She is awkward, plain, and most pertinently, believes that her mother, who died in childbirth, lives in the scar on her neck. Iseult’s father parades a host of unsuitable candidates before her, the majority of whom Iseult wastes no time frightening away. When at last her father finds a suitor desperate enough to take Iseult off his hands—a man whose medical treatments have turned his skin silver—a true comedy of errors ensues. As history’s least conventional courtship progresses into talk of marriage, Iseult’s mother becomes increasingly volatile and uncontrollable, and Iseult is forced to resort to extreme, often violent, measures to keep her in check. As the day of the wedding nears, Iseult must decide whether (and how) to set the course of her life, with increasing interference from both her mother and father, tipping her ever closer to madness, and to an inevitable, devastating final act.

    It is a place of contradictions—the bright lights mask the peeling paint; a carnie in greasy overalls slinks away from the direction of the Barker’s seductive call. It is a place of illusion—is that woman’s beard real? How can she live locked in that watery box?And while many are tricked by sleight of hand, there are hints of something truly magical going on. One must remain alert and learn quickly the unwritten rules of this dark show. To beat the carnival, one had better have either a whole lot of luck or a whole lot of guns—or maybe some magic of one’s own.Featuring stories grotesque and comical, outrageous and action-packed, Carniepunk is the first anthology to channel the energy and attitude of urban fantasy into the bizarre world of creaking machinery, twisted myths, and vivid new magic.RACHEL CAINE’s vampires aren’t child’s play, as a naïve teen discovers when her heart leads her far, far astray in “The Cold Girl.” With “Parlor Tricks,” JENNIFER ESTEP pits Gin Blanco, the Elemental Assassin, against the Wheel of Death and some dangerously creepy clowns. SEANAN McGUIRE narrates a poignant, ethereal tale of a mysterious carnival that returns to a dangerous town after twenty years in “Daughter of the Midway, the Mermaid, and the Open, Lonely Sea.” KEVIN HEARNE’s Iron Druid and his wisecracking Irish wolfhound discover in “The Demon Barker of Wheat Street” that the impossibly wholesome sounding Kansas Wheat Festival is actually not a healthy place to hang out. With an eerie, unpredictable twist, ROB THURMAN reveals the fate of a psychopath stalking two young carnies in “Painted Love.”

    . . ? Find them all here in Holly Black’s amazing first collection.In her debut collection, New York Times best-selling author Holly Black returns to the world of Tithe in two darkly exquisite new tales. Then Black takes readers on a tour of a faerie market and introduces a girl poisonous to the touch and another who challenges the devil to a competitive eating match. Some of these stories have been published in anthologies such as 21 Proms, The Faery Reel, and The Restless Dead, and many have been reprinted in many “Best of ” anthologies.The Poison Eaters is Holly Black’s much-anticipated first collection, and her ability to stare into the void—and to find humanity and humor there—will speak to young adult and adult readers alike.A Junior Library Guild Pick. Illustrated by Theo Black.Holly Black is the author of Tithe: A Modern Faerie Tale (an ALA Best Book for Young Adults) and two related novels, Valiant (Norton Award winner) and New York Times bestseller Ironside. Her latest novel, Black Heart is the third of a new series, The Curseworkers. She and Tony DiTerlizzi created the best-selling Spiderwick Chronicles. Holly lives in Massachusetts with her husband, Theo, in a house with a secret library.

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways.Contributors include Kendare Blake (reimagining “Metzengerstein”), Rin Chupeco (“The Murders in the Rue Morge”), Lamar Giles (“The Oval Portrait”), Tessa Gratton (“Annabel Lee”), Tiffany D. Jackson (“The Cask of Amontillado”), Stephanie Kuehn (“The Tell-Tale Heart”), Emily Lloyd-Jones (“The Purloined Letter”), Hillary Monahan (“The Masque of the Red Death”), Marieke Nijkamp (“Hop-Frog”), Caleb Roehrig (“The Pit and the Pendulum”), and Fran Wilde (“The Fall of the House of Usher”).

