This text contains an introductory essay, critical biography and chronology of the author's life. Ages 16+.

    In trade paperback and priced at $19.00, readers of the Baer will now be able to buy the trilogy in one handy volume. The novels follow antihero Phineas Poe, ex cop and his love for Jude. Together they try to make sense of their past and navigate the internal landscape he calls hell's half acre. The Phineas Poe trilogy includes Kiss Me Judas, Penny Dreadful, Hell's Half Acre

    He is only the first of a series of unexpected visitors and is soon followed by a teenager running from an abusive father, a half sister in trouble, a mainland family, and a forlorn trapped whale. In the engrossing drama that unfolds, Hannah's love of her island solitude competes with her instinctive compassion for others.In this booksellers' favorite and two-time Book Sense pick, now available in paperback, Joe Coomer offers the rugged yet stunning beauty of Maine and the lobstermen and their families who are dependent on the sea for survival. Pocketful of Names is a deeply human tale about the unpredictability of nature, art, family, and the flotsam and jetsam that comprise our lives.

    Believing she might discover it in an old book her mother is lovingly translating, she sets out in search of its author. Across New York an old man called Leo Gursky is trying to survive a little bit longer. He spends his days dreaming of the lost love who, sixty years ago in Poland, inspired him to write a book. And although he doesn't know it yet, that book also survived: crossing oceans and generations, and changing lives...

    Winner of the Sandor Marai prize, and in the tradition of 'A Curious Incident' and 'Boy in the Striped Pyjamas', 'The White King' is the story about a young boy in a totalitarian state in a quest for his disappeared father."

    A boxed, paperback collection of some of Faulkner's most well know & beloved novels.

    It is an epic narrative that moves from California to Kashmir, France, and England, and back to California again. Along the way there are tales of princesses lured from their homes by demons, legends of kings forced to defend their kingdoms against evil. And there is always love, gained and lost, uncommonly beautiful and mortally dangerous.

    There are few people remaining in her life, as Moranna cannot help but tax the patience of nearly everyone she encounters. Her long-suffering brother Murdoch has her best interests at heart, though he is fatigued by her enormous needs and pressured by his ambitious wife to invest less time in her. Pastor Andy politely sloughs off the peculiarly intelligent yet unpalatable sermons Moranna pens for him. Her neighbour Lottie knows what it is to be an eccentric and can be counted on to come through in a pinch. The local RCMP constabulary smooths over her legal scrapes. And her lover Bun, who lives with her when not working on the ferries between Cape Breton and Newfoundland, knows how to give her a wide berth on her "foul weather" days. Thanks to the assistance of these sometimes reluctant guardian angels, as well as to the carefully planned inheritance left by her father (not to mention her own sheer ingenuity), Moranna has managed to get by all these years despite small-town gossips and tormenting youths. Through a series of flashbacks, we learn more about the devastating effects of Moranna' s mental illness on her life and that of her family. But An Audience of Chairs also gives us a glimpse into the mind of a true iconoclast and wild spirit, who has managed despite overwhelming odds to keep hope alive.

    In the title novella, Brown Dog, a hapless Michigan Indian loved by Harrison's readers, is trying to parent his two step-children and take care of his family's health on meager resources - it helps a bit that his charms are irresistible to the new dentist in town. Republican Wives is a witty satire on the sexual neuroses of the Right, the mystery of why any person desires another, and the irrational power of love that, when thwarted, can turn so easily into an urge to murder. Tracking is a meditation on Harrison's fascination with place, telling his own familiar mythology through the places he has seen and the intellectual loves he has known in a vivid stream of consciousness that transfigures how we look at our own surroundings.

