This bountiful collection, beautifully illustrated in full color, features articles, fiction, humor, poems, cartoons, cover art, drafts, and drawings from the magazine’s archives. Among the contributors are Margaret Atwood, T. Coraghessan Boyle, Roald Dahl, Wolcott Gibbs, Robert Graves, Emily Hahn, Ted Hughes, Jamaica Kincaid, Steven Millhauser, Haruki Murakami, Amy Ozols, Robert Pinsky, Jean Rhys, James Thurber, John Updike, Sylvia Townsend Warner, and E. B. White. Including a Foreword by Anthony Lane, this gorgeous keepsake will be a treasured gift for all cat lovers.Praise for The Big New Yorker Book of Cats  “The Book of Cats comes a year after The Big New Yorker Book of Dogs—a publishing slight that, though it stings, I’ll forgive, as the latest anthology was worth the wait. . . . Two standout articles feature real-life obsessives of ages past who reveal today’s Caturnet devotees—with their GIFs and Tumblrs and hastily aggregated listicles—for what they truly are: amateurs. . . . Eat your heart out, Cute Overload.”—The New York Times Book Review   “A beautiful hardcover.”—Jenny McCarthy, People   “This irresistible anthology of articles, poems, essays, fiction, cartoons, and covers pulled from the New Yorker is a veritable treasure trove for cat lovers. Just dive right in; with stories from the likes of John Updike, Maeve Brennan, Roald Dalhl, and Haruki Murakami interwoven with hilariously wry cartoons, one can’t help but be enthralled. A must-have.”—Modern Cat   “A shiny, well-fed tome . . . The anthology embodies the cat’s defining characteristic: its cluster of opposites, rolled together into a giant hairball of cultural attitudes—something, perhaps, at once uncomfortably and assuringly reflective of our own chronically conflicted selves.”—Brain Pickings   “This gorgeous book has earned a permanent spot on my coffee table. It is an absolute joy to read and browse through, and I know it will bring me hours and hours of pleasure for years to come. And it makes a purr-fect gift for the special cat lovers in your life.”—The Conscious Cat   “[A] sumptuous volume.”—The Dallas Morning News   “One need not own cats (or do cats own their owners?) or even be a pet lover to savor this feline-focused offering.”—The Sacramento Bee   “[A] fun collection of short stories, articles, humor, poems, and charming color covers from the magazine’s archives . . . [a] high-quality, attractive work.”—Library Journal   “Covers, cartoons, authors of pieces both longer and shorter, reflect current views of the feline subject in all its glory. . . . The quality, humor and variety make for another successful New Yorker collection.”—Kirkus Reviews  “An eminently giftable anthology.”—Publishers Weekly

    There's An Introduction, But No Footnotes. Well, There's A Footnote In The Introduction, But None In The Story.

    In this follow-up collection, the editors once again tackle the question: “How short can a story be and truly be a story?” Determined to find the best flashes from America in the twenty-first century, James Thomas and Robert Shapard searched everywhere for stories that were not merely good but memorable. Moving, and certainly unforgettable, this collection includes stories from the best and most popular fiction writers of our time, including Ron Carlson, Robert Coover, Steve Almond, Amy Hempel, A. M. Homes, Grace Paley, and Paul Theroux. In addition, Rick Moody properly defines armoire, Lydia Davis delves into a world of cats, and Dave Eggers explores narrow escapes. Over and over, these stories prove that often less is more.

