Snapshots of the prison are juxtaposed with the narrator’s letters to Igor Markovich of Hermitage Press in which he urges Igor to publish the very book we’re reading. As Igor receives portions of the prison camp manuscript, so too does the reader.Arguably Dovlatov’s most significant work, The Zone illuminates the twisted absurdity of the life of a prison guard: “Almost any prisoner would have been suited to the role of a guard. Almost any guard deserved a prison term.” Full of Dovlatov’s trademark dark humor and dry wit, The Zone’s narrator is an extension of his author, and the book fittingly begins with the following disclaimer: “The names, events, and dates given here are all real. I invented only those details that were not essential. Therefore, any resemblance between the characters in this book and living people is intentional and malicious. And all fictionalizing was unexpected and accidental.” What follows is a complex novel that captures two sides of Dovlatov: the writer and the man.

    In Rabbits and Boa Constrictors, Iskander tells the story of a struggle between . . . well, rabbits and boa constrictors, which is really a struggle between the manipulators and the manipulated as they try to function in a failed utopia.

    Almost entirely informal photos.Copyright 1982 in Great Britain, printed and bound in Italy

    One of the most memorable is "The Death of a Government Clerk, " a glorious parody in which a fawning official is undone by an ill-timed sneeze. "On the Road, " the history of an educated man's search for convictions, is one of Chekhov's finest dramatic stories and the source of his first full-length play, Ivanov. And in "The Steppe, " which marked a turning point in Chekhov's career, a boy's picaresque journey across the Russian heartland evokes the soul of Russia itself.

    

    

    A poor boy suffers murder attempts and other dangers at the hands of Marko the Rich, but lives to fulfill the prophecy at his birth: that he would one day possess all Marko's wealth.

    

    

    13 cassettes.

    

    It focuses attention on Kronstadt's forgotten golden age, between March 1917 and July 1918, when Soviet power and democracy flourished there. Professor Getzler argues that the Kronstadters' 'Third Revolution' of March 1921 was a desperate attempt at a restoration of that Soviet democracy which they believed had been taken from them by Bolshevik 'commissarocracy'. Pointing to continuity in personnel, ideology and institutions linking the 1917-18 Kronstadt experiment in Soviet democracy with the March 1921 uprising, the author sees that continuity reflected in the Kronstadt tragedy's central figure, the long-haired, dreamy-eyed student Anatolii Lamanov. Chairman of the Kronstadt Soviet in 1917 and chief editor of its Izvestiia, Lamanov became the ideologist of the 1921 uprising and was soon after executed as a 'counter-revolutionary'.