    Divorced, retired, estranged from his only daughter, the former life insurance salesman seeks only solitude and anonymity. Then Glass encounters his long-lost nephew, Tom Wood, who is working in a local bookstore—a far cry from the brilliant academic career Tom had begun when Nathan saw him last. Tom's boss is the colorful and charismatic Harry Brightman—a.k.a. Harry Dunkel—once the owner of a Chicago art gallery, whom fate has also brought to the "ancient kingdom of Brooklyn, New York." Through Tom and Harry, Nathan's world gradually broadens to include a new circle of acquaintances. He soon finds himself drawn into a scam involving a forged page of The Scarlet Letter, and begins to undertake his own literary venture, The Book of Human Folly, an account of "every blunder, every pratfall, every embarrassment, every idiocy, every foible, and every inane act I have committed during my long and checkered career as a man." The Brooklyn Follies is Paul Auster's warmest, most exuberant novel, a moving, unforgettable hymn to the glories and mysteries of ordinary human life.

    Strapping on his false leg, he makes his way to the landing strip to greet the unexpected arrival: William Hardt, a young American lawyer driven by his misguided ambition to win reparations for the island's inhabitants. Hardt is not the first white outsider to pay a visit; the British came earlier, bringing their language, the small pigs that run wild in the jungle, and Shakespeare . . . and the Americans followed with guns, land mines, and Coca-Cola. But in this place of riotously logical ritual, Hardt's determined quest to do good could make him the most devastating visitor of all. Profoundly moving and achingly funny, One Big Damn Puzzler brilliantly explores the collision of the twenty-first century with unsullied pagan reality—and establishes John Harding as one of the most imaginative contemporary chroniclers of the human condition.

    A virtuoso study in betrayal and its consequences, it explores - really, colonizes - the consciousness of Anatoly Sukhanov, who many years before abandoned the precarious existence of an underground artist for the perks of a Soviet apparatchik. But, at the age of 56, his perfect life is suddenly disintegrating. Buried dreams return to haunt him. New political alignments threaten to undo him. Vaulting effortlessly from the real to the surreal and from privilege to paranoia, The Dream Life of Sukhanov is a darkly funny, demonically entertaining novel.

    These ten powerful stories portray men and women in their most intimate moments. A lover of poetry is asked by his wife to give up what may be his most treasured relationship. A book dealer is forced to face the truth about his life. And in the title story, a translator assists his wife’s suicide, even as he performs a last act of betrayal. James Salter’s assured style and emotional insight make him one of our most essential writers

    Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.

    Understanding that history is nothing but a fable purged of grit and grime, Ruland transforms historical fiction into something slick, brutal and weird. Whether he's spinning a lurid yarn about the previous adventures of Popeye, imagining Dick Tracy as a San Fernando Valley police detective, or retelling the story of Little Red Riding Hood in Nazi Germany, Ruland's tales are full of crime and punishment. He isn't afraid to set a teenage mob story in St. Petersburg, Florida, or tell the story of an unlucky pair of pants in the style of a catechism--and every line resonates with the truth of lessons learned the hard way.

    This enormously entertaining yet serious novel tells a story of African-American women struggling against all odds to express what lies deepest in their hearts. Like Michael Chabon’s The Amazing Adventures of Kavalier and Clay or E. L. Doctorow’s Ragtime, it ranges freely through time, fact, and fiction to weave an enthralling story about history and art and their place in the lives of three women. “My mother believed in the power of movies and the people in them to change a life, to change her life.” So explains Tamara, daughter of Angela, granddaughter of Mildred — the three women whose lives are portrayed in stunning detail in this ambitious novel spanning three generations of one family. Tulsa, Oklahoma, in 1970 is not a place a smart black girl wants to linger. For Angela, twenty years old and beautiful, the stifling conformity is unbearable. She heads to Los Angeles just as blaxploitation movies are pouring money into the studios and lands a few bit parts before an unplanned pregnancy derails her plans for stardom. For Mildred, movies have always been a blessed diversion in a life marked by the legacy of the 1921 Tulsa race riots. But after Angela leaves Tulsa following a bitter fight, the distance between them grows into a breach that remains for years. It falls to Tamara, a budding documentarian — raised in LA by Angela as though they have no family, no history — to help mother and grandmother confront all that has been silenced and left unsaid in their lives.A bold, beautifully written, and deeply involving novel, Third Girl from the Left deftly examines the pull of the movies, the power of desire, and the bonds of family in a quintessentially American story.