    Here are attempts at human connection, both depraved and sublime, by people in all stages of life: one-night stands in communal apartments, poignantly awkward couplings, office trysts, schoolgirl crushes, elopements, tentative courtships, and rampant infidelity, shot through with lurid violence, romantic illusion, and surprising tenderness.A murky fate --The fall --The goddess parka --Like Penelope --Ali-baba --Two deities --Father and mother --The impulse --Hallelujah, family! --Give her to me --Milgrom --Clarissa's story --Tamara's baby --Young berries --The adventures of Vera --Eros's way --A happy ending

    Here, Wallace turns his critical eye with equal enthusiasm toward Roger Federer and Jorge Luis Borges; Terminator 2 and The Best of the Prose Poem; the nature of being a fiction writer and the quandary of defining the essay; the best underappreciated novels and the English language's most irksome misused words; and much more.Both Flesh and Not restores Wallace's essays as originally written, and it includes a selection from his personal vocabulary list, an assembly of unusual words and definitions.

    They casserole. They pinwheel. They pump the salad spinner like it's a CPR dummy. And then they kill a party crasher, carefully stepping around the body to pull cookies out of the oven. These twelve irresistible stories take us from a haunted prewar Manhattan apartment building to the set of a rigged reality television show, from the unique initiation ritual of a book club to the getaway car of a pageant princess on the lam, from the gallery opening of a tinfoil artist to the fitting room of a legendary lingerie shop. Vicious, fresh, and nutty as a poisoned Goo Goo Cluster, American Housewife is an uproarious, pointed commentary on womanhood.

    Amy Hempel is the writer who makes me feel most affiliated with other humans; we are all living this way—hiding, alone, obsessed—and that’s ok.” —Miranda July From legendary writer Amy Hempel, one of the most celebrated and original voices in American short fiction: a ravishing, sometimes heartbreaking new story collection—her first in over a decade.Amy Hempel is a master of the short story. A multiple award winner, Hempel is highly regarded among writers, reviewers, and readers of contemporary fiction. This new collection, her first since her Collected Stories published more than a decade ago, is a literary event. These fifteen exquisitely honed stories reveal Hempel at her most compassionate and spirited, as she introduces characters, lonely and adrift, searching for connection. In “A Full-Service Shelter,” a volunteer at a dog shelter tirelessly, devotedly cares for dogs on a list to be euthanized. In “Greed,” a spurned wife examines her husband’s affair with a glamorous, older married woman. And in “Cloudland,” the longest story in the collection, a woman reckons with the choice she made as a teenager to give up her newborn infant. Quietly dazzling, these stories are replete with moments of revelation and transcendence and with Hempel’s singular, startling, inimitable sentences.

    Megan Mayhew Bergman's twelve stories capture the surprising moments when the pull of our biology becomes evident, when love or fear collide with good sense, or when our attachment to an animal or wild place can't be denied. In "Housewifely Arts," a single mother and her son drive hours to track down an African Gray Parrot that can mimic her deceased mother's voice. A population control activist faces the ultimate conflict between her loyalty to the environment and her maternal desire in "Yesterday's Whales." And in the title story, a lonely naturalist allows an attractive stranger to lead her and her aging father on a hunt for an elusive woodpecker. As intelligent as they are moving, the stories in Birds of a Lesser Paradise are alive with emotion, wit, and insight into the impressive power that nature has over all of us.

    He can be elegant as a slow blues." The Nick Tosches Reader is the author's own selection of his best work over the past thirty years, including fiction, poetry, interviews, rock writing, investigative journalism, and criticism. First published in major magazines, obscure underground periodicals, and his own best-selling books, many of these selections deal with rock 'n' roll and cultural icons—but there are also pieces on everything from William Faulkner to organized crime to heavyweight boxing, including the Vanity Fair feature that gave rise to Tosches's major new book on Sonny Liston, published by Little, Brown. Here is "a unique and darkly impressionistic cultural history" of the last three decades as only Nick Tosches could write it.

    January cold coming in off two rivers. Hart is broke, freezing, looking for a place to lay low from the cops. If he can't find somewhere soon he might do something rash - like steal an overcoat and accept a wallet containing $11,000 from a man dying from gunshot wounds in the street. Whoever killed him might have a bed, though, even if that means hanging out with a bunch of thieves and drifters while the heat blows over. Lucky for Hart he's handy with his fists. And if he can use his looks and smarts to get in with the gang, maybe he can ride this out and score big on his own. Originally published in 1954, Black Friday is one of David Goodis's leanest, meanest melancholy thrillers. In the character of Hart, it features one of his classic, tortured romantic heroes, a man who becomes mired in circumstances from which there is no escape. In this edition, Black Friday is combined with short stories, unpublished since they were first written for pulp magazines in America over 50 years ago.

