They provide information. foster our enthusiasms and spark our memories. But these personal treasures also add colour and a true sense of personality to our homes. Books Make a Home explores the important role they play as Decoration. as well as functional items. Author and bibliophile Damian Thompson tours the rooms of the home in turn - Living Rooms. Home Libraries & Studies. Kitchens . Bedrooms & Bathrooms. Corridors & Staircases and Childrens' Spaces - discovering a host of techniques for stacking. shelving and closeting volumes. and illustrating how each space can be brought to life by books. Alongside inspirational photography is a wealth of practical design solutions for each space and every size of collection. You will learn how to make the best use of existing storage and create new space for an ever-growing collection; how to combine books with other personal effects to create eye-catching displays; and helpful feature spreads will illustrate how to organize and care for your books. Beautifully presented and elegantly written, scattered with quotes from famous readers throughout, Books Make a Home is an insightful guide to enjoying books with the eye as well as with the mind.

    Puchner introduces us to numerous visionaries as he explores sixteen foundational texts selected from more than four thousand years of world literature and reveals how writing has inspired the rise and fall of empires and nations, the spark of philosophical and political ideas, and the birth of religious beliefs. Indeed, literature has touched the lives of generations and changed the course of history.At the heart of this book are works, some long-lost and rediscovered, that have shaped civilization: the first written masterpiece, the Epic of Gilgamesh; Ezra’s Hebrew Bible, created as scripture; the teachings of Buddha, Confucius, Socrates, and Jesus; and the first great novel in world literature, The Tale of Genji, written by a Japanese woman known as Murasaki. Visiting Baghdad, Puchner tells of Scheherazade and the stories of One Thousand and One Nights, and in the Americas we watch the astonishing survival of the Maya epic Popol Vuh. Cervantes, who invented the modern novel, battles pirates both real (when he is taken prisoner) and literary (when a fake sequel to Don Quixote is published). We learn of Benjamin Franklin’s pioneering work as a media entrepreneur, watch Goethe discover world literature in Sicily, and follow the rise in influence of The Communist Manifesto. We visit Troy, Pergamum, and China, and we speak with Nobel laureates Derek Walcott in the Caribbean and Orhan Pamuk in Istanbul, as well as the wordsmiths of the oral epic Sunjata in West Africa.Throughout The Written World, Puchner’s delightful narrative also chronicles the inventions—writing technologies, the printing press, the book itself—that have shaped religion, politics, commerce, people, and history. In a book that Elaine Scarry has praised as “unique and spellbinding,” Puchner shows how literature turned our planet into a written world.

    The book contains 500 random facts along with Spells, Charms and Potions that you've Probably never heard before in the blockbuster harry potter series.Test your knowledge and check how many of this are know to you.

    Some of the stories are inspired by true events. Find out which ones inside this scary collection. "The Girl I Married" Jonathan noticed that after marrying Jeanette, she starts acting strange. As if she is not the same girl he dated. Why is she so different and what secrets is she hiding? "I`m Sorry Daddy" After an accident at work, Mr. Williams starts developing unusual symptoms. He is turning into a monster and there is nothing to stop this. "The House Next Door part 2" Jessica decides to find out what happened to her friend Sarah. What new discoveries will she make and will the same fate befall her?

     When lifelong friends Reggie, Joel and Cody, fail to win the Virtual Reality Elite championship, they’re forced to find real work. The guys sign a pest control contract, ridding space stations of infestations. ShimVens have been spreading rapidly across the galaxy. The bugs eat through wiring, destroying space stations and ships.Reggie took the job because the pay was good and the work sounded easy. Cody and Joel are skeptical, but Reggie convinces them it’s easy work. Just spray the bugs and done, right? Not exactly. They soon learn these pests are deadly. They’ll have to rely on their gaming skills if they are to survive. And they’re going to need better weapons. Oh, and a mercenary who knows how to kick ass. These three immature guys go off to save the universe…all by accident. Men in Black meets Ghost Busters. Intergalactic Pest Control will have readers hooked from the beginning. --- Caution for strong language and graphic scenes involving lots of bug guts.

    Now this new edition of The Read-Aloud Handbook imparts the benefits, rewards, and importance of reading aloud to children of a new generation. Supported by delightful anecdotes as well as the latest research, The Read-Aloud Handbook offers proven techniques and strategies—and the reasoning behind them—for helping children discover the pleasures of reading and setting them on the road to becoming lifelong readers.

    This indifference has become a grievous loss to our standing as a great nation--and a personal loss, too, for millions of teenagers who may turn into adults with limited understanding of themselves and the world.Can teenagers be turned on to serious reading? What kind of teachers can do it, and what books? To find out, Denby sat in on a tenth-grade English class in a demanding New York public school for an entire academic year, and made frequent visits to a troubled inner-city public school in New Haven and to a respected public school in Westchester county. He read all the stories, poems, plays, and novels that the kids were reading, and creates an impassioned portrait of charismatic teachers at work, classroom dramas large and small, and fresh and inspiring encounters with the books themselves, including The Scarlet Letter, Brave New World, 1984, Slaughterhouse-Five, Notes From Underground, Long Way Gone and many more. Lit Up is a dramatic narrative that traces awkward and baffled beginnings but also exciting breakthroughs and the emergence of pleasure in reading. In a sea of bad news about education and the fate of the book, Denby reaffirms the power of great teachers and the importance and inspiration of great books.

