It's a book about light and dark, doubt and faith, friendship and compassion.Riddle’s representations of the strangeness of the urban landscape evoke a sense of movement that has been captured – and stilled momentarily – as if by the lens of an old-fashioned camera. Whenever we spend time with it, the spare text and mesmerising images have a way of calming the room around us as if there issomething peaceful settling over us as we read. It is a triumph of wonderful quiet beauty.Unforgotten feels like a classic in the making with its thought-provoking edgy surrealism, plea for compassion and sense of the absurd, while leaving lots of room for individual, imaginative interpretation."Reading this book is like being quietly ushered into another dimension by winged strangers, a place beyond the tread of normal earth-bound language. Ephemeral as a feather, timeless as a rock, and as true as both, Unforgotten is a magical experience."– Shaun Tan, author of The Arrival and Tales from Outer Suburbia

    He’s different to what you might imagine a little mouse to be, because Woody is the most respected of all the forest animals. Even the lion and the elephant come to Woody’s cave to bear him gifts.But Woody has a secret that none of the animals know about. He has secretly been fooling them into believing he eats the most powerful animals, the ones of which he leaves bones scattered at the entrance to his cave.A chance encounter with a fox, who takes shelter in his cave one evening, reveals Woody’s deceit to the other animals and he is soon presented at the animal court to decide a fitting punishment for his lies.But there is danger looming for all the animals and Woody is given one last chance to redeem himself. Can he save the forest dwellers and win back their trust? Or will he face a punishment that he could see him lose it forever?

    She tries to remember who she is and where she came from, despite the efforts of the nuns who are in charge at the school and who tell her that she is not to use her own name but instead use the number they have assigned to her. When she goes home for summer holidays, Irene's parents decide never to send her and her brothers away again. But where will they hide? And what will happen when her parents disobey the law? Based on the life of co-author Jenny Kay Dupuis’ grandmother, I Am Not a Number is a hugely necessary book that brings a terrible part of Canada’s history to light in a way that children can learn from and relate to.

    a wood where the trees look back... a basement door blocked by a brick wall so thick, it stifles the screams from below ... This original collection of chilling poems and tales contains the only true ghost stories in existence (as the book itself will tell you)—13 eerie encounters perfect for sharing...if you dare. Accompanied by striking illustrations and building to a truly spine-tingling conclusion, this haunting book will consume the imagination and keep readers of every age up long past their bedtimes.

    Eleven-year-old Toby’s vivid diary entries offer an insider’s view of day-to-day castle life, including tips on etiquette (where do you spit at a feast?) and exciting descriptions of hunting, jousting, and harvesting. Complete with glossary, index, and detailed endnotes, this is a rich look at medieval life that informs as much as it entertains.

    Frizzle is taking on new subjects! Join her on a fascinating trip to Ancient Egypt, where history has never been so alive. It's a thrilling adventure with everyone's favorite teacher!In this exciting new book about ancient Egypt, Ms. Frizzle dives into the arena of social studies with the same zest she has always shown for science. After joining a tour group, the Friz is soon the one in charge. She and the group parachute into the past, where they help build a pyramid and witness the making of a mummy. With Ms. Frizzle as a guide, readers will be eager to discover the enchanting history of Egypt.

    But before she can work off her debt, an unthinkable chain of events unfolds: a capture by slave traders; weeks in a dark and airless hold; a landing in Cuba, where she and three other children are sold and taken aboard the Amistad; a mutiny aboard ship; a trial in New Haven that eventually goes all the way to the Supreme Court and is argued in the Africans’ favor by John Quincy Adams. Narrated in a remarkable first-person voice, this fictionalized book of memories of a real-life figure retells history through the eyes of a child — from seeing mirrors for the first time and struggling with laughably complicated clothing to longing for family and a home she never forgets. Lush, full-color illustrations by Robert Byrd, plus archival photographs and documents, bring an extraordinary journey to life.

    "The sad thing is, I like it" - Maurice Sendak"The perfect gift to give a child or grandchild for their high school or college graduation.Also Father's Day.Also, other times." - Stephen Colbert

    On the street, in the coffee shop, at the farmer’s market, or the local vegan café, you’ll meet new friends like Frances and Sadie, Freelance Frank, Realtor Rick, and Bethany the Beauty Blogger as they bike, drive, bus, hoverboard, and Uber their way around town—or just sit and enjoy a latte while doing important things on their devices.Everybody in Digi Valley is very, very busy—texting, tweeting, video chatting, sending selfies, swiping for dates, and binging on their favorite shows. Whether you’re looking for a job at the latest media startup or want to publish your own web series, this urban mecca has something for everyone. And with the emotionally sensitive, tech-friendly Digi Valley Elementary School, it’s a great place to raise kids too!In What Are We Even Doing With Our Lives? Chelsea Marshall and Mary Dauterman have created an authentic fictional world that illuminates the funny, silly, earnest experience of millennial life. But watch out when the unthinkable happens—the internet goes down! Filled with dozens of illustrated spreads, What Are We Even Doing With Our Lives? is the most honest children’s book for all ages ever written... like seriously.

    But is it too late?Kulhmann's open ended text encourages thoughtful exploration into possible solutions, and his delightful endpapers depict a montage of solutions that could very well save the moles' world and ours.

    In the Nathan Hale’s Hazardous Tales series, author Nathan Hale channels his namesake to present history’s roughest, toughest, and craziest stories in the graphic novel format.One Dead Spy tackles the story of Hale himself, who was an officer and spy for the American rebels during the Revolutionary War. Author Hale highlights the unusual, gruesome, and just plain unbelievable truth of historical Nathan Hale—from his early unlucky days at Yale to his later unlucky days as an officer—and America during the Revolutionary War.

    Aimed for readers age five to ten, Bookata’s books allow the users (parents and children alike) to change in a few minutes the whole content, from illustrations to text.

    

    It satirises the Falklands War. The book presents the story of the war in the format of a picture book for young children. It is written in a simple style with large, brightly coloured illustrations. Neither the Falkland Islands, the belligerent countries, nor their leaders are named in the text. Instead, the British prime minister Margaret Thatcher and the Argentine dictator General Leopoldo Galtieri are presented as a pair of metal monsters who send men to fight over a "sad little island" populated by a few shepherds who eat nothing but mutton. The old woman (who is "not real [but] made of Iron") derives from Thatcher's nickname "the Iron Lady", while the General (who is "not real [but] made of Tin Pots") derives from the slang term "tin-pot general" or "tin-pot dictator", meaning a petty authoritarian type. The book mentions several ways in which soldiers (who were "all real men, made of flesh and blood ... not made of Tin Pots or Iron") were killed or maimed; the pictures accompanying these parts of the text are monochrome pencil sketches, as opposed to the full-colour caricatures in the rest of the book. Following the victory by the soldiers of the Old Iron Woman, there are various celebrations, to which the maimed are not invited in case their appearance spoils the fun (a reference to actual occurrences at Falklands War memorial events).[citation needed] The refusal of either side to admit responsibility for civilian casualties is satirised with the statement that three of the islanders were killed, but that "nobody was to blame".

    When a farm girl discovers a runaway slave hiding in the barn, she is at once startled and frightened. But the stranger's fearful eyes weigh upon her conscience, and she must make a difficult choice. Will she have the courage to help him? Unspoken gifts of humanity unite the girl and the runaway as they each face a journey: one following the North Star, the other following her heart. Henry Cole's unusual and original rendering of the Underground Railroad speaks directly to our deepest sense of compassion.