You think about it, fantasize about it, live through it in your head. But what would you do if zombies became a reality? If you actually were to see the dead walk, attack and kill people you know - who then rise right in front of your eyes? What would you do when the undead don't follow the script you've played out - over and over - in your own mind?Find out what happens to a woman in central Illinois when her life is turned upside down. Zombies become real and so does the danger. Her family means the most to her, but can she keep them alive? Can she keep herself alive?In this short story that begins the full-length series, you are a big part of it. The main character "speaks" to you often and you're invited into her thoughts - which can be quite humorous at times. She's not perfect and she knows it.She strong and she's a fighter...but she doesn't know it.

    And that something is stalking their daughter. Originally released several chapters at a time on the podcast Ghosts in the Burbs, Lilith is a tale of demonic possession, motherhood, and isolation.

    She has a wonderful best friend and an auntie who is bonkers, yes, but loves her to the moon and back. But Robin has a secret. Behind the mask she carefully applies every day, things just feel ... grey. And lonely. She struggles to fit in with the school mum crew. Online dating is totally despair-inducing, and she worries every day about raising her little girl with self-confidence, courage and joy.What Robin longs for is someone (over the age of six) to share with - someone who's always on her team. After 4 years (2 months, and 15 days!) of single-mum-dom, it's time for Robin Wilde to Change. Her. Life. Exciting new opportunities are about to come Robin's way ... Perhaps a man, perhaps the chance of a lifetime ...What will Robin do with the possibilities she creates for herself? And what potential will she unlock if she takes the leap?

    Exactly one week after watching the tape, four teenagers die one after another of heart failure. Asakawa, a hardworking journalist, is intrigued by his niece's inexplicable death. His investigation leads him from a metropolitan tokyo teeming with modern society's fears to a rural Japan--a mountain resort, a volcanic island, and a countryside clinic--haunted by the past. His attempt to solve the tape's mystery before it's too late--for everyone--assumes an increasingly deadly urgency. Ring is a chillingly told horror story, a masterfully suspenseful mystery, and post-modern trip.

    No one outside of these dank basement walls knows she’s here. No one can hear her scream.   Sofia Flores knows she shouldn’t have gotten involved. When she befriended Riley, Grace, and Alexis on her first day at school, she admired them, with their perfect hair and their good-girl ways. They said they wanted to save Brooklyn. They wanted to help her. Sofia didn’t realize they believed Brooklyn was possessed.   Now, Riley and the girls are performing an exorcism on Brooklyn—but their idea of an exorcism is closer to torture than salvation. All Sofia wants is to get out of this house. But there is no way out. Sofia can’t go against the other girls . . . unless she wants to be next. . . .   In this chilling debut, Danielle Vega delivers blood-curdling suspense and terror on every page. By the shockingly twisted end, readers will be faced with the most haunting question of all: Is there evil in all of us?

    His career has spanned more than half a century, his lyrics have become synonymous with musical theater and popular culture, and in Finishing the Hat—titled after perhaps his most autobiographical song, from Sunday in the Park with George—Sondheim has not only collected his lyrics for the first time, he is giving readers a rare personal look into his life as well as his remarkable productions.Along with the lyrics for all of his musicals from 1954 to 1981—including West Side Story, Company, Follies, A Little Night Music and Sweeney Todd—Sondheim treats us to never-before-published songs from each show, songs that were cut or discarded before seeing the light of day. He discusses his relationship with his mentor, Oscar Hammerstein II, and his collaborations with extraordinary talents such as Leonard Bernstein, Arthur Laurents, Ethel Merman, Richard Rodgers, Angela Lansbury, Harold Prince and a panoply of others. The anecdotes—filled with history, pointed observations and intimate details—transport us back to a time when theater was a major pillar of American culture. Best of all, Sondheim appraises his work and dissects his lyrics, as well as those of others, offering unparalleled insights into songwriting that will be studied by fans and aspiring songwriters for years to come. Accompanying Sondheim’s sparkling writing are behind-the-scenes photographs from each production, along with handwritten music and lyrics from the songwriter’s personal collection. Penetrating and surprising, poignant, funny and sometimes provocative, Finishing the Hat is not only an informative look at the art and craft of lyric writing, it is a history of the theater that belongs on the same literary shelf as Moss Hart’s Act One and Arthur Miller’s Timebends. It is also a book that will leave you humming the final bars of Merrily We Roll Along, while eagerly anticipating the next volume, which begins with the opening lines of Sunday in the Park with George.

    Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron’s stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.Barron returns with his third collection, The Beautiful Thing That Awaits Us All. Collecting interlinking tales of sublime cosmic horror, including “Blackwood’s Baby”, “The Carrion Gods in Their Heaven”, and “The Men from Porlock”, The Beautiful Thing That Awaits Us All delivers enough spine-chilling horror to satisfy even the most jaded reader.

    No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen's new job as an apartment sitter at the Bartholomew, one of Manhattan's most high-profile and mysterious buildings. Recently heartbroken and just plain broke, Jules is taken in by the splendor of her surroundings and accepts the terms, ready to leave her past life behind.As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid, who comfortingly, disturbingly reminds her of the sister she lost eight years ago. When Ingrid confides that the Bartholomew is not what it seems and the dark history hidden beneath its gleaming facade is starting to frighten her, Jules brushes it off as a harmless ghost story—until the next day, when Ingrid disappears.Searching for the truth about Ingrid's disappearance, Jules digs deeper into the Bartholomew's dark past and into the secrets kept within its walls. Her discovery that Ingrid is not the first apartment sitter to go missing at the Bartholomew pits Jules against the clock as she races to unmask a killer, expose the building's hidden past, and escape the Bartholomew before her temporary status becomes permanent.

    As war raged on in Vietnam and the cold war continued to escalate, Hollywood began to heat up, recovering from its commercial crisis with box-office successes such as Star Wars, Jaws, The Exorcist, and The Godfather. Thanks to directors like Spielberg and Lucas, American cinema gave birth to a new phenomenon: the blockbuster. Meanwhile, across the Atlantic, while the Nouvelle Vague died out in France, its influence extended to Germany, where the New German Cinema of Fassbinder, Wenders, and Herzog had its heyday. The sexual revolution made its way to the silver screen (cautiously in the US, more freely in Europe) most notably in Bertolucci's steamy, scandalous Last Tango in Paris. Amidst all this came a wave of nostalgic films (The Sting, American Graffiti) and Vietnam pictures (Apocalypse Now, The Deer Hunter), the rise of the anti-hero (Robert De Niro, Al Pacino, Dustin Hoffman), and the prestigious short-lived genre, blaxploitation.