    Villagers far and wide welcome her with both awe and disdain — grateful to her for ridding their towns of the undead menace, but finding themselves made poorer for their salvation. Magiere knows she’s dealing with simple folk, who only wish to have their superstitions silenced, and sees nothing wrong with exploiting them for profit.Now, tired of the game, Magiere and her partner, the half-elf Leesil, are ready to hang up their weapons and settle down in a place they can finally call home. But their newfound peace will not last — for Magiere has come to the attention of a trio of powerful and dangerous vampires who know her true identity — and fear the birthright that flows through her veins. And they will stop at nothing to keep Magiere from fulfilling her destiny.

    The Dark takes a look at the tormented and unquiet dead; the darkness in us, the living; and the sometimes tenuous boundary between the two.

    Ideal for schools and drama groups, this Dracula is all the more chilling for the respect it shows for Stoker's original nightmare creation.

    . . a serial killer who defies death . . . a house with a violent mind of its own and another that holds a grotesque secret within its peeling walls. Here are witches who feast on faces, changeling rites of passage, a venerable vampire contemplating his end, and a fanged brat who drains the patience of a bumbling teenage boy. Here too are a flamboyant young novelist in search of a subject more compelling than his own eerie existence and the daughter of a sorcerer fighting to free her lover — and her will — from sinister bonds. Enter the world of GOTHIC!, a celebration of the literary form made famous by such writers as Mary Shelley and Edgar Allan Poe. With chilling stories by: Joan Aiken M. T. Anderson Neil Gaiman Caitlín R. Kiernan Gregory Maguire Garth Nix Celia Rees Janni Lee Simner Vivian Vande Velde Barry Yourgrau

    The individual copyright date for each story ranges from 1925 to 1987."The Queen of Sheba’s Nightmare" by Bertrand Russell "The Brazen Locked Room" by Isaac Asimov "Sir Dominick’s Bargain" by Sheridan LeFanu "Tapestry" by C. H. Sherman "Seven Come Heaven?" by Diane Wnorowska "The Temptation of Harringay" by H.G. Wells "The Tenancy of Mr. Eex" by Paula Volsky "The Demon Lover" by Anonymous "The Imitation Demon" by Robert Kuttner "Just a Little Thing" by Joan Vander Putten "The Devil’s Wager" by William Makepeace Thackeray "Rachaela" by Poul Anderson"Hell-Bent" by Ford McCormack "Damned Funny" by Marvin Kaye "Me, Tree" by Morgan Llywelyn "Enoch" by Robert Bloch "Catmagic" by M. Lucie Chin "The Hound" by H. P. Lovecraft "The Princess and Her Future" by Tanith Lee "Novel of the White Powder" by Arthur Machen "The Celery Stalk in the Cellar" by Saralee Terry "The Vampire Cat of Nabeshima" by Bernhardt J. Hurwood "Caliban’s Revenge" by Darrell Schweitzer "The Trilling Princess" by Jessica Amanda Salmonson "The Graveyard Rats" by Henry Kuttner "Daddy" by Earl Godwin "The Well-Meaning Mayor" by Leslie Charteris "A Madman" by Maurice Level "The Devilish Rat" by Edward Page Mitchell "Rokuro-Kubi" by Lafcadio Hearn "The Burial of the Rats" by Bram Stoker "High-Tech Insolence" by Russell Baker "Ulalume" by Edgar Allan Poe "Boogie Man" by Tappan King "The Maze and the Monster" by Edward D. Hoch "Father Meuron’s Tale" by Robert Hugh Benson "The Philosophy of Sebastian Trump or, the Art of Outrage" by William E. Kotzwinkle and Robert Shiarella "Don Juan’s Final Night" by Edmond Rostand "A Friend in Need" by W. Somerset Maugham "Armageddon" by Fredric Brown"Secret Worship" by Algernon Blackwood"Devil in the Drain" by Daniel Manus Pinkwater"I Am Returning" by Ray Russell"The Shadow Watchers" by Dick Baldwin"The Demons" by Robert Sheckley"A Ballad of Hell" by John Davidson"The Generous Gambler" by Charles Pierre Baudelaire"A Midnight Visitor" by John Kendrick Bangs"Markheim" by Robert Louis Stevenson"Lost Soul" by Jay Sheckley"The Last Demon" by Isaac Bashevis Singer"Influencing The Hell Out Of Time And Teresa Golowitz" by Parke Godwin

