It is coming.It is 1874 and Gideon Long is dying. Wandering the savage desert of the New Mexico Territory, he craves a last drink before he bleeds out. On the brink of madness, he discovers a place best left forgotten and makes an insidious bargain: escape his fate and incur a debt too great for one man. His country will pay the price over the twisting course of more than a century and Gideon will learn there are worse things to bargain with than the devil.(Source: back cover)Liminal States is the debut novel from SomethingAwful editor Zack Parsons, and it's extraordinary. It begins as a grim, relentless western novel that describes a doomed love triangle between a simple lawman, the twisted scion of an land-baron, and a woman who has married one but thinks she might belong with the other. After a botched train robbery and an epic battle, Gideon (the rich man's son) finds himself gutshot in the desert, led by a mysterious spirit animal to a mystical pool that dissolves him and then reincarnates him, young and whole and vital and immortal. Gideon goes back for the woman he loves, only to discover that she has died in childbirth, and, enraged, he kidnaps the lawman who was her husband and throws him into the pool, too. And now they are both immortal. Every time they die, they are reborn in the pool, over and over, locked in orbit around each other like twin suns being drawn into a destructive nova. This first third of the novel is dark and bloody and remorseless, a story of revenge and tragedy that doesn't let up, until...

    Minae is a Japanese expatriate graduate student who has lived in the United States for two decades but turned her back on the English language and American culture. After a phone call from her older sister reminds her that it is the twentieth anniversary of their family's arrival in New York, she spends the day reflecting in solitude and over the phone with her sister about their life in the United States, trying to break the news that she has decided to go back to Japan and become a writer in her mother tongue.Published in 1995, this formally daring novel radically broke with Japanese literary tradition. It liberally incorporated English words and phrases, and the entire text was printed horizontally, to be read from left to right, rather than vertically and from right to left. In a luminous meditation on how a person becomes a writer, Mizumura transforms the "I-novel," a Japanese confessional genre that toys with fictionalization. An I-Novel tells the story of two sisters while taking up urgent questions of identity, race, and language. Above all, it considers what it means to write in the era of the hegemony of English--and what it means to be a writer of Japanese in particular. Juliet Winters Carpenter masterfully renders a novel that once appeared untranslatable into English.

    Near-future Oakland is a brave new world where evolved animals are members of society, the police monitor citizens by their karma levels, and mind-numbing drugs such as Forgettol and Acceptol are all the rage.Metcalf has been shadowing Celeste, the wife of an affluent doctor. Perhaps he's falling a little in love with her at the same time. When the doctor turns up dead, our amiable investigator finds himself caught in a crossfire between the boys from the Inquisitor's Office and gangsters who operate out of the back room of a bar called the Fickle Muse.Mixing elements of sci-fi, noir, and mystery, this clever first novel from the author of Motherless Brooklyn is a wry, funny, and satiric look at all that the future may hold.

    Not the typical romantic fantasies so often seen in Japanese writing, filled with water sprites and vengeful ghosts, these stories are a mixture of fantastic allegory, slightly skewed fables, and affecting romantic tales. Revealing the wide range of Dazai's imaginative powers, they also give a glimpse of his humane and idealistic side. From the title story, about an impoverished, henpecked scholar who is transformed by the love of a voluptuous bird, to "The Chrysanthemum Spirit," about a passionate gardener who meets a brother and sister with extraordinary powers, Dazai creates a world of fantasy and romance that is infused with his own psychological concerns. Many readers may recall the poignancy of Oscar Wilde's The Happy Prince or Han Christian Andersen. The collection is capped by two delightful stories-within-a-story, in which the assorted members of a quirky family compose alternate episodes of a slightly gothic romance with hints of Poe and Saki (in "On Love and Beauty") and a wildly elaborate retelling of Rapunzel that is engaging, horrifying, and touching by turns (in "Lanterns of Romance"). All in all, these warm, inventive, and life-affirming stories will strike a deep, satisfying chord in many readers.

    She is observed at all times by the undetected narrator, the Woman in the Yellow Cardigan. From a distance the Woman in the Purple Skirt looks like a schoolgirl, but there are age spots on her face, and her hair is dry and stiff. Like the Woman in the Yellow Cardigan, she is single, she lives in a small, run-down apartment, and she is short on money. The Woman in the Yellow Cardigan lures her to a job where she herself works, as a hotel housekeeper; soon the Woman in the Purple Skirt is having an affair with the boss. Unfortunately, no one knows or cares about the Woman in the Yellow Cardigan. That's the difference between her and the Woman in the Purple Skirt.Studiously deadpan, highly original, and unsettling, The Woman in the Purple Skirt explores the dynamics of envy, the mechanisms of power in the workplace, and the vulnerability of unmarried women in a taut, voyeuristic narrative about the sometimes desperate desire to be seen.

    Part thriller, part horror, part speculative fiction: this gripping read goes to the heart of ethical quandaries, forcing the reader to ask: "What if it were me?"- Sunday Times (SA)Malachi, a mute thirty-year-old man, has just received an extraordinary job offer. In exchange for six months as a warden on a top-secret organ-farming project, Raizier Pharmaceuticals will graft Malachi a new tongue.So Malachi finds himself on an oilrig among warlords and mass murderers. But are the prisoner-donors as evil as Raizier says? Do they deserve their fate?As doubt starts to grow, the stories of the desperate will not be silenced – not even his own. Covertly Malachi comes to know them, even the ones he fears, and he must make a choice – if he wants to save one, he must save them all. And risk everything, including himself."Sharp and compact but devastatingly poetic. This book packs real power into every page."- Charlie Human"Farren has created an extraordinary narrator in Malachi... [An] intense and memorable [read]."- SFX

    Kino wanders around the world on the back of Hermes, her unusual motorcycle. During their adventures, they find happiness, sadness, pain, decadence, violence, beauty, and wisdom. But through it all, they never lose their sense of freedom. This work tells the tale of one girl and her bike and the road ahead.

