Only eight years after serving out a prison sentence for murder, Socrates Fortlow lives in a tiny, two-room Watts apartment, where he cooks on a hot plate, scavenges for bottles, drinks and wrestles with his demons. Struggling to control a seemingly boundless rage--as well as the power of his massive "rock-breaking" hands--Socrates must find a way to live an honourable life as a black man on the margins of a white world, a task which takes every ounce of self-control he has. Easy Rawlins fans might initially find themselves disappointed by the absence of a mystery to unravel. But it's a gripping inner drama that unfolds over the pages of these stories, as Socrates comes to grips with the chaos, poverty and violence around him. He tries to get and keep a job delivering groceries; takes in a young street kid named Darryl, who has his own murder to hide; and helps drive out the neighbourhood crack dealer. Throughout, Mosley captures the rhythms of Watts life in prose both lyrical and hard-edged, resulting in a haunting look at a life bounded by lust, violence, fear and a ruthlessly unsentimental moral vision.

    Now the author of the Lincoln Rhyme series ("The Cold Moon" and "The Bone Collector," among others) has compiled a second volume of his award-winning, spine-tingling short stories of suspense.While best known for his twenty-four novels, Jeffery Deaver is also a short story master -- he is a three-time recipient of the Ellery Queen Reader's Award for Best Short Story, and he won the Short Story Dagger from the Crime Writers Association for a piece that appeared in his first short story collection, "Twisted. The New York Times" said of that book: "A mystery hit for those who like their intrigue short and sweet . . . [The stories] feature tight, bare-bones plotting and the sneaky tricks that Mr. Deaver's title promises." The sneaky tricks are here in spades, and Deaver even gives his fans a new Lincoln Rhyme and Amelia Sachs story.Deaver is back with sixteen stories in the tradition of O. Henry and Edgar Allan Poe. His subjects range from a Westchester commuter to a brilliant Victorian England caper. With these intricately plotted, bone-chilling stories, Jeffery Deaver is at the top of his crime-writing game.

    For the first time, Brown Dog gathers all the Brown Dog novellas, including one never-published one, into one volume—the ideal introduction (or reintroduction) to Harrison’s irresistible Everyman.In these novellas, BD rescues the preserved body of an Indian from Lake Superior’s cold waters; overindulges in food, drink, and women while just scraping by in Michigan’s Upper Peninsula; wanders Los Angeles in search of an ersatz Native activist who stole his bearskin; adopts two Native children; and flees the authorities, then returns across the Canadian border aboard an Indian rock band’s tour bus. The collection culminates with He Dog, never before published, which finds BD marginally employed and still looking for love (or sometimes just a few beers and a roll in the hay), as he goes on a road trip from Michigan to Montana and back, arriving home to the prospect of family stability and, perhaps, a chance at redemption.Brown Dog underscores Harrison’s place as one of America’s most irrepressible writers, and one of the finest practitioners of the novella form.

    "Power and haunting," and "nights of unrest" were typical reader responses. This collection, the only one to appear during Shirley Jackson's lifetime, unites "The Lottery:" with twenty-four equally unusual stories. Together they demonstrate Jackson's remarkable range--from the hilarious to the truly horrible--and power as a storyteller.

    Gripping, unnerving, exhilarating, and haunting, Sleepless is well worth staying up for.What former philosophy student Parker Hass wanted was a better world. A world both just and safe for his wife and infant daughter. So he joined the LAPD and tried to make it that way. But the world changed. Struck by waves of chaos carried in on a tide of insomnia. A plague of sleeplessness.Park can sleep, but he is wide awake. And as much as he wishes he was dreaming, his eyes are open. He has no choice but to see it all. That's his job. Working undercover as a drug dealer in a Los Angeles ruled in equal parts by martial law and insurgency, he's tasked with cutting off illegal trade in Dreamer, the only drug that can give the infected what they most crave: sleep.After a year of lost leads and false trails, Park stumbles into the perilous shadows cast by the pharmaceuticals giant behind Dreamer. Somewhere in those shadows, at the nexus of disease and drugs and money, a secret is hiding. Drawn into the inner circle of a tech guru with a warped agenda and a special use for the sleepless themselves, Park thinks he knows what that secret might be. To know for certain, he will have to go deeper into the restless world. His wife has become sleepless, and their daughter may soon share the same fate. For them, he will risk what they need most from him: his belief that justice must be served. Unknown to him, his choice ties all of their futures to the singularly deadly nature of an aging mercenary who stalks Park.The deeper Park stumbles through the dark, the more he is convinced that it is obscuring the real world. Bring enough light and the shadows will retreat. Bring enough light and everyone will see themselves again. Bring enough light and he will find his way to the safe corner, the harbor he's promised his family. Whatever the cost to himself.It is July 2010.The future is coming.Open your eyes.

    Their eight-year-old daughter has vanished. To find her, Nolan reaches out to a psychic gifted with uncanny visions about the lost girl. But Lyla thinks she sees right through him. Is he a con artist or the real thing? Either way, he might be telling the truth. And that’s too frightening for Lyla to bear.Alison Gaylin’s The Gift is part of Hush, a collection of six stories, ranging from political mysteries to psychological thrillers, in which deception can be a matter of life and death. Each piece can be read or listened to in one truly chilling sitting.