    He tells of lives at the margins: an unrepentant terrorist remembers where it all began, a would-be emigrant contemplates the ramifications of leaving and never coming back, a reporter turns in his pad and pencil for the inglorious costume of a street clown. War by Candlelight is a devastating portrait of a world in flux from an extraordinary new voice in literary fiction, one you will not soon forget.

    A year later, while en route to India, their troop ship is recalled and they soon find themselves in the European slaughterhouse that was World War I. As stretcher bearers, the two men witness all too closely the horrors of the battlefield and the trenches, the savagery, and the unconscionable waste of human life on fields made liquid by “the blood and guts of boy soldiers” at the Somme, Ypres, and Passchendaele. Meanwhile, back home in Ireland, Con’s sister and Matthias’s lover, Kitty Hatchel, yearns for their safe return and reminds them of their carefree childhood on the banks of the local canal, as well as their hopes for the future.Brilliantly and movingly narrated by a chorus of voices from the community — Matt, Con, Kitty, and others — The Canal Bridge tells the story of how the young men take Ballyrannel to war with them, and how the war comes back home when hostilities end in Europe. The Ireland the friends left in 1913 no longer exists, for the political landscape has been transformed by the Rising against the British in 1916. It is now a land riven with sectarian tensions and bloodshed from which there is no escape.

    Though the stories stand alone, a minor element in one becomes major in the next. In "My Shape", a woman is taunted by her dance coach, who later suffers his own heartache. A Venetian poet of the 1500s, another storyteller, is introduced to a modern traveler reading Rilke. His story precedes a mesmerizing narrative of missionaries in China. In the final story, Giles, born to a priesthood family, leans toward Buddhism after a grievous loss, and in time falls in love with the dancer of the first story. So deft and subtle is Joan Silber with these various perspectives that we come full circle surprised and enchanted by her myriad worlds. National Book Award finalist. Reading group guide included.

    and Pig Earth among them-with a shimmering fiction drawn from chapters of his own life.One hot afternoon in Lisbon, the narrator finds his long-dead mother seated on a park bench. "The dead don't stay where they are buried," she tells him. And so begins a remarkable odyssey, told in simple yet gorgeous prose, that carries us from the London Blitz in 1943, to a Polish market, to a Paleolithic cave, to the Ritz Hotel in Madrid. Here Is Where We Meet is a unique literary journey that moves freely through time and space but never loses its foothold in the sensuous present.

    Thirty years later, one of the brothers-the only remaining survivor of a family he seeks both to leave behind and to preserve in words forever-narrates these precise and heartbreaking tales. Suffused with the beauty of Richard McCann's extraordinary language, Mother of Sorrows introduces us to an elegant writer like no other in contemporary fiction.

    Her life is transformed when she wins a scholarship to Tatham's, a kind of Oxbridge university for teenagers.But this is only the start of an education as much emotional as intellectual. Sophie falls hopelessly in love with Lucas, adored gay son of a wealthy Jewish family and, through him, is drawn into a tangle of betrayed friendship and forbidden passions that ends in tragedy and disgrace.Spanning the years 1975 to 1979, the chapters alternate between school terms and holidays, between Sophie's dogged pursuit of the glittering prizes and her slow, painful discovery of who she is and where she belongs. Through other people's families, and especially other people's mothers, she learns as much about the mysterious laws of class and love as she learns from her teachers about the Latin and Greek that will prove her passport to security.

    From the bestselling author of 'Four Letters Of Love' and 'As It Is In Heaven, 'Only Say The Word' is a story about love, home and family, about reading and writing, and ultimately - about living.

    The neighbors think it strange that a grown man enjoys a Tarzan like swing from the roof, but then again, they all think Henry is a little strange. Recently widowed, Henry is an emotionally challenged father being sued by his daughter for financial control of the estate. Henry must prove he is normal - not an easy thing to do when you are not. Henry is different, not quite normal, not quite special. Rumors explaining his behavior run from PTSD in Vietnam to losing his son to SIDS. But Henry has a special gift. In a town divided by the have and have-nots, Henry alone can inspire and touch even the most jaded lost soul. But when tragedy strikes, can he unite his own family?

