With the comprehension of a typical 9-year-old, Liesel Merminger struggles to survive with a foster family in Nazi Germany. Books and the words within become Liesel’s strongest tool as she learns to read and fight for her life. Young adults learning about the Holocaust can gain an insider’s perspective from this fictional portrayal. Readers are taken on an emotional journey narrated by Death. What makes this book stand out against other WWII fiction novels? Markus Zusak focuses on the children who barely understand the changes taking place in the world. A poetic tone enhances the flow of the story, and the characters will haunt your thoughts long after you finish reading. In addition to the positive and negative aspects, this review covers the author’s backstory to give you insight into his knowledge of the era. With a list of awards the book has received and quotes from expert reviewers, you will gain a better idea of how Markus Zusak's The Book Thief will resonate with you.

    The simple and straightforward text is paired with illustrations that capture daily life in ancient Greece to make for a fast-paced read. A final section explores the characteristics of the epic narrative, and themes such as heroism, justice, and cultural identity.

    Starting there, this extended poem—part art criticism, part history—considers the phenomenon of glass, revealing the strength and fragility of our age in the minimalist style that has won Cole Swensen such acclaim.

    

    Samantha McAllister looks just like the rest of the popular girls in her junior class. But hidden beneath the straightened hair and expertly applied makeup is a secret that her friends would never understand: Sam has Purely-Obsessional OCD and is consumed by a stream of dark thoughts and worries that she can't turn off. Second-guessing every move, thought, and word makes daily life a struggle, and it doesn't help that her lifelong friends will turn toxic at the first sign of a wrong outfit, wrong lunch, or wrong crush. Yet Sam knows she'd be truly crazy to leave the protection of the most popular girls in school. So when Sam meets Caroline, she has to keep her new friend with a refreshing sense of humor and no style a secret, right up there with Sam's weekly visits to her psychiatrist.Caroline introduces Sam to Poet's Corner, a hidden room and a tight-knit group of misfits who have been ignored by the school at large. Sam is drawn to them immediately, especially a guitar-playing guy with a talent for verse, and starts to discover a whole new side of herself. Slowly, she begins to feel more "normal" than she ever has as part of the popular crowd . . . until she finds a new reason to question her sanity and all she holds dear.

    If you're interested in how a writer works, or new information about Harper Lee, or a personal struggle with mental illness, you might enjoy my book. I had a life-long fascination with Harper Lee and Mockingbird because I grew up 40 miles from her hometown of Monroeville in south Alabama. She knew my parents. Her fame convinced me to become a writer and I joyously reported for 10 years at The Birmingham News. I began on the copy desk, going to work at 4 a.m. Later, as education reporter I delved into stories with a passion that veered toward the edge of sanity. After I left The News to become a stay-at-home mom, my interest in Ms. Lee became an obsession with tracing her path to fame. I take readers on a (literally) manic romp to New York where, in the archives of the public library, I read notes she had written, and to Monroeville, where I got locked in the famed courthouse. I spent weeks of frantic calls and faxes to set up a phone call with Gregory Peck, who rarely granted interviews, about his most-loved part. When this project had brought me to a point of near exhaustion, my schizophrenic brother, in a mental institution’s halfway house, was diagnosed with lung cancer at 48. I desperately tried to find a place for him to die in peace. I succeeded, but at a terrible price. As he gasped his last breath it was as though he had put his hand on my arm and said, “It’s your turn to be crazy now.” Madness quietly took me into his world of delusions and paranoia. I plunged into depression then soared into mania. I landed on a locked ward, facing my own commitment hearing. Antipsychotic drugs pulled me back to reality – twice. And what if side effects of high cholesterol and diabetes develop? My psychiatrist said, "We'll cross that bridge when we come to it."

    Ignorance is no excuse for the cops and creeps and exterminators whose desires shaped the world. Knowledge is a little power, a dangerous thing, to the cross-dressers and risk-takers who understand enough to damage the world more to their liking. They all collude and collide on a driverless ride, each trying to be the one to break the secret heart of the world. But only one can claim the prize of being the cosmos' corrupt ward boss. Only one can be the Godwalker.

    A first in audiobook publishing--a series that uses the written word to enhance the listening experience--poetry to be read as well as heard. Each audiobook includes rare archival recordings on cassette and a book with the text of the poetry, a bibliography, and a commentary by J. D. McClatchy, the poet and critic, who is the editor of The Yale Review.