    A small six inches by nine inches, but over two hundred pages long, with odd illustrations of plants, astrological diagrams, and naked women, it is written in so indecipherable a language and contains so complicated a code that mathematicians, book collectors, linguists, and historians alike have yet to solve the mysteries contained within.However, in The Friar and the Cipher, the acclaimed bibliophiles and historians Lawrence and Nancy Goldstone describe, in fascinating detail, the theory that Roger Bacon, the noted thirteenth-century, pre-Copernican astronomer, was its author and that the perplexing alphabet was written in his hand. Along the way, they explain the many proposed solutions that scholars have put forth and the myriad attempts at labeling the manuscript’s content, from Latin or Greek shorthand to Arabic numerals to ancient Ukrainian to a recipe for the elixir of life to good old-fashioned gibberish.As we journey across centuries, languages, and countries, we meet a cast of impassioned characters and case-crackers, including, of course, Bacon, whose own personal scientific contributions, Voynich author or not, were literally and figuratively astronomical.

     Includes "The Book Collector," advice and special tips from John Dunning on collecting rare books. BOOKED TO DIE Denver cop Cliff Janeway probably knows as much about books as he does about homicide. His living room resembles an adjunct to the public library. He's aware that some Stephen King first editions can bring more money than most Mark Twain firsts, and a copy of Raymond Chandler's Lady in the Lake is worth more than $1,000. And he realizes that, contrary to popular belief, "older" doesn't necessarily mean "more valuable." He also knows that valuable volumes can be hidden in plain view among otherwise ordinary book collections. It's not easy to find such books, but some people seem to have an extraordinary talent for honing in on the treasures. Such a man is bookscout Bobby Westfall. Bobby once earned $900 in a single weekend and has generally spotted enough valuable books to keep himself and his beloved cats fed and housed. Now Bobby is dead, murdered at the witching hour on Friday the thirteenth, his body dumped under a ladder in a dark alley. It's not a good end for a superstitious man. Janeway is sure he knows who did it. But can he catch him? And, in the process, will Janeway's own life change forever? THE BOOKMAN'S WAKE The story starts and ends, aptly, with a very special book: a 1969 edition of Edgar Allan Poe's The Raven, published by the tiny, prestigious Grayson Press of North Bend, Washington. The Grayson bibliography mentions no such edition. If, indeed, it exists, it could be worth a fortune to the right collector. It's the kind of book somebody might kill for. In fact, somebody probably already has. Ex-Denver cop Janeway is happily at work selling rare and used books when former police colleague Clydell Slater arrives with an offer. Slater runs a detective agency and he wants Janeway to go to Seattle to pick up a young female fugitive and deliver her to Taos, New Mexico. The woman is wanted for burglary and assault. More to the point, as far as Janeway's concerned, she may also have in her possession a stolen copy of the 1969 Grayson Press Raven, taken when she ransacked a Taos home. The rare-book angle gets to Janeway every time. He could turn down thousands of dollars in fees, but he can't say no to The Raven. Janeway signs on to the case because of a book, but he stays because of a vulnerable young woman. He will discover not only her painful story but the poignant tale of a once-great small press, where paper and ink became beautiful books in the hands of a master craftsman.

    

    Le Guin:"I read her nonstop growing up and read her still. What makes her so extraordinary for me is that her commitment to the consequences of our actions, of our all too human frailties, is unflinching and almost without precedent for a writer of such human optimism."—Junot Diaz"A lot of her work is about telling stories, and what it means to tell stories, and what stories look like. She's been extremely influential on me in that area of what I, as a beginning writer, thought a story must look like, and the much more expan-sive view I have now of what a story can be and can do."—Karen Joy Fowler"She was and remains a central figure for me."—Michael ChabonUrsula K. Le Guin is one of our foremost public literary intellectuals and this collection of her recent talks, essays, introductions, and book reviews is the best manual we have for traveling the worlds explored in recent fiction; the most useful guide to the country we're visiting, life.Ursula K. Le Guin was born in Berkeley, California, in 1929. Among her honors are the National Book Foundation's Medal for Distinguished Contribution to American Letters, a National Book Award, the Hugo, Nebula, and Kafka awards, a Pushcart Prize, and the Harold D. Vursell Me-morial Award from the American Academy of Arts and Letters. She lives in Portland, Ore-gon.