    1936) exhibits his deep distrust of language and the way it can conceal as much as it reveals. Not surprisingly, DeLillo treats interviews with the same care and caution. For years, he shunned them altogether. As his fiction grew in popularity, especially with White Noise, and he began to confront the historical record of our times in books such as Libra, DeLillo felt compelled to make himself available to his readers. Despite claims by interviewers about his elusiveness, he now hides in plain sight.In , the renowned author makes clear his distinctions between historical fact and his own creative leaps, especially in his masterwork, Underworld. There it seems the true events are unbelievable and imaginary ones not. Throughout long profiles and conversations—ranging from 1982 to 2001 and published in the New Yorker, the Paris Review, and Rolling Stone—DeLillo parries personal inquiries. He counters with the details of his work habits, his understanding of the novelist's role in the world, and his sense of our media-saturated culture. A number of interviews detail DeLillo's less-heralded work in the theater, from The Day Room to a recent production of Valparaiso, itself a stinging satire on the interviewing process.DeLillo also finds time to comment on his nonliterary passions, primarily the movies and baseball. Lee Harvey Oswald also inspires much extraliterary discussion, not just as the subject of Libra, but as a figure who, like the terrorists always lurking in DeLillo's fictions, captures our attention in ways novelists cannot. For DeLillo, a writer who eschews celebrity, the ultimate response might be the one he offered in his very first interview, paraphrasing Joyce: "Silence, exile, cunning, and so on. It's my nature to keep quiet about most things." Fortunately for his many readers and fans, he proves himself here to be a talker.

    The interwoven tales that make up THE SINGING FISH are not told but rather spun from a primal, almost child-like source of mythic language sublimated from the fundamental building blocks of mud, brother, river, girl, moon, fish and a rusted nail. Peter Markus' gorgeously spare, riverine fables of brotherly sweetness and violence are hypnotic, haunting, and sublime--Gary Lutz. There is an obsessive quality about Peter Markus' writing that I am obsessed with and a musicality that I cannot get out of my head. The fish are singing and Peter Markus is too--Michael Kimball.

    A few boyfriends and one abortion later she falls in love with Salim, the proud and elegant Pakistani with eyes like treacle. East meets West in a passionate mixed marriage. However, Marianne knows little of the Islamic view of motherhood. When his wife proves unfaithful, Salim reasons that she is morally incapable of bringing up her children and kidnaps them while she is at work...

    Michael Martone is its own appendix, comprising fifty “contributors notes,” each of which identifies in exorbitant biographical detail the author of the other forty-nine. Full of fanciful anecdotes and preposterous reminiscences, Martone’s self-inventions include the multiple deaths of himself and all his family members, his Kafkaesque rebirth as a giant insect, and his stints as circus performer, assembly-line worker, photographer, and movie extra. Expect no autobiographical consistency here. A note revealing Martone's mother as the ghost-writer of all his books precedes the note beginning, “Michael Martone, an orphan . . . “ We learn of Martone’s university career and sketchy formal education, his misguided caretaking of his teacher John Barth’s lawn, and his impersonation of a poor African republic in political science class, where Martone's population is allowed to starve as his more fortunate fellow republics fight over development and natural resource trading-cards. The author of Michael Martone, whose other names include Missy, Dolly, Peanut, Bug, Gigi-tone, Tony's boy, Patty's boy, Junior's, Mickey, Monk, Mr. Martone, and “the contributor named in this note," proves as Protean as fiction itself, continuously transforming the past with every new attribution but never identifying himself by name. It is this missing personage who, from first note to last, constitutes the unformed subject of Michael Martone.

    Achsa is a lonely, passionate and precocious fourteen-year-old. Isolated at school by her intelligence and disfigurement, troubled at home by the undercurrents in her parents' relationship, she finds comfort and inspiration in the tunes and rhythms she hears on her radio. Hearing a recording by an unknown 20-year-old country singer named Elvis Presley, she fires off a fan letter, telling him she knows he's going to be a star.

