Now in paperback, "Complete Short Poetry" gathers all of Zukofsky's poetry outside his 800-page magnum opus entitled" "A""--including work that appeared in "All: The Collected Short Poems, 1923-1964," the experimental transliteration (with Celia Zukofsky) of Catullus, the limited edition "80 Flowers," as well as several fugitive pieces never before collected."Zukofsky is the American Mallarm," writes Hugh Kenner, "and given the peculiar intentness of the American preoccupation with language--obsessive, despite what you may read in the newspapers--his work is more disorienting by far than his exemplar's ever was. Mallarm had a long poetic tradition from which to deviate into philology. Zukofsky received a philological tradition, which he raised to a higher power."

    First publication for Kerouac's 'lost novel.

    100 lines from the author's MSN messenger chat history, set in large bold helvetica.

    Toni Morrison uses modernist techniques of stream-of-consciousness, multiple perspectives, and deliberate fragmentation. Two different narrators tell the story. The first is Claudia MacTeer, who narrates in a mixture of a child’s and an adult’s perspectives, and the second is an omniscient narrator. Claudia’s and Pecola’s points of view are dominant, but the reader also sees things from other character’s points of view.The subtext of the first part of the novel ('Autumn' and 'Winter') suggests various topics. In my presentation, I mainly focus on the “Dick and Jane narrative” by means of which the novel opens. Furthermore, I will explore the themes “whiteness as the standard of beauty” and “seeing versus being seen” which are sometimes closely connected.'The Bluest Eye' provides an extended depiction of the ways in which internalized white beauty standards deform the lives of black girls and women. Implicit messages that whiteness is superior are everywhere, including the white baby doll given to Claudia, the idealization of Shirley Temple, the consensus that light-skinned Maureen is cuter than the other black girls, and the idealization of white beauty in the movies. Pecola eventually desires blue eyes in order to conform with these white beauty standards imposed on her.However, by wishing for blue eyes, Pecola indicates that she wishes to see things differently as much as she wishes to be seen differently.

    

     Gorgeous, beautifully dressed, a cool job in fashion PR—what doesn’t she have going for her? She meets a guy on a Hawaiian vacation, and his interesting scars and tough exterior get her heart pumping. She could wrap him around her little finger if she wanted to, and why not? It could be fun to have a little fling with Nate, then go back to San Francisco. Back to cocktail parties and clubs and excitement, back to her adoring family, her sweet job, and her busy, full life. That's Scarlett on the outside—and maybe that’s who she used to be. But now, on the inside, Scarlett Wolfe is coming apart, splintering bit by bit, and she’s scrambling to hold everything together. Things are not as they seem, with her job, with her family, with her friends, and certainly not with Nate Lange, the former soldier she met in Hawaii. Home in California, her life is suddenly entwined with Nate’s and Scarlett finds her-self losing her heart to him. She needs to bring herself back the brink of chaos, and hopefully, Nate will be with her when she comes through to the other side…

    Widely regarded as one of the country's most important Native American poets, Ortiz has led a thirty-year career marked by a fascination with language—and by a love of his people. This omnibus of three previous works offers old and new readers an appreciation of the fruits of his dedication.Going for the Rain (1976) expresses closeness to a specific Native American way of life and its philosophy and is structured in the narrative form of a journey on the road of life. A Good Journey (1977), an evocation of Ortiz's constant awareness of his heritage, draws on the oral tradition of his Pueblo culture. Fight Back: For the Sake of the People, For the Sake of the Land (1980)—revised for this volume—has its origins in his work as a laborer in the uranium industry and is intended as a political observation and statement about that industry's effects on Native American lands and lives. In an introduction written for this volume, Ortiz tells of his boyhood in Acoma Pueblo, his early love for language, his education, and his exposure to the wider world. He traces his development as a writer, recalling his attraction to the Beats and his growing political awareness, especially a consciousness of his and other people's social struggle. "Native American writers must have an individual and communally unified commitment to their art and its relationship to their indigenous culture and people," writes Ortiz. "Through our poetry, prose, and other written works that evoke love, respect, and responsibility, Native Americans may be able to help the United States of America to go beyond survival."

    Herter Norton offer Rilke's work to the English-speaking world in an accurate, sensitive, modern version.