    He fakes his death to escape, but when he's seen climbing out of a coffin everyone assumes he's a vampire; when he shows none of the traditional vampire weaknesses, they decide he must be the Great One, the most powerful vampire in the history of the world.Half horror and half farce, Frederick's tale is an ever-growing avalanche of bankers, constables, graverobbers, poets, ghouls, morticians, vampires, vampire hunters, not to mention some very unfortunate rabbits. With a string of allies even more unlikely than his enemies, can Frederick stay alive long enough to claim his (well, somebody's) money? And if he can't, which of his innumerable enemies will get to him first?

    In addition to works by Edgar Allan Poe, Arthur Conan Doyle, Bram Stoker, Wilkie Collins!, and other well-known writers, it features several sensationalized retellings of famous folk legends and accounts of notorious highwaymen. The book includes two full-length novels: the original 1818 text of Frankenstein, which was considered more shocking before Mary Shelley toned down its gruesomeness for the better-known 1831 edition, and Sweeney Todd: The Demon Barber of Fleet Street, a genuine penny dreadful that has served as the foundation for all accounts of Sweeney Todd written since. The book will appeal to readers who are currently enjoying the literary horror mash-ups featured on the hit Sky Atlantic series Penny Dreadful.Includes: - Aurelia, or, The Tale of a Ghoul by E.T.A. Hoffman

    Included are two original stories, several rarities and out of print tales, as well as a few "best of the year" inclusions. Stephen Graham Jones is a master storyteller. What does happen after the people lights have gone off? Crack the spine and find out. With an introduction by Joe R. Lansdale.Stephen Graham Jones is the author of fifteen novels and five collections, and has some two hundred stories published. Stephen's been an NEA Fellow and has won the Texas Institute of Letters Award for Fiction and the Independent Publishers Award for Multicultural fiction. He's forty-two, married with a couple of kids, and lives in Boulder, Colorado.WINNER, Short Story Collection, THIS IS HORRORNOMINATED, Short Story Collection, BRAM STOKER AWARDSNOMINATED, Short Story Collection, SHIRLEY JACKSON AWARDS

    . . and it keeps coming and coming and coming. . . . William Shakespeare was one of history's greatest writers, a master of words with a body of work that is truly impressive . . . some may say a little too impressive for a single man to accomplish in one lifetime. Perhaps, as many have speculated, he had assistance. Or perhaps the explanation is more . . . unusual.  Who was William Shakespeare? Who was the Dark Lady of the Sonnets? Why are the undead stalking the alleyways of London? And can they be stopped? Something is definitely rotten in the state of Denmark.  So brace yourself for a wild ride through twisted streets and shadowed graveyards of Elizabethan London, where you'll discover how the Bard got his Bite.

    Tieck's transition to Romanticism is seen in the series of plays and stories published under the title Volksmarchen von Peter Lebrecht (1797), a collection which contains the admirable fairy-tale Der Blonde Eckbert, and the witty dramatic satire on Berlin literary taste, Der Gestiefelte Kater. With his school and college friend Wilhelm Heinrich Wackenroder (1773-1798), he planned the novel Franz Sternbalds Wanderungen (1798), which, with Wackenroder's Herzensergiessungen (1798), was the first expression of the romantic enthusiasm for old German art. His writings between 1798 and 1804 include the satirical drama, Prinz Zerbino (1799), and Romantische Dichtungen (1799-1800). The latter contains Tieck's most ambitious dramatic poems, which were followed in 1804 by the remarkable "comedy" in two parts, Kaiser Oktavianus. These dramas, in which Tieck's poetic powers are to be seen at their best, are typical plays of the first Romantic school.