    He knew that oddity is the norm, not the exception." This finely attuned sense, coupled with an understanding that nothing in life is mundane, is what makes these stories so immensely enjoyable. Drawing on a vast treasure chest of writings, Treglown has selected sixteen of Pritchett's gems, including "A Serious Question," which makes its debut in book form here. Featuring some of the best work from a long career, this new compilation of Pritchett's brilliantly compact stories illuminates his legendary skills.

    Boyle has become an acknowledged master of the form who has transformed the nature of short fiction in our time. Among the fourteen tales in his seventh collection are the comic yet lyrical title story, in which a young man wins a vicious African cat in a bar bet; "Dogology," about a suburban woman losing her identity to a pack of strays; and "The Kind Assassin," which explores the consequences of a radio shock jock's quest to set a world record for sleeplessness. Muscular, provocative, and blurring the boundaries between humans and nature, the funny and the shocking, Tooth and Claw is Boyle at his best.

    Holland creates an exhilarating tension between the satisfactions of meaning and the attenuated beauty of lyric, making her fiction felt as deeply as it is understood. An unstable sister whose misconceived pregnancy replays the endless nightmare of childhood siblings and a wrecked marriage occasioning the misery of a horse: these are the frozen events around which Holland's words congeal. The poetry of her images, powerful but immediately absorbed, can bring consciousness to a standstill: "By then I've reached her: Sister spluttering, spitting out the plug of snow. Her mouth is bleeding. Her face is the grotesque of a face, a soul in flames, some rung of hell, and she is sobbing, spit puddling under her tongue." The Faulknerian echoes of Holland's prose invoke a dreamscape, a panorama enclosing barns and men and guns and Mother, as she trudges the cold hills in her nightgown. This writing is exquisite, a gorgeousness as unforgettable as a stabbing pain or the after-image of a howl in the pitch of night.

    In this novel, the key role Sundaram gradually learns the art of living while experiencing the life's social intrigues and contradictions.

    The wisdom—or foolhardiness—of that approach is at the heart of each of these stories.  In “I’ll Be Home,” a young man who has converted to Judaism goes home for Christmas in Miami, and finds that his desire to connect to his parents conflicts with his need to move on. “The Movements of the Body” introduces us to a woman who believes that she can control the disintegration of her life through a carefully measured balance of whiskey and mouthwash. These are stories about loss and fear, but also about the courage that drives us all to continue to reach out to the people around us.

    Unable to care for his terminally ill father, he must hire a home-care nurse for a job no one in his or her right mind would take. But one woman accepts. Mattie Holden comes to this cramped, cluttered house with a secret on her heels. And in brooding, hard-drinking Chas and his silent, angry father, Mattie finds two men who will pierce her own aching loneliness. As Chas tries to make room for Mattie in this house haunted by the past, Sweetwater is set on edge by an act of arson—and Chas is the suspect. Soon Mattie finds herself taking sides—between a father and his son, between a town’s hatred and a man’s sense of honor, between her carefully guarded secrets and Chas’s urgent touch. Suddenly a hardscrabble ranch becomes the setting for both love and violence as this brilliant, beautifully written novel builds toward a shattering conclusion.

    

    T. R. Pearson's "A Short History of a Small Place" was hailed as "an absolute stunner" (Jonathan Yardley, "The Washington Post") and its hero, young Louis Benfield, was dubbed "a youth not as wry as Holden Caulfield, but certainly as observant, and with a bigger, even sadder heart" (Fran Schumer, "The New York Times").Now, older but not necessarily wiser, Louis Benfield returns in "Glad News of the Natural World." In order to get a sense of the larger world, he has moved to New York City from his hometown of Neely, North Carolina. Louis is a modern-day Candide, looking for love and experience in all the wrong places. However, when tragedy strikes, he finds the maturity to be more than man enough for the job.Whether catching up with Louis Benfield and the denizens of Neely or meeting them for the first time, readers will find "Glad News of the Natural World" hilarious and heartbreaking, warm and wise.

    Written by the author of How Did You Sleep?, this collection of stories takes the author's adventures in short fiction to strange regions, where professional polygamists, heretical alcoholics and hallucinating arctic explorers find themselves sharing plot points, character traits and dialogue.

