Naipaul charts more than half-a-century of personal inquiry into the mysteries of written expression and of fiction in particular.

    Translated from the French by Justin O'Brien.The six works featured in this volume are: "The Adulterous Woman" ("La Femme adultère") "The Renegade or a Confused Spirit" ("Le Renégat ou un esprit confus") "The Silent Men" ("Les Muets") "The Guest" ("L'Hôte") "Jonas or the Artist at Work" ("Jonas ou l’artiste au travail") "The Growing Stone" ("La Pierre qui pousse")

    These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an unsuspected New York and its odder citizens—as depicted by one of the great writers of this or any other time.

    and by the way, while you were thinking about other things, the world was also changing. And then, just as suddenly, you are fifty years old. Aira had anticipated his  fiftieth—a time when he would not so much recall years past as look forward to what lies ahead—and yet that birthday came and went without much ado. It was only months later, while having a somewhat banal conversation with his wife about the phases of the moon, that he realized how little he really knows about his life. This book consists of a series of short chapters in which Aira searches for and meditates on the events that were significant to him during his first fifty years. Between anecdotes, and memories, the author ponders the origins of his personal truths, and wonders about literature meant as much for the writer as for the reader, about ignorance, knowledge, and death. Finally, Birthday is a little sad, in a serene, crystal-clear kind of way, which makes it even more irresistible.

    All belong to one world, united in their diversity and ethnicity. And together they have one aim: to involve and move the reader.The range of authors takes in such literary greats as Chimamanda Ngozi Adichie and Jhumpa Lahiri, and emerging authors such as Elaine Chiew, Petina Gappah, and Henrietta Rose-Innes.The members of the collective are:Elaine Chiew (Malaysia)Molara Wood (Nigeria)Jhumpa Lahiri (United States)Martin A Ramos (Puerto Rico)Lauri Kubutsile (Botswana)Chika Unigwe (Nigeria)Ravi Mangla (United States)Chimamanda Ngozi Adichie (Nigeria)Skye Brannon (United States)Jude Dibia (Nigeria)Shabnam Nadiya (Bangladesh)Petina Gappah (Zimbabwe)Ivan Gabirel Reborek (Australia)Vanessa Gebbie (Britain)Emmanual Dipita Kwa (Cameroon)Henrietta Rose-Innes (South Africa)Lucinda Nelson Dhavan (India)Adetokunbo Abiola (Nigeria)Wadzanai Mhute (Zimbabwe)Konstantinos Tzikas (Greece)Ken Kamoche (Kenya)Sequoia Nagamatsu (United States)Ovo Adagha (Nigeria)From the Introduction:The concept of One World is often a multi-colored tapestry into whichsundry, if not contending patterns can be woven. for those of us who workedon  this  project, ‘One World’ goes beyond the everyday notion of the globeas a physical geographic entity. Rather, we understand it as a universal idea,one that transcends national boundaries to comment on the most prevailingaspects of the human condition.This attempt to redefine the borders of the world we live in through theshort story recognizes the many conflicting issues of race, language, economy,gender and ethnicity, which separate and limit us. We readily acknowledge,however, that regardless of our differences or the disparities in our stories, weare united by our humanity.We invite the reader on a personal journey across continents, countries,cultures and landscapes, to reflect on these beautiful, at times chaotic, renditionson the human experience. We hope the reach of this path will transcend theborders of each story, and perhaps function as an agent of change.Welcome to our world.

    This edition contains important lessons on the nature of friendship and love, the importance of belief in the future, and the value of respect for oneself and others, and much more.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky's most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room's previous occupant; the fingers of a celebrated pianist's right hand run away to spend a night alone on the city streets; a man's lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.An NYRB Classics Original

    Jamaica Kincaid's expansive essay candidly appraises the ten-by-twelve-mile island in the British West Indies where she grew up, and makes palpable the impact of European colonization and tourism. The book is a missive to the traveler, whether American or European, who wants to escape the banality and corruption of some large place. Kincaid, eloquent and resolute, reminds us that the Antiguan people, formerly British subjects, are unable to escape the same drawbacks of their own tiny realm—that behind the benevolent Caribbean scenery are human lives, always complex and often fraught with injustice.

