It’s about getting lost -- that is, it is about losing yourself in a place and a moment. The little things that tether you to what’s familiar are gone, and you become a conduit through which the sensation of the place is felt.” -- from the introduction by Susan OrleanThe twenty pieces in this year’s collection showcase the best travel writing from 2006. George Saunders travels to India to witness firsthand a fifteen-year-old boy who has been meditating motionless under a tree for months without food or water, and who many followers believe is the reincarnation of the Buddha. Matthew Power reveals trickle-down economics at work in a Philippine garbage dump. Jason Anthony describes the challenges of everyday life in Vostok, the coldest place on earth, where temperatures dip as low as minus-129 degrees and where, in midsummer, minus-20 degrees is considered a heat wave.David Halberstam, in one of his last published essays, recalls how an inauspicious Saigon restaurant changed the way he and other reporters in Vietnam saw the world. Ian Frazier analyzes why we get sick when traveling in out-of-the-way places. And Kevin Fedarko embarks on a drug-fueled journey in Djibouti, chewing psychotropic foliage in “the worst place on earth.”Closer to home, Steve Friedman profiles a 410-pound man who set out to walk cross-country to lose weight and find happiness. Rick Bass chases the elusive concept of the West in America, and Jonathan Stern takes a hilarious Lonely Planet approach to his small Manhattan apartment.A brief and awkward tour of the end of the Earth / Jason Anthony --Lost in space / Rick Bass --High in hell / Kevin Fedarko --A kielbasa too far / Ian Frazier --Lost in America / Steve Friedman --Long day's journey into dinner / Elizabeth Gilbert --Arieh / Reesa Grushka --The boys of Saigon / David Halberstam --Hutong Karma / Peter Hessler --Miles from nowhere / Edward Hoagland --Birth of a nation? / Ian Parker --The long way home / Nando Parrado --Do not disturb / Ann Patchett --The magic mountain / Matthew Power --Streets of sorrow / David Rakoff --The incredible Buddha boy / George Saunders --Brazil's untamed heart / Gary Shteyngart --Circle of fire / Andrew Solomon --The lonely planet guide to my apartment / Jonathan Stern --Fantasy Island / Cynthia Zarin

    It is essentially a conversation among hundreds of women of all nationalities—famous, anonymous, religious, secular, married, single, young, old—on the subject of clothing, and how the garments we put on every day define and shape our lives. It began with a survey. The editors composed a list of more than fifty questions designed to prompt women to think more deeply about their personal style. Writers, activists, and artists including Cindy Sherman, Kim Gordon, Kalpona Akter, Sarah Nicole Prickett, Tavi Gevinson, Miranda July, Roxane Gay, Lena Dunham, and Molly Ringwald answered these questions with photographs, interviews, personal testimonies, and illustrations. Even our most basic clothing choices can give us confidence, show the connection between our appearance and our habits of mind, express our values and our politics, bond us with our friends, or function as armor or disguise. They are the tools we use to reinvent ourselves and to transform how others see us. Women in Clothes embraces the complexity of women’s style decisions, revealing the sometimes funny, sometimes strange, always thoughtful impulses that influence our daily ritual of getting dressed.

    Literary theory, philosophy, and linguistics rub up against memory, dreamscapes, and fancy, making the practice of writing a metaphor for the illusory nature of experience. Betwixt and Between is, in many ways, simply a book about how to live.

    Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected — and most popular — of its kind.The Best American Essays 2012 includesMarcia Angell, Miah Arnold, Mark Doty, Joseph Epstein, Jonathan Franzen,Malcolm Gladwell, Francine Prose, Lauren Slater,Sandra Tsing Loh, Jose Antonio Vargas, and others

    A Nebula and Hugo Award-winning writer of science fiction presents a collection of essays that explores the various issues, concepts, challenges, and paradoxes that confront the science fiction writer.