    O?Keeffe's four linked novellas span time and generations, and each brims with gorgeous, thoughtful prose and enduring characters. Love and secrets, unfulfilled dreams and missed opportunities, fear, greed, and compromised moral decisions all leave their mark here. A dairy farmer unknowingly falls in love with the younger sister of a woman he once cruelly jilted. A young man recalls his spinster aunt and the tragic story of her life's great love?a soldier who returned alive but altered by the Great War.A richly rewarding work that will resonate with fans of William Trevor and Alice Munro, "The Hill Road" heralds the arrival of an important new voice.

    In addition to their literary achievements, the texts reflect the political, social, and intellectual changes that occurred in Japanese society during this period, including exposure to Western ideas and literature, the rise of nationalism, and the complex interaction of traditional and modern forces. The volume " "offers outstanding, often new translations of classic texts by such celebrated writers as Nagai Kafu, Shimazaki Toson, Natsume Soseki, Kawabata Yasunari, and Yosano Akiko. The editors have also unearthed works from lesser-known women writers, many of which have never been available in English.Organized chronologically and by genre within each period, the volume reveals the major influences in the development of modern Japanese literature: the Japanese classics themselves, the example of Chinese poetry, and the encounter with Western literature and culture. Modern Japanese writers reread the classics of Japanese literature, infused them with contemporary language, and refashioned them with an increased emphasis on psychological elements. They also reinterpreted older aesthetic concepts in light of twentieth-century mentalities. While modern ideas captured the imagination of some Japanese writers, the example of classical Chinese poetry remained important for others. Meiji writers continued to compose poetry in classical Chinese and adhere to a Confucian system of thought. Another factor in shaping modern Japanese literature was the example of foreign works, which offered new literary inspiration and opportunities for Japanese readers and writers.Divided into four chapters, the anthology begins with the early modern texts of the 1870s, continues with works written during the years of social change preceding World War I and the innovative writing of the interwar period, and concludes with texts from World War II. Each chapter includes a helpful critical introduction, situating the works within their literary, political, and cultural contexts. Additionally, there are biographical introductions for each writer.

    "It's the continual fairytale transformation from the mundane to the insane that gives this magical book its lift." --Stewart O'Nan

    Like previous editions, The Pushcart Prize XXX presents over sixty selections picked from hundreds of little magazines and presses with the help of over 200 distinguished contributing editors. In the Pushcart tradition, this fascinating collection combines the work of today's luminaries with a host of new talents, creating an exciting assembly of diverse voices. Since 1976, The Pushcart Prize has been "the single best measure of the state of affairs in American literature today," according to the New York Times Book Review. Many of today's celebrated writers received their first recognition in The Pushcart Prize, which over the years has tracked small-press enthusiasms from traditional to experimental in an unsurpassed eclectic gathering.

    Over the course of the summer, the boy's sister, who suffers from autism, finds she can speak the language of various insects and creatures of nature, allowing her to understand the world around her for the first time in her life. And as the boy himself comes of age, he discovers that he speaks a different sort of language as well. As each person journeys closer to their true nature, tension is eased within the sometimes strained relationships of this unique family.Listen to The Language of Moths, narrated by Paul Michael Garcia, on your smartphone, notebook or desktop computer.

    To readers, his work includes some of the most memorable and moving verse written in the past half-century. To writers, his sensual line and diamond-cut imagery have become a tuning fork and a road map into the world. The Story is another gem, another atlas of intense connections and unavoidable loss.Like a miniature of Ondaatje's larger themes -- love, memory, family, exile -- The Story unfolds into our dismantled childhoods, and offers us the freedom to extend its narrative into our own lives.This beautiful, hauntingly illustrated edition of Michael Ondaatje's poem The Story was conceived by Ondaatje and artist David Bolduc as a fundraising project for World Literacy of Canada. All royalties from the sale of this book will go directly to World Literacy to help it continue its literacy work with women and children in India.

