The other masterly essays in this collection include classics such as "My Country Right or Left", "How the Poor Die" and "Such, Such were the Joys", his memoir of the horrors of public school, as well as discussions of Shakespeare, sleeping rough, boys' weeklies, and a spirited defence of English cooking. Opinionated, uncompromising, provocative, and hugely entertaining, all show Orwell's unique ability to get to the heart of any subject.

    It is also an artistic and political manifesto. The introduction traces Conrad's sources and gives the history of writing and reception. The essay on the text and the apparatus set out the textual history. The notes explain literary and historical references, identify places, and gloss foreign terms. Four maps and a genealogical table supplement this explanatory material. This edition of A Personal Record, established through modern textual scholarship, presents Conrad's reminiscences and the volume's two prefaces in forms more authoritative than any so far printed.

    And so, for this holiday season, we present a Christmas story that only he could write, about the wicked boy who got everything.When Twain arrived in San Francisco in 1864, he quickly landed a job writing for a newly launched literary weekly called The Californian, which was co-edited by Bret Harte (future author of “The Outcast of Poker Flat”) and Charles Henry Webb. With their encouragement and guidance, he honed his skills as a satirist and within a few months he was paid $50 a month to write one piece per issue—a respectable amount at the time, although never enough for the young Samuel Clemens, whose financial woes were a recurrent theme in his journals and letters. The newspaper was a success, but turnover among owners and editors led to its eventual demise. Before the periodical ceased publication in 1868, it had also introduced Ambrose Bierce to its readers.Published two days before Christmas in the newspaper’s first year, “The Christmas Fireside” features a character familiar to readers of Mark Twain: the naughty boy. Compared with the affably mischievous Tom Sawyer and Huckleberry Finn, however, “Jim” is a downright monster. But Twain’s satire isn’t really about boyhood. If anything, Twain has written what might be called an “anti-story”—less about what does happen to Jim and more about what does not. He has two targets: the laughably implausible Sunday school catechisms of the era and (particularly in the closing paragraphs) the American propensity for rewarding corruption and vice among members of its political and entrepreneurial class. “Bah, humbug!” one might think, but what keeps the young Mark Twain from being the Californian Scrooge is a sense of impishness to mitigate the cynicism.

    As he contemplates his fate, socialite Mary Montresor passes by in her car. She takes him off to the country and proposes marriage. They stop to investigate a pretty country house, and a maid opens the door to them. Mary picks a name at random and asks if the house belongs to Mrs. Pardonstenger. Amazingly, the maid leads them inside, where they encounter a very dangerous situation ...

    Only a select inner circle of women will know the cost of sharing a beloved man with history . . . and each will draw strength from the unique treasure given to them by a doomed queen. Seeing farm and family through each harsh New England season, Abigail Adams is sustained only by the fervent reunions stolen between John's journeys abroad. She will face the terror of an ocean crossing to join her husband in France--and write her own page in history. And there she will cross paths with kings, commoners--and young Sally Hemings. Just as Sally had grown from a clever child to a beautiful woman, so had her relationship with Thomas Jefferson grown from a friendship between slave and master to one entangled in the complexities of black and white, decorum and desire. It is a relationship that will leave Sally to face an agonizingly wrenching choice. Dolley Madison, too, must live with the repercussions of a forbidden love affair--although she will confront even greater trials as a President's wife. But Dolley will become one of the best-loved ladies of the White House--and leave an extraordinary legacy of her own. A lushly written novel that traces the marriages tested by the demands of love and loyalty, Patriot Hearts offers readers a dazzling glimpse behind the scenes of a revolution, from adversity and treachery to teatime strategies, as four magnificent women shape a nation's future.

    To purchase the entire book, please order ISBN 1417913304.

    DICKRobot psychiatrists activated by $20 coinsA war veteran who keeps changing into a blob of organic jellyBusiness advice from the souls of the departedA machine that turns musical scores into small, furry animalsA dog story that recalls Kafka's 'Investigations of a Dog' These are some of the treasures of imagination in this collection of Philip K. Dick's short fiction. They display all the uncanny inventiveness & sad, quirky humanism of his wonderful novels as well as being a testing ground for many of their later themes.Comprising:The Preserving Machine (1953);War Game (1959);Upon the Dull Earth (1954);Roog (1952);War Veteran (1955);Top Stand-By Job (1963);Beyond Lies the Wub (1952);We Can Remember It for You Wholesale (1966);Captive Market (1955);If There Were No Benny Cemoli (1953);Retreat Syndrome (1964);The Crawlers (1954);Oh, to Be a Blobel! (1964);What the Dead Men Say (1964);Pay for the Printer (1956).