     In Our Women on the Ground, nineteen of these women tell us, in their own words, about what it's like to report on conflicts that are (quite literally) close to home. From sexual harassment on the streets of Cairo to the impossibility of traveling without a male relative in Yemen, their challenges are unique—as are their advantages, such as being able to speak candidly with other women or gain entry to places that an outsider would never be able to access. Their daring, shocking, and heartfelt stories, told here for the first time, shatter stereotypes about Arab women and provide an urgently needed perspective on a part of the world that is often misunderstood. INCLUDING ESSAYS BY: Donna Abu-Nasr, Aida Alami, Hannah Allam, Jane Arraf, Lina Attalah, Nada Bakri, Shamael Elnoor, Zaina Erhaim, Asmaa al-Ghoul, Hind Hassan, Eman Helal, Zeina Karam, Roula Khalaf, Nour Malas, Hwaida Saad, Amira Al-Sharif, Heba Shibani, Lina Sinjab, and Natacha Yazbeck

    

    It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as what she found when the time came to read them.  “They were exactly where she said they would be: three shelves of beautiful cloth-bound books . . . I opened the first journal. It was empty. I opened the second journal. It was empty. I opened the third. It too was empty . . . Shelf after shelf after shelf, all of my mother’s journals were blank.” What did Williams’s mother mean by that? In fifty-four chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals. When Women Were Birds is a kaleidoscope that keeps turning around the question “What does it mean to have a voice?”

    In these moments we not only witness the reversibility of success, of prominence, but also come to visceral terms with our own vulnerable selves. We can't stop watching the scene of shame, identifying with it and absorbing its nearness, and relishing our imagined immunity from its stain, even as we acknowledge the universal, embarrassing predicament of living in our own bodies. With an unusual, disarming blend of autobiography and cultural commentary, noted poet and critic Wayne Koestenbaum takes us through a spectrum of mortifying circumstances--in history, literature, art, current events, music, film, and his own life. His generous disclosures and brilliant observations go beyond prurience to create a poetics of abasement. Inventive, poignant, erudite, and playful, Humiliation plunges into one of the most disquieting of human experiences, with reflections at once emboldening and humane.

    When the online storytelling magazine SMITH asked readers to submit six-word memoirs, they proved a whole, real life can be told this way, too. The results are fascinating, hilarious, shocking, and moving. From small sagas of bittersweet romance ("Found true love, married someone else") to proud achievements and stinging regrets ("After Harvard, had baby with crackhead"), these terse true tales relate the diversity of human experience in tasty bite-size pieces. The original edition of Not Quite What I Was Planning spent six weeks on the New York Times bestseller list, and thanks to massive media attention—from NPR to the The New Yorker—the six-word memoir concept spread to classrooms, dinner tables, churches, synagogues, and tens of thousands of blogs. This deluxe edition has been revised and expanded to include more than sixty never-before-seen memoirs. From authors Elizabeth Gilbert, Richard Ford, and Joyce Carol Oates to celebrities Stephen Colbert, Mario Batali, and Joan Rivers to ordinary folks around the world, everyone has a six-word story to tell.

    McKinley. His name was Christopher Johnson McCandless. He had given $25,000 in savings to charity, abandoned his car and most of his possessions, burned all the cash in his wallet, and invented a new life for himself. Four months later, a party of moose hunters found his decomposed body. How McCandless came to die is the unforgettable story of Into the Wild.Immediately after graduating from college in 1991, McCandless had roamed through the West and Southwest on a vision quest like those made by his heroes Jack London and John Muir. In the Mojave Desert he abandoned his car, stripped it of its license plates, and burned all of his cash. He would give himself a new name, Alexander Supertramp, and, unencumbered by money and belongings, he would be free to wallow in the raw, unfiltered experiences that nature presented. Craving a blank spot on the map, McCandless simply threw away the maps. Leaving behind his desperate parents and sister, he vanished into the wild.