    Written in English in 1905, Sultana's Dream is a delightful satirical work set in Ladyland, where men are in purdah and women firmly in charge of home and government. Published in 1924 and translated here for the first time, Padmarag complements Sultana's Dream in its espousal of women's personal journeys towards emancipation. Resonant with autobiographical undertones, the novella is both a powerful indictment of male oppression and a celebration of Rokeya's faith in a universalist society where women, regardless of race, class, creed and religion, reject the diktat of a tyrannical patriarchal society in favour of a life devoted to improving their lot. Playful, fascinating and intelligent, these novellas offer a keen insight into the psyche of a largely self-taught social activist who has, more than seventy years after her death, come to acquire near-iconic status in South Asia.

    Based in Paris and a small town in the Canadian Rockies, this narrative revolves around a horrific car crash that creates startling reverberations for everybody it touches. It's not the question of "how could this happen?" but rather, "did it happen on purpose?" that drives this narrative.

    Of the twenty-five stories in this collection, fifteen were previously unpublished. Until now, the short fiction of Arnow has remained relatively obscure despite the literary acclaim given to her novels The Dollmaker and Hunter’s Horn. These stories, written early in her career for the most part, reveal an artistic vision and narrative skill and serve as harbingers for her later work. They echo her interest in both agrarian and urban communities, the sharpening of her social conscience, and her commitment to creating credible and complex characters. This collection is organized against the backdrop of her life, from Kentucky in the 1920s to Ohio and Kentucky in the 1930s and to Michigan in the 1940s. As Arnow fans read these early gems, they will be led from gravel roads to city pavement and open layers of Arnow’s development as a novelist to expose the full range of her contributions to American literature.     In 1938, Esquire purchased "The Hunters," which was eventually published as "The Two Hunters," a chilling story of a seventeen-year- old boy’s confrontation with a deputy sheriff. At the time, Esquire did not accept submissions from women, and its editors had no idea that writer H. L. Simpson was not a man. Years later, she admitted in an interview, "it worried me a little, that big lie, but I thought if they wanted a story, let them have it." Esquire paid her $125 for this story. The contributor’s notes at the back of the magazine include a photo of "H.L.Simpson," actually a photo of one of her brothers-in-law. It was her little joke on a publisher that discriminated against women....—from the Introduction

    Roddy D'Souza sees his long-dead father bicycling down the street, and wonders if his own life is nearing its close. Essie, having sent her son to boarding school, weighs his unhappiness against the opportunities his education will provide. With empathy and poise, Nalini Jones creates in What You Call Winter a spellbinding work of families in an uncertain world.From the Trade Paperback edition.

    The series has been called “the collection others should use as a model” (the Charlotte Observer), and for twenty years it has held to that standard. When Anne Tyler helped us celebrate the first ten years of the series in Best of the South, 1986–1995, the reviews were ecstatic. “A triumph of authentic voices and unforgettable characters,” said Southern Living. “An introduction to some of the best writers in the world today,” raved the Northwest Arkansas Times. Now that the anthology has reached its twentieth birthday, Anne Tyler has done it again. From the 186 stories found in the ten volumes from 1996 to 2005, she has picked her favorites and introduced them with warmth, insight, and her own brand of quiet literary authority. Once again, her choices reflect her love of the kind of generous fiction she has called “spendthrift.”Here are twenty stories—by both famous and first-time writers, from Lee Smith and Max Steele to Gregory Sanders and Stephanie Soileau—that hold nothing back.

    Asked to write a memoir, she turned in this paranoid fantasia of rising floodwaters, walking corpses, eerie depictions of her very own parents, and the incessant reappearance of women in green. Just who are these green women? They are powerful (one was NDiaye’s disciplinarian grade-school teacher). They are mysterious (one haunts a house like a ghost and may be visible only to the author). They are seductive (one stole a friend’s husband). And they are unbearably personal (one is NDiaye’s own mother). They are all, in their way, aspects of their creator, at once frightening, menacing, and revealing of everything submerged within the consciousness of this singular literary talent. A courageous, strikingly honest, and unabashedly innovative self-portrait, NDiaye’s kaleidoscopic look at the women in green is a revelation to us all — about how we form our identities, how we discover those things we repress, and how our obsessions become us.

