One of the world's greatest nature writers, Basho (1644-1694) is well known for his subtle sensitivity to the natural world, and his writings have influenced contemporary American environmental writers such as Gretel Ehrlich, John Elder, and Gary Snyder. This volume concentrates on Basho's travel journal, literary diary (Saga Diary), and haibun. The premiere form of literary prose in medieval Japan, the travel journal described the uncertainty and occasional humor of traveling, appreciations of nature, and encounters with areas rich in cultural history. Haiku poetry often accompanied the prose. The literary diary also had a long history, with a format similar to the travel journal but with a focus on the place where the poet was living. Basho was the first master of haibun, short poetic prose sketches that usually included haiku.As he did in Basho's Haiku, Barnhill arranges the work chronologically in order to show Basho's development as a writer. These accessible translations capture the spirit of the original Japanese prose, permitting the nature images to hint at the deeper meaning in the work. Barnhill's introduction presents an overview of Basho's prose and discusses the significance of nature in this literary form, while also noting Basho's significance to contemporary American literature and environmental thought. Excellent notes clearly annotate the translations.

    In addition to their literary achievements, the texts reflect the political, social, and intellectual changes that occurred in Japanese society during this period, including exposure to Western ideas and literature, the rise of nationalism, and the complex interaction of traditional and modern forces. The volume " "offers outstanding, often new translations of classic texts by such celebrated writers as Nagai Kafu, Shimazaki Toson, Natsume Soseki, Kawabata Yasunari, and Yosano Akiko. The editors have also unearthed works from lesser-known women writers, many of which have never been available in English.Organized chronologically and by genre within each period, the volume reveals the major influences in the development of modern Japanese literature: the Japanese classics themselves, the example of Chinese poetry, and the encounter with Western literature and culture. Modern Japanese writers reread the classics of Japanese literature, infused them with contemporary language, and refashioned them with an increased emphasis on psychological elements. They also reinterpreted older aesthetic concepts in light of twentieth-century mentalities. While modern ideas captured the imagination of some Japanese writers, the example of classical Chinese poetry remained important for others. Meiji writers continued to compose poetry in classical Chinese and adhere to a Confucian system of thought. Another factor in shaping modern Japanese literature was the example of foreign works, which offered new literary inspiration and opportunities for Japanese readers and writers.Divided into four chapters, the anthology begins with the early modern texts of the 1870s, continues with works written during the years of social change preceding World War I and the innovative writing of the interwar period, and concludes with texts from World War II. Each chapter includes a helpful critical introduction, situating the works within their literary, political, and cultural contexts. Additionally, there are biographical introductions for each writer.

    He also wrote a remarkable collection of love poetry. In this book, the author offers a completely new translation of the erotic poems attributed to the Sixth Dalai Lama. With hints on how to read the verses, as well as explanations of obscure points or allusions, the author makes this extraordinary Dalai Lama and his verses accessible to those with no background in the study of Buddhism or Tibet. This first translation to be based on the latest critical edition will be of great interest to those eager to learn more about Eastern religion and spirituality.

    Yet studies to date have focused almost exclusively on western cinema and problems of western modernity. Shadows on the Screen offers a challenging new reevaluation of these issues. In addition to extensively annotated translations of the long-neglected film work of the celebrated Japanese writer, Tanizaki Jun'ichiro, LaMarre offers a series of commentaries with an original and sustained analysis of how Tanizaki grappled with the temporal paradoxes of non-western modernity in his film work. Written largely between 1917 and 1926, Tanizaki's film stories and screenplays continue to delight and disturb readers with their exploration of the racial and sexual perversion implicit in the newly cinematized modern world.

    It is not limited to a "theater arts" focus, rather it is a mapping and close analysis of transformative genders through several historical periods in Japan (the seventeenth through the twentieth centuries). In particular, the work focuses on undoing of binary genders, the sensual ambiguity of boy-ness, youth, and female-likeness and the cultural development of the aesthetics of eroticism, nostalgia, and cruelty based in female-like transformative gender acts. The work is also a visual cultures study as it draws not only on literary sources but also prints, photographs, film, and video documentation.

    In her introduction to this translation, Hulvey (Japanese, U. of Florida) reassesses traditional scholarship that regards the work as a product of a naive author who compiled her text without any literary purpose and argues instead that Ben no Naishi was guided by her devotion to the sacred and secular duties of the naishi. Hulvey includes valuable descriptions of Ben no Naishi's literary heritage and family tree as well as a bibliographic essay. Published by the East Asia Program at Cornell University. Annotation ©2004 Book News, Inc., Portland, OR