    Provocative and engaging, the Best American Science Writing 2009 as edited by Angier covers the full spectrum of scientific inquiry—from biochemistry, physics, and astronomy to genetics, evolutionary theory, and cognition.Introduction / by Natalie Angier --The itch / Atul Gawande --Twitchy / Sallie Tisdale --The first ache / Annie Murphy Paul --A journey inside the brain / Oliver Sacks --The truth about autism / David Wolman --Blocking the transmission of violence / Alex Kotlowitz --Reading the wounds / Jina Moore --A cloud of smoke / Jennifer Kahn --War! What is it good for? Absolutely nothing / John Horgan --Face-offs of the female kind / Marina Cords --Tough lessons from golden rice / Martin Enserink --Back to the future / J. Madeleine Nash --A tall, cool drink of ... sewage? / Elizabeth Royte --Contagious cancer / David Quammen --Looking up / Jennifer Margulis --Birdbrain / Margaret Talbot --Want to remember everything you'll ever learn? Surrender to this algorithm / Gary Wolf --Hello, HAL / John Seabrook --The anonymity experiment / Catherine Price --The sky is falling / Gregg Easterbrook --Big brain theory: have cosmologists lost theirs? / Dennis Overbye --The final frontier / Karen Olsson --Perhaps death is proud; more reason to savor life / Theresa Brown --Evolutionists flock to Darwin-shaped wall stain / The Onion

    But what’s involved in bringing these narratives into the classroom—in creative writing, cultural studies, women’s and ethnic studies, and social science and literature courses? How may instructors engage the philosophical, historical, social, and theoretical contexts of the emerging field of autobiography studies?Sidonie Smith and Julia Watson, two authorities in life narrative studies distill their diverse forays into life writing in a concise yet far-reaching overview of key terms, issues, histories, and texts in autobiography studies. Reading Autobiography is a step-by-step introduction to the differences of self-narrative from fiction and biography; the components of autobiographical acts; such core concepts as memory, experience, identity, agency, and the body; the textual and critical history of the field; and prospects for future research. Organized as a user-friendly handbook, it includes a glossary of key words, suggestions for teaching, and extensive primary and secondary bibliographies. Sidonie Smith is professor of English and women’s studies at the University of Michigan. Julia Watson is associate professor of comparative studies at Ohio State University.

    Featuring stories by Jan Morris, Tim Cahill, Simon Winchester and Dave Eggers. This ebook does not contain essays by Pico Iyer and Tanya Shaffer, which were part of the print collection. I greatly appreciate the theme of this book that gathers stories of kindness received when it was most needed and perhaps least expected. I am sure they will inspire everyone who reads them, encouraging each of us to take whatever opportunities arise to be kind to others in turn. - HIS HOLINESS THE DALAI LAMA The Kindness of Strangers is a wonderful companion for travel. It enlarges us, reminds us that serendipity is one of the ultimate joys of life's constant journey. - AMY TAN A wonderful idea beautifully realized. I enjoyed it immensely.- BILL BRYSON About Lonely Planet: Started in 1973, Lonely Planet has become the world's leading travel guide publisher with guidebooks to every destination on the planet, as well as an award-winning website, a suite of mobile and digital travel products, and a dedicated traveller community. Lonely Planet's mission is to enable curious travellers to experience the world and to truly get to the heart of the places where they travel. TripAdvisor Travellers' Choice Awards 2012 and 2013 winner in Favorite Travel Guide category 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia) *#1 in the world market share - source: Nielsen Bookscan. Australia, UK and USA. March 2012-January 2013

    Dea Bala never expected the outpouring of responses that would follow. She was working as a lobbyist when the idea was born: she'd chat up respondents on the phone or at a coffee shop and let them tell her about their lives. Dea Bala soon had to quit her day job to make time for all of the Craigslist sessions. She took notes during each conversation and journaled about the emotional experience to expertly inhabit the voice of each subject. What emerges is a collection of narratives, all in first person, of anonymous people revealing their deepest, darkest secrets; or at least the most poignant moments of their lives. Infidelity, addiction, loss, corruption, the search for unconditional love—reading these carefully, empathetically crafted monologues reveals how suffering is something we all have in common. Each tragedy or triumph is unique, but the intensity of feeling is not.