    Home to an unrivaled twenty-five Nobel Prize winners and generation-defining authors like T. S. Eliot, Flannery O’Connor, Susan Sontag, Tom Wolfe, Joan Didion, Philip Roth, and Jonathan Franzen, it’s a cultural institution whose importance approaches that of The New Yorker or The New York Times. But FSG is no ivory tower—the owner's wife called the office a “sexual sewer”—and its untold story is as tumultuous and engrossing as many of the great novels it has published.Boris Kachka deftly reveals the era and the city that built FSG through the stories of two men: founder-owner Roger Straus, the pugnacious black sheep of his powerful German-Jewish family—with his bottomless supply of ascots, charm, and vulgarity of every stripe—and his utter opposite, the reticent, closeted editor Robert Giroux, who rose from working-class New Jersey to discover the novelists and poets who helped define American culture. Giroux became one of T. S. Eliot’s best friends, just missed out on The Catcher in the Rye, and played the placid caretaker to manic-depressive geniuses like Robert Lowell, John Berryman, Jean Stafford, and Jack Kerouac. Straus, the brilliant showman, made Susan Sontag a star, kept Edmund Wilson out of prison, and turned Isaac Bashevis Singer from a Yiddish scribbler into a Nobelist—even as he spread the gossip on which literary New York thrived.A prolific lover and an epic fighter, Straus ventured fearlessly, and sometimes recklessly, into battle for his books, his authors, and his often-struggling company. When a talented editor left for more money and threatened to take all his writers, Roger roared, “Over my dead body”—and meant it. He turned a philosophical disagreement with Simon & Schuster head Dick Snyder into a mano a mano media war that caught writers such as Philip Roth and Joan Didion in the crossfire. He fought off would-be buyers like S. I. Newhouse (“that dwarf”) with one hand and rapacious literary agents like Andrew Wylie (“that shit”) with the other. Even his own son and presumed successor was no match for a man who had to win at any cost—and who was proven right at almost every turn.At the center of the story, always, are the writers themselves. After giving us a fresh perspective on the postwar authors we thought we knew, Kachka pulls back the curtain to expose how elite publishing works today. He gets inside the editorial meetings where writers’ fates are decided; he captures the adrenaline rush of bidding wars for top talent; and he lifts the lid on the high-stakes pursuit of that rarest commodity, public attention—including a fly-on-the-wall account of the explosive confrontation between Oprah Winfrey and Jonathan Franzen, whose relationship, Franzen tells us, “was bogus from the start.”Vast but detailed, full of both fresh gossip and keen insight into how the literary world works, Hothouse is the product of five years of research and nearly two hundred interviews by a veteran New York magazine writer. It tells an essential story for the first time, providing a delicious inside perspective on the rich pageant of postwar cultural life and illuminating the vital intellectual center of the American Century.

    Showing us how a single official text was created from the proliferation of different scripts, Beal traces its path as it became embraced as the word of God and Book of books. Among his surprising insights:• Christianity thrived for centuries without any Bible—there was no official canon of scriptures, much less a book big enough to hold them all. Congregations used various collections of scrolls and codices.  • There is no “original” Bible, no single source text behind the thousands of different Bibles on the market today. The farther we go back in the Bible’s history, the more versions we find.  • The idea of the Bible as the literal Word of God is relatively new—only about a century old. Beal’s is an inspiring new take on the Bible. In calling for a fresh understanding of the ways scriptures were used in the past, he offers the chance to rediscover a Bible, and a faith, that is truer to its own history—not a book of answers but a library of questions.

    Aristotle “Aris” Thibodeau, age 12.5, is writing the Great American Novel. According to Write a Novel in Thirty Days! it shouldn’t be that hard—all she needs to do is write what she knows. Conveniently, Aris’s world is full of people who are more fun to write about than live with, like her single mother, Diane. Diane is an adjunct English professor who flirts with unemployment more than her Match.com dates, and, regrettably, does not know the difference between hair that looks messy and hair that is messy. Aris knows that if Diane would just accept that the perfect man is already under her nose—Penn MacGuffin, handyman, nanny, and self-described PMI (“Positive Male Influence”)—their lives would change for the better. After all, nothing gets a novel off the ground like a budding romance. But when a random accident exposes Aris to a dark part of her family’s history, she’s forced to confront that fact that sometimes in life—as in great literature—things might not work out exactly as you hoped.

    His library was his reality, the source of so much that was vital to his life. A reader first, his readerly encounters, out of all of life's pursuits, are seen to be as significant as his most important relationships with friends, family, or lovers. Wilde's library, which Thomas Wright spent twenty years reading, provides the intellectual (and emotional) climate at the core of this deeply engaging portrait.One of the book's happiest surprises is the story of the author's adventure reading Wilde's library. Reminiscent of Jorge Luis Borges's fictional hero who enters Cervantes's mind by saturating himself in the culture of sixteenth-century Spain, Wright employs Wilde as his own Virgilian guide to world literature. We come to understand how reading can be an extremely sensual experience, producing a physical as well as a spiritual delight.