Its exalted language and soaring metaphors inspire devotion and worship. But too often the expositor's scrutiny has reduced this letter to a string of theological ideas and practical topics. Timothy Gombis has rediscovered Ephesians as a deeply dramatic text that follows the narrative arc of the triumph of God in Christ. Here Paul invites the church to celebrate and participate in this divine victory over the powers of this present age. In Gombis's dramatic reading of Ephesians we are drawn into a theological and cultural engagement with this epochal story of redemption. The Drama of Ephesians stands in the scantly occupied shelf space between commentaries and specialized studies in Ephesians, giving us a unified and dynamic perspective on this classic text. It is a book that will renew your excitement for studying, preaching and teaching this great letter of Paul.

    These concrete pictures with their hidden force have struck sharp and lasting impressions on our minds. Their imprint has etched itself on the language and grammar of Christian faith and Western culture. Why then do traditional Bible dictionaries and reference works offer so little help to explorers of the Bible's galaxy of verbal pictures? They excel in describing the climate, borders and location of Galilee or Sinai. But they are often blind to the artistic expressions and deaf to the musical meanings that echo from within the world of the biblical text. The Dictionary of Biblical Imagery is the first contemporary reference work dedicated to exploring the images, symbols, motifs, metaphors and literary patterns found in the Bible. More than that, it examines the Bible's universal archetypes or master images--including the plot motifs and character types that recur throughout life, literature and the Bible. This unique dictionary explores the dazzling variety in which the Word of God comes dressed in clothes of everyday life. It traces the trail of images from Eden to the New Jerusalem. It captures the plotted patterns of biblical narrative. It surveys the imaged texture of each book of the Bible. In short, The Dictionary of Biblical Imagery is an inviting, enlightening and indispensable companion to the reading, study, contemplation and enjoyment of the Bible.

    Greidanus challenges Old Testament scholars to broaden their focus and to understand the Old Testament not only in its own historical context but also in the context of the New Testament. Suggesting specific steps and providing concrete examples, this volume provides a practical guide for preaching Christ from the Old Testament.

    All four canonical Gospels declare that the Torah and the Prophets and the Psalms mysteriously prefigure Jesus. The author of the Fourth Gospel states this claim succinctly: in his narrative, Jesus declares, If you believed Moses, you would believe me, for he wrote about me (John 5:46). Yet modern historical criticism characteristically judges that the New Testament's christological readings of Israel's Scripture misrepresent the original sense of the texts; this judgment forces fundamental questions to be asked: Why do the Gospel writers read the Scriptures in such surprising ways? Are their readings intelligible as coherent or persuasive interpretations of the Scriptures? Does Christian faith require the illegitimate theft of someone else's sacred texts?Echoes of Scripture in the Gospels answers these questions. Richard B. Hays chronicles the dramatically different ways the four Gospel writers interpreted Israel's Scripture and reveals that their readings were as complementary as they were faithful. In this long-awaited sequel to his Echoes of Scripture in the Letters of Paul, Hays highlights the theological consequences of the Gospel writers' distinctive hermeneutical approaches and asks what it might mean for contemporary readers to attempt to read Scripture through the eyes of the Evangelists. In particular, Hays carefully describes the Evangelists' practice of figural reading--an imaginative and retrospective move that creates narrative continuity and wholeness. He shows how each Gospel artfully uses scriptural echoes to re-narrate Israel's story, to assert that Jesus is the embodiment of Israel's God, and to prod the church in its vocation to engage the pagan world.Hays shows how the Evangelists summon readers to a conversion of their imagination. The Evangelists' use of scriptural echo beckons readers to believe the extraordinary: that Jesus was Israel's Messiah, that Jesus is Israel's God, and that contemporary believers are still on mission. The Evangelists, according to Hays, are training our scriptural senses, calling readers to be better scriptural people by being better scriptural poets.--J�rg Frey, Chair of New Testament Studies, University of Z�rich "Novum Testamentum"

    Even those who do not follow him admit the vast influence of his life. For anyone interested in knowing more about Jesus, study of the four biblical Gospels is essential. Four Portraits, One Jesus is a thorough yet accessible introduction to these documents and their subject, the life and person of Jesus. Like different artists rendering the same subject using different styles and points of view, the Gospels paint four highly distinctive portraits of the same remarkable Jesus. With clarity and insight, Mark Strauss illuminates these four books, first addressing their nature, origin, methods for study, and historical, religious, and cultural backgrounds. He then moves on to closer study of each narrative and its contribution to our understanding of Jesus, investigating things such as plot, characters, and theme. Finally, he pulls it all together with a detailed examination of what the Gospels teach about Jesus’ ministry, message, death, and resurrection, with excursions into the quest for the historical Jesus and the historical reliability of the Gospels.

    In this famous exposition of Isaiah 42:3, Sibbes unfolds the tender ministry of Jesus Christ, who is 'a physician good at all diseases, especially at the binding up of the broken heart'.

    D. Greear. He struggled for many years to gain an assurance of salvation and eventually learned he was not alone. “Lack of assurance” is epidemic among evangelical Christians.In Stop Asking Jesus Into Your Heart, J. D. shows that faulty ways of presenting the gospel are a leading source of the confusion. Our presentations may not be heretical, but they are sometimes misleading. The idea of “asking Jesus into your heart” or “giving your life to Jesus” often gives false assurance to those who are not saved—and keeps those who genuinely are saved from fully embracing that reality.Greear unpacks the doctrine of assurance, showing that salvation is a posture we take to the promise of God in Christ, a posture that begins at a certain point and is maintained for the rest of our lives. He also answers the tough questions about assurance: What exactly is faith? What is repentance? Why are there so many warnings that seem to imply we can lose our salvation?Such issues are handled with respect to the theological rigors they require, but Greear never loses his pastoral sensitivity or a communication technique that makes this message teachable to a wide audience from teens to adults.