    She is able to see the unbroken link of the macabre that ties Edgar Allan Poe to Anne Rice and to recognize the dark psychological bonds between Henry James and Stephen King. This remarkable anthology of gothic fiction, spanning two centuries of American writing, gives us an intriguing and entertaining look at how the gothic imagination makes for great literature in the works of forty-six exceptional writers. In showing us the gothic vision—a world askew where mankind’s forbidden impulses are set free from the repressions of the psyche, and nature turns malevolent and lawless—Joyce Carol Oates includes Henry James’s “The Romance of Certain Old Clothes,” Herman Melville’s horrific tale of factory women, “The Tartarus of Maids,” and Edith Wharton’s “Afterward,” which are rarely collected and appear together here for the first time.Added to these stories of the past are new ones that explore the wounded worlds of Stephen King, Anne Rice, Peter Straub, Raymond Carver, and more than twenty other wonderful contemporary writers. This impressive collection reveals the astonishing scope of the gothic writer’s subject matter, style, and incomparable genius for manipulating our emotions and penetrating our dreams. With Joyce Carol Oates’s superb introduction, American Gothic Tales is destined to become the standard one-volume edition of the genre that American writers, if they didn’t create it outright, have brought to its chilling zenith.rom Wieland, or The transformation / Charles Brockden Brown --The legend of Sleepy Hollow / Washington Irving --The man of adamant / Nathaniel Hawthorne --Young Goodman Brown / Nathaniel Hawthorne --The Tartarus of maids / Herman Melville --The black cat / Edgar Allan Poe --The yellow wallpaper / Charlotte Perkins Gilman --The romance of certain old clothes / Henry James --The damned thing / Ambrose Bierce --Afterward / Edith Wharton --The striding place / Gertrude Atherton --Death in the woods / Sherwood Anderson --The outsider / H.P. Lovecraft --A rose for Emily / William Faulkner --The lonesome place / August Derleth --The door / E.B. White --The lovely house / Shirley Jackson --Allal / Paul Bowles --The reencounter / Isaac Bashevis Singer --In the icebound hothouse / William Goyen --The enormous radio / John Cheever --The veldt / Ray Bradbury --The Dachau shoe / W.S. Merwin --The approved / W.S. Merwin --Spiders I have known / W.S. Merwin --Postcards from the Maginot Line / W.S. Merwin --Johnny Panic and the Bible of dreams / Sylvia Plath --In bed one night / Robert Coover --Schrödinger's cat / Ursula K. Le Guin --The waterworks / E.L. Doctorow --Shattered like a glass goblin / Harlan Ellison --Human moments in World War III / Don DeLillo --The anatomy of desire / John L'Heureux --Little things / Raymond Carver --The temple / Joyce Carol Oates --Freniere (from Interview with the Vampires) / Anne Rice --A short guide to the city / Peter Straub --In the penny arcade / Steven Millhauser --The reach / Stephen King --Exchange value / Charles Johnson --Snow / John Crowley --The last feast of Harlequin / Thomas Ligotti --Time and again / Breece D'J Pancake--Replacements / Lisa Tuttle --Spirit seizures / Melissa Pritchard --Cat in glass / Nancy Etchemendy --The girl who loved animals / Bruce McAllister --Ursus Triad, later / Kathe Koja and Barry N. Malzberg --(from Geek Love) The nuclear family: his talk, her teeth / Katherine Dunn --Subsoil / Nicholson Baker

    Determined to improve life for her and her son, Christopher, she flees an abusive relationship in the middle of the night with her child. Together, they find themselves drawn to the tight-knit community of Mill Grove, Pennsylvania. It's as far off the beaten track as they can get. Just one highway in, one highway out.At first, it seems like the perfect place to finally settle down. Then Christopher vanishes. For six long days, no one can find him. Until Christopher emerges from the woods at the edge of town, unharmed but not unchanged. He returns with a voice in his head only he can hear, with a mission only he can complete: Build a treehouse in the woods by Christmas, or his mother and everyone in the town will never be the same again.Twenty years ago, Stephen Chbosky's The Perks of Being a Wallflower made readers everywhere feel infinite. Now, Chbosky has returned with an epic work of literary horror, years in the making, whose grand scale and rich emotion redefine the genre. Read it with the lights on.

    Interspersed with pages from Alexa's notebooks and many a photo of a good night out, It appears in real cloth, with hand-crafted marbled endpages covered in polkadots, stripy head and tail bands, and luxiouriously creamy paper. Witty, charming and with a refreshingly down-to-earth attitude, It is a must-have for anyone who loves fashion, worries about growing up, or loves just about everything Alexa Chung.

    But the sight of a strange man in a grocery store one night reawakens her dormant sexuality and soon Angela embarks on a dangerous descent into the world of underground pornography and back-alley plastic surgery. As the stakes get higher, long-buried memories resurface and Angela finds herself enamored with Reena, a fetish film performer. With some help from a queer gang called The Waifs, Angela is forced to make the decision between her unhappy upper-class life and the treacherous world of underground film.

    This is Koontz's spellbinding collection of takes interconnected by the strange highways of human experience: adventures, terrors, failures and triumphs.

    Matt Franklin and his companions would rob the Securicor van. Simple. Until the job turned into a nightmare. Two of them are shot dead and another fatally wounded. But who is trying to wipe them out, killing not just them but their families too? How are the Government and the British army implicated? What lurks within a secret research establishment in the English countryside? Franklin has to find out. Finally the only one left alive, he tires of being the prey and decides to become the hunter. His quest will bring him into conflict with forces he cannot begin to imagine or understand but he is driven by a need for revenge that overrides his fear. Aided by a desperate detective, Franklin becomes embroiled in a series of events that lead to a terrifying climax in the London Underground where he comes face to face with the answers he has sought. Like all of us, Franklin was told monsters don't exist. He's about to find out someone was lying...