    Lot's wife knows your name. Hearts hang in the scales, flesh and clay are one and the same, and the severed head of Orpheus sings in winter waves. In award-winning poet Sonya Taaffe's first collection of short fiction, the boundaries between worlds dissolve to reveal unmasked harlequins and women made of stars, serpentine plagues and New England storm gods, and many other denizens of the spaces between. These songs of innocence and experience, Blake never knew.

    "When school let out the two of us went to my backyard to fight."

    One of its greatest strengths is its continuous ability to defy expectations. It's not what you think. It is worse. Lizzy Mitchell was raised from the age of two by her uncle, a Catholic priest. When she was nine, he was falsely accused of improprieties with her and dismissed from his church, and she was sent away to boarding school. Now thirty years old and in a failing marriage, she is nearly killed in a traffic accident. What she discovers when she sets out to find the truths surrounding the accident and about the accusations that led to her uncle's death does more than change her life. With deft insight into the snares of the human heart, Monica Wood has written an intimate and emotionally expansive novel full of understanding and hope.

    Georgette George does not know what to make of her brilliant, idealistic roommate, Ann Drayton, and her obsessive disdain for the ruling class into which she was born. She is mortified by Ann's romanticization of the underprivileged class, which Georgette herself is hoping college will enable her to escape. After the violent fight that ends their friendship, Georgette wants only to forget Ann and to turn her attention to the troubled runaway kid sister who has reappeared after years on the road. Then, in 1976, Ann is convicted of murder. At first, Ann's fate appears to be the inevitable outcome of her belief in the moral imperative to "make justice" in a world where "there are no innocent white people." But, searching for answers to the riddle of this friend of her youth, Georgette finds more complicated and mysterious forces at work.The novel's narrator Georgette illuminates the terrifying life of this difficult, doomed woman, and in the process discovers how much their early encounter has determined her own path, and why, decades later, as she tells us, "I have never stopped thinking about her."

    Facing the prospect of a bleak dutiful future he finds some relief by living a parallel secretive existence as Tony the Fox, a guitarist who plays at music venues and has brief liaisons with women who frequent the locales. His two worlds collide when unorthodox red-haired Lily, a nubile one-night-stand, ends up on the funeral parlour bed the day after he meets her. He decides to ignore the unspoken code of conduct of the Loxton Funeral Parlour, and surprises himself by breaking his own rules.As the boundaries separating the two worlds he has created for himself collapse, there’s plenty of collateral damage to handle. And some blessing. But until he can fall in love and exorcise his childhood demons, Anthony won’t escape the burden of the past…Anthony pits himself against the forces of chaos and destruction assisted by his able good-luck paper puppet, a cheerful cowboy skeleton, who harks from Mexico, a fascinating remote land where ongoing contact with the dead is maintained through the annual festivities of the Day of the Dead.Through the intervention of characters such as his golden-haired lover the seductive Alexandra (aka Akuaba) who has a passion for the art of death and displays her photographs of cemeteries at international exhibitions, and Aurora Morningstar who hides a secret, and Grethe Marais, the dark-skinned daughter of a local fisherman, who swims with seals, he discovers that the living are more tenacious than the dead and that fulfilment can arise in the most unusual circumstances.

    But when a tawdry scandal threatens to destroy her career, Beth is forced to return to the one place no one will find her: Slapton, the provincial hometown she’s kept secret–and to the relatives she’s claimed are dead. There, sheltered by a constancy that both comforts and repels her, she discovers the enchanting tale of Sir Guy de Bryan. More than six hundred years later, his sweeping epic of the havoc wrought by war becomes a story for the present day. His love for a woman becomes the story of love itself. And as Beth becomes absorbed by his passions, his pain–and the mystery behind his fervent last wish–the shadows of the past begin shifting around her. From them will emerge the key to her restless spirit, the astounding truth of her own ancestry–and the powerful message a repentant knight once left behind that will challenge her deepest views. Drawing from tantalizing historical fact, and echoing our most enduring classic tales of adventure and romance, this richly textured novel brilliantly blends history with current events, and offers unforgettable insights into the complexities of the human condition.