    Lansdale - “Neighbors” by Megan Lindholm - “I Know How to Pick ’Em” by Lawrence Block - “Shadows For Silence in the Forests of Hell” by Brandon Sanderson - A Cosmere story - “A Queen in Exile” by Sharon Kay Penman - “The Girl in the Mirror” by Lev Grossman - A Magicians story - “Second Arabesque, Very Slowly” by Nancy Kress - “City Lazarus” by Diana Rowland - “Virgins” by Diana Gabaldon - An Outlander story - “Hell Hath No Fury” by Sherilynn Kenyon - “Pronouncing Doom” by S.M. Stirling - An Emberverse story - “Name the Beast” by Sam Sykes - “Caretakers” by Pat Cadigan - “Lies My Mother Told Me” by Caroline Spector - A Wild Cards story - “The Princess and the Queen” by George R.R. Martin - A Song of Ice and Fire story

    

    Eleven of the world’s best female thriller writers from Diana Gabaldon to Charlaine Harris are paired with eleven of the world’s best male thriller writers, including John Sandford, C.J. Box, and Nelson DeMille. The stories are edited by #1 New York Times bestselling author Lee Child and feature:-Lee Coburn and Joe Pickett in “Honor & …” by Sandra Brown and C.J. Box -Tony Hill and Roy Grace in “Footloose” by Val McDermid and Peter James -Temperance Brennan and Jack Reacher in “Faking a Murderer” by Kathy Reichs and Lee Child -Jamie Fraser and Cotton Malone in “Past Prologue” by Diana Gabaldon and Steve Berry -Liz Sansborough and Rambo in “Rambo on Their Minds” by Gayle Lynds and David Morrell -Jeffrey Tolliver and Joe Pritchard in “Short Story” by Karin Slaughter and Michael Koryta -Harper Connelly and Ty Hauck in “Dig Here” by Charlaine Harris and Andrew Gross -Regan Pescoli and Virgil Flowers in “Deserves to be Dead” by Lisa Jackson and John Sandford -Lucan Thorne and Lilliane in “Midnight Flame” by Lara Adrian and Christopher Rice -Bennie Rosato and John Corey in “Getaway” by Lisa Scottoline and Nelson DeMille -Ali Reynolds and Bravo Shaw in “Taking the Veil” by J.A. Jance and Eric Van Lustbader

    In this volume, best-selling writers such as Mary Higgins Clark, Walter Mosley, Lawrence Block, Jay McInerney, and Donald E. Westlake stand alongside an impressive array of new talent. As Grafton writes in her introduction, "Nowhere is iniquity, wrongdoing, and reparation more satisfying to behold than in the well-crafted yarns spun by the writers represented here." Already a bestseller in its first year, this year's collection of The Best American Mystery Stories promises to keep readers intrigued and coming back for more.

    Worry for a young girl in the Congo who rides the rapids to earn a crust of bread; and spy on Norse gods battling each other for survival in modern Manhattan. In her first short-story collection since Jigs & Reels, let Joanne Harris ensnare and delight you with the variety and inventiveness of her storytelling.

    Green.Kat Richardson’s Greywalker finds herself in too deep when a “simple job” goes bad and Harper Blaine is enmeshed in a tangle of dark secrets and revenge from beyond the grave.For centuries, the being that we know as Noah lived among us. Now he is dead, and fallen-angel-turned-detective Remy Chandler has been hired to find out who killed him in a whodunit by Thomas E. Sniegoski.

    Included are two original stories, several rarities and out of print tales, as well as a few "best of the year" inclusions. Stephen Graham Jones is a master storyteller. What does happen after the people lights have gone off? Crack the spine and find out. With an introduction by Joe R. Lansdale.Stephen Graham Jones is the author of fifteen novels and five collections, and has some two hundred stories published. Stephen's been an NEA Fellow and has won the Texas Institute of Letters Award for Fiction and the Independent Publishers Award for Multicultural fiction. He's forty-two, married with a couple of kids, and lives in Boulder, Colorado.WINNER, Short Story Collection, THIS IS HORRORNOMINATED, Short Story Collection, BRAM STOKER AWARDSNOMINATED, Short Story Collection, SHIRLEY JACKSON AWARDS

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    Caleb Maddox is a San Francisco toxicologist studying the chemical effects of pain. After a bruising breakup with his girlfriend, he’s out drinking whiskey when a hauntingly seductive woman appears by his side. Emmeline whispers to Caleb over absinthe, gets his blood on her fingers and then brushes his ear with her lips as she says goodbye. He must find her.As his search begins, Caleb becomes entangled in a serial-murder investigation. The police have been fishing men from the bay, and the postmortems are inconclusive. One of the victims vanished from the bar the night Caleb met Emmeline. When questioned, Caleb can’t offer any information, nor does he tell them he’s been secretly helping the city’s medical examiner, an old friend, study the chemical evidence on the victims’ remains. The search for the killer soon entwines with Caleb’s hunt for Emmeline, and the closer he gets to each, the more dangerous his world becomes.From the first pages up to the haunting, unforgettable denouement, The Poison Artist is a gripping thriller about obsession and damage, about a man unmoored by an unspeakable past and an irresistible woman who offers the ultimate escape.