Pope Paul VI saw clearly the problems inherent in the rising culture of death.

    Using everyday language to explain difficult theological concepts, Teresa of Avila compares the contemplative life to a castle with seven chambers. Tracing the passage of the soul through each successive chamber, she draws a powerful picture of the path toward spiritual perfection. It is the most sublime and mature of Teresa's works, offering profound and inspiring reflections on such subjects as self-knowledge, humility, detachment, and suffering.One of the most celebrated works on mystical theology in existence, as timely today as when St. Teresa of Avila wrote it centuries ago, this is a treasury of unforgettable maxims on self-knowledge and fulfillment.

    She demonstrates how the thriving and militant feminism of late nineteenth and early twentieth centuries was undermined, and asserts that the decline of this feminism was due largely to the promotion of a sexual ideology which was hostile to women’s independence. The circumstances about which she writes are frighteningly familiar in the present political climate.

    They pored over magazines that described the dangerous pleasures of corporal punishment. A few had sexual relationships with each other, exchanged rings and vows, willed each other property, and lived together in long-term partnerships described as marriages. But, as Sharon Marcus shows, these women were not seen as gender outlaws. Their desires were fanned by consumer culture, and their friendships and unions were accepted and even encouraged by family, society, and church. Far from being sexless angels defined only by male desires, Victorian women openly enjoyed looking at and even dominating other women. Their friendships helped realize the ideal of companionate love between men and women celebrated by novels, and their unions influenced politicians and social thinkers to reform marriage law.Through a close examination of literature, memoirs, letters, domestic magazines, and political debates, Marcus reveals how relationships between women were a crucial component of femininity. Deeply researched, powerfully argued, and filled with original readings of familiar and surprising sources, Between Women overturns everything we thought we knew about Victorian women and the history of marriage and family life. It offers a new paradigm for theorizing gender and sexuality--not just in the Victorian period, but in our own.

    Maurice Beebe calls it "a distinguished contribution to modern literary history." Jane Marcus hails it as "the first serious literary history of the period and its women writers, making along the way no small contribution to our understanding of the relationships between women artists and their male counterparts, from Henry James to Hemingway, Joyce, Picasso, and Pound."

    In the years since publication this book has rightly attained the status of a classic. Written for readers with little knowledge of the subject, Sexual/Textual Politics nevertheless makes its own intervention into key debates, arguing provocatively for a commitedly political and theoretical criticism as against merely textual or apolitical approaches.With a new afterword in this edition, Sexual/Textual Politics is a must-read for all those interested in feminist literary theory.

    The author explores the rich heritage of Celtic women in history, myth, and ritual, showing how these traditions compare to modern attitudes toward women.

    Reflecting on our increasingly diet and body-obsessed society, Susie Orbach's new introduction explains how generations of women and girls are growing up absorbing the eating anxieties around them. In an age where women want to be sexy, nurturing, domestic goddesses, confident at work, and feminine too, the twenty-first-century woman is poorly armed for survival. Never before has the Fat Is A Feminist Issue revolution been more in need of revival.Exploring our love/hate relationship with food, Susie Orbach describes how fat is about so much more than food. It is a response to our social situation; the way we are seen by others and ourselves. Too often food is a source of anguish, as are our bodies. But Fat Is A Feminist Issue discusses how we can turn food into a friend and find ways to accept ourselves for who and how we are. Following the step-by-step guide, and you too can put an end to food anxieties and dieting.

    Orginally published: New York: Harper & Row, 1963.

    . . an astonishing array of women writers from the 22nd century BC poet Enheduanna to Nelly Sachs and Anna Akhmatova."--Library Journal

    In this beautifully illustrated and far-reaching history. Elinor Gadon vividly weaves words and images to demonstrate the powerful connections between ancient and contemporary art, between the Goddess of the Ice Age and the Goddess of today.This panoramic view of Goddess imagery extends from the prehistoric Goddess representations of Catal Huyuk, Malta, Avebury, and Crete, tot he more patriarchal images of the Sumerians, Greeks, and Christians, to the wide range of contemporary artists inspired by the Goddess, including Frida Kahlo, Mayumi Oda, and Judy Chicago.

    There is not one Jesus, Chopra writes, but three.First, there is the historical Jesus, the man who lived more than two thousand years ago and whose teachings are the foundation of Christian theology and thought. Next there is Jesus the Son of God, who has come to embody an institutional religion with specific dogma, a priesthood, and devout believers. And finally, there is the third Jesus, the cosmic Christ, the spiritual guide whose teaching embraces all humanity, not just the church built in his name. He speaks to the individual who wants to find God as a personal experience, to attain what some might call grace, or God-consciousness, or enlightenment. When we take Jesus literally, we are faced with the impossible. How can we truly “love thy neighbor as thyself”? But when we see the exhortations of Jesus as invitations to join him on a higher spiritual plane, his words suddenly make sense.Ultimately, Chopra argues, Christianity needs to overcome its tendency to be exclusionary and refocus on being a religion of personal insight and spiritual growth. In this way Jesus can be seen for the universal teacher he truly is–someone whose teachings of compassion, tolerance, and understanding can embrace and be embraced by all of us.

    This landmark book reveals not only that women were priests, bishops, and prophets in early Christianity, but also how and why they were then suppressed.

    Selections are organized into five historical periods from the 18th century to the mid-1990s. The book includes key feminist manifestoes to help students see the link between feminist theory and application, as well as clear, concise explanations of 12 key concepts that characterize the development of feminist thought since its inception.

    A Vietnamese monk and Buddhist teacher explores the common ground of Christianity and Buddhism on such subjects as compassion and holiness, and offers inspiration to believers in both religions.