity during the sixteenth century. Schwartz not only exposes the collusion of the Saudi Arabian government in the spread of radical Islam (which makes them at best reluctant allies of the West), he shows that the majority of Moslems have little sympathy for the Wahhabis and that many openly denounce their motivations and goals. A riveting narrative that never smacks of propaganda, The Two Faces of Islam is essential reading for anyone who seeks to understand who we are fighting, what our enemies believe, and who our friends in the Moslem world really are.From the Hardcover edition.

    In describing life in Iran today, Christiane Bird, an American who spent part of her childhood there, breaks the silence that has surrounded Iran's culture -- unlike its politics -- for nearly twenty years. Traveling alone and largely by bus, Bird journeys from the modern, bustling capital of Tehran to the medieval holy city of Qom, from the sacred pilgrimage site of Mashhad -- visited by more than twelve million Shi'ites annually -- to the isolated valley of Alamut, once home to the legendary cult of the Assassins. She visits mosques, public baths, Khomeini's former home, and a Caspian Sea resort, and attends prayer meetings and a horse racing meet. Along the way, she talks to muleteers and ayatollahs, Kurds and Turkomans, Westernized and traditional Iranians -- many of whom invite her home for a cup of tea. The result is an astounding, insightful journey into the Islamic Republic of Iran -- in all its beauty, ferocity, and contradiction.

    She also provides an academically reliable introduction to Islam, addressing its inception, development and current demographics.Through this engaging work, readers will gain a better understanding of the everyday aspects of Muslim American life, to dispel many of the misconceptions that still remain and open a dialogue for tolerance and acceptance.

    This powerful account of brutality against women in the Muslim world remains as shocking today as when it was first published, more than a quarter of a century ago. It was the horrific female genital mutilation that she suffered aged only six, which first awakened Nawal el Saadawi's sense of the violence and injustice which permeated her society. Her experiences working as a doctor in villages around Egypt, witnessing prostitution, honour killings and sexual abuse, inspired her to write in order to give voice to this suffering. She goes on explore the causes of the situation through a discussion of the historical role of Arab women in religion and literature.Saadawi argues that the veil, polygamy and legal inequality are incompatible with the just and peaceful Islam which she envisages.

    The result is as tragic as it is paradoxical: originally deployed as pawns to foil nationalism and communism, extremist mullahs and ayatollahs now dominate the landscape, thundering against freedom of thought, science, women's rights, secularism—and their former patron. Chronicling a history of double-dealing, cynical exploitation, and humiliating embarrassment that continues to this day, Devil's Game reveals a pattern that, far from furthering democracy or security, ensures a future of blunders and blowback.

    This Grand Lie turns the entire understanding of Islam upside down. The Muslims who kill for Islam know that our ruling elite are lying to us about Islam.At the very start of the book two things are asked of the reader:if the reader is a Muslim, then he is asked to put the book down so that understanding his own religion better does not turn him into a killer;any other reader is asked to just turn to the first pages of the Koran presented in the second half of the book; if within 5 minutes s/he is not convinced that Islam is a religion of war obsessed with the subjugation of non-Muslims, then that reader is asked to to return to the first half of the book and read that until they are convinced that what is presented in this book was mainstream scholarly opinion in the West before 9/11. One of the ways in which Islam protects itself from non-Muslims is that the normal Koran is encrypted. McLoughlin & Robinson decrypt the Koran. But they know that most people do not want to spend months or years learning the ins and outs of Islam. Most people just want to be left alone to get on with their lives. Yet when terrorism in the name of Islam abounds and the state is systematically deceiving your children, then we all owe a duty to our relatives, our society and our civilisation to know, without any doubt at all, that our ruling elite are systematically lying to us about Islam, the religion of war and terrorism.McLoughlin & Robinson explain the concept of "abrogation" and prove how fundamental this concept is to Islam. They show that any of the verses which our lying leaders pluck out to claim that Islam is a religion of peace has either been garbled or is a verse that has been cancelled.The ordinary man or woman cannot rely on Muslims to tell us the truth (because to Muslims Islam is the only truth and Islam authorizes Muslims to employ deception, for example as Taqiyya or Kitman). We cannot rely on writers, clergy, journalists or academics - because they are either in hock to Muslim donors, or because they are Leftists who are allied to Islam, or because such people are simply too scared of Muslims killing them if they speak the truth. You don't have to believe McLoughlin and Robinson's claims. The book has over 600 references, which link to the work of other acknowledged authorities on Islam (Western scholars, mainstream translators of the Koran, Muslim and ex-Muslim experts). The book shows you what those who went before us in our own society were saying about Islam. For centuries they were warning the West about Islam. And all their warnings have been concealed by the Quisling elite who have sold your descendants into slavery or civil war. It really is that serious.Those shallow ideologues who dismiss Mohammed's Koran because it is not written by Muslims are missing a vital principle: our society doesn't demand that only Nazis explain Mein Kampf, or that only Communists can criticise Marx, Stalin, etc. If there were Christian terrorists whom the Pope would not denounce, then it is the explanations of non-Christians who would be favoured. Our society regards those who are not proponents of an ideology as more credible and more objective critics of an ideology than those who are already indoctrinated by that ideology. As McLoughlin & Robinson show in the first 100 pages, it is precisely this demand that only Muslims can have an opinion on Islam (as idiotic as saying "only Nazis can speak about Nazism") which has allowed Muslims to fool the electorate in countries across the West. If the people of the West had not been deceived by the Quisling ruling elite, every country would have already elected parties who would have kept Islam outside the borders of our nations.

    Explains the history, doctrines, and beliefs of the Islamic faith; outlines the life and philophies of Muhammad; describes Islamic contributions to the arts and sciences; and describes its rituals, prayers, and holidays.

    Feelings of shock, horror, repulsion, pity or even fear are not uncommon. But have you ever wondered who it is behind the veil and what makes her tick? Ever wondered what her life is really like and whether her dreams, hopes and aspirations differ from yours? From My Sisters' Lips offers a rare glimpse into the lives of a community of women, most of whom are converts to Islam, and invites you to share their joys, sorrows, convictions and faith. When Na'ima B Robert abandoned her western lifestyle and embraced Islam six years ago, it was not a decision taken lightly. Yet soon after she took her first tentative steps towards covering, she felt empowered; no longer judged on physical appearances alone, no longer seeking the approval to feel beautiful — or using her looks to wield power over men — the experience effected her greatly. Before long she grew in confidence and courage. As she says, "Something just clicked." I thought, "Good, don't look; don't compare me with your latest squeeze, don't try and guess my measurements - my body is my own business!"' From My Sisters' Lips offers a glimpse into the lives of just some of the extraordinary women who, like herself, have chosen to live behind the veil. What emerges is a vivid and intimate portrait of a sisterhood; as they speak candidly and with conviction on a diverse range of subjects ranging from marriage to motherhood, stereotypes, submission and self-image, we hear the strong, proud voices of those who are seldom heard.