    This is thefirst anthology to do full justice to the vast range of Americaninnovation in fiction writing since 1945.

    Eleven stories by Joshua Ferris, many of which were first published in The New Yorker, on topics such as the modern tribulations of marriage, ambition, and the fear of missing out.The dinner party --The valetudinarian --The pilot --A night out --The breeze --Ghost town choir --More abandon (or whatever happened to Joe Pope?) --Fragments --The stepchild --Life in the heart of the dead --A fair price

    In these nine pieces, she captures both the small, luminous moments of daily existence and those instants when life and death hang in the balance, ranging from the death of a beloved dog to a relentlessly readable account of a New York artist trapped inside a burning building, as well as two triumphant, celebrated pieces of short fiction. Here is an unforgettable collection destined to be embraced and debated by readers and writers, teachers and students. Anchored by the title piece––a searing journey through India that brings into focus questions of mortality and love—Festival Days presents Beard at the height of her powers, using her flawless prose to reveal all that is tender and timeless beneath the way we live now.

    Catherynne M. Valente, the New York Times bestselling author of The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making and other acclaimed novels, now brings readers a treasure trove of stories and poems in The Bread We Eat in Dreams.In the Locus Award-winning novelette “White Lines on a Green Field,” an old story plays out against a high school backdrop as Coyote is quarterback and king for a season. A girl named Mallow embarks on an adventure of memorable and magical politicks in “The Girl Who Ruled Fairyland—For a Little While.” The award-winning, tour de force novella “Silently and Very Fast” is an ancient epic set in a far-flung future, the intimate autobiography of an evolving A.I. And in the title story, the history of a New England town and that of an outcast demon are irrevocably linked.The thirty-five pieces collected here explore an extraordinary breadth of styles and genres, as Valente presents readers with something fresh and evocative on every page. From noir to Native American myth, from folklore to the final frontier, each tale showcases Valente’s eloquence and originality.Table of Contents:The ConsultantWhite Lines on a Green FieldThe Bread We Eat in DreamsThe Melancholy of MechagirlA Voice Like a HoleThe Girl Who Ruled Fairyland—For a Little WhileHow to Raise a MinotaurThe Shoot-out at Burnt Corn Ranch Over the Bride of the WorldMouse KoanThe Blueberry Queen of Wiscasset In the Future When All’s WellFade to WhiteAeromausRed EnginesThe Wolves of BrooklynOne Breath, One StrokeKallistiThe WeddingThe Secret of Being a CowboyTwenty-Five Facts About Santa ClausWe Without Us Were ShadowsThe Red GirlAquaman and the Duality of Self/Other, America, 1985The RoomSilently and Very FastWhat the Dragon Said: A Love Story

    War Dances brims with Alexie’s poetic and revolutionary prose, and reminds us once again why he ranks as one of our country’s finest writers.With bright insight into the minds of artists, entrepreneurs, fathers, husbands, and sons, Alexie populates his stories with average men on the brink of exceptional change: In the title story, a son recalls his father’s “natural Indian death” from alcohol and diabetes, just as he learns that he himself may have a brain tumor; “The Ballad of Paul Nonetheless,” dissects a vintage clothing store owner’s failing marriage and courtship of a Puma-clad stranger in airports across the country; and “Breaking and Entering” recounts a film editor’s fateful confrontation with an thieving adolescent.Brazen and wise War Dances takes us to the heart of what it means to be human. The new beginnings, successes, mistakes, and regrets that make up our daily lives are laid bare in this wide-ranging new work that is quintessential.