    Are these seemingly vindictive prayers acceptable in the mouths of Christians? How is a pastor supposed to preach these texts?James E. Adams wants us to embrace God's Word in its entirety, and that means examining the parts that make us uncomfortable. In short, helpful chapters, Adams answers a number of questions: Are these psalms from God? Who is the speaker in the psalms? May we pray these psalms today? It turns out that the Prince of Peace has much to teach us about war, and even the imprecatory psalms may be prayed with the merciful goal of conversion.Twenty-fifth anniversary edition—includes a new epilogue and additional chapter.

    Progressively, these lives image and reverse one another in an ascending narrative of action, a narrative all too commonly broken apart and missed. These heroes of the city of God - Adam, Noah, Abraham, Isaac, Jacob, Joseph, and others - come to flesh and blood in ways that undo our normal assumptions. In stark contrast to the selfish heroism of pagan literature, the heroism of Genesis triumphs by breaking all the standard rules. Jordan inverts so many of the traditional negative judgments against these patriarchs' alleged weaknesses and "sins" of deception, struggle, and tyranny that they stand forth as heroes rather than scoundrels. And yet this book is not just about the heroes of Genesis. Throughout, Jordan draws a picture of how Christian culture should be imagined and lived in our own day, from creativity and work to tyranny and freedom. You will never be able to read Genesis the same way again.

    S. Lewis for the twenty-first century" in a feature on his first book, The Reason for God. In that book, he offered a rational explanation of why we should believe in God. Now, in The Prodigal God, he uses one of the best-known Christian parables to reveal an unexpected message of hope and salvation.Taking his trademark intellectual approach to understanding Christianity, Keller uncovers the essential message of Jesus, locked inside his most familiar parable. Within that parable Jesus reveals God's prodigal grace toward both the irreligious and the moralistic. This book will challenge both the devout and skeptics to see Christianity in a whole new way.Look out for Timothy Keller's latest book, The Songs of Jesus, coming from Viking on November 10, 2015.

    Word-Centered Church brings that answer into sharp focus. Written by Jonathan Leeman, editorial director for the reputable ministry 9Marks, Word-Centered Church offers a thorough treatment of one of God’s greatest concerns: growing His people and growing His church.As simple as the concept may seem, it’s one that many churches miss, and to their own detriment. Because when churches center everything they do on God’s Word—when the pulpit ministry gives direction to every aspect of the church’s life—growth happens God’s way. God’s Word is what creates the church, and it’s what sustains it, too.Theological and practical, Word-Centered Church focuses on how the church hears, responds to, discusses, implements, and is transformed by Scripture. It’s not about high-octane production, superstar personalities, or postmodern entreaties, but stuff that is really old, really good, and really powerful.Word-Centered Church is the ministry-model book that churches need, because it advances the model God designed. For anyone who wants to grow or help others grow, Word-Centered Church is indispensable.

    I could never myself believe in God, if it were not for the cross. . . . In the real world of pain, how could one worship a God who was immune to it? With compelling honesty John Stott confronts this generation with the centrality of the cross in God's redemption of the world -- a world now haunted by the memories of Auschwitz, the pain of oppression and the specter of nuclear war. Can we see triumph in tragedy, victory in shame? Why should an object of Roman distaste and Jewish disgust be the emblem of our worship and the axiom of our faith? And what does it mean for us today? Now from one of the foremost preachers and Christian leaders of our day comes theology at its readable best, a contemporary restatement of the meaning of the cross. At the cross Stott finds the majesty and love of God disclosed, the sin and bondage of the world exposed. More than a study of the atonement, this book brings Scripture into living dialogue with Christian theology and the twentieth century. What emerges is a pattern for Christian life and worship, hope and mission. Destined to be a classic study of the center of our faith, Stott's work is the product of a uniquely gifted pastor, scholar and Christian statesman. His penetrating insight, charitable scholarship and pastoral warmth are guaranteed to feed both heart and mind.

    It is Luther's response to Desiderius Erasmus's "Diatribe on Free Will, " written in his direct and unique style, combining deep spirituality with humor. Luther writes powerfully about man's depravity and God's sovereignty. The crucial issue for Luther concerned what ability free will has, and to what degree it is subject to God's sovereignty. For Luther, this key issue of free will is directly connected to God's plan of salvation. Is man able to save himself, or is his salvation entirely a work of divine grace? This work is vital to understanding the primary doctrines of the Reformation and will long remain among the great theological classics of Christian history.

    And for all the ridiculous, twisted, Da Vinci Code-esque conspiracy theories and lies about Jesus that have permeated popular culture and even the academy over the years, the truth about his character, nature, and work has not changed. So what exactly is the truth about Jesus Christ? That&'s the question the authors of Vintage Jesus seek to answer by breaking it down into a number of sub-questions about Jesus, including Is Jesus the only God? Why did Jesus come to earth? Did Jesus rise from death? Why should we worship Jesus? and others. Nonbelievers and new Christians looking to sit down and delve into the topic of Jesus, asking the toughest, most confounding questions they can think of, will find solid, biblical answers presented in a relevant, accessible way.

    Drawing on the full sweep of the biblical narrative, J. Richard Middleton unpacks key Old Testament and New Testament texts to make a case for the new earth as the appropriate Christian hope. He suggests its ethical and ecclesial implications, exploring the difference a holistic eschatology can make for living in a broken world.