    Fleeing from Beirut in search of solace, Zahra stays with her uncle in West Africa—and then uses marriage as another kind of escape. Back in Beirut, love finally comes to her, but with terrible consequences. Banned in several Middle Eastern countries since its original publication, The Story of Zahra is an intoxicating, provocative story of a young woman’s coming of age in a city torn apart by war.With more than 21,000 copies in print of "Women Of Sand And Myrrh," and more than 15,000 copies of "The Story Of Zahra," Hanan al-Shaykh is the best known and most admired woman writer of the Arab world. The paperback publication of "Zahra" will bring this passionate and courageous novel to a much larger group of readers. Its haunting story of a young Lebanese woman who attempts to stem the violence in Beirut by initiating a sexual liaison with a sniper has "lifted the corner of a dark curtain" ( "Sunday Telegraph" ) from a world that fascinates us all." "The Story Of Zahra" is a classic by any standards."-- "Village Voice Literary Supplement.""This rich tale mesmerizes with its frank sexuality and scenes of war-torn Beirut."-- "Publishers Weekly."

    He was the first man to see a Martian...but he wasn't the last!It was estimated that a billion of them had arrived, one to every three human beings on Earth—obnoxious green creatures who could be seen and heard, but not harmed and who probed private sex lives as shamelessly as they probed government secrets.No one knew why they had come. No one knew how to make them go away—except, perhaps, Luke Devereaux. Unfortunately Devereaux was going slightly bananas, so it wouldn't be easy.But for a science-fiction writer nothing was impossible...

    When plague breaks out, the villagers flee, blocking the boys inside the deserted town. Their brief attempt to build autonomous lives of self-respect, love, and tribal valor is doomed in the face of death and the adult nightmare of war.

    . . save one. In the 1950s, random acts of possession begin to occur. Ordinary men, women, and children are the targets of entities that seem to spring from the depths of the collective unconscious, pop-cultural avatars some call demons. There’s the Truth, implacable avenger of falsehood. The Captain, brave and self-sacrificing soldier. The Little Angel, whose kiss brings death, whether desired or not. And a string of others, ranging from the bizarre to the benign to the horrific.As a boy, Del Pierce is possessed by the Hellion, an entity whose mischief-making can be deadly. With the help of Del’s family and a caring psychiatrist, the demon is exorcised . . . or is it? Years later, following a car accident, the Hellion is back, trapped inside Del’s head and clamoring to get out.Del’s quest for help leads him to Valis, an entity possessing the science fiction writer formerly known as Philip K. Dick; to Mother Mariette, a nun who inspires decidedly unchaste feelings; and to the Human League, a secret society devoted to the extermination of demons. All believe that Del holds the key to the plague of possession–and its solution. But for Del, the cure may be worse than the disease.

    Along the way, Karel Capek satirizes science, runaway capitalism, fascism, journalism, militarism, even Hollywood.

    I thought it meant stillness, a body gone limp. A marionette with its strings cut. Death was like a long vacation--a going away. Storms and flooding are worsening around the world, and a mysterious immune disorder has begun to afflict the young. Sophie Perella is about to begin her senior year of high school in Toronto when her little sister, Kira, is diagnosed. Their parents' marriage falters under the strain, and Sophie's mother takes the girls to Oxford, England, to live with their Aunt Irene. An Oxford University professor and historical epidemiologist obsessed with relics of the Black Death, Irene works with a centre that specializes in treating people with the illness. She is a friend to Sophie, and offers a window into a strange and ancient history of human plague and recovery. Sophie just wants to understand what's happening now; but as mortality rates climb, and reports emerge of bodily tremors in the deceased, it becomes clear there is nothing normal about this condition--and that the dead aren't staying dead. When Kira succumbs, Sophie faces an unimaginable choice: let go of the sister she knows, or take action to embrace something terrifying and new. Tender and chilling, unsettling and hopeful, The Migration is a story of a young woman's dawning awareness of mortality and the power of the human heart to thrive in cataclysmic circumstances.

    His quest takes him from Dayzone into the permanent dark of Nocturna. As the vicious, seemingly invisible serial killer known only as Quicksilver haunts the streets, Nyquist starts to suspect that the runaway girl holds within her the key to the city’s fate. In the end, there’s only one place left to search: the shadow-choked zone known as Dusk.

    Atile'i is one such boy, but as the strongest swimmer and best sailor, he is determined to defy destiny and become the first to survive.Alice Shih, who has lost her husband and son in a climbing accident, is quietly preparing to commit suicide in her house by the sea. But her plan is interrupted when a vast trash vortex comes crashing onto the shore of Taiwan, bringing Atile'i with it.In the aftermath of the catastrophe, Atile'i and Alice retrace her late husband's footsteps into the mountains, hoping to solve the mystery of her son's disappearance. On their journey, memories will be challenged, an unusual bond formed, and a dark secret uncovered that will force Alice to question everything she thought she knew.