    Bergin.Illustrated with drawings by Aldo Salvadori

    Commentary (novels not included). Pages: 27. Chapters: The Icewind Dale Trilogy, The DemonWars Saga, Transitions, Gauntlgrym, The Dark Elf Trilogy, Legacy of the Drow, The Hunter's Blades Trilogy, Vector Prime, Paths of Darkness, Tarzan: The Epic Adventures, The Highwayman, The Woods Out Back, The Cleric Quintet, Star Wars Episode II: Attack of the Clones, Chronicles of Ynis Aielle, The Demon Awakens, Immortalis, Trial by Fire, The Demon Spirit, The Demon Apostle, Stone of Tymora, The Dragon King, The Sword of Bedwyr, Luthien's Gamble, Spearwielder's Tales, Dragonslayer's Return, The Dragon's Dagger. Excerpt: The Icewind Dale Trilogy is a trilogy of novels written by R.A. Salvatore, a SciFi and fantasy author. The events depicted in the trilogy follow the events of The Dark Elf Trilogy, although the former was written beforehand. It then continues from the Halfling's Gem onto the next series, Legacy of the Drow. The Icewind Dale Trilogy contains three books: The Crystal Shard, Streams of Silver, and The Halfling's Gem. The trilogy tells the tale of the legendary drow, or dark elf ranger, Drizzt Do'Urden, the mighty barbarian warrior, Wulfgar, the tricky halfling Regis, a dwarf king, Bruenor, and Bruenor's adopted human daughter Catti-brie. The first of Salvatore's Forgotten Realms series, it describes the events that created some of the best-known characters in Forgotten Realms. The final book of this series The Halfling's Gem appeared in the New York Times Best seller list. Forgotten Realms: The Icewind Dale Trilogy series listing at the Internet Speculative Fiction Database In recent years, these and other books featuring the character Drizzt Do'Urden have been rebranded as installments of The Legend of Drizzt: current publications of the Icewind Dale Trilogy are identified on their covers as books IV, V, and VI of that series. Even i...

    . . an alphabet soup of -delight in language. Eat up."—Alice Sebold"Brilliant. Wildly inventive, profane, and hilarious."—Bret Easton EllisThe author of the acclaimed cult classic Dear Dead Person ("refreshing, nauseating, hilarious"—Kirkus) returns with this long-awaited collection of brilliantly written and outrageously imaginative short stories.Benjamin Weissman is the author of Dear Dead Person (High Risk/Serpent’s Tail, 1995). He is a contributing editor to Bomb Magazine and writes regularly for the contemporary art magazines Parkett and Artforum. A painter and a professor at Art Center College of Design and Otis College of the Arts, he now lives in Los Angeles.

    They include introductions for books of avant-garde poets; collaborations with visual artists, and articles for publications such as The New York Review of Books, The London Review of Books, and October.One section focuses on writers and literary works: strange tales from classical and modern China; the Psalms in translation: a skeptical look at E. B. White’s New York. Another section is a continuation of Weinberger’s celebrated political articles collected in What Happened Here: Bush Chronicles (a finalist for the National Books Critics Circle Award), including a sequel to “What I Heard About Iraq,” which the Guardian called the only antiwar “classic” of the Iraq War. A new installment of his magnificent linked “serial essay,” An Elemental Thing, takes us on a journey down the Yangtze River during the Sung Dynasty.The reader will also find the unlikely convergences between Samuel Beckett and Octavio Paz, photography and anthropology, and, of course, oranges and peanuts, as well as an encomium for Obama, a manifesto on translation, a brief appearance by Shiva, and reflections on the color blue, death, exoticism, Susan Sontag, and the arts and war.

    The poems deal with the impossibility of such an endeavor and celebrate our persistence in striving anyway.At its core, the collection is built around a very wise line from a Beatles song: I want to hold your hand. I want to hold your hand with no further expectations. I want to hold your hand instead of telling you I understand when I don’t. I want to hold your hand although we don’t always get along. I want to hold your hand despite the calluses, scratches, and scars that get in the way. I want to hold your hand knowing I’ll have to let it go one day.I just want to hold your hand.

    EARLY WORKS: ACTOS, BERNABE AND PENSAMIENTO SERPENTINE is three books in one: 1) a collection of one act plays by Valdez and the famous farmworker theater, El Teatro Campesino, 2) one of the first fully realized, full-length plays by Valdez alone, and 3) an original narrative poem by Luis Valdez. In the first part are collected the original, improvised works of El Teatro Campesino that deal with the exploitation of Mexican farm labor in the California fields, the discrimination found by Mexicans in the schools, and Mexicans being turned into cannon fodder by the U.S. Army in Vietnam. Bernabe is a touching, Lorcaesque poetic drama about a town fool's enchantment and ultimate unity with the earth. Pensamiento serpentino is a long, philosophical poem, based on Mayan thought and cosmology, which analyzes the cultural, religious and political circumstances of Mexican Americans and prepares a metaphysical framework for their future.

    Eliot, Elizabeth Bishop, John Ashbery -- and Jorie Graham. The New Yorker places Ms. Graham in this distinguished line of poets, heralding the Pulitzer Prize winner as a profound voice in American poetry. Now, in her eighth collection, she further enhances her reputation with a book-length sequence of verse that is a stunning work of grandeur.The New Republic writes, "for 'swarm,' in other words...read 'be born again.' Graham is writing about a spiritual turning point, a new beginning.... Beauty -- that is, the pure sense-perception which has long been a concern for Graham -- is no longer the most important criterion. Now goodness is...[and] the idea of submission, of obedience, without understanding: one must 'yield' before 'hearing the reason' for yielding."