Set in the Midwest, where Florida represents a faraway paradise, this novel tells the story of Alice Fivey. Fatherless since she was seven, Alice is left in the care of her relatives at the age of ten, when her mother, whose "toenails winked in the foil bed we knew for Florida," is institutionalized. Alice is moved from place to place, remaining still while others try to mold her into someone different from her mother. She consoles herself with books and becomes a storyteller herself as she moves into adulthood, ever further from the desolation of her mother's actions and closer to the meaning of her own experience. Told in brief scenes of spare beauty, Florida is a graceful and gripping tale of family, forgiveness, and creation of the self.

    Randall, a bankruptcy lawyer, is the warlord of his world, a shark in a fishbowl, exercising power with mad, relentless, hilarious glee; Boone, an American innocent abroad, journeys to the African bush, protected by the twin charms of the passport and the almighty dollar. In seeking Michael, both men find much more than they bargain for.A satire, steeped in irony, chronicles the misadventures of Boone Westfall, who wanders through West Africa encountering witches, angry ancestors, and bad medicine in search of his missing friend Michael Killigan, whose high-powered banker father is conducting his own search.

    Dotty Johnson is the kind of woman no one can ingore. One afternoon, they both disappear from the small Vermont town where they live. The next day, two hundred miles away, a toddler is snatched from her Massachusetts home.For the next five years, Aubrey, Dotty, and the kidnapped child—bound together by strange love and desperate need—are trapped in a nomadic existence governed by their constant fear of discovery. Canny, the little girl, becomes Aubrey's entire existence. But Dotty wants out. She is tired of being saddled with this fearful little man. When she meets Jiggy Huller, a brutal ex-convict, the wheels of Canny's return to her natural parents are wrenched fatally into motion.

    In prose of astonishing clarity and intensity, Agee captured the portrait of an appealing and very real boy - serious, pitiable, funny - at the moment of his initiation into a feared yet fascinating world.

    Soon most of the SLA are dead, killed in a suicidal confrontation with police in Los Angeles, forcing Tania and her two remaining comrades--the pompous and abusive General Teko and his duplicitous lieutenant, Yolanda--into hiding, where they will remain for the next sixteen months. These are the months of Tania's sentimental education.

    When Lacey's fair-haired boy, Duncan Harper, is appointed interim sheriff, he makes public his private convictions about the equality of blacks before the law, and the combined threat and promise he represents to the understood order of things in Lacey affects almost every member of the community. In the end, Harper succeeds in pointing the way for individuals, both black and white, to find a more harmonious coexistence, but at a sacrifice all must come to regret. In The Voice at the Back Door, Mississippi native Elizabeth Spencer gives form to the many voices that shaped her view of race relations while growing up, and at the same time discovers her own voice - one of hope. Employing her extraordinary literary powers - finely honed narrative techniques, insight into a rich, diverse cast of characters, and an unerring ear for dialect - Spencer makes palpable the psychological milieu of a small southern town hobbled by tradition but lurching toward the dawn of the civil rights movement. First published in 1956, The Voice at the Back Door is Spencer's most highly praised novel yet, and her last to treat small-town life in Mississippi.

    Curley, portrays its Irish-American political boss as a demagogue and a rogue who nonetheless deeply understands his constituents. The book was later made into a John Ford film staring Spencer Tracy.

    Bernie Perk, the burning pharmacist. Henry Harper, the nine-year old orphan millionaire, terrified of being adopted. The woman whose life revolves around pierced lobes. An evil hypnotist. Swindlers. Con-men. And Dick Gibson himself. Anticipating talk radio and its crazed hosts, Stanley Elkin creates a brilliant comic world held together by American manias and maniacs in all their forms, and a character who perfectly understands what Americans want and gives it to them.

    Although he had lived little in nature Levin had always loved it, and the sense of having done the right thing in leaving New York was renewed in him." Soon after his arrival at Cascadia College, however, Levin realizes he has been taken in by a mirage. The failures pile up anew, and Levin, fired from his post, finds himself back where he started and little the wiser for it.A New Life--as Jonathan Lethem's introduction makes clear--is Malamud at his best: with his belief in luck and new beginnings Sy Levin embodies the thwarted yearning for transcendence that is at the heart of all Malamud's work.

    At its center is Lat Evans, good-hearted and yet seduced by the possibilities for prosperity in his new life; gradually he discerns how the perils of the natural world, and most especially human nature, can conspire to frustrate a young man's best intentions.

    "Like the stories read to children, this intensely caring novel can help prevent the nightmare it describes."--USA Today.

    A lyrical and timeless fable of the small country village of Greenwillow and its unforgettable inhabitants, and of the poignant romance between young Gideon Briggs who lives in the shadow of a family curse and is determined never to marry, and Dorrie, the orphan girl he loves.

    It richly chronicles one man's rise to wealth, power, and prominence - and the haunting sense of failure at his heart.

    Introduced simply as the boy on the bench, the titular character of Malcolm is a Candide-like figure who is picked up by the most famous astrologer of his period and introduced to a series of increasingly absurd characters and bizarre situations in the most prodigiously funny book to streak across these heavy-hanging times (Dorothy Parker)."

    At first the characters appear to have little in common, but as the novel progresses their motives and desires cross and blend in a geometry of misunderstanding.