    Ansel Elkins’s poetry collection, Blue Yodel, is the 109th volume to be so honored. Esteemed poet and competition judge Carl Phillips praises Elkins for her “arresting use of persona,” calling her poems “razor-edged in their intelligence, Southern Gothic in their sensibility.”   In her imaginative and haunting debut collection, Elkins introduces readers to a multitude of characters whose “otherness” has condemned them to live on the margins of society. She weaves blues, ballads, folklore, and storytelling into an intricate tapestry that depicts the violence, poverty, and loneliness of the Deep South, as well as the compassion, generosity, and hope that brings light to people in their darkest times. The blue yodel heard throughout this diverse compilation is a raw, primal, deeply felt expression of the human experience, calling on us to reach out to the isolated and disenfranchised and to find the humanity in every person.

    The book and the dream are the poet’s primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities—the frail craft—of perception for the reader, the dreamer, maintaining that “if the eye can love—and it can, it does—then I held you and was held.” In her foreword to the book, Louise Glück writes that Fisher’s poetry is “haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking.”

    Bernardo was 14 years old when Woodstock took place. Follow his spiritual development from an early age to becoming a full-fledged hippie. His travels will take you to former famous hippie-hangouts like Amsterdam, Ibiza, Formentera and La Gomera. Somewhere along his way he meets Anne, another hippie drop-out. From that point on the story takes you on a very intensive spiritual journey as they struggle to find their way in search of a better world. The story focuses on the idealism of many young people in those days and their quest to find inner peace and what to do with their lives in a world they don’t understand. This novel is not only of historical value, but also addresses a lot of problems that humanity is still facing today, such as the ongoing destruction of mother earth and its resources, the way people treat each other and animals, and the pursuit of inner peace. The message contained in this book promotes tolerance, understanding, love and peace in the world.

    Like I do with all great books, I kept have to stop and step away every few pages to think about what I’d just read. Crybaby is tender and full of carefully chosen, luxurious language. It’s poem after poem of sensual, wide-eyed desire and a total rejection of shame. There was something I wanted to tattoo or study or steal on every page.” – Clementine von Radics, author of Mouthful of Forevers & founder of Where Are You Press“Crybaby is a masterpiece. This collection is one of the greatest triumphs of Caitlyn Siehl’s young career. There are few poets who simultaneously reveal the wonder in everyday life and expand our understanding of the world. Caitlyn is one of those poets. She perfectly balances radical tenderness and gritty truth telling in her sophomore collection. There is a ravenous appetite in her words, a deep yearning to achieve complete wholeness. This hunger empowers readers to explore their identities and discover their best parts. Crybaby is a compelling read from cover to cover. Bring it home to someone you love. Allow your heart to be expanded by this collection; there is truly something here for everyone.” – Christian Sammartino, co-founder & editor-in-chief for The Rising Phoenix Review“Crybaby cries with you. Caitlyn’s second collection is what every second collection should be: equal parts heartbreak, forgiveness and honesty so clear it hurts. I read this and couldn’t believe I didn’t have something like this to turn to when I was younger. Hell, I regret that I didn’t have this last year. Caitlyn possesses a true gift in writing about the things that hurt us, the things that haunt us, and the things that also give us endless hope. I am breathless from the sheer unapologetic way in which she describes the mundane nuances of everyday life—from the pancakes to the flowerbeds and all the lovers in-between. Caitlyn’s collection tells you that you’re going to fall, but more importantly, it shows you how to do it. A triumph.” – Kristina Haynes, author of It Looked A Lot Like Love & Chloe

    He delves into his youth to analyze its repercussions.

    A potpourri of musings assembled with a hint of practical spirituality, to be savoured passably as an oracle of hearts to the many answers, whose questions our minds are yet to comprehend. Ivory Gleam is split into three chapters of learning, longing and loving. Each chapter is a journey traversing a different road to the ultimate destination of self-reflection.

    As a teenager he'd received letters from this stranger father, a self-proclaimed poet and con man doing time in federal prison for bank robbery. Another Bullshit Night in Suck City tells the story of the trajectory that led Nick and his father onto the streets, into that shelter, and finally to each other. .