    But writings make him remembered'In ancient Egypt, words had magical power. Inscribed on tombs and temple walls, coffins and statues, or inked onto papyri, hieroglyphs give us a unique insight into the life of the Egyptian mind. Egyptologist Toby Wilkinson has freshly translated a rich and diverse range of ancient Egyptian writings into modern English, including tales of shipwreck and wonder, obelisk inscriptions, mortuary spells, funeral hymns, songs, satires and advice on life from a pharaoh to his son. Spanning over two millennia, this is the essential guide to a complex, sophisticated culture.Translated with an Introduction by Toby Wilkinson

    Bearing witness to stories that are too often overlooked, it is a raw and intimate journey to crises in four corners of the world: war in Chechnya, ethnic cleansing in Burma, globalization in Mexico, and AIDS in Malawi. The voices we encounter are those of displaced women and children, in their own words or in stories told in text and images by noted writers and artists. The stories unfold in an avalanche: An orphan goes to jail for stealing leftovers. A teenage girl falls in love in a city of disappeared women. A child soldier escapes his army only to be saved by the people he was taught to kill. Mia Kirshner’s journals guide us through a unique paper documentary brought vividly to life in collaboration with J.B. MacKinnon, Paul Shoebridge, and Michael Simons, with featured works by Joe Sacco, Ann-Marie MacDonald, Phoebe Gloeckner, Chris Abani, Karen Connelly, Kamel Khelif, and many others.~THE JOURNEYS ~IngushetiaThe border of the Russian republic of Ingushetia is not even fifty miles from Grozny, the capital city of Chechnya. Today, some 15,000 Chechen refugees live in Ingushetia. Mia Kirshner and Joe Sacco traveled here together, returning with first-person accounts, video, photographs, and other materials gathered in Nazran and Moscow. The chapter includes journals by Mia Kirshner, the story of a young refugee as told by J.B. MacKinnon, the story of a young piano virtuoso as told by Ann-Marie Macdonald, and a graphic novella of Chechen refugees by Joe Sacco.BurmaEthnic cleansing by the Burmese military has displaced an estimated 500,000 to 1 million people; over 100,000 live in refugee camps along the Thailand-Burma border. Burma is also believed to be home to more child soldiers than any other country in the world. Mia Kirshner and Michael Simons took separate trips to the region; this chapter is based on their interviews, photos, and video, as well as writing by sex workers and Karen refugees. It includes journals by Mia Kirshner, as well as work by Chris Abani, Karen Connelly, J.B. Mackinnon, and a graphic novella by Kamel Khélif.Juárez Ciudad Juárez is a large industrial border city in Mexico across the Rio Grande from El Paso, Texas. Since 1993, young women, many of them employees of Juárez’s more than three hundred maquiladoras, or global trade zone factories, have been disappearing from the streets. Mia Kirshner and Phoebe Gloeckner made independent journeys to this region; this book is informed by the stories and images they brought home. It includes journals, a story of one of the victims by Lauren Kirshner, and a graphic novella by Phoebe Gloeckner. MalawiMalawi is one of the world’s poorest countries, and has an AIDS rate close to twenty percent. The disease touches every aspect of daily life in the African nation, introducing immense chaos, particularly in the case of orphan children. Mia Kirshner and J.B. MacKinnon made the trip to Malawi and returned with interviews, photographs, writing, and artworks. This book includes journals, a children’s story by J.B. MacKinnon with art by Julie Morstad, and the stories and artwork of boys in a local prison.

    Some are "Momotaro, "The Son of a Peach", "The Jellyfish and the Monkey", "The Mirror of Matsuyama", "The Bamboo Cutter and the Moon Child", "The Stones of Five Colors and the Empress Jokwa."

    Here are attempts at human connection, both depraved and sublime, by people in all stages of life: one-night stands in communal apartments, poignantly awkward couplings, office trysts, schoolgirl crushes, elopements, tentative courtships, and rampant infidelity, shot through with lurid violence, romantic illusion, and surprising tenderness.A murky fate --The fall --The goddess parka --Like Penelope --Ali-baba --Two deities --Father and mother --The impulse --Hallelujah, family! --Give her to me --Milgrom --Clarissa's story --Tamara's baby --Young berries --The adventures of Vera --Eros's way --A happy ending

    Compiled by Dave Eggers and students from his San Francisco writing center, it is "both uproarious and illuminating" (Publishers Weekly).

    Presenting itself as an investigation into the suicide of a close friend—perhaps real, perhaps fictional—more than twenty years earlier, Levé gives us, little by little, a striking portrait of a man, with all his talents and flaws, who chose to reject his life, and all the people who loved him, in favor of oblivion. Gradually, through Levé’s casually obsessive, pointillist, beautiful ruminations, we come to know a stoic, sensible, thoughtful man who bears more than a slight psychological resemblance to Levé himself. But Suicide is more than just a compendium of memories of an old friend; it is a near-exhaustive catalog of the ramifications and effects of the act of suicide, and a unique and melancholy farewell to life.