    S. Lewis’s adult religious books, a repackaged edition of the revered author’s definitive collection of short fiction, which explores enduring spiritual and science fiction themes such as space, time, reality, fantasy, God, and the fate of humankind.From C.S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—comes a collection of his dazzling short fiction.This collection of futuristic fiction includes a breathtaking science fiction story written early in his career in which Cambridge intellectuals witness the breach of space-time through a chronoscope—a telescope that looks not just into another world, but into another time. As powerful, inventive, and profound as his theological and philosophical works, The Dark Tower reveals another side of Lewis’s creative mind and his longtime fascination with reality and spirituality. It is ideal reading for fans of J. R. R. Tolkien, Lewis’s longtime friend and colleague.

    Jessie meets hers when she and her friend Angela move into their new apartment--he lives in the rotten-smelling basement apartment--wet lips, whiny voice, eating Cheez Doodles with warm Coke. He's always waiting for her, inviting her down to his apartment ... he has 'things' to show her. When Jessie's obsession with this repulsive man turns to paranoia, it takes over more than just her life. Locus Poll Award Nominee, World Fantasy Award Nominee, Bram Stoker Award Winner

    Told in the same fanciful, irreverent style as the Hitchhiker trilogy, with scraps of scripts, letters and comments from Adams, Don't Panic is the perfect companion to one of the most successful series in publishing history.

    Printed on high-quality paper, designed by Jeff Fisher, the books should become collectors' items. This title is "The Labrador Fiasco" by Margaret Atwood.

    Written as Claudius' autobiography, they follow his progress from a stammering figure of fun to the ruler of the Roman Empire. Here, in extracts from both books, he describes the glory and decadence of the mad Emperor Caligula's reign - an age of wild debauchery and whimsical cruelty.

    . . At that moment the idea came to me to write a short personal memoir. . . of a man I had grown to love over those five years' GETTING TO KNOW THE GENERAL is Graham Greene's account of a five-year personal involvement with Omar Torrijos, ruler of Panama from 1968-81 and Sergeant Chuchu, one of the few men in the National Guard whom the General trusted completely. It is a fascinating tribute to an inspirational politician in the vital period of his country's history, and to an unusual and enduring friendship.

    The Ironclads are 100-foot-long (30 m) machines with remote controlled guns and accommodation for 42 soldiers, including 7 officers.The story is one of those responsible for Wells' reputation as a "prophet of the future", as the eponymous machines seem to anticipate the tanks of World War I. His rather sketchy battle between countrymen and townsmen also carries echoes of the Boer War and his 1898 novel The War of the Worlds, which also features a struggle between technologically uneven protagonists.***The story opens with a war correspondent and a young lieutenant surveying the calm of the battlefield and reflecting upon the war. The two opposing sides are dug into trenches, each waiting for the other to attack, and the men on the war correspondent's side are confident in their coming victory. They believe that they will win because they are all strong outdoor-types - men who know how to use a rifle and fight - while their enemies are towns people ... "a crowd of devitalized townsmen ... They're clerks, they're factory hands, they're students, they're civilized men. They can write, they can talk, they can make and do all sorts of things, but they're poor amateurs at war." The men agree that their "open air life" produces men better suited to war than their opponents' "decent civilization".In the end, however, it is shown that the "decent civilization", with its men of science and engineers, triumphs over the "better soldiers" who, instead of developing land ironclads of their own, had been practicing shooting their rifles from horseback, a tactic which became obsolete the second the land ironclads appeared on the battlefield. The story ends with the entire army captured by a dozen or so of the land ironclads, and the last scene is of the correspondent comparing his countrymen's "sturdy proportions with those of their lightly built captors", and thinking of the story he is going to write about the experience, noting both that the captured officers are thinking of ways they will defeat what they call the enemy's "ironmongery" with their already-existing weaponry, rather than developing their own land ironclads to counter the new threat, and also noting that the "half-dozen comparatively slender young men in blue pajamas who were standing about their victorious land ironclad, drinking coffee and eating biscuits, had also in their eyes and carriage something not altogether degraded below the level of a man."

    At the State Department in Washington, a freshman congressman who knows the Arab world makes a secret offer that may be the last remaining hope. So begins Evan Kendrick's odyssey. He works alone in a nightmare world of violence. His only condition is anonymity, his only wish, to finish the job and return to private life. But for Kendrick, Masqat is only the beginning. He is marked for things beyond his understanding.